WordCrafter Press runs an annual short fiction contest and publishes a resulting anthology. It began back in 2019, with a short fiction contest which resulted in the Whispers of the Past paranormal anthology. That anthology ended up with nine stories, by seven different authors for a total of 107 pages. Last year’s (2023) dark fiction anthology, Midnight Roost: Weird and Creepy Stories, was a combination of contest entries and submissions by invitation, included twenty-three stories, by twenty different authors for a total of 403 pages. So, the annual anthology has grown in both scope and quality over the years.
To date, WordCrafter Press has a paranormal and a multi-genre (fantasy, science fiction, paranormal,and horror) anthology trilogy, (which is made up of both contest entries and submissions by invitation), and I’m currently building a dark fiction triology, as well.
This year’s dark fiction anthology, Midnight Gardens, will be spectacular as Book 2 of the WordCrafter Midnight Anthology Series, partnering up with last year’s Midnight Roost.
Midnight Roost: https://books2read.com/MidnightRoostMidnight Garden: Coming in October 2024Books 1 & 2 of the WordCrafter Midnight Dark Fiction Anthology Trilogy
Writing short fiction is different than writing novel length works in many ways. Although short stories still require most of the same story elements as longer tales do, writers of short fiction must deal with them in a condensed format. There is no room for wasted or unnecessary words.
Likenesses with Short and Long Fiction
Like longer fiction, many of the story elements are still required to make a good story. Both formats need:
A good hook to draw the reader into the story: For longer fiction, this can be accomplished in the first few paragraphs, or maybe even the first page, but for short fiction, it must be accomplished quickly, within the first paragraph, or even with the first sentence.
An inciting incident: The inciting incident occurs at the beginning of the story and usually involves the main character making a choice which propells him into the tale and gets things moving. This is usually what makes the reader care about the character and what will happen next, making them keep reading.
Well developed and interesting characters: With short fiction, this can be tricky because you don’t have a lot of time in which to build character. I make my short fiction characters dynamic and colorful to make them stand out from the page and bring them to life for my readers quickly. No matter the length of the work, the author should always know way more about the character than they will ever use in the story. A character which is alive in the author’s mind first and foremost, making it easier to bring them to life for the reader. (I discuss several methods of character development in my “Writer’s Corner” post from September 2023, “Developing Characters with Depth”.)
Meaningful dialog: In short fiction, every word must count, so there is no room for everyday chit-chat. Every piece of dialog must serve a purpose. It is possible to let the reader see every nuance of your characters through the dialog consisting of both outer and inner dialog, as well as subtext, or unspoken body language, which can be used to emphasize or contradict spoken dialog. (I talk more about the use of subtext in my April 2024 “Writer’s Corner” post, “Visceral Character Portrayal”.)
Descriptive details: Use one or more senses to describe the setting and set the scene for readers, allowing them to experience the setting or location through the character’s eyes, ears, nose, mouth and skin.
Conflict and tension: Conflict can be either internal or external, or ideally, both, but it must force the character to make a choice and take action. Tension is created by events which involve opposing forces within the character (internal), between the character and opposing characters or forces beyond the character’s control (external). Obstacles are often placed in the way of resolving the conflict, making it even harder and increasing the tension even more.
A satisfying resolution: All conflicts should be resolved at the end of the story in a manner that will satisfy readers and not leave them feeling cheated. This can happen in any number of ways, but the conflicts that we’ve spent the last few pages building up to must be resolved in a manner that is logical and believable for the reader. Things don’t have to be all fixed, but we at least need an inkling that things have changed and are now headed in the right direction.
Differences with Short and Long Fiction
The right point of view and tense for the story: Many longer tales are told in the third person, past tense, which serves them well. Because we want to move through a short story rather quickly, we may need the story to move along at a faster clip. Often, this can be accomplished in short fiction by using a first person, present tense, giving the tale an intensified sense of immediacy, making short fiction better suited to this approach than for longer fiction.
Quick build up to climax or turning point in the story: This is what the reader has been waiting for, the climatic moment that will change everything from this point out. It could be an epiphany where the character realizes what must be done, or maybe he knew it all along and this is the moment when he decides to do it, but it should bring about some sort of resolution. In short fiction, you don’t have the luxury of a slow build, making it necessary to ratchet up the tension quickly and get to this point directly.
Descriptive dialog tags: For longer fiction, I was taught to stick to basic dialog tags, such as “said”, “asked”, “replied”, and maybe, “cried”, and then, use descriptors to illustrate the mood and tone, and raise emotion in and connect with readers. However, I have found that more descriptive dialog tags such as “smirked”, or “bellowed” are quite acceptable and even preferable for setting the scene with a minimal amount of words. I’m also beginning to see the value in leaving out the dialog tags all together where it is clear who the speaker is, to help keep the word count down by cutting out unnecessary words.
My Tips for Writing Short Fiction
Begin close to the end. The beginning of the story illustrates what was and the ending illustrates how things have changed or at least, the direction in which they are now headed. A trick used in screenwriting is to mirror the ending at the beginning, and then go back in time to show how we got to that point. So the first and last scenes act like bookends to your story. By mirroring your first and last paragraphs, this technique can also work well with short fiction, where there is limited space in which to tell your tale.
Each character should get their own paragraph containing dialog and subtext to show how the dialog is being delivered and making it clear to readers who is saying and doing what. When you switch characters, you switch to a new paragraph, (but not to a new point of view).
Include enough setting description to let readers get a visual image in their minds, but only include those details that will add to the story or help progress the plot, moving the story forward.
Choose a single point of view and stick with it. In short fiction, there isn’t enough room to develop multiple characters, so put us into one character’s head and leave us there.
From an editor’s perspective, (one who reads through and edits a lot of short fiction), please format your manuscript in standard manuscript format, with title and author name centered at the top of page, in a legible 12 pt. font, double spaced. And most importantly, follow submission guidelines!
Advantages of Anthologies
So, why do I go to all the trouble of reading through all these submissions, compiling and editing, formatting and publishing all these anthologies?
I’ll tell you. It takes a lot less time to write a short story than it does a novel, so publishing two or more per year allows me to get my name out there on more books each year. And it’s mutually beneficial to all contributors, as they are able to claim the book for their own author pages, so they are getting more books out there, too. It’s a win-win.
Plus, if all the contributors help with promotion, broadcasting to their readers about the book, you get the results of a much wider reach with your marketing, which means we sell more books. WordCrafter antholgies pay out with a royalty split, so the more books we sell, the more we all make. Again, win-win.
If you’d like to get a story into a WordCrafter anthology, watch for the call for submissions for next year’s contest in October, after the release of Midnight Garden on October 8. I’m putting it out early this year, (I usually do it right at the beginning of each year), and may be changing the submission deadline, so even if you have submitted to past contests, be sure to keep an eye out for the call. I will also be announcing the title for next year’ s anthology and cover reveal. (For now, I can tell you that it will be the third volume in the Midnight Anthology Trilogy, so it will be more dark fiction).
About Kaye Lynne Booth
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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This post is sponsored by The D.I.Y. Author and WordCrafter Press.
Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.
In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.
“Alone we can do so little. Together we can do so much.” – Helen Keller
I love collaborations.
They offer me the opportunity to meet and work with many wonderful authors. Collaborations are mutually beneficial to all participants involved, and there are many types of collaborations to choose from.
Co-Authors
There are different ways to handle this type of collaboration.
Some co-authors handle different character’s POV, like Mark Leslie did with his co-author, Julie Strauss with his Canadian Werewolf series book, Lover’s Moon. Mark wrote the chapters that were in the POV of the protagonist, Michael Andrews, while Julie wrote the chapters which were in girlfriend, Gail’s POV. They also narrated the audiobook in the same matter, which worked quite well.
Other co-authors just alternate chapters, or even sections of the book, passing it back and forth, each author beginning writing where the other author left off. I’m sure they begin with some type of outline, so everyone has a general idea of where the story is going.
I’ve never co-written a book in this manner, but I think it would be fun to get several authors together and improvise a story without an outline, with unexpected twists and turns galore, so none of the authors know where the story is going ahead of time. My most recent collaboration of this nature was an author/illustrator collaboration, with my children’s book series, My Backyard Friends. In this type of collaboration, I wrote the stories and Robbie Cheadle did the illustrations. The ways that you can collaborate on a book are endless.
Anthologies
I publish one or more anthologies each year, and they really are a lot of fun, in spite of all the hard work that goes into them. Anthologies are great because they multiply the promotional power of each book and offer extra editing power. They also offer opportunities to work with several talented authors, who also happen to be some pretty cool people.
During the editing process, after I’ve gone over each story, the authors have revised them and they’ve been compiled and edited as a whole, I send the manuscript out to all the authors to get a second, and even a third set of eyes on every story. I have them go over their own story, as well as the story of one or two others, instead of tying up their time editing the whole thing, because we all know authors are busy people.
Anthologies multiply promotional power, too. Each contributing author brings their own fan base with them, increasing the number of potential readers for the work as a whole. How many more readers will see a book promoted by twenty different authors than one promoted by a single author? The reach of the book is increased expotentially.
Blogs and Other Publications
That’s right. I collaborate with my wonderful blog team members, because each one brings something different to the table to help Writing to be Read offer some really great content which I couldn’t produce on my own, making it something of interest which draws traffic and brings in readers. Each one of them brings their own following with them, and over time, some of their readers have become fans of my works as well. Without my team, there would be no “Mind Fields”, “Undawntech”, “Growing Bookworms”, “In Touch with Nature” or “Treasuring Poetry” series, which currently make up the blog’s content.
“Treasuring Poetry” offers antoher collaboration opportunity in the annual themed poetry anthology in the Poetry Treasures series, which Robbie and I co-edit, working with the poets who have been guests on the blog series from the previous year. 2025 will be our fifth year for the anthology. Through this endeavor, I’ve been privaleged to work with so many talented and creative poets.
Other Types of Collaboration
Online magazines, ezines and other publications, podcasts or online talk shows or other interviews, or even online courses are collaborative and mutually beneficial to all collaborators. I’m sure there are others, but these are the ones that come to my mind.
Some types of collaboration benefit many, such as participation in writing events, either online or in person. As a graduate student and intern, I participated in a large public book signing with multiple authors, and WordCrafter hosted and organized two online virtual writing conferences, in 2020 and 2021. It was a lot of work, but it was an opportunity to work with many talented writers when setting up workshops and panel discussions, as well as promotional efforts. It also offered attendees opportunities to learn and make connections.
I’m thinking about doing another conference in 2025, and would welcome feedback from anyone who would be interested, either in attending, (I promise, tickets would be affordable), or collaborating on the program end.
About Kaye Lynne Booth
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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This post is sponsored by The D.I.Y. Author and WordCrafter Press.
Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.
In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.
I’m pleased to announce that Poetry Treasures 4: Natural World will be released in April. Featuring the poetry of Andrew McDowell, Robbie Cheadle, Patricia Furstenberg, Marsha Meara, Luanne Castle, D.L. Finn, Emily Gmitter, Kaye Lynne Booth, Selma Martin, Meril D. Smith, Frank Prem, and Colleen Chesebro. We are shooting for April 8th for this one, but stay tuned, as I’ll be posting an updates with more information on its release.
Short Fiction Contest Deadline
Just a reminder: The deadline for the 2024 WordCrafter Short Fiction Contest is April 30. So get those dark fiction stories in before it is too late. It’s only $5 to enter. Winner guaranteed inclusion in the WordCrafter 2024 Short Fiction Anthology, as yet untitled. You can find submission guidelines and fee entry portal here: https://writingtoberead.com/2024/01/01/call-for-submissions/
The Kickstarter campaign for Sarah is in full swing, but we haven’t fully funded yet. I set a $500 goal and we’re only 25% funded. The thing about Kickstarters is that they are an all or nothing deal. The campaign ends on February 12, and if it hasn’t fully funded by then, the backers pay nothing, and the author gets nothing, and all that is lost is the time and hard work put into the campaign. So, when you make a pledge, its just that and you don’t have to pay anything until the campaign ends on February 12, if it funds, and if it doesn’t, you pay nothing, and must wait until March 19th to get a copy of Sarah through distributors.
The good thing is, once funded, the author receives anything over and above the funding goal to help support the project even further. I’ve been discussing doing the series in audiobook with a talented narrator, and if this campaign funds enough above the funding goal, you will see that happen in the future.
That’s why I really want this campaign to be successful. And there’s no reason that it can’t be. We’ve got some exclusive rewards which can’t be found anywhere else: early digital copies of Sarah, signed print copies of Sarah, and Special Illustrated Editions of both Delilah & Sarah. (Special Edition covers and illustrations by DL Mullan of Sonoran Dawn Studios.) Plus both digital and signed print copies of Delilah are available as add ons.
Delilah: Special Illustrated EditionSarah: Special Illustrated Edition
The best piece of advice I was given when learning about Kickstarters was only do campaigns for projects that you are going to do anyway. So, if it doesn’t fund, it won’t mean the end of the project, but it will be disappointing.
You can help, and get some of those great rewards, by backing the campaign before February 12. Your support of the project could help to reach the funding goal and more. Won’t you consider supporting this project?
Sarah is Book 2 of the Women in the West Adventure Series. The series is western historical women’s fiction with strong female protagonists and historical figures from the true life turned fictional in each book.
Sarah
Sarah is a young girl trying to make a place for herself in the world.
Sarah is not the young girl who was stolen away from Delilah anymore. Now she is Hair of Fire, mate of Three Hawks, even as she blossoms into a young woman and tries to make a place for herself among the Ute tribe.
When she is stolen away from the life she’s made with the Utes, she struggles to survive in the heart of the Rocky Mountains. A streak of stubbornness and determination take this tough, feisty heroine up against wild beasts of the forest and the rugged mountain landscape to Glenwood Springs, Colorado, where she receives a less than welcoming reception by some.
Will this young woman find her way back to the Ute tribe which she’s come to think of as family, or will she discover a place among the colorful inhabitants of the Colorado hot springs and mining town?
Follow along on her journey to learn who she truly is and where she belongs in this rough, and often hostile frontier.If you like strong and capable female protagonists, you’ll love Sarah.
About Delilah
Delilah is a woman haunted by her past.
Her homecoming from prison quickly turns into a quest for vengeance when she is brutally raped and left for dead, and her fourteen-year-old ward is abducted. Sheer will and determination take this tough and gritty heroine up against wild beasts of the forest, Indians and outlaws to Leadville.
Can the colorful inhabitants of the Colorado mining town work their way into Delilah’s heart, offering a chance for a future she thought she’d lost along with her innocence?
If you like strong and capable female protagonists, you’ll love Delilah.
A New W.I.P.: The D.I.Y. Author
In February, I’ll begin the actual writing of The D.I.Y. Author, my first writing reference book, and I’m excited to tell you about it.
I’ve put together writing reference anthologies in the past, drawing on the expertise of many authors, but The D.I.Y. Author will be the first writing reference book I’ve ever created solo, so I’m very excited, (and a bit nervous), about it. The biggest problem with putting out a reference book such as this one, is imposter syndrome. I mean, reference books are written by experts, aren’t they? So to create a book like this, you must consider yourself to be an expert and be able to convince others that you are so they will read it. I’ve never considered myself to be an expert, in fact I spend a good amount of time learning whatever I can from others whom I consider to be experts. So, looking at myself as the expert is a different point of view for me, a different mindset, but I’m learning. And that is how this book came about.
This book is about a subject that I am an expert about: doing it all yourself on a very limited budget. That’s me. It’s what I do. And in The D.I. Y. Author, I’ll be sharing all the tips and tricks that I’ve picked up along the way. I’ll share with you how I do it, from planning the book, to writing the book, to publishing and marketing the book. And it’s all stuff that you can do, too!
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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
2024 promises to be exciting at WordCrafter Press and I am thrilled to tell you about it.
In January, book 2 of the Women in the West series, Sarah launches on Kickstarter and its going to be a good one. Rewards will include not only early digital and signed print copies of Sarah, but Special Edition Illustrated copies of both Sarah and Delilah, never before offered.
In March, Sarah will be released through distributors, and will be available at your favorite online retailers. I’ll be launching with a book blog tour and giveaway, so be sure and watch for that.
In April, Poetry Treasures 4: Natural World will be released through distributors. (The cover pictured above is just a fill in.) Featuring poetry written by guests of the 2023 “Treasuring Poetry” blog series with Robbie Cheadle. There will be a book blog tour for this book, with audio/video readings by the poets.
In May, my nonfiction writing reference book, D.I.Y. Author will be released through distributors, and will be available at your favorite online retailers. If you’re an author on a shoestring budget determined to find ways to write and sell books, this book is for you. Naturally, a book blog tour and giveaway will accompany this release.
In July, we have a Kickstarter campaign planned for my children’s book series. I’ll be releasing the first three books in the My Backyard Friends series, Heather Hummingbird Makes a New Friend, Timothy Turtle Discovers Jellybeans, and Charlie Chickadee Finds a New Home. After a first illustrator experience which turned sour, these books have been awaiting an illustrator for eight years. But I finally found one, whose illustrations I am proud to have featured in my books, Robbie Cheadle. If you know her, you might be familiar with the wonderful illustrations she’s begun to do recently, and you’ll understand why I am so thrilled to have her as an illustrator. These stories feature animal and bird characters in tales that each teach a social lesson. With Robbie’s beautiful illustrations, they are not to be missed.
In August, the first three books in the My Backyard Friends series will be released through distributors, and will be available at all your favorite distributors. I’ll be launching with a book blog tour and giveaway.
In September, a by invitation only themed anthology, Tales From The Hanging Tree, will be released through distributors and launched with a book blog tour and giveaway, with audio/video readings by the authors.
In October, the 2024 WordCrafter anthology will be released. Each year I release the annual anthology in October, which is just a scary month. Halloween is my favorite holiday, and I love scary stories, and other scary stuff, so releasing in October is condusive to dark fiction. In 2023, we had a great line-up of dark and scary stories in Midnight Roost, so we’re going with a dark fiction theme again this year. It will include both by invitation submissions and contest submissions that are worthy, and feature the winning story from the contest. (See Call for Submissions below.)
WordCrafter Quality Writing & Author Services
I’m happy to announce that in 2024, WordCrafter will be adding Book Trailers to our list of quality author services. We will have three different trailer designers available to choose from: myself, Robbie Cheadle and DL Mullan, and they will be offered at affordable prices.
On Writing to be Read, 2024 promises more of the new monthly blog series, “POP with Jeff Bowles”, which has been well recepted. A blog series about all things POP, the first Wednesday of every month.
We also have a new addition to the WtbR team. Starting in January, DL Mullan will be bringing us another new blog series the first Friday of each month, “Undawntech: Technology and the Creative Arts”. Be sure to check it out and give Dawn a big welcome.
Call for Submissions – 2024 WordCrafter Anthology
It’s time for the Call for Submissions for the 2024 WordCrafter Anthology, which we’re calling “Dark Fiction” for now. Dark fiction is the theme: horror, paranormal, dark fantasy, science fiction, speculative fiction. Any genre as long as it is dark or scary will do. I’m leaving it wide in the hopes of bringing in a diverse selection of stories that will keep readers awake at night.
Submission Guidelines
Genres: Paranormal, Dark Fantasy, Horror, Science Fiction, Dark Humor, Speculative Fiction any combination there of.
Length: up to 5000 words
Submission Deadline: April 30, 2023
Submissions open January 1 and close on April 30. Watch for the January 1 post for full submission guidelines and contest entry.
Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining
All through the month of November, I was busily working on Sarah, the second book in my Women in the West adventure series. I have a Kickstarter campaign planned for this book in January, and it will be released through distributors in March. I have to say that I was on a roll during the first three weeks, only missing the daily goal of 1667 words on all but three of those days. On the 21st, I registered over 35,000 words, with nine days left to reach the overall goal of 50,000.
Then, my computer screen gave up the ghost, and I had no image to work with, bringing me to a grinding halt. I couldn’t retrieve or back up my document, let alone write more.
Fortunately, I have a guardian angel and life long friend, who values my writing and may very well be my biggest fan. She made sure I had a new laptop coming as soon as she heard about my dilemma, in the hopes of saving the day. She is my oldest and dearest friend, and I always seem to hear from her just when I need her. This Thanksgiving session I made sure to offer up special thanks for her friendship.
WordCrafter Holiday Book Extravaganza
You won’t want to miss the WordCrafter Book Extravaganza when you’re looking for those perfect holiday gifts. December 1st – 22nd all books on the WordCrafter Press backlist will be available for under $3 each. The perfect prices for the perfect gifts, because we all know that books make wonderful gifts! Or, you can pick up those titles that have been sitting on your tbr list for yourself, so you’ll have plenty of stories to entertain you during the holiday season.
Books included in the Extravaganza:
Doubling Down on Book Reviews
Starting in November, I’ve posted extra Saturday Book Reviews to get in all the reviews I’ve committed to done before the end of the year. But I discovered that I had so many reviews that I was behind on, that one extra review a week wasn’t enough. So, in December I will also be posting Sunday Book Reviews as well. And I may even post some random extras, if I get all the way caught up. That’s right. All through December you can catch at least three book reviews per week, and just in time for the holiday season, because we all know books are the best gifts for friends and loved ones, or even just to treat yourself.
I want your scariest paranormal, dark fiction and horror stories for the 2023 WordCrafter Short Fiction Contest. Make my skin crawl, my spine tingle, and my heart race. Keep me up at night. Make me leave the light on, just in case. Show mw your deepest, darkest fears. See submissions guidelines below.
Submission Entry Fee
Please submit entry fee here for your 2023 WordCrafter Short Fiction Contest submission here.
$5.00
Submission Guidelines
Genres: Paranormal, Dark Fantasy, Horror or any combination there of.
Length: up to 5000 words
Submission Deadline: April 30, 2023
Pay: Royalty share
Rights: First Anthology Rights and audio rights as part of the anthology; rights revert to author one month after publication; publisher retains non-exclusive right to include in the anthology as a whole.
Open to submissions from January 1 through April 30, 2023.
Submit: A Microsoft Word or RTF file in standard manuscript format to KLBWordCrafter@gmail.com.
Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining
You’ve got better things to do with your Christmas day than to read lengthy blog posts, so I won’t post one.
Wishing you happy holidays from myself, WordCrafter Enterprises and Writing to be Read.
If you leave your holiday wishes in the comments and which of the books published by WordCrafter Press in 2022 is your favorite, I’ll send you a digital copy for free, but only if you respond on Christmas Day. After that, we’re on to New Year’s and 2023.
I often say that I am a one woman show at WordCrafter Press, and for the most part, that is true. I write stories and books, edit, publish and promote. But if I’ve learned only one thing throughout all of my writing and educational endeavors, it’s that there is just too much for a single person to handle it all. Especially when you are as over-ambitious as I am, and try to produce three different anthologies simultaneously.
One thing that I’ve found to be great about the independent author community is that most everyone is willing to extend a helping hand to others who are on the same journey, if perhaps at different points along the way. I have admired this in other authors whom I’ve met along my own journey, and aspired to do the same in my own writing endeavors. I do it by offering reviews on my blog, by doing author interviews, by running a newsletter swap group where members promote other members work in their newsletters, and by offering affordable editing and social media book promotion services.
A lot of this is just a way to pay it forward, and I’m a firm believer that it all comes back to me, in one way or another. Kevin J. Anderson refers to his writing community, which is growing with every cohort he takes in at Western Colorado University, his tribe. I was a part of that tribe and I guess I still am, although at a distance.
As I and my cohort members hang up our student hats and go back to our own individual writing lives, that network that we built during our course studies relaxes and becomes much more loosely knit, but I know they are all still there. Heck, I’m still in contact with most of the members of my original cohort, from my M.F.A., and some of those from my second emphasis cohort, too. Some drift away in time, but others have been, or will be, incorporated into my own tribe, the tribe that I’ve created right here, on Writing to be Read and social media channels. You, my friends, are a part of the writing community that I’ve created over a decade.
And that’s not a bad thing. This is the writing community which I have worked to build and create, and it’s filled with some really great people, who always seem to be there when I need them. (And hopefully, they can say the same about me.) Let me tell you a little bit about my tribe and the great people that make up my own writing network. if you’ve followed me for a time, you may know or recognize many of them.
First on the list is Robbie Cheadle, who puts out three different blog series on Writing to be Read, and coedits the Poetry Treasures anthology each year, is always willing to host tour stops for WordCrafter Book Blog Tours, and participates in WordCrafter Press anthologies and the resulting blog tours, and occasionally finds time to edit some of my works.
Next, is Jeff Bowles, who was in my second emphasis cohort. Jeff currently runs one blog series, but he has produced several others on the past, and he’s always willing to throw up a fill in post in a pinch. He has also participated in WordCrafter Press anthologies and the resulting blog tours, and in WordCrafter writing events.
Arthur Rosch has been a member of my blog team for many years, has participated in WordCrafter anthologies. D.L. Mullan has provided cover design services and helps with WordCrafter book events, and currently hosts tour stops and provides reviews for WordCrafter Book Blog Tours and has a story featured in the up coming Visions anthology.
Just as I depend on my blog team, WordCrafter Book Blog Tours couldn’t exists without my wonderful hosts: Miriam Hurdle, Patty Fletcher, Annette Rochelle Aben, Victoria Zigler, Carla Hicks, Barbara Spencer, James Cudney, and Jessica Bakers, in addition to those mentioned above.
My tribe is growing. I’ve recently added new friends, including Mark Leslie Lefebvre, who graciously joined in as a contributor for Ask the Authors 2022, and Sara Wesley McBride, who has two stories featured in the upcoming Visions anthology, and got her husband, Wes McBride, to design the fabulous new cover for it. And I am blessed with the opportunity to work with some truly talented authors with every anthology WordCrafter Press publishes, and every writing or book event WordCrafter hosts. And if you are a follower of Writing to be Read, or someone who pops in occassionally to see what content is offered here… You, dear readers, are all a part of my tribe, too. Without you, there wouldn’t be a blog.
So, you see, while my claim of being a one woman show is true in one sense, I really couldn’t do any of this without the members of my writing tribe. The world of the writers and authors is filled with marvelous writing communities from which we can all build and grow our own tribes.
Who’s in your tribe?
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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.
Even traditionally published authors need to have their work edited. In the past, authors who were traditionally published could count on their publishers for certain benefits, including help with marketing, editing, cover art, etc… But with the rise of independently published authors, those benefits can no longer be taken for granted and today, some publishers don’t provide any more, is editing. In their article “Why your publisher won’t edit your manuscript – and what to do about it”, (https://withoutbullshit.com/blog/why-your-publisher-wont-edit-your-manuscript-and-what-to-do-about-it), Writing Without Bullshit claims that publishers in 2021 are looking for ‘publishable as is’ manuscripts. That means that they are expecting your manuscript to be ready to publish, requiring at the most, minimal copy editing before sending it through the publication process.
If traditionally published authors still need to have their work edited, then it goes to figure that it’s just as vital for an indie author. Independently published authors once carried a bad rep, because of a flux of new authors, or want-to-be authors, who flooded the market with poorly written and badly edited, if edited at all, books with the new lack of gatekeepers which came with the rise of independent publishing. While self-publishing became more affordable and accessible to aspiring authors, there were not the quality buffers of traditional publishing, leaving gaps wide enough to allow a plethora of poor-to-horrible quality books out into the market.
Independently published authors have managed to overcome that initial bad rep for the most part, but only by putting on the work and creating books of excellent quality, which are professionally edited, with covers that are professionally designed, at some expense to the author. But of course, we all want are books to be the best that they can be. Right? Right.
So why are some authors tempted to skip the editing step in the writing process? Maybe they think that as writers they know all the rules so they can edit it themselves just as well. But another set of eyes can pick up things that editing with author’s eyes may not. It’s true. And even if you use a critique group, beta readers, or even relatives or friends to look over your story or book draft, chances are, they will pick up mistakes that you have missed.
No matter the reason, what it all comes down to though, is that editing is expensive, and many aspiring authors, who haven’t hit the bestseller lists yet, can’t afford to pay a professional editor. I know I certainly can’t. I do have my fellow authors, who are kind enough to help me out, (authors really are a great group, aren’t they?), give my manuscripts and stories a going over, but authors are busy people and editing takes time; time that could probably be used better writing, so it is not an ideal arrangement.
That’s why when I founded WordCrafter Quality Writing & Author Services, and added Write it Right Editing Services to those available, my motto was “You should not have to mortgage your house to have your book edited.” So, I tried to make Write it Right Editing‘s rates affordable, especially for those who haven’t risen to the top, or made it into the six figure authors club yet.
If you don’t want to spend a fortune to have your book edited, or you just want a quick proofread to be sure your work is ready for publication, maybe it would be worth your time to drop over to the WordCrafter website and give Write it Right Editing a look. I’ve been editing since 2010 and I am currently part of the Mirror, Mirror editorial team for Kevin J. Anderson and the Western State Colorado University‘s publishing cohort, as well as my editing duties for WordCrafter, so I have plenty of experience editing novels, anthologies, poetry and non-fiction. I’ll be taking on new clients in 2022, as I move my writing business into the full-time realm. If you’d like to learn more about Write it Right Editing Services, visit the WordCrafter website here.
Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing, writing is more than a passion. It’s a way of life.
She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you. She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); and Spirits of the West (“Don’t Eat the Pickled Eggs”). Her western, Delilah, her paranormal mystery novella and her short story collection, Last Call, are all available in both digital and print editions.
In her spare time, she keeps up her author’s blog, Writing to be Read, where she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. She’s also the founder of WordCrafter. In addition to creating her own imprint in WordCrafter Press, she offers quality author services, such as editing, social media & book promotion, and online writing courses through WordCrafter Quality Writing & Author Services. When not writing or editing, she is bird watching, or hiking, or just soaking up some of that Colorado sunshine.
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