Posted: August 10, 2018 | Author: kayelynnebooth | Filed under: Book Review, Books, Fiction, Post-Apocalyptic, Science Fiction, World Building | Tags: Book Review, Eugene W. Cundiff, Post-Apocalyptic, Science Fiction, Songs of the Earth |

The title is Songs of Earth: A Teller’s Tale, and the author, Eugene W. Cundiff is a story teller in following with the best of the tradition. A well-crafted science fiction post-apocalyptic story, with excellent world building, this book keeps the pages turning. Cundiff captures the imagination and doesn’t let go. I didn’t want to put it down.
Songs of Earth is a tale of an abandoned civilization, left by the Mongers, those who came before them, to fend for themselves in a harsh environment as best they could. On Luna, Elisheva is a Teller’s apprentice until the terraforming technology that enables their existence quits and she is sent with a group of Miners, a Marshall and an Engineer, on a journey into the wastelands, from which no one ever returns, to attempt repairs. In thier quest to save thier people, they uncover the secrets the Mongers never intended them to discover and travel much farther than any of them ever imagined they would have to repair the damaged machinery. And they solve the mystery of what happened to those who went into the wasteland before them, including Elisheva’s brother, but they aren’t the answers Elisheva had hoped to find.
Songs of Earth follows story telling traditions in exquisite form. I give it five quills.

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Posted: July 20, 2018 | Author: kayelynnebooth | Filed under: Book Review, Books, Science Fiction, Screenwriting, Stories | Tags: Book Review, Brave New Multiverse, Jeff Bowles, Science Fiction, Short Fiction, Short Stories, Short Story Collection |

Brave New Multiverse is a collection of unusual and unique short stories by Jeff Bowles, in which there is never a dull moment. You may be amazed, amused, confused, or even a little disgusted, but you will not be bored with any of the stories in this collection.
Bowles combines the craft of short story with screenwriting to create an experimental writing style that somehow works. His descriptive power is phenomenal, if a bit graphic. The worlds he has created may be strange and difficult to define, but they are also different from worlds encountered by any other author. In Itsies, ids are called itsies and you don’t got to love them, even if they wear a teddy bear suit. In The Many Deaths of Lazarus Lad, comic book heroes never ever die. In Detective Robot and the Murderous Spacetime Schism, robots and gorillas are detectives solving the case of the deceased dropping from the sky. In Donald Carmichael’s Brave New Multiverse: A trip to five very odd ‘verses’, where nothing is as it appears, or is it? And in Snip, Snip: where they take bigotry to new levels and have hang ups about testicles.
His characters are as diverse and unique as the worlds he’s created, and he pairs them into unanticipated couplings: Gorilla Todd and Detective Robot, an investigative team that can solve the crime, even in the face of the dead falling randomly from the sky; Donald Carmichael and Max, who don’t know love until it reaches out and bites them in the ass; Lazarus Lad and his egocentric dad, who know no other life; Nelson and Jay, who just wanted to help their injured pooch; Tug and Petunia, rude and obnoxious itsies, who may even be dangerous, belonging to Tom and Pamela, who don’t know the meaning of tough love.
Want to explore strange new worlds which you’ve never encountered before? Take a trip into any one of Jeff Bowles’ stories from this collection. I give Brave New Multiverse five quills.

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Posted: July 13, 2018 | Author: kayelynnebooth | Filed under: Book Review, Books, Dystopian, Fiction, Post-Apocalyptic, romance, Science Fiction, Young Adult |

Rotham Race, by Jordan Elizabeth, is a post-apocalyptic, dystopian YA romance; a crossing of genres that works well for the most part. The story has a good plot with a smooth flow, although the pacing felt rushed at times. The world which Jordan Elizabeth has created, where a nuclear blast annihilated half of country, and the government can’t be trusted, is both believable and thought provoking, and her characters are both relatable and likeable.
The Rotham Race is a tradition where young men and women go out into the wastelands left by a nuclear blast to find a microchip which can return things to the way they were, or so they are told. Each year dozens of racers set off into the wastelands never to be seen again. Troy Vonpackal is an idealistic orphan, determined to find the chip and save the world, and Barbie Chambers is the orphan who can help him achieve his goal. When fate throws them together, they find themselves falling in love, but there are many obstacles which stand in their way. When Troy returns with the chip, they both learn that the government may not have been entirely truthful about the race or the chip, and the truth may change their lives forever.
My only criticism is that there wasn’t enough foreshadowing to suspend my disbelief in certain places. Many of the conflicts are resolved with little difficulty, or in some cases, the solution is just handed to them, making some events seem too convenient for me to buy in. Yet, I can’t say this detracted from my enjoyment of the story, which was quite entertaining overall.
A quick and easy read, with an ending that comes too sudden. I felt like the characters had more to give, so maybe there will be a sequel. I give Rotham Race four quills.

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Posted: May 28, 2018 | Author: kayelynnebooth | Filed under: Author Profile, Fiction, Interview, Mystery, romance, Science Fiction, Speculative Fiction, Suspense, Thriller, Writing | Tags: Ashley Fontaine, Author Interview, Fatal Agreements, Writing |

I recently had the pleasure of virtually meeting this charming author when I did a review of her thriller, Zero Balance, earlier this month. This woman is an award winning, muti-genre, best selling author with over twenty books on the bestseller lists. Her genres include: Mystery, Thriller, Suspense, Science Fiction, Post-Apocalyptic, Coming of Age, Addiction, Romantic Suspense, and Short Stories. She’s an independent author, who founded her own independent press, BSMW, and one of her books has been turned into an independent film. Please help me welcome Ashley Fontainne to Writing to be Read.
Kaye: You brand yourself “The Dark Southern Belle” on your website. Where does this title come from?
Ashley: A fan coined the phrase in a review of one of my books. It made me smile. I knew as soon as I read it that it was the perfect catch phrase.
Kaye: Would you share a little about your own author’s journey with us?
Ashley: It has been a crazy ride! Seven years ago, I had no clue how my life would change when I hit “publish” on Amazon Kindle with my first title. I had no idea what I was doing or getting myself in to, and though the road has been rough at times, wouldn’t change a thing!
Kaye: What’s something most readers would never guess about you?
Ashley: I am a huge crybaby. In fact, I refuse to watch certain movies or read particular genres of books because, despite the subject matter of most of my books, I have a very sensitive side. I still tear up at the end scene of Homeward Bound when Shadow appears on the hill.
Kaye: What is the strangest inspiration for a story you’ve ever had?
Ashley: There have been a lot, but the one that stands out the most is for my zombie series. I am a huge fan of the genre and of course, The Walking Dead. I wanted to add a different take on how the zombie apocalypse starts. The rampant abuse of drugs in our society was the perfect fit and the second the two ideas connected, I started writing.
Kaye: You have some really interesting titles. One of my favorites is Fine as Frog Hair. The title makes me want to read it and I haven’t even read the description for the book. How do you decide the titles for your books? Where does the title come in the process for you?
Ashley: Fine as Frog Hair is a saying my grandfather was fond of using when asked, “How are you?” He liked to say, “Why honey, I’m fine as frog hair.” It’s a cute southern expression and since the short story is loosely based off his life, I thought the title fit perfectly. Like the stories, the titles appear out of thin air.
Kaye: You write in multiple genres. What are the differences for you as you write each one?
Ashley: Nothing really. I refuse to pigeonhole my creativity into just one genre. A story is a story no matter the backdrop. A character and/or idea pops into my head and I just let the words flow.
Kaye: You’re an award winning author. Which awards have you been the recipient of?
Ashley: Number Seventy-Five won the Bronze in Fiction/Suspense from Readers’ Favorite. The Lie won Gold from the Illumination Book Awards.
Kaye: Would you tell us about One of a Kind Covers?
Ashley: As I mentioned earlier, I didn’t know a thing about epub, mobi, formatting or cover design when I first jumped into this crazy world. Over the years, I taught myself how to do all of those things out of financial necessity, and in the course of doing so, other authors came to me, asking if I would design a cover for them, which is how One of a Kind Covers came about.
Kaye: You’re the founder of your own independent press, RSMW. Tell us about RSMW. ; What does RSMW stand for? What’s the story behind it?
Ashley: RMSW Press stands for Rambling Mad Southern Woman, which is also the name of my blog. While learning how to design a website and blog, I was so frustrated I almost gave up. I was complaining about it to my husband and said, “I feel like a rambling mad southern woman,” and poof! There was the title.
Kaye: Your latest release is Fatal Agreements, which came out April 23rd. Would you tell us a little about that book?
Ashley: Whispered rumors tickled the ears of the residents of an entire town for decades about the disturbing secrets of the old Halstead House, dating all the way back to the early 1920s. Most people didn’t believe them. Several people will soon discover they should have listened.
Three years after struggling to cope with the death of her beloved father and escaping an abusive relationship, Samantha Chapman decides it’s time to return to her hometown of Hot Springs. She buys the ramshackle Halstead House, eager to transform the dilapidated, abandoned piece of history into her new law office and residence, hoping it will be the start of a brighter chapter and a safe haven to escape her personal demons.
Instead of newfound freedom, things take a dark turn when the resurrection of the old home reveals the disturbing secrets hidden within its walls. When youthful transgressions of numerous people come to light, including ones some members of the Chapman family are desperate to contain, it reveals the sins of the past. They collide with the grave mistakes of the present, creating a perfect storm of chaos and death for not only the Chapman family but others as well.
Some will survive.
Others will get burned.
Sam and her loved ones realize some family secrets should have remained buried.
Kaye: Your book Ruined Wings was turned into an independent film. Can you tell us how that came about? Who wrote the screenplay?
Ashley: I wrote the screenplay along with the Executive Producer, Sabrina Stewart. We have been a tight duo since the first day we connected years ago when she auditioned to narrate Number Seventy-Five. I sent her the book and she loved it. Opioid addiction is a major crisis in our world and we hope through this movie to help stop the plague.
Kaye: What was it like to see your characters come alive on the screen?
Ashley: Life-changing. Humbling. Terrifying!
Kaye: You also have a GoFundMe campaign going to fund the film. Would you like to tell us about it and how readers can contribute?
Ashley: The film will be shared at no cost to educators and organizations to be played at schools, churches, civic meetings and youth organizations where it can target those most vulnerable to fall into the pit of abuse and addiction. Donate here: https://www.gofundme.com/independent-film-ruined-wings
Kaye: What is the working title of your next book?
Ashley: Blood Stain
Kaye: Which author, dead or alive, would you love to have lunch with?
Ashley: Edgar Allan Poe.
Kaye: What advice do you have for aspiring authors?
Ashley: Grow a thick skin. Never give up. Hone your craft. Write from the heart.
I want to thank Ashley Fontainne for joining us here on Writing to be Read. You can learn more about Ashley at the following places:
Website: http://www.ashleyfontainne.com/
Facebook Author Page: https://www.facebook.com/ashley.fontainne/
Blog: http://ramblingsofamadsouthernwoman.blogspot.com
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Posted: April 20, 2018 | Author: kayelynnebooth | Filed under: Book Review, Books, Fantasy, Fiction, romance, Science Fiction | Tags: Atlantis, Fantasy, Fiction, Gyre, Jessica Gunn, Lemuria, romance, Science Fiction |

Gyre, by Jessica Gunn is the first book in her Atlas Link series. It is the story of Chelsea, a descendent of Atlantis, who is just discovering her amazing powers and Trevor, a Lemurian descendent, who should be her mortal enemy, but instead falls for her in a big way. See? Boy meets girl, but there is no way they can be together, yet they will fight against all the odds, and even against family to prove them all wrong. Now if that isn’t the recipe for a perfect romance, I don’t know what is. As they are traveling aboard a top secret naval submarine complete with cloak, I think Gunn has the science fiction elements and Lemurians and Atlanteans with super powers pretty much covers the fantasy realm. If it sounds confusing, read the book. It’s actually a pretty good genre combination.
Chelsea is discovering her powers. First super strength, which she was able to ignore, or deny, but now she keeps teleporting to a location near Trevor any time she gets stressed. The problem is, Trevor is on a top secret U.S. Naval Sub cruising the ocean depths, but on that vessel also may lie the answers to Chelsea’s unasked questions about who she is really and she might learn to control her newfound powers. Unlike Chelsea, Trevor is aware of his heritage as a Lemurian, but he refuses to get involved in the war his people are wageing with the Atlanteans. He just can’t believe the girl he’s falling for is his innate enemy, and he’s able to keep it all under control until they find an Atlantean outpost filled with valuable artifacts on the ocean floor. It seems everybody wants those artifacts for their own reasons, and we can only guess who will get them, and where Chelsea will end up.
This story is well-written, with minimal telling of the tale. The characters are likeable, except for Trevor’s friend and fellow Lemurian, Valerie, who is a bit difficult to figure out, but I think that’s done on purpose to throw readers off the trail. I give Gyre four quills.

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Posted: March 9, 2018 | Author: kayelynnebooth | Filed under: Book Review, Books, Fiction, Science Fiction | Tags: Aliens, Book Review, Mark Todd, Roswell, Science Fiction, Strange Attractors |

I’m not sure how to classify Strange Attractors by Mark Todd. It is science fiction, but it doesn’t feel like science fiction. It feels like a story with well-developed characters you want to care about and an intricate plot, filled with irony, which keeps you guessing until the very last pages. Most of all, I think Strange Attractors is simply an interesting and entertaining read, a good, old fashioned, well crafted story that keeps the pages turning.
Conti is Morgan’s boss, but when she learns that the project she’s been working on has the potential to wipe out world populations, and has potential military applications, she wonders if her boss is losing his mind. And perhaps he is. Conti has seen little gray men near Roswell, but they aren’t what he thinks. Morgan is seeing one too, in the form of a little boy who looks strangely like her little brother. Although he shows her many things, including a strange craft, Morgan doesn’t believe in aliens, so she gives these things a different interpretation. When Morgan confronts her boss about her suspicions on the project, he seems to give her the brush off, and before all is through, Morgan doesn’t know who to trust. She’s sure the little boy who appears both in and out of her dreams is trying to tell her something, and it could be something that could change the fate of the world, but can she figure out his message while there is still time to avert disaster?
I enjoyed every page of this story. I was drawn to it as if to a strange attractor, something attractive and compelling. I give Strange Attractors five quills.

Posted: February 9, 2018 | Author: kayelynnebooth | Filed under: Book Review, Books, Fiction, Science Fiction | Tags: Book Review, Books, Pangaea: Eden's Planet, Science Fiction, Tom Johnson |

Pangaea: Eden’s Planet, by Tom Johnson is a science fiction story that engaged me through to the last page, offering me food for thought in some of my own writings. It is well crafted with an entertaining plot and characters that I grew to like in the brief time it took me to read it.
On a routine mission to ready Mars for colonization, a space anomoly sends their spaceship back to prehistoric Earth instead. Stuck in a hostile land before the existence of man or dinosaurs, the crew does their best to make the best of things. But faced with poisonous plants and animals, along with huge and vicious carnivores, the crew is dwindling. How can they survive?
The third person omnicient P.O.V. is always a little off-putting for me, but Tom Johnson crafts the story well and really does a nice job of pulling this viewpoint off. While there were a few logic problems, they weren’t so severe that I couldn’t buy in to this excellent plot and story line. The only thing I couldn’t overlook was the use of varied dialog tags, some which were distracting, actually pulling me out of the story.
Pangaea: Eden’s Planet is an engaging tale crafted with thought and skill. I give it four quills.

Posted: January 26, 2018 | Author: kayelynnebooth | Filed under: Book Review, Books, Dark Fantasy, Erotica, Fiction, Paranormal, romance, Science Fiction, Speculative Fiction, Stories | Tags: Anthology, Book Review, Doctrine of Indecency, Erotica, Short Stories |

The trick to writing erotica is being able to write a fully developed story line and add just the right amount of erotic imagry to create a story which both entertains and arouses readers at same time. There is an almost poetic art to it, a delicate balance. A balance few of the stories found in Doctrine of Indecency: 18 Coveted Tales of Lust, edited by Virginia Lee Johnson and Kat Mizera, manage to achieve. Most of the stories, while not of the exceptional variety, were not bad stories and some were quite entertaining.
I must give kudos for the variety of the stories contained within this erotic anthology. There seems to be something for everyone. Some stories stretch genre boundaries, including tales of erotic horror, such as A Cabin… Somewhere, by Kyle Perkins; the paranormal erotica of Wings of Change, by Cee Cee Houston; the anti-hero erotica of Revenge, by Virginia Lee Johnson; the speculative erotica of The Succubus’s Sin, by Taylor Rose; and the science-fiction erotica of Suicide Mission, by Lila Vale; or Lunar Gets Some Loving: A Purian Empire Short, by Crystal Dawn. There are also those that are geared more toward the traditional erotic story lines which explore various sexual preferences such as the three-way fun of Apple Bite, by A.R. Von; or Welcome to the Dark Side, by Erin Trejo; the military erotica of Deployment – Dalliance, by E.J. Christopher; the grocery store erotica of Fruit, Veg. & Starfish, by T.L. Wainwright; the swingers erotica of 3, by Eden Rose; the S & M erotica of House of the Rising Sun, by L.J. SeXton; the stranger erotica Delayed Ecstacy, by Tiffani Lynn; and there’s even a tale of social media erotica in Yearning for Desire, by Amanda O’lone.
My three favorites: Pleasure Bite, by Brianna West is well written vampire erotica and Dangerous Desire, by Samantha Harrington is hot and steamy, yet has a decent plot. I’ve been doing a lot of playing with POV, so I was especially drawn to the stories which used mutliple character POVs. While Inferno, by Kat Mizera uses multiple POVs with some skill, Pepper’s Play Pen, by Mia Sparks uses multiple POVs and is crafted with expertise.
The variety of stories included is commendable, but since none are exceptional, nor are any terrible, but of more average quality, I give Doctrine of Indecency three quills.

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Posted: January 22, 2018 | Author: kayelynnebooth | Filed under: Books, Dialogue, Exposition, Fantasy, Fiction, Science Fiction, Writing | Tags: Exposition, Fiction, Show vs. Tell, Writing, Writing to be Read |

A writer should show the reader, rather than tell the reader. Help them form a mental picture in their minds. Put them into the story. How many times have we all been told this? Finding a balance between showing and telling is a hard thing to do, but to be a good writer we must strive to achieve that balance.
I’m a person who likes to think big, and in my writing it’s no different. As many of you know, in graduate school, my genre fiction thesis project was the first book in my Playground for the Gods science fantasy series, In the Beginning. But, what you may not know is that my original thesis proposal was for what turned out to be the third book, only in my mind it was the only book and it spans back beyond prehistoric time. While preparing my thesis proposal the feedback that I recieved from instructors and cohorts time and again, was that my proposal would require too much exposition unless I created an epic tomb of unfathomable porportions, way beyond the scope of my thesis requirements, and impossible to complete in the time allowed.
The main problem was that there was a lot of background that I felt the reader needed to understand where the character was coming from in the now of the story. Most of that information was being communicated to my readers through exposition. The story wasn’t taking them back to relive the scene, it was simply filling them in on what they needed to know, because the story I wanted to tell spanned over billions of years. That’s a lot of backstory. That’s exposition.
Robin Conley saw a similar problem in her review of the movie Batman vs. Superman: Dawn of Justice, “Almost all of these really big elements deserved a proper set up because they are major story parts that will potentially carry over… The long exposition and set up in the film makes the story drag and hard to stay involved, no matter how many interesting elements there are.”
Robin explains what exposition does and why we don’t want too much of it. Too much exposition is like coming in in the middle of a film you’ve already seen, and filling in other viewers on what is happening, instead of letting them watch the film and figure it out for themselves.
That was the problem with my PfG story – way too much exposition. It happens all the time. And it’s easy to overlook it when you’re the author. Which is exactly what I had done with my thesis. I had that story outlined and plotted, but I kept having to stop and fill in the background details with exposition. And exposition tells your readers something, but it doesn’t provide a mental image for them. It doesn’t pulace them in the scene. Action and dialog accomplish those tasks quite well. And my cohorts and instructors were right, although at the time, I didn’t want to believe them.
My solution was to turn my story into a four part series. Hence the Playground for the Gods series was born. All that backstory, which had come out mostly in exposition, became a story of its own, one that I could show my readers, rather than telling them about it. My original story idea will eventually be book three, and although I did have to write the whole first book instead of the story I set out to tell for my thesis, that story outline is still waiting for me to put it in story form.
Of course, that isn’t the only way to solve problems of exposition, but this can be applied without creating entire novels. You simply expand on some scenes to eliminate exposition and create a longer story, chosing those scenes that are most vital to the story. You can also chose to leave certain information out, thus eliminating exposition without lengthening, and perhaps even shortening your story. It is a delicate balance, but as the writer, you must do what the story needs to achieve it. What works for one story may not necessarily be the answer for another.
So, how much exposition is too much? That’s a very subjective question, but generally speaking, if you’re telling your reader what happened, with a few lines of glib dialog thrown in here or there, then you have too much exposition. Your reader wants to get lost in the book, and for that, they need a story that is told in such a way that they feel like they are there.
We’ve all read stories like that. For me, it’s Anne Rice. I may have never been to New Orleans, but after reading some of her books, I feel like the Garden District and the French Quarter are old frieinds. I can smell the magnolia blossoms, and see the old plantation houses as if I’d been there. That’s the kind of story we, as authors, strive to write, regardless of the genre we write in. It’s the kind of story that has the perfect balance, using exposition only when absolutely necessary to fill in details, providing plenty of action and dialog to fill in the rest. It’s a delicate balance, but one we must all strive for.
Until next time, Happy Writing!
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Posted: December 29, 2017 | Author: kayelynnebooth | Filed under: Books, Cover Art, Fiction, marketing, Promotion, Publishing, Science Fiction, Self-Publishing, Writing, Writing Tips | Tags: Books, Delilah, Happy New Year, marketing, Relationship Add Vice, Stories, The Collapsar Directive, Writing, Writing to be Read |

Every year at this time I look back and so a review of what was published on Writing to be Read and my writing life. 2017 has been pretty eventful for both me and Writing to be Read, so this year I’m particularly excited about this look back. But, I’m also excited to get out my crystal ball and warm up my psychic abilities as we take a look forward that comes as we start the new year, because I think there may be some exciting things in store.
There were so many things that happened for me in 2017. In April, my western novel, Delilah was published by Dusty Saddle Publishing, which of course, is exciting. Delilah hasn’t done too bad on sales, but it didn’t make the best seller list. It has received some really excellent reviews, and is rated with four stars on Amazon. Although it may not be a huge success, for me it was a hard earned accomplishment, but the reward came the day I received my first royalty check. Yep, I’ve got royalties. Isn’t that the final proof that I’m a writer, at last?

I do have folks inquiring about a second novel, and for those who are wondering, Book 2 is in the working. My crystal ball tells me that it will be published sometime in the coming year, only this book, I may publish myself and skip the publisher as middle man. I’m having a time getting the sales data, and what I do have makes it appears as if what sales I do have, have been the results of my own marketing efforts, so I’m not seeing the benefit of sharing my royalties with a publisher, when I can do about everything they have done for me. In addition, mid-year the rather generic cover the publisher provided for the book was replaced by a cover that fits the story better, done for me by Sonoran Dawn Studios, which I am much happier with.
In addition I had two short stories published in 2017 by Zombie Pirates Publishing. The first, “If You’re Happy and You Know It” came out on August 1, in their science fiction anthology The Collapsar Directive. The story is a futuristic dystopian tale with just a touch of humor, in a world where productivity is high, but you’re only allowed to be happy on the weekend. 
The second story, “The Devil Made Her Do It”, just came out the 15th of this month in their Crime Romance anthology, Relationship Add Vice. It’s a tale about the crazy things we do for love and a girl, Betty Lou Dutton, who leaves hereself open to be taken advantage of and ends up taking the rap. My fortune telling abilities see Zombie Pirates in my future for the coming year, as well. I submitted a little flash fiction story for consideration in their Full Metal Horror anthology. Wish me luck.
The really big thing that happened for me in 2017, or at least I think it’s big, is a landed an adjunct position teaching ENG102:Academic Writing at Western State Colorado University, my Alma Mater. Let me tell you, it has been a crazy ride. I got the position due to a last minute opening, when a scheduled lecturer was unable to teach for health reasons, which was unfortunate for the scheduled lecturer, but very fortunate for me. We got it all figured out and I was hired five days before classes started, so that’s how long I had to restructure both classes to be hybrid classes and figure out how to teach a method of writing I knew nothing about. It was a rocky start, and to be honest, I think I confused many of my students at first, because I was unsure myself, but as the semester moved forward, I gained more solid footing in the classroom, and the students began to figure it out, too. I have now successfully made it through a whole semester, teaching two hybrid courses and it feels great. I know I can do it and I have some experience teaching in a University setting, so I know there will be more teaching jobs in the coming year. My crystal ball is a little blurry in this area, but I know last minute stuff happens all the time, so who knows? Maybe I’ll end up back at Western.

As for Writing to be Read, I’ve had an exciting year there, too. At the beginning of the year, I my friend Robin Conley helped me do a total overhaul of the site, and in August my friend DL Mullan of Sonoran Dawn Studios helped to redesign it. The results are what you see here now, but they were a long time in coming. I’ve added my website right here on the blog and you can reach the different sections by clicking on the tabs across the top to learn about my published poetry and fiction, my westerns, my Playground for the Gods series, or Write it Right Editing. Writing to be Read also gained some great talent in 2017, Robin Conley with her Weekly and Monthly Writing Memos, and Jeff Bowles with his Pep Talks and his God Complex posts, and I am thankful for benefit of their content for the short time they were with me. Unfortunately, life carries folks in different directions and both of these fine writers are no longer able to share their expertise and wisdom with us and I don’t foresee them rejoining us in 2017.

What my crystal ball does show me, is that Writing to be Read has grown in readership over the past year, and I feel it is due to the great and consistant content posted not only by myself, but by Robin and Jeff, as well. Most recently, the content has been almost non-existant, because I’ve had to focus on the classroom and I’ve discovered grading essays takes a lot of time. I don’t think the drop in content from losing my team members or from my not having the time to devote that I should have hurt my numbers yet, but I do foresee such a possibility if the lack of content continues.
In this realm, my crystal ball shows me something very interesting. I see new members of the Writing to be Read team and really great content in the coming year. In fact, a call for action is going out with this post, right now. If you are a writer who feels you might have something to contribute and you’d like to be on the Writing to be Read team, I want to hear from you. Shoot me an email at kayebooth(at)yahoo(dot)com telling me what type of contribution you would like to make and how often you’d like to make it. I’m pretty flexible, so let’s talk.
In years past, I have given a rundown of all the posts throughout the year and which were viewed the most or which got the highest numbers of comments or likes, however that makes for a very lengthy, boring post, so this year I’m only giving you the most interesting facts. For instance, over the past year Writing to be Read has had viewers from the across the globe. The highest number of views coming from U.S., the United Kingdom, Canada, Australia, Ireland, India and Mexico. It’s top referrer is Facebook, which doesn’t really make me happy, since I’m kind of peeved at Facebook at the moment, but I’ll take my viewers wherever I can get them.
The month to receive the most views was July, with my interview with writer, poet and cover designer Dawn Leslie Mullan being the hightest viewed post. Next up was a “Pep Talk” from Jeff Bowles, “I Think We Need a Break”, and third highest was my post, “An Adventure in Social Media Marketing“. The post that received the most viewed over the whole year was my post titled, “How Do You Measure Success?” which I wrote after signing the contract for Delilah. The second highest views overall were received by “Ah! Sweet Rejection“, which I wrote, oddly enough, after recieving a rejection for Delilah. The third highest was Robin Conley’s “Weekly Writing Memo: Word Choice is Everything“.
Looking ahead to 2018, my crystal ball says it’s going to be a good year. I hope it’s right. I guess only time will tell. So until then…

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