Her touch could save multitudes. But even with superhuman powers, will one high-school senior survive a battle with almighty deities?
Seventeen-year-old Hope wishes she could heal every wound. But after a heartbreaking ordeal during a hospital visit, her walk home turns into a fight for survival when she’s attacked by a two-tailed demon cat. And though she tries to shake off the incident, the sudden arrival of a pair of overly curious new classmates sets off the miracle-worker’s alarm bells.
Working hard to keep a low profile, she’s horrified when one of the handsome duo tricks her into mending his wounds after a schoolyard brawl. But when the two boys reveal their divine origins and her fated destiny, Hope plunges into a race to unlock her mystic potential before hellish forces turn them all to ashes.
As the veil between life and death unravels, can she claim her future and shield humanity?
The Healer is the action-packed first book in The Healer YA fantasy series. If you like empowered heroines, Asian gods, and romance that lasts through the ages, then you’ll love C. J. Anaya’s stunning coming-of-age tale.
Buy The Healer today to take a wild supernatural ride through history!
The Healer, by C.J. Anaya is a delightful Y.A. paranormal fantasy novel about Hope, a 17-year-old girl with healing abilities which is intricately woven into Japanese folklore. Hope would heal the entire world if she could, or would she?
On the one hand, Hope is an average teenaged girl, with average teenaged problems. But Hope has a side which she keeps secret, even from her best friend, Angie. Only she, her father, and the young leukemia patient whom she’s been trying to heal unsuccessfully and has built a friendship with. But when two students show up at her school, who seem to know of her healing abilities, things begin to get weird.
Hope finds herself strangely attracted to both Tie and Victor, although she doesn’t trust either. They are not your typical high school students. Only by discovering her true past, will Hope uncover the mysteries of her abilities and learn of the prophecy regarding her fate. When she does, she is faced with a decision. Is it really her destiny to save the world, or will Hope choose to follow her heart and chose her own fate?
A beautifully crafted coming of age story. I give The Healer five quills.
_________________________________________
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review here.
I am not going to discuss the dark origins of war today. We all have our own views on what those are and they are all correct.
Last year I did a few book quiz posts on my home blog, Roberta Writes. I shared quotes from a number of famous books and readers (without using google) guessed which books they were from. I thought for this November post of Dark Origins, I would share quotes from a number of well know books about war. I will give you a clue to help you with your guesses.
This book is set in Asia and was written by an Australian-born British writer, screenwriter, director and World War II veteran and prisoner of war.
Quote 1: “Leave the problems of God to God and karma to karma. Today you’re here and nothing you can do will change that. Today you’re alive and here and honored, and blessed with good fortune. Look at this sunset, it’s beautiful, neh? This sunset exists. Tomorrow does not exist. There is only now. Please look. It is so beautiful and it will never happen ever again, never, not this sunset, never in all infinity.
Lose yourself in it, make yourself one with nature and do not worry about karma, yours, mine, or that of the village.”
Quote 2: “Love is a Christian word, Anjin-san. Love is a Christian thought, a Christian ideal. We have no word for ‘love’ as I understand you to mean it. Duty, loyalty, honor, respect, desire, those words and thoughts are what we have, all that we need.”
Quote 3: “Patience means holding back your inclination to the seven emotions: hate, adoration, joy, anxiety, anger, grief, fear. If you don’t give way to the seven, you’re patient, then you’ll soon understand all manner of things and be in harmony with Eternity.’ ”
This author was an English writer and philologist. From 1925 to 1945 hew was the Rawlinson and Bosworth Professor of Anglo-Saxon and a Fellow of Pembroke College, both at the University of Oxford.
“A hunted man sometimes wearies of distrust and longs for friendship.”
“The way is shut. Then they halted and looked at him and saw that he lived still; but he did not look at them. The way is shut, his voice said again. It was made by those who are Dead, and the Dead keep it, until the time comes. The way is shut.”
“It is not despair, for despair is only for those who see the end beyond all doubt. We do not. It is wisdom to recognize necessity, when all other courses have been weighed, though as folly it may appear to those who cling to false hope.”
The title of this book means it is an impossible situation because you cannot do one thing until you do another thing, but you cannot do the second thing until you do the first thing
“The enemy is anybody who’s going to get you killed, no matter which side he is on.”
“What is a country? A country is a piece of land surrounded on all sides by boundaries, usually unnatural. Englishmen are dying for England, Americans are dying for America, Germans are dying for Germany, Russians are dying for Russia. There are now fifty or sixty countries fighting in this war. Surely so many countries can’t all be worth dying for.”
“When I look up, I see people cashing in. I don’t see heaven or saints or angels. I see people cashing in on every decent impulse and every human tragedy.”
This American author’s legacy to literature is his style
“Dying was nothing and he had no picture of it nor fear of it in his mind. But living was a field of grain blowing in the wind on the side of a hill. Living was a hawk in the sky. Living was an earthen jar of water in the dust of the threshing with the grain flailed out and the chaff blowing. Living was a horse between your legs and a carbine under one leg and a hill and a valley and a stream with trees along it and the far side of the valley and the hills beyond.”
“This was the greatest gift that he had, the talent that fitted him for war; that ability not to ignore but to despise whatever bad ending there could be. This quality was destroyed by too much responsibility for others or the necessity of undertaking something ill planned or badly conceived. For in such things the bad ending, failure, could not be ignored. It was not simply a possibility of harm to one’s self, which could be ignored. He knew he himself was nothing, and he knew death was nothing. He knew that truly, as truly as he knew anything. In the last few days he had learned that he himself, with another person, could be everything. But inside himself he knew that this was the exception. That we have had, he thought. In that I have been most fortunate. That was given to me, perhaps, because I never asked for it. That cannot be taken away nor lost. But that is over and done with now on this morning and what there is to do now is our work.”
“He smelled the odor of the pine boughs under him, the piney smell of the crushed needles and the sharper odor of the resinous sap from the cut limbs. … This is the smell I love. This and fresh-cut clover, the crushed sage as you ride after cattle, wood-smoke and the burning leaves of autumn. That must be the odor of nostalgia, the smell of the smoke from the piles of raked leaves burning in the streets in the fall in Missoula. Which would you rather smell? Sweet grass the Indians used in their baskets? Smoked leather? The odor of the ground in the spring after rain? The smell of the sea as you walk through the gorse on a headland in Galicia? Or the wind from the land as you come in toward Cuba in the dark? That was the odor of cactus flowers, mimosa and the sea-grape shrubs. Or would you rather smell frying bacon in the morning when you are hungry? Or coffee in the morning? Or a Jonathan apple as you bit into it? Or a cider mill in the grinding, or bread fresh from the oven?”
This author was an English Voluntary Aid Detachment nurse, writer, feminist, socialist and pacifist
“How fortunate we were who still had hope I did not then realise; I could not know how soon the time would come when we should have no more hope, and yet be unable to die”
“When I was a girl . . . I imagined that life was individual, one’s own affair; that the events happening in the world outside were important enough in their own way, but were personally quite irrelevant. Now, like the rest of my generation, I have had to learn again and again the terrible truth . . . that no life is really private, or isolated, or self-sufficient. People’s lives were entirely their own, perhaps–and more justifiably–when the world seemed enormous, and all its comings and goings were slow and deliberate. But this is so no longer, and never will be again, since man’s inventions have eliminated so much of distance and time; for better, for worse, we are now each of us part of the surge and swell of great economic and political movements, and whatever we do, as individuals or as nations, deeply affects everyone else.”
“When the sound of victorious guns burst over London at 11 a.m. on November 11th, 1918, the men and women who looked incredulously into each other’s faces did not cry jubilantly: ” We’ve won the war! ” They only said: ” The War is over.”
Let me know your guesses in the comments. I will share the answers in the comments a few days after the post goes live.
About Roberta Eaton Cheadle
Award-winning, bestselling author, Roberta Eaton Cheadle, is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.
Roberta has two published novels and has horror, paranormal, and fantasy short stories included in several anthologies. She is also a contributor to the Ask the Authors 2022 (WordCrafter Writing Reference series).
Roberta also has thirteen children’s books and two poetry books published under the name of Robbie Cheadle, and has poems and short stories featured in several anthologies under this name.
Roberta’s blog features discussions about classic books, book reviews, poetry, and photography. https://roberta-writes.com/.
Want to be sure not to miss any of Robbie’s “Dark Origins” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
The above meme is found in the back matter of all WordCrafter Press books because it is true. Reviews are the best way to spread the love for authors that you read.
Not everyone can afford to buy a book, or back a Kickstarter campaign, or support a Patreon author. I get that. But it doesn’t cost anything to leave a review. You’ve already got the book in hand, so all it takes is a small amount of time to go onto your blog, or your favorite book site and leave a review, or both.
I do book reviews here on Writing to be Read. And although I’m not real timely about it, I also post my reviews on Amazon, Goodreads, and BookBub. Now that actually does take some time, but if I use copy/paste from blog to booksite, it isn’t too bad. I do them in batches, after the reviews have posted on my blog. I’ll be doing the last batch for the year in December, so I can start fresh with my January reviews in 2024.
I do that because I think reviews are important for authors, and I appreciate the work that goes into the books that entertain and inform me. I started doing reviews on my blog as a way to show my support for my fellow authors, and free books were just icing on the cake. I’ve never been able to afford my vorocious reading habits, so blogging reviews has been a win-win.
An article by Chuck Wendigg over at Terrible Minds offers good reasons for authors wanting reviews and for leaving reviews. https://terribleminds.com/ramble/2023/10/27/psst-leave-a-review-and-why-leaving-a-review-matters He points out the ‘word of mouth’ value of getting reviews for your books, and he also talks about the all-mighty algorythm, how reviews can affect it, and how it affects your standing with distributors and your book’s visability.
Let’s face it. In today’s marketplace, people check reviews on everything, not just books. Reviews are not a new thing for books, which have been riding on reviews, even when traditional publishing was the only option available to authors. So it should be no surprise that reviews are so very important. And as indie authors in a sea of competing books, they can be hard to come by.
I put a lot of time and effort into getting reviews for my own books and for those of WordCrafter Press, too. Reviews don’t usually fall from the sky, you have to ask for them. I send out review requests to reviewers who might be interested in each book, and offer up ARCs (Advance Review Copies). And I put the above meme in the back of each book to remind readers to leave a review right after they finish the book.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; her paranormal mystery novella, Hidden Secrets; her time-travel adventure, The Rock Star & The Outlaw; and book 1 of her Women in the West adventure series, Delilah. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Imagine a community full of rainbow families where everyone comes together in the spirit of equality and fraternal love.
Shy pastor’s daughter Marceline and her new husband Jim Jones found Peoples Temple in the face of rampant hostility and aggression in 1950s segregated AmeriKKKa.
They give hope to the poor, the miserable, the alienated and disenfranchised of all colors, and build a commune in the jungle of British Guyana.
But this Eden too has its serpent. One who is also jealous of God, and where he goes, everyone must follow, even to the grave.
I was 14 years old in 1978, when the Reverend Jim Jones ordered the members of his congregation to drink a poisonous mixture and follow him to their deaths. He ordered them to give the same mixture to their children, and they blindly followed after him. I remember hearing about it on the news, and as a teenager, I couldn’t understand how something like this could happen. I wondered why a holy man would sacrifice his flock; why someone would follow aan like that, even when they had to realize what the results would be. What makes a man like Jones? Why would he lead those he claimed to love down a road to death? And why would all those people follow him blindly down that road? Were they deceived? Did they go willingly?
It bothered me, but time went on and other sensational events replaced it as the top story, and I didn’t think too much about it. Every once in awhile it would be mentioned on the news, such as when Waco was compared to Jonestown, and I’d think about it then, and it still bothered me. I still didn’t understand. And there was a part of me that needed to understand.
So when Annie Dawid asked me to review her novel about Jonestown, Paradise Undone, I jumped at the opportunity. Dawid has been working on this book since the event occured, so I knew it had been thoroughly researched, because I reviewed her collection of essays, Put Off My Sackcloth Essays, back in 2022. Her need to understand, to make some kind of sense of this horrendous event, was akin to my own, except hers drove her to act. And to make her offer even sweeter, she offered to send me a print copy. Yes please.
In Paradise Undone, by Annie Dawid, the author has written fictional accounts of a factual event. Her characters were all real people, although some of the names have been changed. Dawid offers up several perspectives of the event, sprinkled with actual quotes made by Jim Jones. She offers a glimpse into the minds of those involved, and their stories are told based on the facts that she uncovered through decades of research.
The plot for this story was written back in 1978, and the author doesn’t veer from known facts, all though she sets the records straight in some respects. Much of the tale she weaves is spun from actual Jonestown documents. Dawid presents the events through the eyes of those that were there or were members of The People’s Temple, and the aftereffects of this unthinkable event.
It is a sad and tragic tale, and there are no happy endings. We all know how the story ended. 918 people dead in the jungle of Guyana. But Dawid has offered us a glimpse into the humanity of the situation, enabling us to see that there were real people involved, people who loved and had hopes and dreams, although perhaps misguided.
I found myself relating to the character of Marceleine Jones, who hid behind behind a veil of feined ignorance as events spiraled out of control as a means of denying culpability. I think it is a common reaction of many women to ignore the traits in their partners which they otherwise could not tolerate in order to maintain the status quo and hold onto the lives that they’ve built for themselves. Marceleine ignored the intolerable until it had spiraled out of her control. The realization of what she’d allowed to happen and her inability to stop it was enough to motivate her drink the Fla-Vor-Aid.
I hope that through her research, Annie Dawid found the answers she was searching for. And me? Well, I’m still in awe that a catastrophic event such as this could occur. Although I’m not sure why it shocks me so much, when madmen are shooting up schools, theaters, and churches, or bombing public events so often that it has nearly become a part of normal life for many. But there is something even more disturbing about Jonestown for me, because Jim Jones gained the trust of his flock and then turned that trust against them. That, in itself, amplifies his crimes tenfold above the shooters of Columbine, the Aurora movie theater killer, the Boston Marathon bomber, with their random acts of violence.
Dawid has done her research and recreated this horrific event for us in stunning vividness. I give ParadiseUndone five quills.
_______________________________________________
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review here.
A whole new series from the world of the Echo Trilogy.
Three years ago, the gods abandoned us. We’ve been alone ever since.
Kat Dubois is immortal, and she’s retired. She’s long since hung up her sword and left assassinating immortals to someone else…anyone else. She’s now a hard drinking, sass-flinging Seattle tattoo artist with the innate ability to read people’s fortunes using her charmed deck of tarot cards. Her days of bloodshed are over, and she has nothing but time – an eternity, in fact – to hide from her past.
Until someone from her past shows up on her doorstep with news that her beloved older brother and mentor, Dominic, has gone missing. Kat may be the only person with the right skills – and access to the right magic – to track him down. She must confront her past if she’s to have any chance of finding and saving her brother. She must fight her demons. She must embrace the power within her.
I listened to the audiobook, Ink Witch, by Linsey Farleigh. Julia Whelan does a smashing job of narrating this urban fantasy novel about an immortal tattoo artist, Kate Dubois, whose magic is in her ink. Well, not really. The magic is inside of her, but when Kate inks up, watch out. Kate plays the reluctant heroine, coming out of retirement to find and save her brother, who has gone missing, along with others, both magical and mortal. But there’s more to it than at first meets the eye, and the danger ratchets up as Kate uncovers the pieces that will uncover an evil and diabolical plot to take unchallenged control of the magical realm. Her inky magic is just what’s called for to battle the forces of evil, but can she stop her adversaries before their plan can be carried out?
Original and entertaining to the utmost. A fun urban fantasy adventure. I give Ink Witch five quills.
Today, I am delighted to welcome prolific and masterful poet, Frank Prem, back to Treasuring Poetry. Frank writes incredibly relatable poetry that covers a wide variety of topics relevant to modern life including the bush fires that raged in Australia a few years ago, Devil in the Wind, working as a psychiatric nurse in an institution, The New Asylum: A Memoir of Psychiatry, as well as collections about war. I have read Frank’s beautiful and moving collections about World War 1, Sheep on the Somme, and the war in the Ukraine, From Volyn to Kherson: Interpretations of the War in Ukraine. Frank also writes romantic poetry, interpretive modern poetry and verse books for children. In the nicest way, nothing is safe from Frank’s poetic pen.
Tell us a bit about your war poetry collections
I developed an interest in the First World War many years ago and was particularly interested in the stories of Australian soldiers and their seeming need to volunteer to fight half a world away on the basis of loyalty to the British Empire and the Mother Country that was England, but also on the basis of a kind of chivalric principle. A moral fever that swept the nation.
I came across books that were written in the more modern historical style of telling stories to illustrate events – using the example of an identified soldier, from an identified town, with family details and background, then tracing their movements into the war and its various theatres and actions.
I found I was able to understand these individuals a little better and to empathise with them and their loved ones a little more than I otherwise could.
I also found myself interested in using images for my own poetic inspiration and that led me to the images held by Australia’s War Memorial. There was one image in particular that started me looking at pictures taken during the war. The image was of a white cross in a field of muddy and bloody craters. The cross marked the grave of Captain Ivor Margetts, much loved and respected by the men he led in battle. By the following day the cross and the grave were gone. They’d been blown to hell by the shelling.
I was tremendously moved by this, and as I searched for a version of that particular image online, I encountered many more, each with a poignant story to tell and many were destined to feature in my book Sheep On The Somme (https://www.amazon.com.au/Sheep-Somme-World-Picture-Poetry/dp/1925963144 ).
More recently, I found myself watching the sabre rattling over the Ukraine that was being perpetrated by Russia and was reminded very clearly of reading I’d done long ago about the beginnings of the Spanish Civil War back in the late 1930s and of the rise of Right-Wing Fascism in Europe during that same period of the 1930s. I was struck by the similarities and the ways in which those events and movements evolved into what became World War II. It was – and remains – quite concerning to see these way events continue to unfold.
As the news and pictures of Russia’s military build-up on the Ukraine border kept emerging, along with the seeming inability on the part of Ukraine to do anything to stop it, I watched events more and more closely.
When Ukraine’s borders were finally breached, there were more photographers and journalists on the spot than has ever been the case previously in a conflict. We were flooded with formal and informal news and masses of un-curated and un-censored images.
During the first nine weeks of the conflict I became engrossed in reading the news and studying the images. And – of course – I began to write.
I produced 3 volumes of poetry interpreting the Ukraine war – two of them will not be released because they used images taken by journalists in the field and I don’t have rights to use those images. The volumes (Bullets Into The Starichi Sky and I Call The Hole The War) sit on my private bookshelf here in my writing studio.
The third volume – From Volyn to Kherson – is a collection of poems in which I have attempted to use such talent for empathy as I possess to interpret the news stories I was reading in a way that enabled any of my own readers to get a sense of what the invasion and the conflict was like as an experience for the everyday people of Ukraine. What if it happened here, in my town? What would it be like to have seventy kilometres of armoured assault vehicles coming to surround and destroy my home town? Or yours?
I like readers to know where the inspiration for these writings has come from and so each individual poem is referenced and has a link to the online sources that I relied on in my writing. After nine weeks I was a little burnt out and had to stop writing, but I follow events over there diligently and worry about what I see happening in the wider world and which still so resembles the events of the 1930s.
What draws you to writing about wars?
I’ve encroached a little on this question with my answer above, I think, but I’ll try to elaborate a little more.
In my professional life I was a psychiatric nurse. Back (so many years ago) when I was a student nurse one of the areas of interaction with patients that was taught and stressed was empathy.
As I understood it, empathy was the ability to walk in another person’s shoes. To see things from the perspective of the other person, but not to necessarily sympathise, or accept, merely to understand in order to be able to reflect that understanding back to the patient.
The patients that came my way in psychiatry were invariably involved in and generally overwhelmed by personal chaos. This might have been due to illness, or it might have been due their life being in a mess they could not resolve. They might have been psychotic, depressed, suicidal, or experiencing any number of out-of-control situations.
That tool of empathy has stayed with me, I think, and now reveals itself in my writing. The experience of chaos by a person finds itself being reflected back in my writings.
I think it is in this way that I am attracted to attempt to unravel what a person may be feeling or experiencing in a war zone. Similarly, I find myself writing a lot about the human toll of natural disasters that come close to me or to my little place in the world.
I have always tried to develop my understanding of these things by writing my way through them. To help myself and any subsequent reader to understand by feeling what is happening through my words.
Tell us a bit about how you use photographs and newspaper articles to assist with writing your war poems
With newspaper articles, I try to extract the meat of the story. That part of the article that is the actual purpose – the reason that it is a story in the first place.
Often enough, there is human interest in the genesis of the article. I then allow the information to assemble itself in a way that I can present it to a reader. For example
What is grandmother doing in the kitchen? Is she cooking Sunday lunch? No. She is cooking Molotov cocktails for others to throw at invading vehicles. And . . . wouldn’t you or I, each do the same if this was happening in our back yard?
With an image, I anticipate that it will have a story to tell. I try not to impose myself and my own current thoughts or fears or desires on it, but to allow the story to be whatever comes.
For example, a golden paper daisy with a bright glow might well have a story to tell that reflects light, and the sun. But equally, it might be a harbinger – a prophet of some kind that draws attention to itself in order to be heard. I don’t know in advance what the story will be, but I try to keep myself out of its road and not to shape the narrative too much.
I have come to know, also, that each image will have a different story to tell to each viewer, so to the extent that I can, I try to facilitate a receptive space for that to occur through what I end up writing. I’ll give an example of how I find a story in a tiny image taken during wartime over a hundred years ago.
The image above is the view from inside a German army dugout in World War I – around 1916. It is from within this space that a small group of individuals fought their war.
When I look at this image, I notice a few things and I feel a few things. In no particular order:
From pitch darkness up into light. A very small doorway.
Claustrophobia.
Fear.
The smell of habitation. Bodily odours – where would the latrine have been?
The knowledge of death and destruction and battle rage just outside
Movement of the ground as shells fall outside. Perhaps close.
Maybe the sound of enemy troops approaching the bunker to destroy it.
What of family. Has this soldier (have I) written them a note to say goodbye?
I don’t have a personal experience of war, but I know what fear feels like. I know claustrophobia and the smells of my own body . . . and so on. I can draw on these to understand a little of what the soldier in the dugout might have felt.
The willingness to engage with these elements that come from the image allow me to engage my empathy and to allow a story – which the image itself contains – to be told.
What is your own favourite war poem?
I think that my personal favourite of my own written war poems is one that hasn’t featured in a book to date, but was written to be read for a spoken-word poetry slam 2 years ago. The criteria were that it needed to be 2 minutes reading time or less and to include the term ‘full circle’.
The poem told stories in word pictures and referenced images, without actually including them, if that makes sense. I have since recorded it for my YouTube channel and included there the images that the poem references, spanning both World War I and the current Ukraine war.
I can’t honestly say I have a favourite war poet, but I have read with a deep sense of connection stories such as All Quiet on the Western Front by Erich Maria Remarque with its empathy for the soldiers of the day. Here is the Wikipedia link: https://en.wikipedia.org/wiki/All_Quiet_on_the_Western_Front .
What is your favourite war poem?
I’m aware of many of the great poet writers of the First World War, such as Owen, Sassoon, Brook and Graves, among others, but for my response to this question I have to refer you and readers to a song that I first encountered back when I was a teenager (50 years, who would ever have thought . . .).
The song was performed by a wonderful English Folk ensemble called Steeleye Span, and the song is called Fighting For Strangers. Here is the YouTube link: https://www.youtube.com/watch?v=JI3vRaTg0tI
YouTube Links
In addition to the links given above, I would welcome viewers, new followers (if any so desire) comments and feedback on my YouTube Channel, where there a re a number of video readings from my war poetry collections (and natural disasters and psychiatry and others). Click on the link below to be taken along to the Playlists available on the Channel.
This book is a ‘hard’ read. It exposes the realities of war; the filth, the noise, the fear, and the destruction and death. No civilian wants war, it is something that is imposed on individuals because of factors outside of the man on the street’s control. Civilians, however, bear the brunt of war as the women lose their husbands and sons. The entire population generally loses its collectively homes, food stability, economic stability, access to sanitation, food, and healthcare. Many countries and populations never recover from wars and their populations become unwanted refugees. The sympathy of the unaffected world shrinks rapidly when wars and the resultant refugees impacts on their economies, making the slices of the economic pie for their own populations smaller.
The war in Ukraine hit me especially hard when I read about the Russian soldiers who froze to death in their tanks. Although the Russians were the instigators and aggressors in this war, many of those young men are the same ages as my own two sons, and their dreadful fate couldn’t fail to stir compassion. Young men frequently have a glamorous and inaccurate picture of war when they enlist or are called up. The realities of war quickly displace these notions but it is already too late.
A few stirring stanzas from this collection of freestyle poems:
From fallen (quietly weeping) “here it is safe
safe enough to shed a tear”
From the metro (is also home) “let the fear fall away for a moment while the anthem sounds”
From vasylkiv (is fighting on) This footnote made me shiver: “People used to think about new car or iphone, but nobody was thinking about peace. Now, we are dreaming of it. When old people used to wish each other peace, we didn’t understand what they meant. Now we do.”
and finally, from in okhtyrka (the tsentral’ne) “they are preparing the cemetery now in okhtyrka
adriy and his platoon are gone
vacuum bombed
air taken out of them
and then they died”
This is a beautiful and emotion book of poems that will change the way you view war forever.
Award-winning, bestselling author, Robbie Cheadle, has published fourteen children’s books and two poetry books. Her work also features in several poetry and short story anthologies.
Robbie also has two novels published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
The eleven Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie and Michael Cheadle have recently launched a new series of children’s books called Southern African Safari Adventures. The first book, Neema the Misfit Giraffe is now available from Amazon.
With $300,000 in fundraising across 20+ Kickstarter projects, Russell Nohelty knows a thing or two about running publishing campaigns for novels, nonfiction, anthologies, comics, audio dramas, and more. He tested his system with 70+ authors with great results, and is now generously sharing everything he knows about the platform for authors with an audience of zero as well as those with a fanbase.
In this book you’ll find:
Why using crowdfunding is an important avenue for authors and how authors are currently using it
Choosing the right project for Kickstarter and designing your campaign
Budgeting your campaign for profitability (and why it’s critical for your success!)
The types of messages you should send to your audience vs. cold traffic
Delivering your rewards for your Kickstarter project
Keeping momentum going after Kickstarter
Hailed as one of the most comprehensive books on Kickstarter for Publishing projects, this book is a must-have if you’re Kickstarter-curious or planning your campaign.
I’m not a big name author, and when I first started hearing talk of using Kickstarter to sell books in 2022, I scoffed, thinking it was just another way to beg for money in an official capacity. Then Bryan Sanderson came along and ran a campaign that funded and made $4 million on the opening day, making authors everywhere sit up and take notice. You can find out more about how Sanderson’s campaign helped to pave the way for authors in this article by Dean Wesley Smith: https://deanwesleysmith.com/brandon-sanderson-kickstarter/.
Even after watching Sanderson’s success, I was skeptical. Just because it worked for him, he’s a big name author, and that doesn’t mean it will work for me. Then Kevin J. Anderson took his publishing students through a campaign set-up step-by-step, showing us how to do one properly, with his Dragon Business campaign. When his campaign funded on the first day, and by the end had raised $42,000, I decided this was a method of direct selling that I wanted to employ.
Getting Your Book Selling With Kickstarter, by Russell P. Nohelty and Monica Leonelle is a helpful book if you are thinking about using Kickstarter as a method of direct selling for your author business. This book helped me to decide on my projects, figure out my budget for the campaigns, choose my rewards, and set my funding goals. As a successful campaigner, Nohelty offers ideas for rewards, backer perks, stretch goals and add-ons, taking into consideration ease of production, ease of delivery, storage and tracking, and appeal to your audience. He offers advice on how to set reward tiers, adding digital items to physical ones to add value and build excitement in your backers. Plus so much more. He shares his proven system for running a successful Kickstarter campaign.
To date, I have done two campaigns for my own books, and I have two more planned for 2024. I’m practicing a business model similar to that of author Joanna Penn, although I don’t have my own store yet. Her model is to offer books direhctly first, through Kickstarter, and then through her own store on her site. Eventually, she makes her books available through distributors, but authors gets to keep more of their royalties when they sell direct, so going the direct route first makes sense. (You can learn more about Joanna Penn’s business model in her interview with Mark Leslie Lefabvre on the Stark Reflections podcast, episode #327: https://starkreflections.ca/2023/10/10/episode-writing-the-shadow-with-joanna-penn/
I’m an unknown author with a small independent press, so I needed to start small. My first campaign for Delilah and the Women in the West adventure series offered mostly digital rewards. The only physical item offered was the signed print copy of the book. For my top tier, I offered my backers a chance to name a character in book two, which I thought was pretty cool. At least two backers thought it was pretty cool, too.
Nohelty mentions steps in preparation for a campaign which hadn’t crossed my mind, such as promoting through my email list, which is a great idea. He suggests breaking down email lists so you can reach out to the readers in your target audience specifically. This is important, because once you send out all of your intensive promotions for your Kickstarter campaign, people may be tired of hearing from you. You don’t want folks to get annoyed and unsubcribe because you’ve been annoying in your promotions. The idea is to tailor your promotions to different specific lists, so no one is totally bombarded. Nohelty also suggests reposting all of your email content on social media, as well. Also, probably a good idea if strategically placed. But, I have to tell you-one of the really cool thing about Kickstarter is the built in email list, which keeps the lines open and goes out to all of the backers of the campaign, even long after the campaign has ended, so you have an open line of communication with all of your Kickstarter fans.
Emailings are something that I haven’t worked a whole lot with. That may change as my own mailing list grows. My marketing has always gone through this blog, Writing to be Read, which I then broadcast across my social media channels. This works fairly well, but I realized that I wasn’t targeting my specific audiences in this way. This made me realize that Nohelty’s email marketing might be more effective for more specific targeting. As I prepare for my third Kickstarter campaign, for Sarah, Book 2 in the Women in the West Adventure series, I may look closer at ways in which I might utilize email marketing to my advantage. I’m still a little hesitant though, as Nohelty recommends send frequent emails, (more than one a day). That really seems a bit much to me, but Nohelty stands behind his system.
I set the goal at $500 for both campaigns, because I felt it was a reasonable reach for little old me, who is not a bestselling, or even a known author. Nohelty backs up the advice given on the Six Figure Authors podcast, episode #048 (https://www.youtube.com/watch?v=5SvQ5hJ1i0Q). They recommended that you set a goal that is reachable and still brings in enough to cover your expenses and see the project through. A good point made in the podcast was that if you set your goal too high and you don’t fund, then you walk away with nothing, so a lower goal may be better than no money at all. They also pointed out that once your campaign funds, anything else you bring in above and beyond that is just icing on the cake. Kevin J. Anderson’s goal for his Dragon Business Kickstarter campaign was $10,000, because that is a reasonable goal for a bestselling author to shoot for, but he brought in $42,000. Nohelty recommends consideration for the size of your mailing list when setting funding goals.I think $500 is a reasonable goal since my email list is still pretty short and I’m an unknown author.
When I ran my second campaign for The Rock Star & The Outlaw offered more physical rewards because I hadn’t finished writing the book at the time that I set it up, and I didn’t realize there would be potential for a second book. (Yes, the ending surprised me, too.) So, for the top tier on this one, I offered a goodie bag with the WordCrafter logo with a poster and a signed print copy of the book, as well as the early digital copy which all backers above the $5 received.
Nohelty recommends using more digital rewards, because they are easy and cost you less to fulfill. The physical rewards surely made the cost of the second campaign higher. And if you do offer physical rewards, be sure you figure the shipping costs in to the cost of fulfillment. Since I set the same goal for both campaigns, I didn’t make as much from the second one. Definitely something to think about.
He also offers advice on setting your tier levels. He recommends $1, $10, $25, $50, and $250 tiers. I’ve backed a few campaigns now, and from what I’ve seen, each one handles setting the tier levels differently. Mine each had three tier levels, the first two being $5 and $25. For my first campaign, the top tier was $50. For my second campaign, I raised the top tier to $75, because it was mostly physical rewards which would need to be delivered via snail mail.
Another good piece of advice Nohelty offers involves offering merchandise for rewards. Physical items require you to calculate shipping into the overall cost for the fulfillment of each reward. Print books can be shipped media mail, which is less expensive, but as soon as you add any type of merchandise, that is no longer an option. So, when deciding on rewards, add-ons, stretch and flash goals, the cost of shipping must be figured in so you don’t overextend yourself and cut deeply into your profits.
Nohelty explains early bird perks-setting rewards to be available only to early backers with a point at which it is no longer available. I haven’t done this yet, but this strategy appeals to me and has me thinking about what I could offer as incentive to jump into the campaign on Day 1. This idea might be helpful, since I am an unknown author and my campaigns so far haven’t funded until near the end. It looks like Nohelty offers perks for backers and perks for Week 1 backers, so if you back on Day 1, you would receive both rewards, which is pretty cool. In fact, Nohelty offers different perks every week, which means that you can get extras if you back his campaign at any point. He suggests a perk for backing in the first 48 hours, and a perk a week for the duration of the campaign.
Stretch goals are offered when you hit a certain level of funding to keep the money climbing, and I’ve seen the bigger authors use them. They are usually added after funding, and since my campaigns didn’t fund until near the end, there wasn’t really a chance for me to use them. The second campaign funded three days before the end of the campaign, so I offered a stretch goal reward if we reached an additional $100, bringing our total to total $600. We didn’t make it, and thus ended my brief experience with stretch goals.
Flash goals were something I had heard of, but didn’t really understand what they are. According to Nohelty, they are perks given to ‘recharge momentum’ on the campaign. They are brief opportunities, i.e. “Anyone who backs the campaign in the next twenty-four hours gets a bonus.” They are designed to intice those following your campaign into taking the plunge and becoming a backer, thus keeping your totals rising toward your goal, or if fortune is with you, past it and even higher.
I have to say, Russel Nohelty’s Get Your Book Selling on Kickstarter has been extremely helpful as I look forward to future campaigns. In addition to that discussed above, he offers advice on how to set-up your Kickstarter and appeal to your audience, some of the challenges you might run into, how to keep your campaign’s momentum going, and more.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Book 1 of her Women in the West adventure series, Delilah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
Gio Fortuna, a boy spurned by his parents for being “slow,” is raised by his grandfather in the ways of the Practice, a rich esoteric discipline drawing upon mystic traditions passed down over thousands of years from a multitude of cultures. Written in five parts chronicling Gio’s life, The Shaman sees Fortuna embark on a journey from initiate to adept, young boy to old man, as he navigates a network of teachers, each with their own unique lessons and challenges. Steeped in wisdom applicable to all, The Shaman is an inspiring story that proposes a unique path to self-discovery and growth unlike anything written before.
I received an ARC copy of this book from the author in exchange for an honest review.
The Shaman, by Joseph Carrabis is an adventure into the human coondition and beyond. I’ve learned more about myself from this book than I ever have from any work of fiction. A journey into the magical worlds of world cultures, this tale uses magical realism to guide us through an amazing adventure. As always, Carrabis is a master at lining his fiction with valuable lessons for all of us.
The magic of shamans lies within Gio Fortuna and Shaman is the story of his journey to discover the magic within himself, learn to use it, and teach others who are eagar to learn. But as he learns, others don’t understand, and they fear him for what he does. Feeling outcast and trying to find his place in life, Gio is on an amazing life-long journey of self-discovery. He learns something new with every interaction, whether they be teacher or student. For Gio, the incredible is ordinary, although most everyone else is left in awe.
Carrabis skillfully crafts his tale into life lessons learned by his character, Gio. As Gio ventures through life on a soul searching journey, each lesson is portrayed in a way which leaves them open to interpretation, for the reader to attach their own meanings. If you read this book, you will, too, without even realizinng that you’re doing it. I read chapters over repeatedly in order to grasp the meanings that were waiting there for me, although sometimes differing from their meanings for Gio.
I have always been interested in the mystical, but it hasn’t come naturally to me. I’ve never truly been able to meditate, and often fallen asleep during my attempts at it. Gio shows me what I need to do, but I need to learn to do it: lower – center – relax -breathe. The lessons which Gio learns and teaches are within the grasp of us all, and the author kindly lists them at the back of the book, where they can be referred to easily. As for the rest, we must each seek out our own path in our own way.
A spiritual oddesy in human nature, with so many lessons inside. I give The Shaman five quills.
______________________________________________
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review here.
#1 Bestselling author Kevin J. Anderson is known for his grand science fiction sagas, his epic fantasies, his fast-paced adventures, or his steampunk Clockwork chronicles.
But Kevin J. Anderson also has a lighter side. You’ll laugh so hard, brains will come out your nose.
What happens when—
A wimpy, henpecked man finds an enchanted loincloth that turns him into a real jungle Ape Man?
A stranded alien uses his advanced technology to fool audiences as a stage magician?
A frustrated monster-movie actor uses a gypsy witch’s special makeup to turn into a real werewolf when the cameras start to roll?
A group of heavy-metal fans finds a spell on the internet to raise their favorite dead rock star from the grave for a final encore?
A vampire, just minding his own business, wakes from his coffin to find he’s being stalked through his own castle by an over-enthusiastic vampire hunter?
A futuristic law firm uses time travel as a legal loophole to win their client’s case?
Dan Shamble, Zombie P.I. takes on the Boogeyman for a client, or is hired out to save a sacrificial Aztec Christmas turkey?
These twenty stories cover a range of slapstick, subtle, short-short, and groaner humor. The Funny Business also includes for the very first time the scripts of the hilarious comic miniseries Grumpy Old Monsters, never before published.
Beware—silliness ahead. Open the book, and prepare to snicker!
The Funny Business, by Kevin J. Anderson is a collection of 20 totally silly stories, which entertain and elicit chuckles, including a few that he wrote with wife, Rebecca Moesta or other co-authors.
With so many stories, I’m not going to talk about them all. But I will mention those which particularly stuck out for me.
“Frog Kiss” is a classic fairytale turned upside down and a lesson in appreciating what life offers.
“Special Makeup” is werewolf story that proves you should be careful what you wish for.
“Bump in the Night” is a short Dan Shamble, Zombie P.I. adventure, when Dan is hired by the Boogyman to protect him from his overbearing aunts. Dan Shamble as always, is good for a few laughs.
“Paradox & Greenblatt, Attorneys at Law” are legal beagles specializing in time-travel dilemmas. By the time the case is through Paradox’s defense tactics may leave your head tied in ridiculous knots of possibilities and probabilities.
“Eighty Letters, Plus One” (with Sarah A. Hoyt), tells the tale of a misguided inspector with his priorities terribly twisted. The final letter offers a final ironic twist to this tale.
“The Sacrifice” brings us a village virgin awaiting the dragon to come for his ritual sacrifice, harboring a secret that may put the joke on the dragon.
“Technomagic” is a story about what happens when an alien being is stranded on Earth for twenty-seven years. The report he gives upon rescue may surprise you.
“Dark Carbucle” ( with Janis Ian), is a story of a rock stars personal hell.
“Cold Dead Turkey” is another Dan Shamble, Zombie P.I. story. Always a favorite for me. I love the antics of Dan and the antics of the unnatural quarter. In this one, an Aztec mummy hires him to track down his stolen wish turkey. ( I told you many of these tales were just plain silly… but really fun.)
“Loincloth” (with Rebecca Moesta), is the story of a timid little man who uses Tarzan’s loincloth to bring out the beast in him.
Of course, there are many more, including a comic strip script for “Grumpy Old Monsters” (with Rebecca Moesta), which is a different kind of reading, but funny just the same.
Twenty stories that will tickle your funny bone, I give The Funny Business five quills.
_________________
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review here.
The world is full of conflict currently, and this has been the case throughout the reign of ‘civilized man’ on this beautiful planet of ours.
According to save the children US, a total of 93,236 children have been killed or maimed in conflicts in the last ten years (this figure is from November 19, 2020 before the two recent conflicts centering around Ukraine and Israel), which equates to 25 children (an averaged size school classroom) of children every day.
These children were mainly victims of airstrikes, shelling, landmines, and other explosive weapons used in populated areas.
War and conflict is a very real factor of human society. Wars displace people and create refugees; people who are unable to continue living in their homes and carrying on with their daily lives because of violence. Refugees are a huge concern and area of focus in Western society.
With these thoughts and figures in mind, I ask, should children read books about war?
My answer is yes. Books and stories are a way of teaching empathy, understanding, and raising awareness.
Jennifer Armstrong is quoted as saying: “if we don’t encounter war in the safe way, by experiencing it through literature and art, how will we be moved to avoid the real thing? Reading about was doesn’t imply an endorsement of it: it’s a way of acknowledging part of the human experience that has been with us since the days of the Trojan War and long before. If you really want to teach young readers about peace, give them books about war.”
Jennifer Armstrong is the author of over 50 books for children from kindergarten through to high school. She is best known for writing historical fiction. You can read more about Jennifer Armstrong here: https://en.wikipedia.org/wiki/Jennifer_Armstrong
To:You
Mon 2023/11/06 09:29
Isaac Bashevis Singer wrote: “Children think about and ponder such matters as justice, the purpose of life, the why of suffering. They often find it difficult to make peace with the idea that animals are slaughtered so that man can eat them. They are bewildered and frightened by death. They cannot accept the fact that the strong should rule the weak.” You can read more about Isaac Bashevis Singer here: https://www.encyclopedia.com/people/literature-and-arts/hebrew-literature-biographies/isaac-bashevis-singer
I’ve always been fascinated by war and have been reading about children and adults in war situations since I was a young girl. These are a few of the books about war and conflict situations I was given by Sister Agatha when I was a young student (10, 11 and 12 years old) at Holy Cross Convent in George in the Western Cape of South Africa:
Discovered in the attic where she spnt the last years of her life, Anne Frank’s remarkable diary has become a world classic—a powerful reminder of the horrors of war and an eloquent testament to the human spirit.
In 1942, as Nazis occupied Holland, a thirteen-year-old Jewish girl and her family fled their home in Amsterdam and went into hiding. For the next two years, until their whereabouts were betrayed to the Gestapo, they and another family lived cloistered in the secret upstairs rooms of an old office building. Cut off from the outside world, they faced hunger, boredom, the constant cruelties of living in confined quarters, and the ever-present threat of discovery and death.
In her diary Anne Frank recorded vivid impressions of her experiences during this period. By turns thoughtful, moving, and amusing, Anne’s account offers a fascinating commentary on human courage and frailty and a compelling self-portrait of a sensitive and spirited young woman whose promise was tragically cut short.
David escapes from the concentration camp where he has spent his entire life and flees across Europe. He is utterly alone – who can he trust? What will await him? And all the while, how can he be sure that they won’t catch up with him…David learns that his polite manner, his haunted eyes and his thin features are strange to other people. He must learn to fend for himself in this strange new world.
This semi-autobiographical classic, written by the beloved Judith Kerr, tells the story of a Jewish family escaping Germany in the days before the Second World War.
This beautiful new edition celebrates the fifty year anniversary of an adventure that Michael Morpurgo called “The most life-enhancing book you could ever wish to read.”
Suppose your country began to change. Suppose that without your noticing, it became dangerous for some people to live in it any longer, and you found, to your surprise, that your own father was one of those people. This is what happened to Anna in 1933.
Anna is too busy with her schoolwork and tobogganing to listen to the talk of Hitler. But one day she and her brother Max are rushed out of Germany in alarming secrecy, away from everything they know. Their father is wanted by the Nazis. This is the start of a huge adventure, sometimes frightening, very often funny and always exciting.
Judith Kerr wrote When Hitler Stole Pink Rabbit fifty years ago, based on her own journey, so that her own children would know where she came from and the lengths to which her parents went to keep her and her brother safe. It has gone on to become a beloved classic that is required reading for many children all over the world and is an unforgettable introduction to the real-life impact of the Second World War.
A powerful story set in Nazi occupied Denmark in 1943. Ten-year-old Annemarie Johansen is called upon for a selfless act of bravery to help save her best-friend, Ellen – a Jew.
It is 1943 and for ten-year-old Annemarie Johansen life is still fun – school, family, sharing fairy stories with her little sister. But there are dangers and worries too – the Nazis have occupied Copenhagen and there are food shortages, curfews and the constant threat of being stopped by soldiers. And for Annemarie the dangers become even greater… her best-friend Ellen is a Jew. When Ellen’s parents are taken away to be ‘relocated’ by the Nazis, Ellen is taken in by Annemarie’s parents and suddenly Annemarie’s family are under threat too. Annemarie has to call upon all her resources for courage and bravery as she helps her friend make a daring escape. A Newbery Medal winner by an acclaimed author *For readers from 8 to 12 *
I still enjoy reading children’s books about war, and have written one, While the Bombs Fell, myself. These are few I’ve enjoyed.
Michael Morpurgo has a number of children’s books that centre around war and conflict situations. This blurb is for War Horse.
An unforgettable tale of war, redemption, and a hero’s journey. It is 1914, and Joey, a farm horse, is sold to the army and thrust into the midst of World War I on the Western Front. When Joey is dragged away, his heart aches for Albert, the farmer’s son he is forced to leave behind. In the army the beautiful red-bay horse is trained to charge the enemy, drag heavy artillery, and carry wounded soldiers not much older than Albert off the battlefields. Amongst the clamoring of guns, and while plodding through the cold mud, Joey wonders if the war will ever end. And if it does, will he ever find Albert again? War Horse joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!
It’s April of 1917, and World War I has reached Elizabeth’s family on their wheat farm in North Dakota. Although the battles are being fought overseas, the war has affected her in ways she couldn’t have imagined. Elizabeth is thrust into a new role after her brother and father leave the farm to do their part in the war. And she’s only eleven years old! Having almost died as a toddler, Elizabeth has been babied most of her life. Now she must learn to help out around the farm; cooking, cleaning, and tending to the garden and livestock. No longer can she run from her responsibilities, as she did when her horse Rosie was giving birth. There were complications during the delivery, and Elizabeth panicked and froze. The foal didn’t make it. Elizabeth faces her biggest challenge yet as a huge Christmas Eve snowstorm rages outside, cutting her family off from any help; and her mother is about to have a baby! Her brother and sister are laid up with chicken pox. Does Elizabeth face her fears or run from them? Can she help her family, who need her more now than ever? Or will she retreat like she did when Rosie needed her?
My Gentle War: Memoir of an Essex Girl by Joy Lennick
The affection Joy Lennick nee Mansfield felt and feels for Wales is immediately evident in this charming memoir. Separated in World War 11 from her parents – with her father serving in the Royal Air Force abroad and her mother working in munitions – she finds herself living on a mountain with her two brothers. It is a world away from the cosy environment of her home in Dagenham, Essex.
What was it like for children growing up in rural Suffolk during World War 2? Elsie and her family live in a small double-storey cottage in Bungay, Suffolk. Every night she lies awake listening anxiously for the sound of the German bomber planes. Often they come and the air raid siren sounds signalling that the family must leave their beds and venture out to the air raid shelter in the garden. Despite the war raging across the English channel, daily life continues with its highlights, such as Christmas and the traditional Boxing Day fox hunt, and its wary moments when Elsie learns the stories of Jack Frost and the ghostly and terrifying Black Shuck that haunts the coastline and countryside of East Anglia. Includes some authentic World War 2 recipes.
Award-winning, bestselling author, Robbie Cheadle, has published fifteen children’s book and two poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
The eleven Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie and Michael’s new Southern African Safari Adventures series is aimed at teaching young children about Southern African wildlife in a fun and entertaining way. Each book contains a rhyming verse story about a particular animal, as well as illustrations by Robbie Cheadle, photographs and links to video footage about that animal.
