Welcome to Day #1 of the WordCrafter Poetry Treasures Book Blog Tour. We’ve got a great tour planned with guest posts from several of the contributing authors to this poetry collection, and an awesome giveaway. Follow the tour and leave a comment at each stop for a chance to win one of three digital copies of Poetry Treasures to be given away. (Winners will be randomly selected following the end of the tour.)
Many of you may be familiar with Robbie Cheadle’s monthly blog series, “Treasuring Poetry”, which has grown in popularity since she began the series last year, here on Writing to be Read. For those who are not familiar with this series, Robbie hosts one author/poet guest each month, with an interview and review of their latest poetry collection. The series is popular because Robbie asks good questions which are designed to reveal some of the inner poetic workings of the author, and her guests are talented and insightful.
Poetry Treasures is a collection of poetry written by eight of the “Treasuring Poetry” guests in 2020, as well as the poetry of the series author, Roberta (Robbie) Eaton Cheadle. The poetry of the late Sue Vincent is also featured, along with a special tribute to this talented and vibrant poet and human being.
Poetry is subjective, often speaking to the reader in ways in which the author never intended, but are nevertheless just as valid as the ways in which those same words affected the poet. But, there are certain poems that just reach out and grab you, and I think that we have some of those featured in this poetry anthology, or at least I hope that we have managed to capture a few.
To introduce this wonderfully unique collection, we have a guest post by one of the contributing authors, Jude Kirya Italaki. You can find more of Jude’s wonderful poetry between the covers of Poetry Treasures.
Sometimes the most beautiful things are that way because we are able to share them with others. And once those people leave our lives, the beauty we used to see can turn sour.
All that was beautiful, now mocks me The resplendent night sky, hides secrets in plain sight The vermillion sunrise, paints scars in bloody hues And I hide from all their beauty; because it reminds me of you
However, there are things we will always find beautiful. It is important to discover ourselves, hold on to what makes us happy as individuals, and in turn share this with others. When introduced to beauty we did not know before, it might be crucial to love it genuinely, and instead of attaching it to the people who introduced us, we juxtapose it so that the grief of loss may not taint it.
We’ve got a great blog tour planned this week to introduce you to this wonderfully unique collection of poetry, published by WordCrafter Press. Contibuting authors include Sue Vincent, Geoff Le Pard, Frank Prem, Victoria Zigler, Annette Rochelle Aben, Colleen M. Chesebro, K. Morris, Jude Kirya Italaki and Roberta Eaton Cheadle, many of whom will be sharing their poetry and their inspirations in guest posts for this tour. I do hope you will join us and purchase your copy of Poetry Treasures, available in digital and print formats.
Put Off My Sackcloth Essays, by Annie Dawid provides open and honest glimpses into the life of a single daughter of a Jewish immigrant, who chooses to settle, eventually, in a small mountain community, where she lives off-grid with her mixed lineage son. Dawid’s essays are a brutally honest portrayal of her journey out of a history of suicidal depression and into motherhood.
The fact that the organization is not chronological, may make it more difficult for readers who are used to following a linear storyline, but her essays intermix recountings from her own life experiences with reflections on her research of the 1978 mass suicides in Jonestown, in a mosaic of small pieces that fit together to create a complete story, out of despair and into hope. These powerful essays are at times heart wrenching, at times evoking a smile, but they all reach out and touch the reader from the depths of the author’s soul.
Amazed by Dawid’s inner strength to battle her own demons, these soul revealing essays outline a journey from a life teetering on the edge of death into one filled with life and love. I give Put Off My Sackcloth Essays five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
My Treasuring Poetry guest today is talented author and poet M J Mallon. I am delighted to host Marje here and hope you enjoy her thoughts on poetry and her favourite poem.
Which of your own poems is your favourite?
This was such a difficult decision, I have at least three favourites! I narrowed it down to the robin. The robin and the dragonfly are my spirit animals and trees are also a huge inspiration. I’ve written about all of these and more in Mr. Sagittarius.
A beautiful picture of a robin by M J Mallon
Bench,
A bird,
Red-breasted,
So, tame you rest,
Beside me robin,
Two friends on a park bench,
One human, one of nature,
I appreciate your kind time,
Until you away… exploring far,
Hinting at possibilities you go.
I wonder what you notice in your world.
And why you choose that ground to explore,
When you could have stayed here with me,
In mindful meditation.
Maybe you’ll visit me,
Christmas day, perhaps?
To bring good cheer,
Until then,
Peace to, You.
What inspired you to write this particular poem?
I’d been studying mindfulness at the sixth form college where I work. Mindfulness is the act of observing and using the full array of our senses meditatively to become more at one with ourselves. I’ve discovered that this is a fantastic practice to adhere to. It benefits an author’s creativity by making you more aware of the nuances of your surroundings. I’m fortunate in that I work near the botanical gardens in Cambridge, so I often visit and walk and observe the wonder of nature taking photographs of the trees, flowers, animal and insect visitors. Over time, I collected these photographs and wrote poems about them. These, along with various seasonal and short pieces of fiction feature in Mr. Sagittarius. It is a joyful celebration of siblings, magic, loves, nature, the seasons and the circle of our lives.
Which genre of poetry do you enjoy writing the most and why?
I love writing poetry about life in all its vibrant colours. I am often inspired by photography, (I am a keen amateur photographer – my grandfather and uncle were professional photographers,) or I use images I discover as prompts, often via Colleen Chesebro’s poetry challenge: https://wordcraftpoetry.com/
Specifically, I enjoy writing poems about nature, trees, flowers, love and Halloween! Halloween poems also feature in Mr. Sagittarius. Halloween is an autumnal activity, (and often a childhood one,) so it links well with the seasonal/circle of life, aspect of my poetry writing.
Which genre of poetry do you enjoy reading the most?
I enjoy reading short form poetry. It is so expressive and brilliant. I love how short verses of poetry convey so much detail in so few words. I enjoy haiku, and tanka, as well as poems that form a pattern on the page. I also enjoy longer forms as you will see from my choice of favourite poem.
What is your favourite poem?
I have always loved Ode To Autumn by John Keats. I can almost taste the words. They are magnificent—that first line: Season of mists and mellow fruitfulness —draws you in and makes you long to read more.
Ode To Autumn by John Keats
Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss’d cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o’er-brimm’d their clammy cells.
2. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap’d furrow sound asleep, Drows’d with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours.
3. Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,— While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.
Mr Sagittarius is a beautiful collection of poems and short stories, set in the lovely gardens of Cambridge and linked by the visits and experiences of a family of twin brothers and their younger sister.
The story starts with William visiting the weeping willow tree in the garden, a place that was special to his twin brother, Harold, who has recently passed away. William sees Harold’s spirit in a dragonfly that he chats to and finds solace in their one-sided communication.
This is a few lines from a poem about the dragonfly: “Ancient, sweet fellow Sacred magic bestower, Change tumbling on fragile wings.”
When William returns home, he has an altercation with his sister, Annette. During their spat Annette reveals that she has always felt left out and overlooked by her twin brothers. This revelation leads to William and Annette becoming closer and visiting the garden together. Not long after, William passes on and Annette is left alone. She visits the garden and communicates with the spirits of both her brothers over the course of the rest of her long life.
The visits of the siblings to the garden are captured in lovely verse. This is an example I really enjoyed: “I dream in colour But now everything is dark Where has the light gone? Oh, cruel leafy canopy, No green meadow, just blue thoughts.”
My favourite of the short stories was The Old Man of Snow and The Snow Snake. This is a story about making good choices in life and rejecting greed. I enjoyed the tale and the descriptive writing.
Mr Sagittarius is a gorgeous book full of delightfully depictive poems and short stories and decorated with striking photographs. This is a book that lovers of poetry, mystery, and wonder will love.
I am a diverse author who blogs at: https://mjmallon.com. My interests include writing, poetry, photography, and alternative therapies. My favourite genres to write are: Fantasy YA, Paranormal, Ghost and Horror Stories and I love writing various forms of poetry and micro poetry – haiku and Tanka and flash fiction.
I am proud to be included in the best selling horror anthology Nightmareland which received best seller status with best-selling author Dan Alatorre at the helm.
The Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie has also published books for older children which incorporate recipes that are relevant to the storylines.
Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.
Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
When I was in high school, history was an unpopular subject. It was so unpopular, in fact, that when the time came for the Grade 9’s to chose their subjects for Grade’s 10 to 12, the school paired history with typing, home economics and business economics so that the girls who chose this less academic combination were compelled to take history. This was how I ended up in a history class with mainly girls who hated the subject. I loved history and I took it through choice. My other subjects were maths, accountancy, and science. In South Africa, English and Afrikaans were compulsory subjects at the time.
I never really understood why my peers didn’t like history as it was a subject always loved. I’ve said it here before, however, that I was a very wide reader from a very young age and I read a lot of books set in the past. Among my favourite books by a South African author, were the collections of short stories by Herman Charles Bosman. This is what Wikipedia has to say about Herman Charles Bosman:
Herman Charles Bosman (5 February 1905 – 14 October 1951) is widely regarded as South Africa’s greatest short-story writer. He studied the works of Edgar Allan Poe and Mark Twain and developed a style emphasizing the use of satire. His English-language works utilize primarily Afrikaner characters and highlight the many contradictions in Afrikaner society during the first half of the twentieth century.
On reflection, I realised that I have acquired a love of history because all the books I had read allowed me to include the facts and dates I learned into the fascinating backdrop I had acquired of life at the time. I could visualise the homes, lives, and loves of the Afrikaner people I learned about during the sections on the Great Trek and the Boers wars though my reading of Charles Bosman’s works. I also read books by South African Boer War veteran, Deneys Reitz.
My learning of international history including the French Revolution, the Industrial Revolution (including the Luddite uprisings), and the Tudor period were coloured by my reading of certain books, in particular, A Tale of Two Cities by Charles Dickens, and Shirley and Jane Eyre by Charlotte Bronte. I found it easy to remember my history because I entwined it with my understanding of life at the times as presented by these great novels.
I was delighted when I discovered that history is a popular subject at the college for boys my sons both attend. Gregory chose to take history to matric (along with IT, maths, advanced maths and science which shows that its mixes well with any subject combination) and Michael looks set to follow in his footsteps.
I am bowled over by their history curriculum and the amazing why they learn about the past through source documents, cartoons, and many other interactive and interesting modes compared to my school days of rote learning. My sons are also taught history from the perspective of how historical events have influenced the present which makes this subject a lot more useful. It helps them to see how people’s actions and reactions have set the path for the future and resulted in both the good and bad in society we see today.
I believe it is vital for kids to understand history in an expansive and wide context so that they can value the freedoms and benefits their forefathers fought and die to leave as their legacy. For example, what young girl would not value her vote if she knew about the suffering and hardships of the suffragettes who paved the way for the achievement of this equality for women.
I wonder how many British children know that compulsory education for children aged 5 to 14 years was only introduced in 1918. How many American children know that compulsory education laws were only passed by 1900 and then only in 32 states, with the other states following by 1930. 1930! That’s less than 100 years ago.
Modern children are so fortunate to have an education and the opportunities for self improvement that come with it. It isn’t equal for all yet, but there are lots of people who believe passionately in educating children and who work really hard to implement change and improvements in education.
Understanding and learning about real people in a historical context makes their passions, sufferings and beliefs so much more compelling. It is difficult to hold on to prejudice if you’ve read novels like I am David by Anne Holm, The Diary of a Young Girl by Anne Frank, and Cry the Beloved Country by Alan Patton.
Historical books also teach children interesting information about how people survived in the past. I’ve always remembered the chapter from Little House in the Big Woods by Laura Ingalls Wilder when Pa cleaned his gun and made bullets. There is also a chapter about how Ma made butter and coloured it yellow. Little House on the Prairie has a scene when Ma is helping Pa build their new log cabin and a log falls on her foot. The difficulties and dangers of life on the frontier were illustrated; there was no help to be had for an injury or if the family fell ill.
I learned a lot about the limitations of medical knowledge in the mid to late 1800s through my reading of the What Katy Did series by Susan Coolidge. I will never forget Katy falling out of the swing or Amy contracting, and nearly dying from, Roman fever. Such scenes induce great feelings of empathy and compassion in the reader.
It is for all these compelling reasons that I wrote While the Bombs Fell, a fictionalised biography of my mom’s life as a young girl growing up in a small English town during World War II. I wanted to capture and preserve her memories of life for ordinary people living through this extraordinary time so that others, children in particular, could read it and remember how life was during that time.
What are your thoughts about historical fiction for both children and adults? Do you see value in learning about history in through a good story?
About Robbie Cheadle
Robbie Cheadle is a children’s author and poet.
The Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie has also published books for older children which incorporate recipes that are relevant to the storylines.
Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.
Want to be sure not to miss any of Robbie’s “Growing Bookworms” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
Shadowland is the latest release in the Box Under the Bed horror anthology series, compiled and edited by bestselling author Dan Allatorre. Pick up any of the anthologies in this series and the reader will not be disappointed, but the collection of tales featured in Shadowland may have outdone those which came before. From the creative minds of Dan Alatorre, Betty Valentine, Roberta Eaton Cheadle, Christine Valentor, Jessica Bakkers, MD Walker, and Alison Marushka, each story is creatively crafted to fit into the premise of the anthology as a whole, like the pieces of a jigsaw puzzle fit precisely to do their part in the creation of the picture as a whole. This anthology has the potential to be made into a television series, with each individual story becoming a single, or even multiple episodes.
The mysterious and eccentric Dr. Aumental teaches a very special class, where students are excused from their other classes and sent on all expense paid travels to research dark folklore and legends as subjects for their term papers. The research takes students to the far reaches of the globe, searching for the truth about voodoo magic, demons, spirits of the dead, the cave dwelling Hojimaa, Hookman mythology, the monster under the bed, phantom cannibals, the Jersey Devil, and more. Any legend lurking in the shadows is fair game for the investigative skills of Dr. Aumental’s selected students. Certainly, this class must produce some very unique term papers, but why does the professor go to such lengths and what does he do with the information they contain?
Each of the dark tales in Shadowland easily stands alone on its own merit. Together, they form an anthology collection that goes beyond a common theme to help fulfill an overall premise that leaves itself open to endless possibilities. I give this horror anthology five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Today we are hanging out on the Facebook event page for the promotional and social pre-event cocktail party from 8 a.m. – 4 p.m. MDT. Come on by for a preview of the 2021 WordCrafter New Beginnings Virtual Writing Conference line-up, meet conference presenters and fellow authors, and check out all of the latest releases. There will be lots of games and giveaways, and maybe even some creative presentations, and today’s festivities are all free! Join us there.
Also, tomorrow and Wednesday we will be holding interactive workshops and panel discussions for the actual conference on the Zoom platform, so I hope you will join us there, as well. Although this portion is not free, it is still affordable, at only $5 per session or $50 for an all events pass, which covers all sessions on both days. See the full line-up and get your tickets for conference access here.
Last chance to enter the 2021 WordCrafter Paranormal Short Fiction Contest!
Where Spirits Linger
The deadline to enter the 2021 WordCrafter Paranormal Short Fiction Contest is April 30th, for a chance to have your short paranormal story included in the 2021 paranormal anthology, Where Spirits Linger. The entry fee is $5, and the author of the winning story receives a $25 Amazon gift card and inclusion in the anthology. See full submission guidelines and send me your ghost stories. There’s still time. Hurry!
There’s still time to get tickets for the 2021 WordCrafter New Beginnings Virtual Writing Conference
2021 WordCrafter New Beginnings Writing Conference
Join us for a free Facebook pre-conference promotional and social book event on May 3rd, where you can meet conference presenters and other authors, learn about their latest releases, play games and enter giveaways! You can reserve your spot on the Facebook Event Page to join in on the fun from the comfort of your own livingroom or wherever you happen to be.
Then on May 4th & 5th, the interactive portion of the conference will be held, with interactive workshops & panel discussions will be offered by talented and experienced presenters, including Keynote speaker Paul Kane. Tickets can be purchased for $5 for individual sessions or a full event pass at the discounted rate of $50 for all 13 sessions. Visit the WtbR Event Page, right here on Writing to be Read, to see the full line-up and author bios, and purchase tickets. It’s going to be a lot of fun and we plan to learn a lot, too, so reserve your spot today.
I can’t offer a preview, because the conference will be live, but I can offer a sample from the 2020 WordCrafter Stay in Place Virtual Writing Conference to whet your appetites. Below is a video of the Visceral Story Beginnings interactive workshop with Ellie Raine. Ellie jumped in to present this workshop after the originally scheduled presenter was unable to attend. I think you did a fantastic job of picking up the ball.
Announcing the release of Poetry Treasures, the WordCrafter poetry anthology featuring poetry by 2020’s author/poet guests on “Treasuring Poetry” blog series with Robbie Cheadle, right here on Writing to be Read.
Nine creative and talented poets have come together to produce this unique poetry collection, each one is truly a poetry treasure.
Poetry Treasures
2020 “Treasuring Poetry” Featured Poet/AuthorLinks:
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This week we’ve had a wonderful tour for the paranormal historical novel, A Ghost and His Gold, by Roberta Eaton Cheadle. The author of this wonderful book prepared a guest post, including an extract, for each stop, and we also had two beaming reviews and a fun and entertaining author profile.
If you missed any of the stops, you can find the links below. You can still stop by and learn more about this exceptional work of literature. We’d love to see you there.
Day 1 brought us a glimpse of the inspiration and history behind this fascinating story and my review of the book, here onWriting to be Read.
Day 2 introduced us to one of the author’s favorite characters, Peiter Van Zyl, a Boer commando, who represents one aspect of the history portrayed in this cleverly crafted tale. It is on Writing to be Read, as well, (due to technical difficulties on Patty’s World, but I’m told she’ll be posting something special on her new blog site on Wednesday, so be watching for that).
Day 3 brought us a delicious recipe for a traditional South African dish, which is eaten by the characters in the story, showing historical accuracy and impecable research by Cheadle, on Jessica Bakker’s.
Day 4 offers insight into one of the historical figures referenced in the story, and a wonderful author profile, created from an interview with Barbara Spencer on Pictures from the Kitchen Window.
Day 5 finished off the tour with some historical background for the story’s setting and a review by Victoria Zigler on Zigler’s News.
Welcome to Day #2 of the WordCrafter A Ghost and His Gold Book Blog Tour. Yesterday Roberta Eaton Cheadle shared the origins of the story for this historical paranormal novel and I added my review of the book right here on Writing to be Read. Today we get a look at one of Cheadle’s characters, Boer, Pieter Van Zyl. Please join us as we snatch a glimpse into the author’s thoughts as she developed a character who represent one side of the Second Anglo Boer War in South Africa.
A Ghost and His Gold Give Away
Each stop on this five-day book blog tour will offer the opportunity to win a $10 Amazon gift voucher. (*Winners must be able to retrieve Amazon US gift vouchers.) Author Roberta Eaton Cheadle will also give away 2 paperback copies of A Ghost and His Gold. All you have to do to enter is drop by each tour stop and leave a comment!
Guest Post by Roberta Eaton Cheadle: Pieter van Zyl characterisation
Pieter van Zyl is a Boer living on his farm in Irene near Pretoria in the South African Republic when war between the British Empire and the two Boer republics breaks out. Although the historical sections of the book are narrated from the points of view of a British soldier stationed in Mafeking during the siege, Robert, and Pieter’s eldest daughter, Estelle, as well as Pieter, he is central to the backstory and background of the other ghosts as well as the main themes of the book which are human greed, the horror of war, the desire for control and power and, most importantly, the erosion and corruption of the human spirit and individual’s morals, and ethics, under conditions of continuous war, destruction, and death.
Pieter’s late grandmother was English, and he is familiar with the ways of the British and more understanding of their characteristics and motivations that most of his peers.
Pieter is highly intelligent and well read and, although he is ready to play his role in fighting for the independence of his country, he is pessimistic about the eventual outcome of this war in the face of his peers excited optimism for a quick victory. Pieter is an introverted loner who keeps his thoughts to himself having learned his opinions and views on many topics are not popular with his peers. Pieter is a peacemaker and does not like conflict in his life. This is apparent in his relationships with his wife, Marta, and oldest daughter, Estelle. Pieter is incapable of dealing with the conflict between the pair and taking positive action to control his wife’s resentment towards her unusual oldest child.
The suffering and trauma that Pieter experiences during the war, in particular the loss of his farm and the confinement of his family in a concentration camp, wear down his abilities to tolerate and cope with his circumstances and his will to live is destroyed long before he dies.
He believed he would be safer among family and friends, having quickly learned that being obligated to fight for your country did not necessarily translate into an eagerness to do so. The reluctance of some of the Burghers to take up arms surprised him, and he chuckled at some of the conversations he’d overheard.
“I don’t want to go to war now,” said François Naude, “it’s spring and I need to be here to oversee the planting.”
Pieter, who was waiting to collect his grocery order from the proprietor of the Irene General Store, hid a smile at this amusing comment.
What does he think our government should do? Ask the British if they mind waiting for a more convenient time before we commence hostilities.
Extract 2
Grabbing his loaded Mauser rifle from its hooks on the wall near the door, he hesitates for a moment to admire its smooth and shiny wooden length. The feel of the gun in his hands gives him confidence; he is an excellent marksman.
This gun brought me a lot of respect.
His ability with a gun had been his saving grace when, as a young man, his peers had been mystified by his interest in books and writing and had liked to share their derogatory thoughts in that regard.
Extract 3
Willem was in high spirits. “This war will soon be over, Pieter. It’ll be the same as the last one. We’ll defend our borders against the invaders, and it will be over in three months. We’ll be home by harvest time.”
Willem shared the sense of excitement and euphoria that many of his fellow countrymen were experiencing, but Pieter did not.
War brings bloodshed, grief and tears. This time the British will probably send 36 many more soldiers. I think this war is going to be a much harder win.
He had not shared his own thoughts with Willem. There was no point and he had learned many years ago to keep his unpopular opinions to himself.
Extract 4
Pieter stops talking and gazes into space. Memories assail his mind in a kaleidoscope of sounds, smells and visions.
“At about midday, we saw a large cloud of dust coming our way. Having no idea how many horsemen there were, ten other Burghers, Willem and I quickly set up an ambush. As they drew closer, we could make out a mass of at least seven thousand horses and men. It was a hopeless situation and we prepared to withdraw, but the Khakis saw us and started shelling our position. My horse took fright at an exploding shell and bolted. I fell and broke two ribs, but luckily my horse is well trained, and he came back to me. Oom Willem hoisted me back onto my horse, and we were able to escape.”
Marta’s pale face and the tension around her mouth and eyes suddenly register with Pieter.
Is she upset because of my injury or because the Burghers ran away?
“It was cowardly of you men to flee, you should have stayed and fought,” said Marta, her lip curled with contempt.
How does she think I could have carried on fighting with broken ribs? She’s being ridiculous; if we’d carried on fighting, we would’ve all been killed. A handful of men couldn’t hold back such a significant force.
Smiling wryly, he took a sip of water. “Maybe you are right, Marta, but I was in too much pain to influence that decision.”
The Blurb
After Tom and Michelle Cleveland move into their recently built, modern townhouse, their housewarming party is disrupted when a drunken game with an Ouija board goes wrong and summonses a sinister poltergeist, Estelle, who died in 1904.
Estelle makes her presence known in a series of terrifying events, culminating in her attacking Tom in his sleep with a knife. But, Estelle isn’t alone. Who are the shadows lurking in the background – one in an old-fashioned slouch hat and the other, a soldier, carrying a rifle?
After discovering their house has been built on the site of one of the original farms in Irene, Michelle becomes convinced that the answer to her horrifying visions lies in the past. She must unravel the stories of the three phantoms’ lives, and the circumstances surrounding their untimely deaths during the Second Anglo Boer War, in order to understand how they are tied together and why they are trapped in the world of ghosts between life and death. As the reasons behind Estelle’s malevolent behaviour towards Tom unfold, Michelle’s marriage comes under severe pressure and both their lives are threatened.
About Roberta Eaton Cheadle
I am a South African writer specialising in historical, paranormal and horror novels and short stories. I am an avid reader in these genres and my writing has been influenced by famous authors including Bram Stoker, the Bronte sisters, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.
I was educated at the University of South Africa where I achieved a Bachelor of Accounting Science in 1996 and a Honours Bachelor of Accounting Science in 1997. I was admitted as a member of The South African Institute of Chartered Accountants in 2000.
I have worked in corporate finance from 2001 until the present date and have written seven publications relating to investing in Africa. I have won several awards over my twenty year career in the category of Transactional Support Services.
I have been published a number of anthologies and have two published YA books, While the Bombs Fell and Through the Nethergate. I have recently published my first adult novel called A Ghost and His Gold which is partly set in South Africa during the Second Anglo Boer War.
Other books by Roberta Eaton Cheadle
Through the Nethergate
Margaret, a girl born with second sight, has the unique ability to bring ghosts trapped between Heaven and Hell back to life. When her parents die suddenly, she goes to live with her beloved grandfather, but the cellar of her grandfather’s ancient inn is haunted by an evil spirit of its own.
In the town of Bungay, a black dog wanders the streets, enslaving the ghosts of those who have died unnatural deaths. When Margaret arrives, these phantoms congregate at the inn, hoping she can free them from the clutches of Hugh Bigod, the 12th century ghost who has drawn them away from Heaven’s White Light in his canine guise.
With the help of her grandfather and the spirits she has befriended, Margaret sets out to defeat Hugh Bigod, only to discover he wants to use her for his own ends – to take over Hell itself.