In Mudflap, by Jay Alden Bailey the character’s name isn’t really Mudflap, but that is the name he identifies with because life always seems to be throwing him under the bus. We’ve all been there, so the character concept is easy to identify with. Every time Mudflap gets up, life knocks him back down again. But he just keeps getting back up again, even starting over from step one when necessary. This story makes a suttle social commentary as Mudflap’s tale unravels that readers with a keen eye will be sure to pick up on.
Sharing in the life and experiences of Mudflap makes one appreciate the circumstances in one’s own life more. If you need cheering up or are just looking for a chuckle, this story is for you. I give Mudflap four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
I recently embarked on the journey toward yet another degree – an M.A. in Publishing at Western State Colorado University – and I am studying under the prolific bestselling author and founder of WordFire Press, (and inductee into the Colorado Authors Hall of Fame), Kevin J. Anderson. For one of the publishing projects that must be completed for graduation is a cohort produced anthology. This will be the third year that the publishing cohort at Western has been headed by Kevin, and the third anthology that they have published.
Each of the previous year’s cohorts have produced an outstanding anthologies featuring stories by reputable author names, as well as new discoveries. You can see my review of Unmasked, last year’s anthology, here. The first year, Monsters, Movies & Mayhem received the Colorado Book Award. Both of these exceptional anthologies are available from amazon, your favorite bookstore, or buy direct at wordfirepress.com/gpcw.
This year’s cohort worked hard to develop the theme and guidelines over the past two weeks, and I’m really excited about this anthology. One of the cool things about this opportunity for writers is that it pays per word, if your story is chosen. Since I am a part of the publishing team, I’m not eligible to submit, but all of my readers are. I strongly encourage you to check out the guidelines below, get the gears turning and crank out an original story to submit for this year’s anthology. Feel free to share with anyone who might be interested.
Tips for getting your story accepted: Read the submission guidelines and follow them.
When you’re alone with your reflection, are you prepared for what you see?
A prince in disguise? A monster revealed? An alien race?
Mirrors can be truth-tellers, wish-granters, face-concealers, illusion-makers, even monster-summoners. Maybe the mirror shows an evil twin, or an echo of the life that should have been. Or a portal to another world.
What happens when it shatters?
Once upon a time, no one knew the phrase “Once upon a time.” You’ve read the classic stories. Now write the lore you’ve always wanted to read. Explore this creative challenge from your own unique perspective informed by your roots, culture, and background. We want original fables, folklore, and fairy tales for an eclectic anthology showcasing a new dawn of an old artform.
Imagine a canon of diverse characters for today’s readers to love and loathe. Gaze into the mirror, whether literally or figuratively—classic or genre-bending, grim or whimsical, as long as it is new and fresh.
We are looking for original short stories (prose poems will also be considered) to include a mix of fantasy, science fiction, horror, magical, and romance elements. Must be appropriate for a “PG-13” audience. Please, no copyrighted characters. Previously unpublished stories only. Women, BIPOCs, LGBTQIA+, neurodiverse individuals, and other minorities are strongly encouraged to submit.
Length: up to 5000 words (firm limit)
Rate: 6¢/word on acceptance.
Rights: First Anthology Rights and audio rights as part of the anthology; rights revert to author one month after publication; publisher retains non-exclusive right to include in the anthology as a whole.
Due: We are open to submissions from August 30 through October 15, 2021.
Submit: A Microsoft Word or RTF file in standard manuscript format to
One submission per person, please. NO SIMULTANEOUS SUBMISSIONS.
Edited by Kevin J. Anderson with an editorial team provided by Western Colorado University Graduate Program in Creative Writing, Publishing MA students. Anthology made possible by a generous contribution from Draft2Digital.
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In Watching Glass Shatter, by James J. Cudney, secrets threaten to destroy a family and a legacy with the solidest of foundations. Olivia is a staunch matriarch who controls with an iron fist, or so some have said. When her husband Ben dies in a car crash, she is forced to take a close look at herself as she struggles to deal with the huge secret that he kept from her in what she thought was an open and honest marraige. Once it is dropped in her lap, she must decide how to handle this new knowledge that has the potential to rip apart the life of one of her five sons and change their familial relationships forever.
Olivia decides to spend some time with each of them before making her final decision, but the closer she gets to her sons the more secrets she learns that her family is harboring from one another, each with the potential to destroy family bonds and crumble all they have worked for. This family drama would be worthy of a television soap-opera series, such as Dynasty or Dallas.
The Glass family is well off, having built up a successful law firm which was to be the family business. Although the story is well-written, it seemed to me that things seemed to resolve a little too easily to be fully believable to me. It is a very different world in which I live, but maybe money does bring with it the solutions to many of life’s difficulties more easily. I give Watching Glass Shatter four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
For Eddie Reyes and his friend Maryellen, dreams are much more than that. Dreams are an avenue for learning. Dreams are a means of breaking through to parallel worlds and making connections with their friends, Africa Lee and Rafferty. Dreams are a way to control people and a weapon which causes madness. To those who don’t know, it sounds like a cool superpower, but it’s one that carries a heavy price.
For Eddie, it’s the only way to hunt down the Jaguar to save their friends and the rest of the Roam from the persecution of the jaguar priests. But the Jaguar has reached Maryellen’s father through his dreams in this world and he’s intent on keeping she and Eddie apart at all costs.
Can Maryellen and Eddie escape her father and the other traps set on this side by the Jaguar long enough to hunt the him down in his own dreams before he destroys the Roam, and both worlds in the bargain?
My Review
Although Bill Ransom’s Jaguar unfolds the story slowly and it takes a little while to put the puzzle pieces together to form an idea of how the characters are connected and how they fit within the full picture of the story, it is just odd enough to keep your curiosity raised and keep you reading long enough to see it all come together. And by then, you’re hooked. You have to keep reading to find out how it all turns out. You can’t put it down. And it’s a good thing, because if you don’t read through to the end, you will miss the big reveal that changes the game and raises the stake even higher for Eddie.
A well-crafted psychological thriller that will keep you riveted to your seat. I give Jaguar four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Today, I am delighted to host poet and author Miriam Hurdle for the July edition of Treasuring Poetry.
Welcome Miriam Hurdle
Hi Robbie,
I’m delighted to be your guest on Writing to be Read to talk about poetry.
Which of your own poems is your favourite
Among the published poems in Songs of Heartstrings: Poems of Gratitude and Beatitude, several poems are my favorites in equal measure for different reasons. One is in the section of Songs of Marriage, one in Songs of Tribute, and one in Songs of Inspiration.
The time I wrote this post, my heart turns to the poem “Healthy Grieving” in the section of Songs of Tribute.
Healthy Grieving
Randy and my husband were true friends.
No appointment needed for
a barbeque, a movie or a game, just
knocked on each other’s door.
The conversation could go anywhere,
no worry about apologies.
When one needed a helping hand,
the other one is always there.
Twelve years was a long time,
such true friendship rarely came by.
People say, “Big boys don’t cry.”
I don’t know why.
Boys have emotion, as we all do.
My husband had never cried,
not until after Randy died.
What inspired you to write this particular poem?
There is a narrative precedes the poem. I wrote the poem to pay tribute to our neighbor, my husband’s best friend who died of a mountain bike accident. Here is the excerpt.
I remember on January 3, 2016. Randy joined us to celebrate my husband’s birthday. We had lunch and saw Star Wars at Irvine Spectrum. It was on Saturday.
The following Sunday, eight days later, his relative came over to tell us that Randy had a mountain bike accident. He and a gym buddy ventured on a long mountain bike ride. The bike hit a vast gap and made a somersault flip. He got thrown off the bike, fell forward and hit the ground, and smashed his head and face.
They rushed him to the close by emergency room but pronounced him dead as soon as the ambulance reached the hospital.
Randy was our neighbor who lived two doors down the street. He was my husband’s best friend for twelve years, ever since he came back to live with his parents. They worked out at the gym together. They enjoyed the Friday movie and pizza day for a while.
After my husband got a mountain bike, he also got one. They biked on the trails in the city. On special occasions, a barbecue dinner was in order. He came over to our house for game nights regularly. A year before he passed away, they switched to another restaurant to hang out in the bar, and I became their designated driver.
Randy was a lighthearted guy, a wonderful friend, a caring son. We missed him very much.
Which genre of poetry do you enjoy writing the most and why?
Whereas a “form” defines the way a poem arranges sounds, rhythms, or its appearance on the page, “genre” is something like the poem’s style. Many poetic genres have a long history, and new poems almost always seek to explore a new aspect of the traditional style and thus to redefine the genre.
Traditionally, there are nine genres of poetry. Three of them remain in the newer inclusion of poetry genres. They are narrative poetry which tells a story, lyric poetry which is musical in tone, and dramatic poetry which is a long dramatic monologue or persona poem.
I would say I enjoy writing narrative poetry genre. Regardless of the poetry forms, I like to write poems that tell the stories. The poem I included above is a good example in which I shared the story of the friendship between my husband and Randy.
As far as poetry form, I enjoy writing free verse which is free of rules and regulations. It doesn’t follow a consistent rhyme scheme, meter or musical structure. For the fun of learning, I also write blank verse which follows a stricter structure with precise meter. In addition to Haiku, Tanka, I have written a Shakespearean Sonnet, a Pantoum, several acrostic poems, two Villanelle, and one one-syllable poem (all the words used in the entire poem are single syllable words).
Which genre of poetry do you enjoy reading the most?
I enjoy reading narrative and lyric poetry including poetic song lyric. One example of narrative poetry is a poem by the American Poet Linda Pastan in which she tells a story about her daughter.
To a daughter leaving home
When I taught you
at eight to ride
a bicycle, loping along
beside you
as you wobbled away
on two round wheels,
my own mouth rounding
in surprise when you pulled
ahead down the curved
path of the park,
I kept waiting
for the thud
of your crash as I
sprinted to catch up,
while you grew
smaller, more breakable
with distance,
pumping, pumping
for your life, screaming
with laughter,
the hair flapping
behind you like a
handkerchief waving
goodbye.
This poem is about the poet teaching her daughter to ride a bicycle. The title suggests that her daughter is now old enough to leave home. Pastan cleverly extends the metaphor of the bike as part of life’s journey. When I read this poem, I identify with the poet the joy of parenthood, with the sentiment of missing my daughter when she grew up and has gone on to her own journey.
I can’t talk about poetry without talking about music. I’m a singer of classical, traditional, and some older pop music and memorized many song lyrics for solo performances. The poetic song lyrics influence the flow of my poetry writing.
Examples of poetic song lyrics are, “Yesterday” by the Beatles, “Memory” from the Musical Cats written by Trevor Nunn, and “Killing Me Softly” written by Norman Gimbel & Charles Fox.
What is your favourite poem?
My favorite poem is a popular one by Robert Frost. Its signature phrases have become so ubiquitous, so much a part of the individual life and business alike. I like it because of its message applicable in my life.
I have come to crossroads many points in my journey. As reflected by Frost, I couldn’t take “both,” tried to look down both paths “as far as I could.” Many times, they both were “equally” “fair” but no guarantee. Ultimately, it was my decision that “made all the difference.” Knowing that I would never “come back,”, I willingly took the responsibility for the road I chose to travel with no regret.
The Road Not Taken
Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth;
Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same,
And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back.
I shall be telling this with a sigh Somewhere ages and ages hence:Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference.
I would like to include the trailer for Songs of Heartstring created by Diana W. Peach at https://mythsofthemirror.com
Miriam Hurdle is a member of the Society of Children’s Book Writers and Illustrators (SCBWI). She published four children’s books at twenty-six years old. Her poetry collection received the Solo “Medalist Winner” for the New Apple Summer eBook Award and achieved bestseller status on Amazon.
Miriam writes poetry, short stories, memoir, and children’s books. She earned a Doctor of Education from the University of La Verne in California. After two years of rehabilitation counseling, fifteen years of public-school teaching and ten years in school district administration, she retired and enjoys life with her husband in southern California, and the visits to her daughter, son-in-law, and granddaughters in Oregon. When not writing, she engages in blogging, gardening, photography, and traveling.
My review of Songs of Heartstrings: Poems of Gratitude and Beatitude
Songs of Heartstrings is a collection of poems and essays featuring the vast array of life experiences by the author. Miriam Hurdle has encountered both the best and the worst of life through the death of her husband’s close friend, her own treatment for cancer, the birth of her daughter and the close relationship of her parents. Her wonderful joy in life and strong faith in her religion shine through in her poetry and give a lot of insight into her strong spirit and ability to stay positive despite the curve balls life has thrown her way.
This book also demonstrates Miriam’s love of nature and features poems about her garden, a hummingbird and even a spider. Her photographs and pictures are lovely and compliment the prose.
My review of Tina Lost in a Crowd
Tina Lost in a Crowd is a charming book for children about two young school friends who attend a busy concert with Tina’s parents and get lost on their way to the restroom.
I enjoyed the character of Tina, a lovely and friendly girl who demonstrated politeness and respect towards both her teacher and her parents as well as consideration towards her friend. She has sufficient presence of mind not to panic in the scary situation of being lost in a big crowd.
The depiction of Tina’s family life and her mother’s interest in her and eagerness to plan some fun family outings for the summer vacation are heart warming and lovely to see in a children’s book. I liked the fact that Tina’s mother made a picnic for her family and Tina’s friend, Erica, to enjoy at the concert with good, wholesome food.
The illustrations in this book are a real treat and every page is a visual delight. I would recommend this book to parents and caregivers who like books that encourage good family values and level headedness by children in difficult situations.
About Robbie Cheadle
Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 1 poetry book.
The 7 Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.
Robbie has 2 adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories in the horror and paranormal genre and poems included in several anthologies.
Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.
Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
Last week we had a great tour for In the Silence of Words, a three-act play by Cendrine Marrouat. If you weren’t able to follow last week, but would like to know more about Cendrine and her wonderful play, I’ve provided the tour stops below. I do hope you will drop by and see the posts you missed.
In the Silence of Words, by Cendrine Marrouat – July 5 – 9
July 5 – Intro. Post/Interview – Writing to be Read
Join us over at Zigler’s News, for a fun guest post about which actors and acrtresses might play the characters in In the Silence of Words. I hope to see you there.
Thanks for joining us on Day 3 of the WordCrafterIn the Silence of Words Book Blog Tour and my review of this thought provoking play. You can catch my interview with the creative mind of author Cendrine Marrouat for Day 1 here, on Writing to be Read, and Day 2 brought a guest post from the author on Robbie’s Inspiration about writing a play as a poet. Days 4 & 5 will also be guest posts, one on Roberta Writes, and then Zigler’s News will be finishing off the tour for us.
My Review
In the Silence of Words is a play which says much in what is left unsaid. The three dots… of more to come are left hanging time and again with unfinished thoughts that the reader is left to fill in on their own. But I think that is the point, because there is so much meaning in that which is left unspoken.
Through unspoken words, this play tackles several real life issues in a relatable manner that will touch readers, (or viewers), hearts – loss, self-sacrifice, searching for the self – these are life issues most of us have dealt with at one time or another in our own lives, giving rise to many opportunities for those “A-ha!” moments, when we can truly relate with Marrouat’s characters.
This play is well-crafted, with a thought provoking plot and relatable characters which move the story forward. I give In the Silence of Words five quills.
This week WordCrafter brings you a tour that is a little different, and I’m excirted to tell you about it. This tour is not for the usual novel or poetry collection, but for a play, In the Silence of Words, by Cendrine Marrouat. We are kicking things off today, right here on Writing to be Read, with an interview with the author which will tell us all a little more about this creative author and her latest release.
Kaye: What inspired you to create In the Silence of Words: A Three-Act Play?
Cendrine: The play is very loosely based on some major events in my life, including my mother’s suicide. I wanted to write something meaningful and inspirational to help or bring comfort to those who might be going through something similar.
Kaye: Why did you choose to write this tale in play format? How would it be different if you had tried to write it as a literary story instead?
Cendrine: Before the idea of the play was even born, I had tried writing short stories and a novel. I quickly realized that my style was at odds with those genres. I suck at descriptions, and much prefer focusing on short, “punchy” scenes that deliver emotions between the lines.
In the Silence of Words can only work as a play. Theatre encourages uncomfortable conversations while forcing introspection, lifting spirits, and bringing people together.
Kaye: What makes In the Silence of Words: A Three-Act Play different from stories following a similar concept?
Cendrine: The play is unique because of the number of challenging topics it deals with at the same time; and the way each unravels on its own and as a whole. Every reader will find at least one strongly relatable element that will give them an appreciation for life.
Kaye:In the Silence of Words was, in part, inspired by the haiku poetry form. Why do you think the haiku is such a powerful poetry form?
Cendrine: The haiku was not what inspired the idea for In the Silence of Words, but I used the same technique behind this wonderful poetry form to make the storyline more impactful.
The haiku is a very short poem of three lines that says very little but suggests a lot. It relies heavily on the unsaid to convey emotions and deep meanings. As such it is the epitome of the “Say less, show more” technique every serious writer uses to craft memorable stories.
Kaye: Most of your work focuses on the importance of embracing the world and situations around us. Why do you think it is important?
Cendrine: Because life only has meaning when we choose to accept the negative as well as the positive experiences we encounter. There are lessons to learn in everything. It’s up to us to decide, when we are ready, how fast or slowly we want to grow.
Kaye: What are your goals with In the Silence of Words: A Three-Act Play?
Cendrine: I want to invite people to view pain and loss differently. I want them to rethink their relationship with life, death, and everything in between. Losing loved ones is, of course, terrible, often leaving gaping wounds in our hearts. However, as main character, Cassandra Philip learns, there is a healthy, albeit liberating way to grieve and move on. It just (often) requires a series of distressing events to reach that kind of conclusion.
Cendrine Marrouat is a French-born Canadian photographer, poet, and the multi-genre author of more than 30 books. In 2019, she founded the PoArtMo Collective and co-founded Auroras & Blossoms with David Ellis. A year later, they launched PoArtMo (Positive Art Month and Positive Art Moves) and created the Kindku and Pareiku, two forms of poetry. Cendrine is also the creator of the Sixku, the Flashku, and the Reminigram. Cendrine writes both in French and English and has worked in many different fields in her 17-year career, including translation, language instruction, journalism, art reviews, and social media.
We have a great tour lined up for this thought provoking play. Join us tomorrow for a guest post by the author on Robbie’s Inspiration for Day 2. Then Wednesday, you can catch my review right here on Writing to be Read for Day 3. Thursday’s stop is on Roberta Writes with a guest post by the author, and we’ll be wrapping things up on Friday with another guest post on Zigler’s News. I do hope you’ll join us as we learn more about In the Silence of Words.
When I Was You, is a well-crafted thriller by Minka Kent that will keep readers guessing to the very end. This story has all the twists and turns of a good thriller, and just when you think you know what is going on, the plot doubles back for you to realize how wrong you were. I’m not sure how to review this book without giving away spoilers, because it does keep you guessing.
Brienne Dougray was attacked and robbed, putting a jolt in her self-confidence, making her feel afraid and vulnerable. To make matters worse, all of her friends have turned their backs on her and she has no idea why. It seems the only one she can rely on is Niall, a busy oncologist who is her tennant, whom she is developing feelings for. She begins to feel as if her life is not really her own when she learns there is another woman who is living her identity and Niall may not be the man she thought he was. These odd occurances have her doubting her sanity and she has to wonder if she really knows who she is. To solve the mystery of what is really going, is the only way to figure out who she really is and get her true life back.
Suspense and mystery keeps the pages turning in this well-crafted thriller. I give When I Was You five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Book Review: Mudflap – A character concept many of us can identify with
Posted: August 9, 2021 | Author: kayelynnebooth | Filed under: Book Review, Books, Fiction, satire | Tags: Book Review, Jay Alden Bailey, Mudflap, satire, Social Commentary, Writing to be Read | 4 CommentsIn Mudflap, by Jay Alden Bailey the character’s name isn’t really Mudflap, but that is the name he identifies with because life always seems to be throwing him under the bus. We’ve all been there, so the character concept is easy to identify with. Every time Mudflap gets up, life knocks him back down again. But he just keeps getting back up again, even starting over from step one when necessary. This story makes a suttle social commentary as Mudflap’s tale unravels that readers with a keen eye will be sure to pick up on.
Sharing in the life and experiences of Mudflap makes one appreciate the circumstances in one’s own life more. If you need cheering up or are just looking for a chuckle, this story is for you. I give Mudflap four quills.
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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
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