I recently embarked on the journey toward yet another degree – an M.A. in Publishing at Western State Colorado University – and I am studying under the prolific bestselling author and founder of WordFire Press, (and inductee into the Colorado Authors Hall of Fame), Kevin J. Anderson. For one of the publishing projects that must be completed for graduation is a cohort produced anthology. This will be the third year that the publishing cohort at Western has been headed by Kevin, and the third anthology that they have published.
Each of the previous year’s cohorts have produced an outstanding anthologies featuring stories by reputable author names, as well as new discoveries. You can see my review of Unmasked, last year’s anthology, here. The first year, Monsters, Movies & Mayhem received the Colorado Book Award. Both of these exceptional anthologies are available from amazon, your favorite bookstore, or buy direct at wordfirepress.com/gpcw.
This year’s cohort worked hard to develop the theme and guidelines over the past two weeks, and I’m really excited about this anthology. One of the cool things about this opportunity for writers is that it pays per word, if your story is chosen. Since I am a part of the publishing team, I’m not eligible to submit, but all of my readers are. I strongly encourage you to check out the guidelines below, get the gears turning and crank out an original story to submit for this year’s anthology. Feel free to share with anyone who might be interested.
Tips for getting your story accepted: Read the submission guidelines and follow them.
When you’re alone with your reflection, are you prepared for what you see?
A prince in disguise? A monster revealed? An alien race?
Mirrors can be truth-tellers, wish-granters, face-concealers, illusion-makers, even monster-summoners. Maybe the mirror shows an evil twin, or an echo of the life that should have been. Or a portal to another world.
What happens when it shatters?
Once upon a time, no one knew the phrase “Once upon a time.” You’ve read the classic stories. Now write the lore you’ve always wanted to read. Explore this creative challenge from your own unique perspective informed by your roots, culture, and background. We want original fables, folklore, and fairy tales for an eclectic anthology showcasing a new dawn of an old artform.
Imagine a canon of diverse characters for today’s readers to love and loathe. Gaze into the mirror, whether literally or figuratively—classic or genre-bending, grim or whimsical, as long as it is new and fresh.
We are looking for original short stories (prose poems will also be considered) to include a mix of fantasy, science fiction, horror, magical, and romance elements. Must be appropriate for a “PG-13” audience. Please, no copyrighted characters. Previously unpublished stories only. Women, BIPOCs, LGBTQIA+, neurodiverse individuals, and other minorities are strongly encouraged to submit.
Length: up to 5000 words (firm limit)
Rate: 6¢/word on acceptance.
Rights: First Anthology Rights and audio rights as part of the anthology; rights revert to author one month after publication; publisher retains non-exclusive right to include in the anthology as a whole.
Due: We are open to submissions from August 30 through October 15, 2021.
Submit: A Microsoft Word or RTF file in standard manuscript format to
One submission per person, please. NO SIMULTANEOUS SUBMISSIONS.
Edited by Kevin J. Anderson with an editorial team provided by Western Colorado University Graduate Program in Creative Writing, Publishing MA students. Anthology made possible by a generous contribution from Draft2Digital.
Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribing to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.
Buddy and Holly came bouncing up to Egbert, ready with any number of humorous things to say to tease him. Teasing Egbert was one of their favorite pass times. Buddy liked to say that Egbert wasn’t one of the brightest bulbs in the batch, and Holly usually commented on the squirrelly round glasses that magnified his eyes and made them appear to be popping out of his head, or the way that he stuttered when he talked. When they ran out of jibs on those subjects, they could always make fun of his name, telling him that his mother must not like him at all to give him a name like that; obviously, she didn’t love him or she would have given him a better name than Egbert, uh! Usually long before they got that far the tears were running down Egbert’s face. Sometimes he started tearing up as soon as he saw them coming.
That wasn’t the case today. Today, Egbert was actually happy to see them. He had something wonderful to show them and it was so special that once they saw it, they wouldn’t make fun of him anymore. “Hi Buddy! Hi Holly!” he said, heading over to meet them with a huge grin on his face.
“What are you so happy about, Egg Head?” Buddy asked.
“Yeah. You look ridiculous. That grin is almost bigger than your face. Close your mouth, so I can see you.” Holly said with a giggle.
“Wait until you see what I found!” Egbert said. “You guys aren’t going to believe this.” “Oh, right,” Holly replied. “What could you possibly have that would even interest us?”
Egbert grinned even bigger as he looked from Buddy to Holly, and back to Buddy again. He was absolutely beaming with excitement.
Holly looked over at Buddy uneasily. When he glanced back at her, the uncertainty showed in his eyes.
Finally, Buddy broke the silence. “Well, are you just going to stand there with that silly grin on your face or are you going to show us whatever it is that you found?”
Egbert came out of his reverie. “What? Oh, yes of course. Just wait until you see!” He turned, running back toward his house, leaving the two of them standing there in puzzlement.
They looked at one another. “What do you think has him so excited?” Holly asked through the side of her mouth in a hushed voice, but Egbert could still hear her.
“Probably some old seashell from the beach or something,” Buddy replied.
“I don’t think so. He wouldn’t show us something like that anyway because he knows we’d just take it from him if it was cool or smash it if it wasn’t.” Holly said. “Besides, don’t you think it’s weird that he hasn’t stuttered at all?”
Before Buddy could answer, Egbert came racing around the side of the house with a jar which glowed from within.
“A firefly?” Holly said in disbelief. “We’re supposed to be impressed by a firefly?”
Egbert shook his head. “It’s not a firefly.”
“Then what is it?” Buddy asked. “It sure looks like a firefly to me.”
“Does it look like a firefly?” Egbert said, holding the jar up higher, so that they could see better. They squinted as the light coming from the jar seemed to get brighter, much too bright to be produced by a little firefly. Finally, they turned away, unable to look directly at it.
“Actually, that doesn’t look like any firefly I ever saw.” Buddy admitted.
“I told you, it’s not a firefly,” Egbert said.
“So, what is it? What did you find?” Holly asked. Egbert now had their full attention.
Egbert beamed and grinned once more. “I found enlightenment! I was playing down at the beach, when I saw it sitting, half buried in the sand. I scooped it up and carried it home and put it in this baggie for safe keeping.”
Buddy was skeptical. “Enlightenment? How do you know that’s what it is?”
“Because I can feel it.” Egbert replied. “I know things now that I didn’t know before.”
“Like what?” asked Holly.
“Like I know that you guys aren’t really bad people. You only do all of those mean things to me because you don’t feel very good about yourselves.” Egbert replied.
Buddy and Holly looked at each other nervously. Then they looked back at Egbert.
“It’s okay. Don’t be afraid,” Egbert said. “I also know now that all the things that I dreamed about doing to get back at you came from petty feelings. I want you guys to be my friends, just like I always wanted, only now I know that I don’t have to change who I am to do that.”
Buddy shuffled from foot to foot nervously. Usually ready with a smart comeback to anything, it seemed he suddenly had nothing to say.
Holly eyed Egbert distrustfully. “What do you mean?”
“Here,” Egbert said, holding the bag up closer to them. “If you just feel it, you’ll understand everything.”
“That’s okay,” said Buddy, backing into Holly.
“What are you afraid of?” Egbert asked.
“I-it’s nothing.” Holly said, stumbling over her own feet to get out of Buddy’s path. “I-it’s just that, well…, w-what if you’re wrong?”
Suddenly, Buddy found his voice. “Yeah, that might not even be enlightenment at all. Even if it is, how do we know that that is something that we would want to have any part of?” He spoke bravely, but he kept backing away.
“Doesn’t everyone want enlightenment?” Egbert asked, truly puzzled by their strange behavior.
“I’m not sure that I d-do.” Holly said, stammering the words. “L-look at y-you. L-look at the ch-changes that it has m-made in you already. And l-look at m-me, too. I d-don’t know w-why I’m st-st-stuttering all of a s-sudden!” Tears streamed down Holly’s face. She turned, rushing out of the yard and down the street.
“Hey wait, Holly!” Egbert called after her. “I know a good speech therapist. I’ll give you her card.”
“I uh, I think I should go and see if she’s okay.” Buddy said, running out of the yard, as well.
As he watched him go, Egbert got another grin on his face, this one however, had a sly cast to it. “Tsk. Tsk.” he said, shaking his head. “My speech therapy finally paid off. I really thought that they would be more impressed.” He opened the jar and lay it down in the grass where two small winged beetles crawled out and seperated from one another before flying away into the night. “Imagine getting so upset over two little glowbugs.” Egbert chuckled to himself all the way back into his house.
Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribing to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.
In Watching Glass Shatter, by James J. Cudney, secrets threaten to destroy a family and a legacy with the solidest of foundations. Olivia is a staunch matriarch who controls with an iron fist, or so some have said. When her husband Ben dies in a car crash, she is forced to take a close look at herself as she struggles to deal with the huge secret that he kept from her in what she thought was an open and honest marraige. Once it is dropped in her lap, she must decide how to handle this new knowledge that has the potential to rip apart the life of one of her five sons and change their familial relationships forever.
Olivia decides to spend some time with each of them before making her final decision, but the closer she gets to her sons the more secrets she learns that her family is harboring from one another, each with the potential to destroy family bonds and crumble all they have worked for. This family drama would be worthy of a television soap-opera series, such as Dynasty or Dallas.
The Glass family is well off, having built up a successful law firm which was to be the family business. Although the story is well-written, it seemed to me that things seemed to resolve a little too easily to be fully believable to me. It is a very different world in which I live, but maybe money does bring with it the solutions to many of life’s difficulties more easily. I give Watching Glass Shatter four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
For Eddie Reyes and his friend Maryellen, dreams are much more than that. Dreams are an avenue for learning. Dreams are a means of breaking through to parallel worlds and making connections with their friends, Africa Lee and Rafferty. Dreams are a way to control people and a weapon which causes madness. To those who don’t know, it sounds like a cool superpower, but it’s one that carries a heavy price.
For Eddie, it’s the only way to hunt down the Jaguar to save their friends and the rest of the Roam from the persecution of the jaguar priests. But the Jaguar has reached Maryellen’s father through his dreams in this world and he’s intent on keeping she and Eddie apart at all costs.
Can Maryellen and Eddie escape her father and the other traps set on this side by the Jaguar long enough to hunt the him down in his own dreams before he destroys the Roam, and both worlds in the bargain?
My Review
Although Bill Ransom’s Jaguar unfolds the story slowly and it takes a little while to put the puzzle pieces together to form an idea of how the characters are connected and how they fit within the full picture of the story, it is just odd enough to keep your curiosity raised and keep you reading long enough to see it all come together. And by then, you’re hooked. You have to keep reading to find out how it all turns out. You can’t put it down. And it’s a good thing, because if you don’t read through to the end, you will miss the big reveal that changes the game and raises the stake even higher for Eddie.
A well-crafted psychological thriller that will keep you riveted to your seat. I give Jaguar four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Last week we had a great tour for In the Silence of Words, a three-act play by Cendrine Marrouat. If you weren’t able to follow last week, but would like to know more about Cendrine and her wonderful play, I’ve provided the tour stops below. I do hope you will drop by and see the posts you missed.
In the Silence of Words, by Cendrine Marrouat – July 5 – 9
July 5 – Intro. Post/Interview – Writing to be Read
Join us over at Zigler’s News, for a fun guest post about which actors and acrtresses might play the characters in In the Silence of Words. I hope to see you there.
Day 4 of the WordCrafter “In the Silence of Words” Book Blog Tour finds us over at Roberta Writes with a guest post by author Cendrine Marrouat. Join us and find out what attracts her about the play format and the poetry style that this play is based on.
Today I am delighted to host Cendrine Marrouat with her Three-Act Play, In the Silence of Words as part of her WordCrafter book blog tour.
‘In the Silence of Words’: A Behind-the-Scene Look by Cendrine Marrouat
When I started my artistic career in 2005, I knew I wanted to be more than just a poet.
Theatre has always fascinated me. I studied many plays in high school and at university. One of the first things I realized is that theatre is an excellent genre to delve into difficult topics. The best playwrights have mastered the “show, not tell” approach. They sprinkle clues everywhere and force you to pay attention to details, so you can read between the lines and infer the overall meaning when needed.
Thanks for joining us on Day 3 of the WordCrafterIn the Silence of Words Book Blog Tour and my review of this thought provoking play. You can catch my interview with the creative mind of author Cendrine Marrouat for Day 1 here, on Writing to be Read, and Day 2 brought a guest post from the author on Robbie’s Inspiration about writing a play as a poet. Days 4 & 5 will also be guest posts, one on Roberta Writes, and then Zigler’s News will be finishing off the tour for us.
My Review
In the Silence of Words is a play which says much in what is left unsaid. The three dots… of more to come are left hanging time and again with unfinished thoughts that the reader is left to fill in on their own. But I think that is the point, because there is so much meaning in that which is left unspoken.
Through unspoken words, this play tackles several real life issues in a relatable manner that will touch readers, (or viewers), hearts – loss, self-sacrifice, searching for the self – these are life issues most of us have dealt with at one time or another in our own lives, giving rise to many opportunities for those “A-ha!” moments, when we can truly relate with Marrouat’s characters.
This play is well-crafted, with a thought provoking plot and relatable characters which move the story forward. I give In the Silence of Words five quills.
For Day 2 of the WordCrafter “In the Silence of Words” Book Blog Tour, we are over at Robbie’s Inspiration with a guest post by author Cendrine Marrouat. Drop in to learn more about how the poet, Cendrine came to write this play.
In the western world, we struggle to talk about death and depression. The stigma around mental illness is still very real. Overall, we have quite an unhealthy relationship with what scares us.
A little while after releasing Short Poetry for Those Who Fear Death (2006), I received an email from a reader who stated that the book had saved their life. It was an incredible comment, and I was very happy to know that my poems had been instrumental in helping them feel better.
To me, the event confirmed something that I had always known. The uniqueness of the poetic language allows it to be used to tackle heavy topics…
This week WordCrafter brings you a tour that is a little different, and I’m excirted to tell you about it. This tour is not for the usual novel or poetry collection, but for a play, In the Silence of Words, by Cendrine Marrouat. We are kicking things off today, right here on Writing to be Read, with an interview with the author which will tell us all a little more about this creative author and her latest release.
Kaye: What inspired you to create In the Silence of Words: A Three-Act Play?
Cendrine: The play is very loosely based on some major events in my life, including my mother’s suicide. I wanted to write something meaningful and inspirational to help or bring comfort to those who might be going through something similar.
Kaye: Why did you choose to write this tale in play format? How would it be different if you had tried to write it as a literary story instead?
Cendrine: Before the idea of the play was even born, I had tried writing short stories and a novel. I quickly realized that my style was at odds with those genres. I suck at descriptions, and much prefer focusing on short, “punchy” scenes that deliver emotions between the lines.
In the Silence of Words can only work as a play. Theatre encourages uncomfortable conversations while forcing introspection, lifting spirits, and bringing people together.
Kaye: What makes In the Silence of Words: A Three-Act Play different from stories following a similar concept?
Cendrine: The play is unique because of the number of challenging topics it deals with at the same time; and the way each unravels on its own and as a whole. Every reader will find at least one strongly relatable element that will give them an appreciation for life.
Kaye:In the Silence of Words was, in part, inspired by the haiku poetry form. Why do you think the haiku is such a powerful poetry form?
Cendrine: The haiku was not what inspired the idea for In the Silence of Words, but I used the same technique behind this wonderful poetry form to make the storyline more impactful.
The haiku is a very short poem of three lines that says very little but suggests a lot. It relies heavily on the unsaid to convey emotions and deep meanings. As such it is the epitome of the “Say less, show more” technique every serious writer uses to craft memorable stories.
Kaye: Most of your work focuses on the importance of embracing the world and situations around us. Why do you think it is important?
Cendrine: Because life only has meaning when we choose to accept the negative as well as the positive experiences we encounter. There are lessons to learn in everything. It’s up to us to decide, when we are ready, how fast or slowly we want to grow.
Kaye: What are your goals with In the Silence of Words: A Three-Act Play?
Cendrine: I want to invite people to view pain and loss differently. I want them to rethink their relationship with life, death, and everything in between. Losing loved ones is, of course, terrible, often leaving gaping wounds in our hearts. However, as main character, Cassandra Philip learns, there is a healthy, albeit liberating way to grieve and move on. It just (often) requires a series of distressing events to reach that kind of conclusion.
Cendrine Marrouat is a French-born Canadian photographer, poet, and the multi-genre author of more than 30 books. In 2019, she founded the PoArtMo Collective and co-founded Auroras & Blossoms with David Ellis. A year later, they launched PoArtMo (Positive Art Month and Positive Art Moves) and created the Kindku and Pareiku, two forms of poetry. Cendrine is also the creator of the Sixku, the Flashku, and the Reminigram. Cendrine writes both in French and English and has worked in many different fields in her 17-year career, including translation, language instruction, journalism, art reviews, and social media.
We have a great tour lined up for this thought provoking play. Join us tomorrow for a guest post by the author on Robbie’s Inspiration for Day 2. Then Wednesday, you can catch my review right here on Writing to be Read for Day 3. Thursday’s stop is on Roberta Writes with a guest post by the author, and we’ll be wrapping things up on Friday with another guest post on Zigler’s News. I do hope you’ll join us as we learn more about In the Silence of Words.