Review in Practice – The Magic BakeryPosted: December 6, 2021 Filed under: Book Review, Books, Nonfiction, Review, Writing, Writing Reference | Tags: Book Review, Copyright, Copyright laws, Copyright permissions, Dean Wesley Smith, Publishing, The Magic Bakery, Writing, Writing to be Read 2 Comments
Authors make their livings off of the intellectual property they’ve created, but while they pay lip service to copyright, it’s mostly in the context of protecting their work from plagiarism, and many don’t realize what copyright is, how it is acquired or what it truly means. The Magic Bakery, by Dean Wesley Smith is a must read for anyone who is serious about making a career out of writing. Smith draws from decades of experience in the publishing industry to explain what copyright is and how it can be used to leverage intellectual property (IP) and maximize profits from your creative endeavors.
Smith uses the clever metaphor of a magic bakery, where the pies replenish themselves no matter how many pieces you sell, to emphasize the idea of writing as a business and simplify the explanation of how copyright works, so authors may place proper value on their work. As a seasoned author, who has published both traditionally and independently, Dean Wesley Smith offers a fresh and sensible outlook on the publishing industry and the business of writing.
The Magic Bakery offers a sensible approach to managing intellectual property and copyright for authors. Serious authors will benefit from consuming the delectable ingredients that make up this pie, so pull up a chair and savor a piece. I give it five quills.
Buy Link: https://www.amazon.com/gp/product/B074D7K3ZD
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Music as Inspiration or Copyright violation?Posted: November 2, 2020 Filed under: Copyright laws, Fiction, Writing | Tags: Books, Copyright laws, Copyright permissions, lyrics, music, Writing, Writing to be Read 20 Comments
2020 saw the birth of the book I’m currently working on, and it was all inspired by music. In fact, the female lead character, Amaryllis is based on the music of Taylor Momsen and The Pretty Reckless. So, I had this great idea to set the tone and offer a glimpse into the thoughts of the pov character for each chapter with a snippet of lyrics; lyrics from The Pretty Reckless for Amaryllis, and lyrics from various artists for the male lead, LeRoy. It’s a time-travel story, titled The Outlaw & the Rock Star. The only catch is, an author has to be careful not to infringe on the copyright when using lyrics in her fiction.
Copyright, whether in the literary arena or the music industry, is serious business. Artists and writers protect that which they have created, as they should. As a writer, I can’t imagine the outrage I would feel, were I to learn someone else had infringed on my copyright. My words are my creation. They came from me. No one else on the planet can write them in just the way I wrote them, unless they steal them. And, let’s face it folks, theft is what copyright infringement is. So, I get why writers and artist want to protect their creations. I want my work to be protected, too.
According to Matt Knight on in “Using Lyrics in Fiction” (5 January 2019) on Sidebar Saturdays, obtaining copyright permission for song lyrics involves a ton of research into who actually holds the copyright, and then contacting them to request permission to use specific lyrics in your fiction, and pay the requested fee to obtain copyright permission. It can be both expensive and time consuming.
Knight offers a few ways around obtaining copyright permission, including only using the song title, since titles cannot be copyrighted, or using a small enough portion of the lyrics so that you can claim fair use, or choosing different lyrics from the Public Domain realm. Since this one of my characters is based on the music from one specific band, using Public Domain lyrics doesn’t seem to be an option. Since the lyrics are going to be used to set the tone of the story, using only titles wouldn’t really work. I really feel the story would loose a lot if I don’t include the lyrics, although I might be able to trim some of them a little.
So, I’m left looking at researching each individual song and contacting each copyright holder to gain permission to use their lyrics in my work, which seems like a lot of work. In the case of The Pretty Reckless, I will need copyright permission for multiple songs, so it may be an up hill battle, and it could get very expensive.
I can do the research and strive to obtain all the copyright permissions that are needed. I can’t say I’m looking forward to that part, or that I think it will be easy, but nothing good ever is. I’ve only written about six chapters, but my heart is already invested in these characters and their story. This is going to be more of a project than I realized when I concieved of the idea for this book. Here’s hoping this venture doesn’t cost more than I can afford.