Dr. Julianus Techt’s Five Easy Steps to Building a Better You
by Jeff Bowles
You are an absolute horror show. You are a wreck and ruin of a human being. I can’t even stand the sight of you anymore. You’re weak. Feeble. Go on and do it. Go on and rid the universe of your wretchedness once and for all. Sound familiar? Hi, friends. Dr. Julianus Techt here. Life got you down? No friends? No significant love interests? No point in living one more excruciating, soul-crushing day? Believe me, I know the feeling. Congratulations on your purchase of Dr. Julianus Techt’s 5 Easy Steps to Building a Better You. This book, and the accompanying materials and spells companion crate, are each designed with the lowlife in mind. Contained within these pages, friends, are the answers you are looking for. Not happy with the man/woman you have become? Why not simply build a better you? The methods, magics, and matriculations I am about to divulge are time-tested and fool-proofed. I know exactly what it’s like. I was once in your shoes. My PhD is in world-class suffering. I earned my doctorate at the school of hard knocks. Now I am a new man entirely. Come along with me and discover the secrets to self-love, self-respect, and self-actualization. Your glorious, resplendent days in the sun are just 5 Easy Steps away….
Easy Step 1: Back to Basics
Why is it you hate yourself so much? Why is it you’re so despairingly, disconsolately desperate to become a better human being? Is it because, like me, you’ve let down every last friend, family member, and lover who’s ever cared about you? Or do you, like me, simply find life painful, disappointing, a series of valleys–each deeper and darker than the last–without even a passing glimpse of a single peak or shred of hope? Ha ha. Well, you were sharp enough to buy this book. So at least you’ve got that going for you. I want you to imagine what the better you will look like. Now I want you to open your materials and spells companion crate and make it happen. Inside the crate you will find, One (1) man-sized sheet of multi-colored construction paper Five (5) century-aged cherry wood logs, each weighing approximately twenty-five (25) lbs. One hundred seventy-five (175) lbs. of premium oil-based plastilina modeling clay. One (1) ancient scroll of Black Soul-Shard enchantments. And last, but not least, One (1) complimentary Pizza Barn coupon, buy 1 slice, get the second half-off. Arrange your materials and spells in whatever manner that best allows for ease-of-access and attenuation with the life-force powers of the universe and the forsaken black domain of the damnation/animation god, Frülik. Ready to begin? Good. I was hoping you’d say that.
Note: Dr. Julianus Techt’s 5 Easy Steps to Building a Better You is, if nothing else, a trial-and-error process. Steps 2-4 will enable you to produce 3 different soul-shard versions of yourself. If at any time you become satisfied with a soul brother or sister, please feel free to skip to step 5, There, isn’t That Better? Similarly, if at any time you feel threatened or are attacked by your soul brothers or sisters, please discontinue use, flee your house or place of residence, and immediately cash in your complimentary Pizza Barn coupon as you await police/emergency medical technician intervention.
Easy Step 2: Frülik
From your kitchen, retrieve one (1) large knife, serrated; one (1) cereal bowl; one and one-half (1 1/2) teaspoons of iodized table salt; one (1) sticky bandage, extra-large; and one (1) lb. of leftover meat to offer as supplication to Frülik, the damnation/animation god. Retrieve your ancient Black Soul-Shard scroll and refer to enchantment #12 as you perform the following: Sit down on the floor with your legs crossed. Pour the salt into the bowl and set it in your lap so that it can catch the copious amounts of blood about to gush from the palm of your hand. This next part may sting a little. Slice open your hand and hold it over the bowl. As you howl in agony, notice that your blood runs red. This will change as you begin to recite the enchantment, the one which begins, “Oh mighty Frülik! I offer you my blood and meat! Cleave my astral self in twain! Take from me now that which you desire most!” Notice that three things occur. The first is that your blood turns black. Don’t be alarmed. This is simply an indication you have just sold your soul for something far purer than you can possibly imagine. Notice, too, that the air around you has suddenly grown approximately 50° cooler. Your breath puffs frost. You snort in the cold like a castrated bull. You should probably be aware that the damnation/animation god, who will be arriving shortly, cannot abide warmth. It reminds him the living still thrive in the world beyond his forsaken realm, and that for him, all hope for love, passion, and earthly pleasures are lost, lost, lost. Anyway, the last thing you will notice is that a 10-foot tall, bone-armored, entrail-covered, cloven-footed demon god will scratch and claw his way from the cereal bowl filled with salt and your precious blood. Once he’s standing over you, with the edge of his massive Broadsword of Deepest Lacerations resting precipitously against your neck, he will squeal like a cancerous boar. He will then say something to the effect of, “Woe unto you! Woe! Your soul is damned to the bleakest pits of horror and suffering! Pestilence! Rotten, fetid, malodorous flesh! I shall feast on your severed scrotum each mealtime for a thousand lives of men!”*
*Please note that based on your gender, Frülik may or may not in fact use the word “scrotum.”
The damnation/animation god will now use his broadsword to cleave your head from your shoulders. Do not be alarmed, this is simply an astral projection of your head and nothing more. Unfortunately, the pain you feel is entirely real and will no doubt haunt you for years to come. Frülik is consumed by his own lust for spiritual power. He will snort and stomp and pull exactly three (3) individual shards of your soul out through your neck. His desire, of course, is to eat them and thereby enslave you for all time as his personal Concubine of Nightly Anguish. It is now appropriate to offer him the one (1) lb. of supplication meat. “Meager vittles!” he will bellow, but he will nevertheless proceed to stuff the meat into his face and forget all about the severed pieces of your spiritual essence hanging from your throat. Please refer to enchantment #16 on your ancient scroll. Recite and repeat until the damnation/animation god is banished, moaning and cursing your name, back to his profane realm. “Mighty Frülik!,” you will say. “Return to blackness! Mighty Frülik! A caelo usque ad centrum!” Once Frülik is gone, and his howls of abject agony and rage have finally subsided, you will feel the urge to pass out and slip into the Sleep of Ages. This is completely normal, a side-effect of doing business with a demon god, and I must tell you, feels rather nice after a nightcap of chamomile tea and vodka. Before you sleep, pull the three soul shards from the astral wound in your neck and lay them out, as best you can, with the rest of the materials from your companion crate. When you awaken in exactly twelve (12) days and nights, we will finally create your soul brothers/sisters. Won’t that be fun?
Easy Step 3: The Better You Emerges
Twelve (12) days and nights have now passed. Are we back in the land of the living? Excellent. Quick, what is fragile, tenuous, rough around the edges, and excruciatingly, mind-numbingly easy to reduce to cinder? No, it’s not Dr. Julianus Techt’s four failed marriages. It’s paper, friends. Simple, well-crafted, infinitely pliable commercial paper. Your next task is to create a soul brother/sister from the man-sized sheet of multi colored construction paper you’ve retrieved from the materials and spells companiontjngsopjojgs kijipsgmijijithinign ijisrjomoejoig Frülik fhsko sohoihionofihisniohi Frülik shinjpspsom Frülik shions Frülik loves Techt Frülik loves Techt Frülik luvs Techt Frülik has Techt Frülik has Techtmpr Say goodbye, Techt Say goodbye, Techgtnikjigjopop
Managing Editor’s Note: And this is the last thing he wrote for the project, people. The police entered his home last week to find the place torn to pieces but otherwise empty. They found on his workstation a single Tupperware dish containing a full pound of rotting meat. Due to the highly volatile and disturbed nature of this manuscript–and of course, in light of Dr. Julianus Techt’s mysterious disappearance–One-Hill Prairie Publishing hereby suspends all production plans for Five Easy Steps to Building a Better You until further notice. We have also mandated the immediate destruction of all mockup materials and spells companion crates. Our number one priority is to keep the particulars of this project from reaching the public. Can you imagine what’d happen if some poor fool actually attempted any of this?
Post-Script: We realize that working with Dr. Techt these past weeks and months has been trying, and at times, freakishly horrifying. Free mental health screenings and complimentary Pizza Barn coupons to all who apply.
END
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
They had the tumbleweed ambassador on the news a month before the big battle. The news guy and news girl said he was intelligent, and then a local representative of the Plains and Wildlife Service translated for him because tumbleweeds can’t talk and must sign everything by rolling and hopping and what not. “We mean your people no harm,” said the Plains and Wildlife Service guy. He spoke kind of slow and choppy. I guessed he wasn’t actually, what do you call it? Fluent in tumbleweed? He said, “The war has started, whether you realize it or not. The Prairie Queen has an army of deer, antelope and coyotes. She’s got the power of fire. She murdered our Wizard Father and made her castle from our dead tumbleweed brothers and sisters. The crazy bitch!” I winced at this last word. I’m only twelve years old, after all. My dad used to talk real rough like that. He used to cuss and laugh and say to me, “Don’t repeat that to your mother, Amie Masterson. I don’t want to fight no little girl.” Then we’d roughhouse a bit. My dad died last year, though. Some kind of cancer. Mom never told me which. I don’t usually watch the late news. I’m supposed to be in bed. But Mom passed out on the sofa early. I laid a blanket over her and picked the empty wine bottle off its side so it wouldn’t drip on the carpet. The Plains and Wildlife Service guy said, “Have you not noticed her spot-fires outside your city? We want to kill your precious girls!” The tumbleweed popped up into the air and spun angrily. Plains and Wildlife Guy said, “Oh, I’m sorry, I’m sorry. We want to utilize your precious girls. We have no defenses. We need soldiers. The Prairie Queen cannot stand against the wealth of your girls. Or so we believe.” There was some more talking. I was getting sleepy. The news guy said, “And of course we know the city has been expanding into the Queen’s prairieland at an exponential rate.” And the news girl said, “Right you are, Tom. In retrospect, that may have been a huge mistake. Oops.” And then a commercial for local heating and cooling repair came on. I went to kiss Mom on the forehead. She moaned softly, smiled for a second, and then settled into a noisy, listless snore. Mom is a good mother, but I think Dad dying did some stuff to her. I guess that’s normal. She never used to drink wine. There was a knock at the door. I was scared for a second, but only because Mom said never to open the door to strangers at such a late hour. There was another knock. “Mom,” I said, “someone at the door.” Mom didn’t wake up. I nudged her, shook her, but still nothing, all snores, drool dribbling from the corner of her mouth. I went to the door, looked through the peephole. There was nobody there. “The heck?” I said. I slid back the deadbolt and opened the door. A tumbleweed sat on our welcome mat. It had a leather glove duct-taped to its scrawny, scratchy limbs. It was kind of a big tumbleweed. The color of autumn wild grass. It leaned in to, like, look in our house. “Is this because I’m a precious girl?” I said. The tumbleweed shook. “And you’re recruiting all the girls and that means me, right?” It shook again. “Only thing is I can’t leave. Mom’ll be super pissed. Oops. Mom’ll be super angry.” The tumbleweed rolled, over and over, until the glove and duct tape came undone and stuck and sat limp and kind of sad on our porch. The tumbleweed wiggled and bent toward the glove. I shrugged and picked it up. There was a big rock inside. There was also some red dirt. I brought the dirt to my nose to sniff it. It smelled salty, briny, kind of like how I imagine the ocean smells, like vast rotting shipwrecks beneath the waves where porpoises and turtles swim and play. “What’s this stuff?” I said. The tumbleweed smashed into my leg. My hand jerked, the dirt flew, a bunch of it went up my nose. I sneezed. Someone said, Me entiendes? I sneezed again. A big cloud of red flew from my nostrils. Someone said, Ne me comprenez-vous? “Huh?” I snorted. “S’that even English?” Oh, English, English! Oh, of course! Yes, how sally of me. “What? Sally?” I wriggled my nose and wiped allergy tears from my eyes. Silly! Silly! Of course! Stupid Dumb-Dust. I’m dumb, you know? All tumbleweeds are dumb. Call me Aaron. Aaron Sisymbrium Altissimum. Don’t worry about that last part. That’s my family name. Are you ready to be a soldier, girl? “Soldier?” I said. “You mean to fight the Prairie Queen?” That’s precisely what I mean. Time is short. Matters are barbiturate. “Barbiturate?” Aaron twitched. Desperate! Desperate! If we don’t stop her now, she’ll kill all the tumbleweeds, and then, girl, she’ll kill all the humans, too. I looked over my shoulder. Mom was still snoring away on the couch. Wine makes adults snore. That’s something I learned. Come on, soldier, said Aaron, no more dilly dallying. Don’t you want to make your fellow humans proud?
I learned a lot of things in Tumbleweed Army. I learned how to march, how to roll up into a little ball to protect myself. Learned how to say, “Yes, ma’am!” like I meant it. Most of all, I learned coyotes and deer and antelope were really scary because they could eat the tumbleweeds and break the wizard’s spell and use their shoulder-mounted flamethrowers to burn everything. The Prairie Queen had the power of fire. She wanted to burn it all, burn the world, which I guess included my home and my mom, which is why I stayed. There was a girl there called Jade. She was an older girl. Really pretty, with deep almond skin and bright green eyes. We’d be in the middle of flamethrower-dodging exercises, and she’d come up to me and look at the way I was darting and dodging around, and she’d say, “Looking real good, Masterson. Looking real sharp.” The tumbleweeds didn’t do any of the teaching or drilling themselves. They only knew tumbling. They left it to all the thirteen and fourteen-year-olds to teach us everything we needed to know. Maybe they should have asked for the real army, the adult army. Even they seemed weirded out by a little girl army, and sometimes they acted like they didn’t know how they’d ended up with us at all. If the adult army was looking for us, they never found us, secret and hidden away on the outskirts of the city like we were. Also the tumbleweeds had this special concealing magic. The last thing they had left of their Wizard Father. Aaron told me, Our Wizard Father was a great man. He granted us intelligence and the freedom we so cherish. But the concealing magic’s fading. We can’t stay hidden from the Queen forever. I was like, okay, you’re fine, the older girls know everything. They’ve designed this whole thing and know everything there is to know. That’s probably why our uniforms were pink and sparkly, and why our flags carried pictures of Justin Bieber and Lady Gaga, and why even though the cutoff age was fourteen, you could tell they were serious and skilled and were girls on a mission, girls ready to kill. I missed my mom. I’m not going to lie about that. I missed her so bad it didn’t matter to me she didn’t listen anymore when I talked to her about school, or that I always saw her crying first thing in the morning, or that everything Dad made her promise when he was in the hospital sort of, well, just went forgotten and we didn’t talk about it. I was in that army for four weeks, then we had the big battle, but I never forgot Mom, and I guess she never forgot me, but I couldn’t say goodbye to her just in case I might die, because the tumbleweeds were real, real strict about enemy code breakers and antelope misinformation squads.
One night as I was laying down to sleep in my tent, Jade came and undid the tent flap and she and a few girls brought in a little white cupcake with a single candle flickering and hopping kind of like a tumbleweed. “What’s this?” I said sleepily. “It’s your birthday, Masterson,” said Jade. “My birthday?” She nodded and said, “Make a wish.” I wished to kiss a boy, but knew it probably wouldn’t come true because there were no boys for miles and miles. Me and the girls shared the cupcake, but the cupcake was made out of mashed potatoes, because the tumbleweed galley only had potatoes because Aaron told us all you eat is potatoes in the army and we didn’t argue. “Jade,” I said, choking down my last bite. “Do you think things will go back to normal after this? I mean, after we kill the Prairie Queen and all? Do you think all us girls can go back to how we were?” Jade thought about this. She nodded. “Yes, I think we can. At least I hope we can. Wizards and Queens and Dumb-Dust, all that stuff shouldn’t exist. I think it only exists because the world needs stuff to make you wonder. You know what I mean? My Dad always says, ‘Boy it really makes you wonder’. I think that sort of thing is really important.” “Why?” I said. One of the other girls chimed in. “Because everything would be so boring otherwise.” “Boring’s not bad,” said Jade. “Boring’s only bad if you get used to it. There’s always people stepping on other people. Trying to take things that don’t belong to them, you know? Because people get used to that, too. Like that spot where our city and their world meet up….”
So there was this spot where our city and their world met up. For miles and miles, our buildings rose high, and interstates ran, and traffic lights blinked red, yellow, green, red, yellow, green. But on this spot, there were a few loose suburban fingers of little houses that looked nice but that also all looked the same, and those fingers kind of stretched out, and then they ended, and their world was beyond, the prairie world, high grass and rolling hills, pretty wildflowers and peaceful vistas. The wind could rustle through, and it could carry a dry, dusty scent, and maybe there’d be pollen on the wind, but there were no honking car horns or televisions blaring. People didn’t shout at each other. There were no people. The city wasn’t there yet. Maybe it would be someday. Of course it would be. The city just kept growing and growing and growing, and nobody bothered to ask the Queen if it was okay. Nobody stopped to think it might be a bad thing if the prairie world got swallowed up, got paved over, with houses and restaurants and, you know, post offices and stuff built all over it. We had the battle on that spot. It was time. No more hiding. Me and all the girls—thousands of girls—we lined up at the fence line of that last wandering suburban finger. The hot mid-afternoon sun beat down on us. Smell in the air like columbines. We came in our pink sparkly uniforms, with our flags waving. The grenade girls all had purple caps. Girls with rifles had big red badges on their chests. There were also film-crew girls, who’d appointed themselves to the rank, who held up smartphones and snapped selfies with the battlefield-to-be in the background. I was light infantry, just like Jade, and that meant we had no weapons, only pig-tails and three-ring binders, because the tumbleweeds had chosen girls for a reason, and we all figured we’d be even scarier all dressed up for school. Prairie Queen’s afraid of school girls. Prairie Queen’s afraid of school girls. We kind of told each other that over and over again, sort of like a, what do you call it? A mantra? Prairie Queen’s afraid of school girls. Prairie Queen’s afraid of school girls. And we said it again and again, and it made us less afraid, even though we knew we might die that day. The ground beneath our feet trembled. Far off across the field, over the rise and fall of grassy hills, we saw the first ranks of animals and their flamethrowers. The coyotes were the fastest and lightest, and they ran ahead of the herd, belching fire, scorching earth, I guess to scare us. They howled and yipped at the antelope and deer. You kind of figure antelope and deer don’t make noises, but they do. This strained, desperate, sharp kind of screaming noise. And when there are thousands of them—and there were thousands—it comes off like a banshee wail, like a great roaring throat sound loud as jet engines. I don’t know why, but the sound made us cry. It was so loud. The screaming, the yipping, the flames and flames and flames. I cried like I knew a soldier should never cry. But it was okay, because Jade cried, too. Maybe I felt like running home to my mom, and maybe Jade did also, but she didn’t, she stood there like she was the bravest crying girl in the world, and she called back to us through her tears, “Steady, now! Wait until you see the whites of their eyes!” And I didn’t know what that meant, because animals don’t have white eyes, but I stood my ground all the same, even though my legs trembled, even though the tears drenched my uniform and my tongue felt stuck to the roof of my mouth. The tumbleweed commanders came rolling out to marshal our forces. I saw Aaron there with Commander Johnston Salsola Kali. Commander Johnston waved a scraggly little twig-limb and said through the Dumb-Dust, Today you do your species proud! Today you are not girls, but women! Human women of distinction, finery, and absolute quality. We have no idea how it is you came to defend us, but be not afraid, dear human beings! For though you may die—yes, you may die, yes, yes!—for though that may be so, remember, one and all, that the Queen may take your lives, but she shall never take your Sweden! In unison, the thousands-girl army said, “Huh?” Commander Johnston said, Bother! Freedom! Freedom! Freeeeeeedom! The army roared. Girls fired rifles in the air. They said, “Freeeeeeedom!” Even though freedom wasn’t really the thing, but getting trampled and burned up, but a cry of freedom was enough, and I said it, too. Jade told us to stand at the ready. We did. She told us to march ahead at the quick step. We did that, too. I think the older girls had watched old war movies before the battle, so everything they were telling us to do was really smart and accurate for what soldiers are supposed to do in battle. We marched at the quick step. The rifle girls and grenade girls were right behind us. The rifle girls fired rounds over our heads. This was smart because the animals kind of flinched and froze at the noise. Bang! Bang! Bang, bang, bang! And anyway, it wasn’t the animals we were after, but the Queen, who, tumbleweed intelligence told us, would be in the middle of her formations, in the mobile command station made of dead tumbleweed bodies all stuck together. “Double-time, march!” said Jade. We picked up the pace. Coyotes snapped and howled at us. The deer and the antelope shot steady burning jets of fire. We began our dodging maneuvers, still in ranks, still in line, but dodging that fire like crazy. A girl beside me—Kirsten—went down screaming. Our standard bearer went up in flames, but the next girl in line—a film-crew girl—picked up the smoldering flag and soldiered on, still bravely snapping selfies and snagging footage of the whole bloody mess. And it occurred to me that the world was a crazy place. It made you wonder. Really made you wonder, you know? Girls weren’t supposed to be soldiers. Were they? Were girls supposed to be soldiers? I bent over Kirsten. Girls weren’t supposed to be soldiers, were they? Little girls? Kids and teenagers? I froze to the spot. I tried to touch her. Girls weren’t supposed to be soldiers. She was too hot, too bubbling, too much melted Kirsten. Girls weren’t supposed to be soldiers. They weren’t, were— Jade slapped me. “Snap out of it, Masterson!” she said. “The command station! Look, it’s right there!” And it was right there. It looked like a castle on wheels. Made of tumbleweeds. Thousands upon thousands of poor dead tumbleweeds. Burn the world! Burn it all! Nobody else would die! Nobody! Jade and I and the remnants of our unit—all told, seven girls—we darted in and out of flames and animals. Grenades exploded all around us. Dying things, dying from bullet wounds, dying from the burn. We mounted the ramp of that mobile command station. We tried to punch through the tumbleweed walls, but the Queen had cast a spell, and the walls were solid as steel. Jade told us to begin the chant, the mantra. We began it. “Prairie Queen’s afraid of school girls! Prairie Queen’s afraid of school girls! Prairie Queen’s afraid of school girls!” The mobile command station rolled to a stop. “Prairie Queen’s afraid! Prairie Queen’s afraid!” The animals stopped. Their roaring streams and jets and flames. They stopped their screaming. The coyotes stopped howling and yipping and yapping. “Prairie Queen’s afraid of school girls!” And our army stopped, too. Nobody told them what to do if the animals quit fighting. Nobody expected that. The battlefield went silent, all but the wind, and the flickering and popping of little grass fires here and there, and us seven girls, and our chanting, our mantra. “Prairie Queen’s afraid of school girls! Prairie Queen’s afraid—” “The Prairie Queen fears nothing!” The voice boomed and echoed across the field. It was low, brassy, not human at all. The command station exploded. I went flying. I hit the ground. The air rushed from my lungs. Tumbleweed shrapnel bit at me, scratched me up. I felt the pain of it, but I couldn’t breathe, couldn’t breathe at all. The voice came again. With a kind of wispy whipcrack to each syllable. “The Prairie Queen fears nothing! Nothing!” Like the blast of a shotgun, my breath came back to me. I sucked in air like it was a thick milkshake, like the best chocolate milkshake I’d ever tasted. Hands took hold of me, lifted me, jerked me up. My feet didn’t touch the ground. “You, girl! Do you think I fear you?” It wasn’t hands that had a hold of me. And it wasn’t a nasty old Queen hovering inches from my face. I expected a scary old lady. The Prairie Queen was a blade of wild grass. Just a single, tall, stout blade of wild grass, with no face, no mouth, no eyes. Split from her body, willowy grass arms, with little willowy grass hands. She shook me. She said, “What stupidity! What inane musings! To think I could fear this dull creature! This girl. You people. You take so much. I will take from you!” And then she threw me to the ground and started whipping me with her green grassy hands. It stung. It slivered and sliced. I started bleeding. The girls just watched. The animals watched. Stunned. “Help!” I said. “Help!” “You will not take from me,” screeched the Queen. “You will not take from me.” She whipped me. Welts and cuts and lacerations and ripping, tearing skin. I curled into a ball, like the older girls had taught us, but the whipping kept coming and kept coming and kept coming. A little ball of fire started circling her wild grass head. The Queen said, “Burn the wizard. Burn the weeds. Burn your city to the ground!” The ball grew and grew, and it circled faster and faster and— Movement in the field. A tumbleweed rolled and hopped over me and smashed into the Queen. The ball of fire circling her head exploded. The tumbleweed ignited. The Queen ignited, too. “Masterson!” Jade was moving now. She tossed me a grenade. I pulled the pin and flicked it at the Queen. The burning tumbleweed was in the way. I rolled behind an antelope carcass.
Mom found me bleeding on the sofa the next morning. There was a collection of wine bottles in our living room. And also a bunch of notebooks and pens and candy wrappers. And also pizza boxes because adults like whole pizzas and whole bottles of wine. That’s something I learned. Mom was drinking from a fresh bottle, sort of stumbling down the hall. She spotted me and said, “Oh my God, Amie?” “Hi, Mom.” She dropped the bottle. Wine splashed our white carpet. She flung herself at me and started kissing me all over and crushing me. “Ow!” I said. “Ow, Mom! I’m hurt. I’m bleeding.” “Jesus Christ, you’re bleeding!” “I know.” “Band-Aids! Hydrogen Peroxide!” Mom patched me up as best she could. We both agreed I should go to the hospital, though. War’s like that I guess. Sometimes people die. Sometimes they have to go to the hospital. I watched the television as she fawned over me and poured peroxide over all my wounds. It bubbled and itched and burned. I still watched TV. The Plains and Wildlife Service guy translated for Tumbleweed Commander Johnston. I didn’t need him to, though. Commander Johnston said, This day, this VQ day, this victory over the Queen, we shall remember it always, just as we shall remember and honor anew a bond of brotherhood between weed kind and humankind. Let it never be said your people backed down when all free folk everywhere fell under the flaming, fiery yoke of prairie oppression. “It’s absolutely crazy,” said my mom. “It’s crazy you girls had to do this.” Commander Johnston said, Your girls are our heroes. We don’t know why you sent them to us. All we know is we’re glad you did. At this, Plains and Wildlife Guy paused, and, loud enough for the studio microphones to pick him up, he said, “What do you mean? You specifically said girls. Precious girls. You took them from us before we even—” Commander Johnston quivered. No, the girls were your idea. You’re the ones who kept saying girls, girls. We asked for pearls. Thousands of precious pearls. As a means of currency. You know, to buy the aid of Southeast Asian mercenaries. Plains and Wildlife Service Guy looked into the camera. He shook his head. He sighed and rubbed his temples. Regardless, said Commander Johnston, it was the bravery of two—one weed, one girl—who gave us our victory, who stopped the wicked Queen and her lust for death and destruction. Aaron Sisymbrium Altissimum. Amie Masterson. My mom paused. We owe our lives to you. And then they showed the moment. The moment I don’t think I’ll ever forget. Aaron went rolling and hopping. It was Aaron. It was his death all over again. He smashed into the Queen. They both ignited. Jade threw me the grenade. I flicked it, rolled away. The screen went white for a moment. Big boom. And that was the end of the war. “Dear God, Amie.” My mom’s voice was soft, barely above a whisper. “You did that?” I nodded, staring at the screen, watching the replay, feeling all those grassy whip lashes again and again, feeling that impact, the way it hit the antelope carcass. Smell of gunpowder. Shrapnel in my leg. Antelope meat in my hair and in my mouth. “You did that?” my mom said again. “I did. I did do that.” “But you’re just a little girl.” I put my hand on hers. Squeezed it. “Mom?” I said. “Yeah?” “Too many wine bottles. Less wine, okay Mom?” Mom hesitated. She nodded and said, “Okay, less wine.” “And Mom?” “Yes, honey?” “It was my birthday last week.” “I know.” “Can I have a cake? A real cake? Not a potato cake.” “What’s a potato cake?” “It’s what you eat on your birthday when you’re in the army. Don’t you know anything about the army?” Mom stared at me. She glanced at the TV, the footage, the whipping, the fire, the explosion. She shook her head. “No,” she said, “I guess I haven’t the slightest clue.”
THE END
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
Jeff Bowles has been a member of the Writing to be Read team since March of 2017, as well as being a talented science fiction and horror author with his own unique style. He’ brought us blog series such as “Jeff’s Pep Talk”, “Words to Live By”, “Craft and Practice”, “Jeff’s Movie Reviews” and Jeff’s Game Reviews”. He’s been on haitus for several months, but now he’s coming back with a fantastic new blog series, “Bowlesian!: Short Stories from the Brink”, which will feature some of his amazing short fiction each month. You can catch it on the first Wednesday of every month starting… tomorrow, March 2, 2022. You won’t want to miss it!
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Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s novel, Love/Madness/Demon, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
Covid 19 brought changes to the way we do many things, including how we celebrate Halloween. Many folks may not be comfortable being exposed to children in costume coming to their door. Many parents may not be comfortable letting their children go door-to-door this year. I know of neighborhood residents who have gotten together to allow trick-or-treating only within a close-knit group, where everyone knows everyone else and they are all vacinated, and I’ve seen more haunted houses this year than ever before.
One thing that hasn’t changed though, is the love of a good ghost story or two on Halloween night. That’s why this weekend only, you can get a digital copy of Where Spirits Linger, this year’s WordCrafter paranormal anthology, to draw your ghost stories from. You’ll be captivated with the lingering spirits in these short stories, including the winning story from the 2021 WordCrafter Paranormal Short Fiction Contest, “Olde-Tyme Village”, by Christa Planko. Work from other authors which is also included in this short fiction collection: Roberta Eaton Cheadle’s ghost with an agenda in “Listen to Instructions”, my own ghosts who want to care and be cared for in “The People Upstairs”, S.L. Kretsmer’s ghost who wants to be remembered in a positive light in “The Final Portrait”, Stevie Turner’s ghost who wants revenge in “David’s Revenge”, and you’re sure to get a chuckle from Enid Holden’s ghosts in “The Chosen Few”.
Don’t miss out on these great ghost stories this Halloween. Only .99 cents starting today through Halloween. Celebrate your Halloween Where Spirits Linger. Click the link below to have your digital copy delivered right to your reading device of choice.
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I’ve recently been working on two different anthologies for my classes, as well as planning two, or possibly three different anthologies, that I want to put out through WordCrafter Press next year, so it’s not surprising that I’ve been giving a lot of thought to the writing of short fiction. While writing short fiction presents many of the same challenges as writing book length fiction presents, such as avoiding passive voice, using the correct tense and the right POV, and avoiding repetitive language, it also seems to present challenges for the writer, which are more prominent and more noticable in a short story.
Below is a list of what I see as the top four challenges of writing short fiction. A short story in which these challenges are met and mastered can be a delight to read, but when the writer misses the mark or doesn’t tackle these challenges skillfully, the result can be a story that doesn’t feel complete, leaving readers feeling unsatisfied.
Top 4 Challenges in Short Fiction and How to Handle Them
Abrupt ending: I can’t tell you how many stories I’ve read recently that start out wonderfully, promising a killer story all the way to the end and then drop the ball, leaving me wondering where the story went wrong. I think many times authors are at a loss as to how to wrap things up, and with short fiction, where word counts must be taken into consideration, they try to end too quickly, instead of taking a little more time to tie up the details of the story. – To avoid this, take the time you need to wrap things up in your story in a way that will be satisfying to the reader who has stuck with you this far. If you can’t give your story a satisfying ending within the required word count, perhaps it should become a longer work, because there is nothing more frustrating than to read an engaging story that you are really into, only to be disappointed at the end, so this is a biggie.
Shallow, underdeveloped characters: In short fiction, you have a limited space in which to introduce your characters and make your reader care about what happens to them, so it is important to come out of the gate with a good strong voice that grabs the reader’s attention at the very beginning and continue with that all the way through. Making your characters interesting is something you need to do with fiction of any length, but with short fiction, you need a strong voice to bring character traits to the forefront in a succint way. Passive voice in a short story can result in a lack of interest in the reader, causing them to put the story down without taking time to get to know your characters or get into the story.
Head hopping: This is always a problem when it occurs in any length work of fiction, because it tends to pull readers out of the story when they realize that the viewpoint they thought they were in, is really that of a different character. Short fiction isn’t really long enough to use multiple POVs, so it’s difficult to figure out how this even happens, but it does. The author needs to pay close attention to who the narrator is and be sure to not wander into the view point of a different character.
Excessive wording: It’s important to realize that a short story is just that – short. Don’t waste space with unnecessary wording that isn’t needed. Write succintly. Say what you have to say in as few words as possible. While it’s important to paint a vivid visual image for the reader, don’t include details which are not relevant to the story in some way. World building, character development, and plot must all come together in a short amount of space, so choose your words carefully.
I love a well-written short story, and I read a lot of short fiction. When it’s done right, a short story can be every bit as engaging as a good novel. Don’t you think?
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To wrap-up the WordCrafter Where Spirits Linger Book Blog Tour, we have a guest post by contributing author, S.L. Kretschmer about the inspiration behind her story, “The Final Portrait”. I hope you all have enjoyed following this tour with us. Don’t forget to leave a comment. Every comment at each stop earns an entry into a random drawing for a free digital copy of Where Spirits Linger.
Guest post by S.L. Kretschmer, author of The Final Portrait
The Final Portrait evolved from prompts I received in round 1 of the 2020 NYC Midnight Short Story Competition – Ghost story, a monument, deodorant. My mind immediately flew to the Western Front of World War I and the Thiepval Memorial to the Missing of the Somme in Northern France. I was fortunate to have visited the memorial in 2011, boarding a bus in the French town of Lille, and travelling south towards the battlefields. Little could prepare me for the emotion I felt on the trip. The scars across the landscape, now lush and green, could be easily identified, and it was not difficult to imagine the horrific scenes of trench warfare.
Thiepval Memorial
I began to research World War I paintings and came across a particularly moving one by the Irish artist William Orpen. Orpen was an official World War I Artist, and his depiction of a soldier, bloodied and lying in an alien landscape, devoid of nature and pitted with craters and pools of fetid water, was confronting. Orpen struggled with the brutality and grisly sights he documented for those back home and claimed to have been struck by a phantom force while painting in an abandoned field.
William Orpen
These nuggets of information were gelling into a thought. What would those painted in death have thought of the depiction? Of family and friends who might recognize their loved one? Of who they were, compared to how they are remembered in this final rendering? The Final Portrait.
The Final Portrait, by S.L. Kretschmer
S. L. Kretschmer is a born and bred South Australian, recently embracing both a tree change and becoming an empty nester in the beautiful wine region of the Barossa Valley. She has a BA in Creative Writing, and Graduate Certificate in Museum Studies. Her stories have been featured in the anthologies A Flash of Brilliance and Tales from the Upper Room, and have also been published by Haunted Waters Press, Two Sisters Publishing, 101 Words,Beyond Words Literary Magazine, Bluing the Blade and inScribe Literary Journal.
Thanks for joining us today! And if you missed any of the blog stops along the way, you can find them at the links below. Drop by and catch the ones you missed, and leave a comment to let us know you were there and get a chance for the free didgital copy of Where Spirits Linger.
Sept. 20 – Intro./Enid’s promo – Writing to be Read/Review – Undawnted
For Day 5 of the WordCrafter Where Spirits Linger Book Blog Tour brings us a guest post by contributing author, Stevie Turner about her story, “David’s Revenge”, on Zigler’s News and a review by Victoria Zigler. Please join us to learn more about this author and her story. Leave a comment and earn a chance to win a free digital copy of Where Spirits Linger.
Exciting news! The 2021 WordCrafter Paranormal Anthology, Where Spirits Linger, was released today! And we’re launching a six-day blog tour to send this delightfully eerie anthology off to a great start. Each blog tour stop will feature a guest post by one of the authors about their story, and there will also be an interview of Christa Planko, author of the winning story in the 2021 WordCrafter Short Fiction Contest, “Olde-Tyme Village”. So, I hope you will stay with us and follow the tour this week to learn more about this wonderful anthology and its featured stories. Many thanks to the wonderful bloggers who have graciously agreed to host for this tour.
This is Day 1 of the WordCrafter Where Spirits Linger Book Blog Tour, so let me tell you just a little about the stories featured in this anthology and their authors. Since I published this wonderful anthology, I can’t really offer a review, but you can find a review by D.L. Mullen on her blog, Undawnted, here: http://www.undawnted.com/2021/09/wordcrafter-blog-tour-where-spirits.html
The winning story in the 2021 WordCrafter Paranormal Short Fiction Contest was Christa Planko with her story of ghostly encounters, “Olde-Tyme Village”. Robbie Cheadle will be interviewing Christa about her winning story on Thursday on her blog, Roberta Writes.
Where Spirits Linger Authors
In Roberta Eaton Cheadle’s story, “Listen to Instructions”, a greedy man misses the message a ghost is trying to convey. You can find out more about this story in Roberta’s guest post tomorrow on, The Showers of Blessings, along with a review by Miriam Hurdle.
In my story, “The People Upstairs”, when a young girl inherits her housekeeper and long time friend’s house, she finds out that her friend may not have been crazy after all, when strange things start happening to her. You will find my guest post about the inspiration behind this story on Patty Fletcher’s Patty’s World on Wednesday.
Stevie Turner’s spirit gets his takes out his revenge from the ethereal regions in “David’s Revenge”. Her guest post will be featured on Friday on Zigler’s News along with a review by Victoria Zigler.
And on Saturday, we will finish off the tour right here, on Writing to be Read with a guest post by S.L. Kretschmer about her story, “The Final Portrait”, in which her character releases a spirit with a phantom image.
Unfortunately, Enid Holden was not able to participate in the tour and tell you about her story, “The Chosen Few”. But, I can tell you that it is a delightful paranormal charactered by some very colorful spirits whose co-existance with their home’s living inhabitants will surprise and delight you. This light and humorous story is sure to evoke a chuckle or two. I will include the excerpt from her story here.
The Chosen Few, by Enid Holden
I’m pleased with the selection of stories we eneded up with in Where Spirits Linger. We have some great contributing authors and some wonderful short stories. I hope you will stay with us and follow the tour to each blog stop to learn more about the stories within to picque your interest. Of course, I hope you buy the book, but each comment you make along the way earns an entry into a random drawing for a free digital copy of Where Spirits Linger, so you could be our next lucky winner!
You can purchase your copy of Where Spirits Linger here:
The 2021 WordCrafter paranormal anthology Where Spirits Linger is scheduled for release on September 20th, and is now available for pre-order. Featuring original paranormal tales by Kaye Lynne Booth, Roberta Eaton Cheadle, Stevie Turner, Enid Holden S.L. Kretschmer, and Christa Planko, author of the winning story in the 2021 WordCrafter Paranormal Short Fiction Contest. It will be available in both print and digital formats, so be sure and order your copy today.
Submissions open today for the WordFire Press Mirror, Mirror anthology. This is a paid writing gig, so be sure to get your story in for consideration. For those of you who missed the submission call, you can learn more and read submission guidelines in my oroginal post.
To increase the chance of being accepted, I recommend reading the newly released, Slushpile Memories: How NOT to Get Rejected, by Kevin J. Anderson. It is written as a guide for authors submitting their work to publishers in the hopes that their work will be accepted and published, offering tips and advice to avoid the fateful rejection slip. The major points that came through were to me from this helpful guide were to be professional at all times, and to READ AND FOLLOW THE SUBMISSION GUIDELINES. I know from the preparation that I’ve been given for being a slushpile reader that these can and will be crucial factors in submitting a story that will make the final cut, so take heed as you prepare your submission.
Submissions will be open through October, so there is plenty of time to write and polish your submission. Click on the link to the submission guidelines above and read them over. It’s a theme that you can have a lot of fun with. Send us your best stuff.
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I recently embarked on the journey toward yet another degree – an M.A. in Publishing at Western State Colorado University – and I am studying under the prolific bestselling author and founder of WordFire Press, (and inductee into the Colorado Authors Hall of Fame), Kevin J. Anderson. For one of the publishing projects that must be completed for graduation is a cohort produced anthology. This will be the third year that the publishing cohort at Western has been headed by Kevin, and the third anthology that they have published.
Each of the previous year’s cohorts have produced an outstanding anthologies featuring stories by reputable author names, as well as new discoveries. You can see my review of Unmasked, last year’s anthology, here. The first year, Monsters, Movies & Mayhem received the Colorado Book Award. Both of these exceptional anthologies are available from amazon, your favorite bookstore, or buy direct at wordfirepress.com/gpcw.
This year’s cohort worked hard to develop the theme and guidelines over the past two weeks, and I’m really excited about this anthology. One of the cool things about this opportunity for writers is that it pays per word, if your story is chosen. Since I am a part of the publishing team, I’m not eligible to submit, but all of my readers are. I strongly encourage you to check out the guidelines below, get the gears turning and crank out an original story to submit for this year’s anthology. Feel free to share with anyone who might be interested.
Tips for getting your story accepted: Read the submission guidelines and follow them.
When you’re alone with your reflection, are you prepared for what you see?
A prince in disguise? A monster revealed? An alien race?
Mirrors can be truth-tellers, wish-granters, face-concealers, illusion-makers, even monster-summoners. Maybe the mirror shows an evil twin, or an echo of the life that should have been. Or a portal to another world.
What happens when it shatters?
Once upon a time, no one knew the phrase “Once upon a time.” You’ve read the classic stories. Now write the lore you’ve always wanted to read. Explore this creative challenge from your own unique perspective informed by your roots, culture, and background. We want original fables, folklore, and fairy tales for an eclectic anthology showcasing a new dawn of an old artform.
Imagine a canon of diverse characters for today’s readers to love and loathe. Gaze into the mirror, whether literally or figuratively—classic or genre-bending, grim or whimsical, as long as it is new and fresh.
We are looking for original short stories (prose poems will also be considered) to include a mix of fantasy, science fiction, horror, magical, and romance elements. Must be appropriate for a “PG-13” audience. Please, no copyrighted characters. Previously unpublished stories only. Women, BIPOCs, LGBTQIA+, neurodiverse individuals, and other minorities are strongly encouraged to submit.
Length: up to 5000 words (firm limit)
Rate: 6¢/word on acceptance.
Rights: First Anthology Rights and audio rights as part of the anthology; rights revert to author one month after publication; publisher retains non-exclusive right to include in the anthology as a whole.
Due: We are open to submissions from August 30 through October 15, 2021.
Submit: A Microsoft Word or RTF file in standard manuscript format to
One submission per person, please. NO SIMULTANEOUS SUBMISSIONS.
Edited by Kevin J. Anderson with an editorial team provided by Western Colorado University Graduate Program in Creative Writing, Publishing MA students. Anthology made possible by a generous contribution from Draft2Digital.
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