Mind Fields: Poetry Space Ship

Silly Humans

Feb 2022

We are so silly: humans.  Show a man

a little cleavage, nothing but a teeny crevice

between a woman’s breasts, squeezed

beneath a garment.  An inch of divide and all hungry eyes

go to that crease, as if it had the answers

to every riddle but one: why are we so silly?

Is it the mother-drive, so vast and potent

is it social conditioning, appetite fed by hints

of sex promise?  Cleavage is immodest to some

but envied by others.  It seems silly

at my age but it wasn’t silly to me twenty years ago.

Piano Lessons

I have ten fingers.

The piano has…really…

twelve notes plus octaves therefrom.

I tell my fingers

each day

“land somewhere new. Somewhere

you’ve never been.  If it sounds good

then lead me forward.  IF it does not.

We go again.

Ten fingers.  Twelve notes and octaves.

Fingers: spread yourselves newly.  Knuckle middle finger

rise a bit. Good.

Now…listen.  OK? 

send five left fingers to the lowest octave

teach them where they belong

repeat the patterns repeat the patterns

bring the fingers back up

then throw them like dice

at the keyboard let them fly

repeat the patterns again

repeat the patterns: over time

my fingers know things, acquire sense and pitch

before my ears know

before my brain knows

my fingers know.

And, strange as it may sound, always listen to your fingers.

Ukraine

It is one thing to think

“aw fuck, not again.”

Then it’s another thing to do

nothing, from a sense of overwhelm

at the misery of the world.  Many of these miseries

were created by human beings.  They are capable of un-creating them but that would take a lot of work.  Humans have

a streak of lazy when it comes to inquiry about themselves. 

One can say “My bad”

as if that dismisses responsibility.  I’ve been bad

but it’s over. That is not enough.  You can’t say “My good”

but you’ve got to do “my good”, 

you must keep making beautiful things in the face of ignorance.

Help other people with small daily tasks.

Use everything you’ve got

because in the face of this calamity,

it’s not going to be enough.

It’s just a motive to keep working so that,

some day,

it will be enough.

About the Author

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite CorpseShutterbugeDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

Head Shot: Author Arthur Rosch

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

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A lifetime of poetry and photography gives a unique view of life, nature, the world, and the universe. 

Purchase Link: https://books2read.com/u/bPXpoA

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In Touch With Nature – Lionesses, the queens of the savannah #lionesses #wildlife

A landscape with the words: In Touch With Nature, "The Earth is a fine place and worth fighting for." Ernest Hemmingway

Last month, I discussed the role of male lions in the pride. If you missed it, you can read it here: https://writingtoberead.com/2024/02/28/in-touch-with-nature-the-vulnerable-life-of-male-lions-wildlife-lions/. This month I’m talking about female lions.

Lionesses are the primary hunters within the pride. They hunt in groups of three to eight females, all of whom are usually related. Lionesses display exceptional teamwork during hunts, deploying strategic hunting techniques, such as coordinated flanking and ambushing, to outmaneuver their prey. Their synchronized approach increases the likelihood of a successful kill. Lionesses, working together, are able to take down a target twice their size. Lion prey includes zebra, wildebeests, buffalo, antelope and other grassland animals.

Picture caption: Lioness patrolling the area around a zebra kill. Picture by Robbie Cheadle

Lions will kill other predators including leopards, cheetahs, hyenas and African wild dogs. They do not eat them as the flesh of other predators is not nutritious. Lion predator kills are purely to remove competitors for food and territory, as well as threats to the lions young. In particular, lions actively kill leopards as leopards kill and eat their cubs.

Picture caption: Lioness tucking in to her kill. Picture by Robbie Cheadle

This is my video of this lioness kill:

Lionesses are known to be excellent mothers and will go to great lengths to ensure the survival of their cubs. Lion mating is polygamous and takes place all year round. The dominant male will copulate with multiple females within his pride. Lionesses are receptive to mating for three or four days within their variable reproductive cycle and during this time they will mate frequently, up to fifty times per day. Female lions have the ultimate say in deciding which lion they will reproduce with. Lionesses observe the males carefully, accessing their physical condition, strength, and overall fitness, before committing to a partnership. Lionesses are also not monogamous and can mate with multiple lions during their estrous cycle, although it has been observed that approximately two-thirds of these mating events occur with the primary male, with the remaining third being distributed among multiple males from the peripheral coalitions of that primary male. This means that a single litter can have cubs from different fathers. Lionesses in the same pride often breed around the same time and the resultant cubs are raised together.

My video of lions mating:

Lionesses are pregnant for 105 to 112 days, during which time her belly will grow larger, and her nipples will enlarge and darken. Just before giving birth, the lioness will begin to look for a safe and secure place to give birth. Once she has found a suitable spot that is hidden from predators and close to water, she will start to build a den using grass and other materials. The actual birth is relatively quick, approximately 1 hour, and between two and four is the usual number for a litter.

The cubs are born blind and helpless and rely on their mothers to protect and care for them. During the first few weeks of their lives, the cubs feed on their mother’s milk and she only leaves them for short periods to hunt.

My video of lion clubs:

Last month I said that male lions commit infanticide and can kill the cubs of other males. Given that lionesses are fiercely protective of their cubs, why do they not defend their cubs from lions? The answer is simply that male lions are much bigger and more aggressive than lionesses. Challenging a male lion is risky for a lioness as it could lead to the serious injury or death of the lioness, as a result, in this situation the lioness will prioritise her own survival and the wellbeing of the rest of the pride over the survival of her cubs.

If you are interested in seeing more of my photographs, videos and artworks relating to Cats, please enjoy this stunning post created by the talented Resa McConaghy. Resa and I share a love for wildlife and a passion for conservation.

Lion Lust by Robbie Cheadle

Sidling up beside her
He strokes her shoulder
In a gesture of affection for his mate
He quickly mounts her
For the eighteenth time
***
She walks quickly away
He meekly follows
Lying down face-to-face in her chosen spot
A short period of rest
Before the next round
***
They will stay together
For twenty-four hours
Mating every twenty to thirty minutes
Despite his high demands
She lovingly purrs

This poem is from my book Lion Scream, Syllabic Poetry About Southern African Wildlife.

About Roberta Eaton Cheadle

Award-winning, bestselling author, Roberta Eaton Cheadle, is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.

Roberta has two published novels and has horror, paranormal, and fantasy short stories included in several anthologies. She is also a contributor to the Ask the Authors 2022 (WordCrafter Writing Reference series).

Roberta also has thirteen children’s books and two poetry books published under the name of Robbie Cheadle, and has poems and short stories featured in several anthologies under this name.

Roberta’s blog features discussions about classic books, book reviews, poetry, and photography. https://roberta-writes.com/.

Find Roberta Eaton Cheadle

Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com

Twitter: https://twitter.com/RobertaEaton17

Facebook: https://www.facebook.com/robertawrites

Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5

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Want to be sure not to miss any of Robbie’s “In Touch With Nature” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.


Let’s Talk About Book Reviews

Box of Books Text: Book Reviews

Instead of offering a book review today, I’d like to talk about book reviews. If you follow the blog, you know that I post at least one book review almost every week. I hope no one feels shorted because I chose to do things differently this week. You might also know that I offer up honest reviews in exchange for an ARC copy of the book, digital, print or audiobook, for those who request it. (ARC stands for A Review Copy, or a copy which was sent out early in hopes of review by traditional publishers. I send out between thirty and sixty requests for review for each WordCrafter Press book published.) Obviosly, if I’m writing that many book reviews, I am a voracious reader, so I also pick up other books to read and I review them as well. As a rule, if I read it, I review it. It’s just one way to help out my fellow authors, and I often, though not always, know the authors of the books I choose to read.

But today, I find myself in a dilemma. I just finished the most awful audiobook I have ever listened to. The audiobook was one that I purchased, by an author which I had previously read one of her books. That first one I listened to was well-written, a good story, and had a decent narrator, so I thought I would give this book a go.

To start off, it was a different narrator, a very poor narrator. The inflections were all wrong, there were pauses where there shouldn’t be, with starts and stops that made the reading jerky and chopped, and there was little or no emotion. Honestly, my AI narrated audiobooks did a better job.

But then I realized that it wasn’t just that. The book was poorly written, as well. Perhaps this was one of the authors earlier works and the first book I read was a later work? After the first time I tried to listen to it, I put it down for some time, but since I haven’t been financially able to replenish my audiobook library, I decided to give it a go, since I had already listened to everything else. So, I struggled through it for lack of better input. But about halfway through, I realized that there was no way I could review this book without trashing both author and narrator, and I really don’t like doing that.

They say that a negative review is better than no review, but I’m not sure if I buy that. All reviewers are critics, but I don’t believe that a critic must harsh to be effective. I offer my reviews to help other authors, and my reviews are honest, even if there are things I didn’t like about a book. I always try to emphasive the positive, but the negative is still there.

I know many of my readers are bloggers who are reviewers, so I’m asking you all today – how would you handle this? Am I obligated as a critic to write a negative review of this audiobook? Would you write it? Or would you just put the book into the archive and forget about it? I would love to get someone else’s thoughts on this. What do you think?

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.


Aging Gracefully, or Not

Author Kaye Lynne Booth

I’ve never been one to worry about aging. I always thought I would just age gracefully, just letting the process happen naturally, sans a few boxes of hair color over the years. But recently, I’ve been feeling it more. My joints get stiff when the weather turns cold, I need a nap after a trip to town, it’s harder to get up from my seat at times, and I can’t seem to stay awake to write into the night, like I used to. I notice more wrinkles each time I glance in a mirror, and there’s considerably more gray in my hair. Maybe it’s because I just turned 60 that I notice the changes more now, or maybe it’s because I have been out of work for almost a year and I’m struggling to keep up on car payments, insurance, and basic necessities, but I’m having more and more trouble in dealing mentally and emotionally with the everyday stresses of life. Sometimes I feel like I cannot take anymore, but problems just keep coming at me. It has begun to effect my writing life, as well as the reality around me.

In the past, even when the rest of my life was falling apart, my writing was the one thing I had control of. I could keep it on track and moving forward. So when my Kickstarter camapign for Sarah didn’t fund, I tried not to take it too hard. I wasn’t done writing the book, which should have been finished in December, so I just pushed back my production schedule, setting Sarah for release in May instead of March, and I decided to add a May Kickstarter campaign for The D.I.Y. Author which had not been previously planned with my author services offered as some of the rewards. I reached out for the opportunity to have my own books, Delilah, Hidden Secrets, and The Rock Star & The Outlaw, available in audiobook with AI audio narrations on the spur of the moment, seeing a chance to possibly expand my audiences, and made all three of them $2.99 on Google Play during the entire month of March. I guess when I’ve made it through May, I’ll find out if these choices were solid decisions or acts of desperation, but I picked myself up by my bootstraps and carried on in either case.

My dream has always been to take my writing full time and not have to hold down the proverbial day job, but it is a slow climb to making enough from my work to do that. I haven’t given up on finding a day job, but lately I’ve been thinking that maybe my age is what is stopping me from arousing the interest of potential employers. I put in the time and work to earn two masters degrees, but I’m wondering if my efforts didn’t come too late in life. Does turning 60 and entering the world of senior discounts mean that I’m too old to be gainfully employed?

And it’s not like I haven’t been trying to use my writing skills to gain remote employment. I’ve put in more applications than I can count, some with over a hundred applicants, and most of them don’t even respond back to tell me to take a hike. I’ve thrown out my hook for editor and proofreader, as well as content writer and copywriter for countless companies without even a nibble. Maybe I’m using the wrong bait. Am I over educated?

I keep telling myself that something has to break soon, and I do have a couple of promising interviews scheduled even now, but as I approach the milestone of being unemployed for a year, I’m beginning to wonder. I find myself worrying more and more about what is around the next corner for me. The worry eats at me more than it did when I was younger. The depression weighs on me, making it feel like the next sunrise may not come. It makes it harder to focus on the part of my life that I’ve always maintained control of, and it’s more difficult to focus on putting words on the page.

I press on, putting in applications, interviewing, and writing my heart out with specific goals in mind. I had to push back the production schedule on Sarah and change my marketing plan for The D.I.Y. Author, but if I can meet my production goals for this year, it should be a pretty good year for WordCrafter Press. In addition to the above mentioned books, I’ll be releasing a poetry anthology, three books in the My Backyard Friends children’s series, and two different short fiction anthologies. I’m using that as something to look forward to and it motivates me to keep at it. I don’t know if this is what they call aging gracefully. Gracefully or not, guess I’ll just have to keep on going and see what happens.

About Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Book 1 of her Women in the West adventure series, Delilah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.


Book Review: Cashing Checks with Jim Morrison

Box of Books Text: Book Reviews

About the Book

CASHING CHECKS with Jim Morrison offers a surreal cascade of archetypes from, among others, ancient Greece, the Bible, American Literature, and pop culture. Moving through it is the speaker’s companion spirit and guru, Jim Morrison-Lizard King, Narcissus/Adonis. Set in a world where, in Albert Einstein’s words, ‘reality is merely an illusion, ‘ Lindsey Martin-Bowen’s poems are alive with wit, evocative imagery, insight, and sometimes downright playfulness. Through heeding Morrison’s counsel to ‘go weirder, ‘ she’s made this collection reader-friendly.”-William Trowbridge, Missouri Poet Laureate, 2012-2016 Author, Call Me Fool (2022)
“In Lindsey Martin-Bowen’s CASHING CHECKS with Jim Morrison, I relish every word, compelled by the poet’s stories and singing voice. Fantasy and fact merge in these invocations of the seminal American rocker Morrison and of his spirit. Join me as a reader in exploring this exciting testament to the power of language to resurrect history and wonder.”-Denise Low, Kansas Poet Laureate, 2007-2009 Poetry Unbound Featured Poet

My Review

I was thrilled to receive a print copy of Cashing Checks with Jim Morrison, by Lindsay Martin-Bowen. The title alone, was enough to peak my interest, and lend anticipation as to what I could expect within its covers.

This collection of poems is all about hanging out, and philosphizing with the spirit of the late, great, Jim Morrison. I was amazed by the way the author captured the voice of Morrison in many of the poems, enough to let me believe briefly that maybe the author truly does converse with the dead musician. Included are poems that serve as social commentaries on life and love, on the state of the world today, and on possible futures; topics which every one of us can relate to.

So many of these poems struck a chord with me that it is impossible to pick one favorite. but I really loved the imagry in “Coming Back to Me”.

The dawn inhales and holds its breath, drawing

wisps of clouds up the foothills, where theyb hover.

Jim steps out of the mist, unsteady as some soldier

searching for his platoon on a surreal battlefield.

He wedges boot heels into fissures be3tween rock

ledges, ambles down to where gravel meets asphalt.

Then he steps onto the road leading to my Dutch

Colonel on a corner in this mountain college town,

where I chose to spend many of my remaining days,

watching parades of seasons pass in the hills’

keleidescope of colors revolving — in fall, scarlet,

gold, and bronze. In winter, cobalt blue and white.

Spring brings a rushed array — one week yellow,

the next red, then purple, and green never leaves

till late August, just before the aspen twitter

with orange and gold coins glittering in sunlight.

I don’t see a move to Kansas or any spot east, wonder

if Jim and I will land in Venice, his California beach.

He raises a hand and yells, ‘lo,’ his voice echoing

down the street, falling at my knees, now trembling.

When he heads my way, I smell his Jade East, see

his hazy body morph into solid physique, black

leather pants, jacket, and sandaled feet. He lifts his chin,

shakes his curls, then lowers his face and stares at me.

Still trembling, I remember our jaunts on a motorcycle

and a persnickety jeep — wonder if I’ll ever be free again

or if I’ll ride highways like some banshee for eternity.

And I also enjoyed the section of Tanka strings, always the sucker for syllabic poetry. Most have five Tankas, but “Jim Morrison and I Lose Our Way on a Moon Dog Night” isonly two, and short enough to share with you here.

The drive home’s always

this way — too long, when sudden

changes shakes us up.

After a few warm, sunny

days, cold winds hit us again.

Tonight, an odd haze

encircles the moon like white

light in an X-ray

outlining a frail hip bone

fallen into necrosis.

An unusual collection of poetry through which to view the world through different eyes; perhaps through the eyes of Jim Morrison. I thoroughly enjoyed Cashing Checks with Jim Morrison, and I give it five quills.

Five circles with WordCrafter quill logo in each one.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.


Growing Bookworms – Fun creations using fondant and Easter eggs #fondantart #Easter

This month, I thought I would share a few ideas for making fun Easter creations using Easter eggs and fondant. Children love making things and modelling fondant is similar to modelling play dough.

I used candy coated hens eggs to make my creations but you can use any hens eggs sized Easter egg.

Step-by-step: How to make an Easter chick from fondant and an Easter egg

If you don’t have cutters, you can just cut the shapes freehand.

You can download a free PDF with these instructions here: https://robbiesinspiration.files.wordpress.com/2024/03/easter-chick.pdf

Step-by-step: How to make panda bear from fondant and an Easter egg

You can download a free PDF with these instructions here:

https://robbiesinspiration.files.wordpress.com/2024/03/panda-bear.pdf

Some other fondant and Easter egg idea – a dinosaur and a pig.

About Robbie Cheadle

Photo of Robbie Cheadle standing in front of trees.

Award-winning, bestselling author, Robbie Cheadle, has published fifteen children’s book and two poetry books. Her work has also appeared in poetry and short story anthologies.

Robbie also has two novels published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.

The eleven Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.

Robbie and Michael’s new Southern African Safari Adventures series is aimed at teaching young children about Southern African wildlife in a fun and entertaining way. Each book contains a rhyming verse story about a particular animal, as well as illustrations by Robbie Cheadle, photographs and links to video footage about that animal.

Robbie’s blog includes recipes, fondant and cake artwork, poetry, and book reviews. https://robbiesinspiration.wordpress.com/


Book Review: The Haunting of Blackwood House

Box of Books Text: Book Reviews

About the Book

Book Cover: Sppoky old house in bare trees with fog and moon coming up behind illuminating a figure on the roof.
Text: Darcy Coates, The Haunting of Blackwood House.

As the daughter of spiritualists, Mara’s childhood was filled with séances and scam mediums. Now she’s ready to start over with her fiancé, Neil, far away from the superstitions she’s learned to loathe, but her past isn’t willing to let her go so easily. And neither is Blackwood House.

When Mara and Neil purchased the derelict property, they were warned that ever since the murder of its original owner, things had changed. Strange shadows stalk the halls. Doors creak open by themselves. Voices whisper in the night. And watchful eyes follow her every move. But Mara’s convinced she can’t possibly be in danger. She doesn’t believe in ghost stories, and she didn’t buy a haunted house; it’s just not possible.

Because ghosts aren’t real, are they?

Purchase Links:

Audible: https://www.amazon.com/The-Haunting-of-Blackwood-House/dp/B0CNBRKQGP/

Chirp: https://www.chirpbooks.com/audiobooks/the-haunting-of-blackwood-house-by-darcy-coates

First time Chirp users can get this book for $2 here: https://www.chirpbooks.com/r/7bae7e35a7a4/device_share?source=referral_fallback_1dollar

My Review

I listened to the audiobook of The Haunting of Blackwood House, by Darcy Coates and narrated by Piper Goodeve. I have to say that the tale was skillfully crafted, making it one of the best haunted house stories that I’ve heard, or read, in a long time. The narration was was honed and precise, distinguishing the different characters, and building suspense at all the right places. Bravo!

Mara grew up in a spiritualist household, in a long line of spiritualists, and has an aversion to anything having to do with ghosts and spirits now that she is free of their crazy beliefs and fraudulant medium friends. Because Mara knows first hand that it’s all a sham. There’s no such thing as ghosts.

Until she buys a house with a history: Blackwood House. The history of deaths and reports of hauntings don’t bother her, but the house has a strange attraction for her and she just has to have it. In spite of the misgivings of her boyfriend Neil, who stands by her, lending his support in spite of her strange behavior when it comes to the house, and the odd things which have occurred since she moved in.

Mara denies that anything is amiss at Blackwood, and refuses to consider abandoning the house, even when ethereal activities escalate, and she learns that the house was built by her spiritualist great-grandfather, determined not to let what she believe to be non-existant, or her past haunt her. But, what if she’s wrong?

Thoroughly emmersive story. An excellent example of what a ghost story should be. I give The Haunting of Blackwood House five quills.

Five circles with WordCrafter quill logo in each one.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.


Writer’s Corner: Debunking Library Myths

Woman typing on a computer at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

Libraries as Institutions

When I was a little girl, I used to love going to the library. Sometimes, my mom would take me for story hour, where one of the kindly librarians would read a story aloud to a group of children. As I grew older and my reading abilities improved, I would visit the library on my own, and carry home stacks of books, because there were soooo many books that I just had to read. I might have to renew my checkout on some, but I was a voracious reader. (Still am.)

As an adult, I relished in taking my own children to the library, and practicing using their ‘library voices’. We would make a day of it, going to the park first, which was right down the street, and stopping at the drug store for a soda on the way home. The kids would each have two or three books which they had chosen, and I got to renew my book stack, as well.

With the rise of the internet and digital books, there were rumors that libraries would fade out of the picture and no longer be necessary when you could buy a book with the click of a button. But not everyone can afford to click that button, especially not with the sheer volume of books that are available today. Thank goodness libraries have learned to shift with the times and seem to still be thriving.

For me, with the feelings I have associated with libraries, it only makes sense that I would want to get my books into libraries. But not all authors feel that way. Many authors look at having their books in libraries as being detrimental to sales or that authors loose money by having their books in libraries.

Myths About Having Your Books In Libraries

Myth 1: If someone can walk into a library and read my book for free, then why would they go buy it? That’s like giving your work away.

Not true. In fact, many readers go to libraries to discover new authors. Once they find one they like, they may buy more books by the same author. I think this may be especially true for genres where whale readers are typical, like romance. When you read a lot of books, it might be smart to be sure you’re going to like their stuff before dropping a lot of coinage on an author.

Myth 2: If a library buys my ebook, it’s a once-and-done type deal. Then they can check it out as many times as they want, so I lose money.

There are two pricing models through library services which list the ebooks available to libraries.

The first, is the One Copy, One User model. This model is the one used most by library services. The library pays a set price for your ebook, higher than the price paid through retailers for each copy of your book . In the other model, they pay a certain price for each checkout made. In this model, you make money from the initial purchase, whether anyone checks out your book or not. With the second, the amount you make is in direct relation to the number of people who are reading your book.

The second model is the Cost Per Checkout model. In this model you get paid a small amount, under a dollar, everytime someone checks out your ebook. With this model, the amount of money you make is in direct relation to how many library patrons are reading your book.

Either method used, having your book in libraries offers exposure which could lead to recommendations by word of mouth, or maybe even a review. And that is gold for authors.

How To Get Your Books Into Libraries

There are two things required to get your books into libraries.

  1. Access
  2. Demand

Access

If you want to get your books into libraries, librarians must first have access to them. Librarians do not purchase books from Amazon or any of the other major retail distributors, but there are outlets which serve libraries specifically,including Overdrive, Bibliotheca, Odilo, Baker & Taylor, Hoopla, Borrow Box, and Palace Marketplace. These services provide lists of books which they have available to libraries, and that’s the main route librarians use to find and order books.

Mark Leslie Lefebvre wrote a book called How to Get Your Books Into Bookstores & Libraries (Purchase link at the end of this article). You can see my review of this book here.

In it, he talks about building relationships with local bookstores and libraries. They can’t support your books if they don’t know that they exist. Librarians are in contact with many readers every day. They are more likely to recommend the book of a local author they know and can put a face with the name. They are also more likely to purchase your book for their library if they know you, so here the underlying motivator is developing a relationship with your local librarian, by getting to know them and making yourself available for readings and/or author talks at their facility.

You can also listen to Mark discuss this subject and share his wisdom on Stark Reflections episode 292: https://starkreflections.ca/2023/02/24/episode-292-learning-by-doing-and-baptism-by-pyromancy-with-oskar-soderberg/

Demand

Library patrons coming in and requesting your books increases the chances phenomenally that they will order and carry your book. With the help of readers, who are also library patrons, it is often as simple as having them ask their acquisitions librarian to carry the book. So, it pays to encourage readers to request your books at their local libraries.

Purchase Link for An Author’s Guide to Working With Libraries & Bookstores: https://www.amazon.com/Authors-Libraries-Bookstores-Publishing-Solutions-ebook/dp/B082DJ1GZ6

Building Relationships

Getting your book listed on Overdrive and the other library services provides the access, and if people are requesting your book it demonstrates demand. But you can tell everyone over and over to walk into their local library and request your books, but there’s no way to assure they will follow through. And if they do, that’s great! Your books may now be carried in local libraries wherever it has been requested. But what about local libraies in your area, or in the area where your book is set?

This is the part that requires work on the author’s part. Just like books don’t sell themselves, they also don’t magically appear in libraries.

The library is a great place to discover local authors, and many folks are really into that. If your book is available in your local library, the folks who are into local authors may just discover your book, and go on to buy other books written by you. And if you write with settings in local areas, those libraries are likely to have folks interested in a book set near their homes. For example, my Women in the West series is set on the Colorado frontier, with stops in towns such as Leadville (Delilah) and Glenwood Springs (Sarah), and since they are historical fiction, they feature events and people from the local histories for those areas, so people who live there could be interested in those stories. The Leadville and Gunnison libraries are likely places where I’d like to see my books carried.

Local libraries are the easiest to build a relationship with, because it’s likely that you are already a patron, and a familiar face there. But you can’t just walk in and say, “Hey, I’m a local author, so you should carry my books.” That would be too much like a cold call, unless your face is very familiar there. But it also takes research to build the right relationships. Chances are, there are several librarians working in your local library, and while it doesn’t hurt to be familiar with all of them, the acquisitions librarian is the the one who offers the most benefit, because they are the person who decides which books to purchase for the library. If you can build a solid relationship with the acquisitions librarian, you might even get them to carry your print books, too.

I know one local author who just walked into the library and asked if they would display and sell her book there. They were quite agreeable to this, and she left a stack of print books, which they kept stacked on a corner of the checkout desk, where library patrons would see them, as they prepared to depart. Her book wasn’t even carried on the library shelves, but library patrons found her book there. She had her foot in the door, but didn’t build on the relationship. It’s too bad she didn’t take that next step and ask the library to purchase a copy, or even offered to donate a book for their shelves.

So, how do you build a relationship with your local librarians? You might start by introducing yourself, and letting them know what it is you have to offer. I’m not just talking about your books. Offer to do readings or to speak on a topic of your expertise. Libraries are always on the lookout for guest speakers, and often host local authors for readings. These are events that will draw patrons into their library, and they like that. Once you’ve done a reading of one of your books, the library is much more likely to carry on their shelves.

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Author Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Book 1 of her Women in the West adventure series, Delilah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.


Undawntech: Corporate Terms of Service and Theft of Intellectual Property

Have you ever read the Terms of Service (ToS) for your social media accounts, or even for your Internet Service Provider (ISP)? You may be surprised by what is written there. Corporations are interested in their financial and legal bottom lines, and not protecting any of your rights.

As creators of art, film, poetry, podcasts, and writing, how can we be certain that when we sign up for an account with an online application or platform our best interests are being served? First, we must read the laborious legalese contained in the Terms of Service. The document outlines what the corporation deems allowable under its rule. The dry text gives insight into how little corporations value their customers. You are little more than fodder to pump up their stock prices. Your concerns and rights have no value to the monopolies called corporations.

In the bygone years since Standard Oil and Ma Bell, lawmakers in the United States have stripped regulations that kept corporations from becoming tyrants in the rebel yell of libertarian idealism. Regulations to maintain a level economic playing field have been sliced and diced for the Free Trade and no regulation crowd (see speeches by President Javier Milei of Argentina or underdog political candidate, Vivek Ramaswamy about their views on deregulation). These concepts in action have left consumers vulnerable and small businesses tittering on an uneven scale against the mega-corporate, multinational giants who believe that corporate governance is mightier than any nation’s Constitution or law.

A recent ToS change has created a problem for copyright holders on the platform Spodify. A user posted this response:

“Get rid of the audiobook T.O.S. changes that apply to rightholders of the works.

Rescind changes to your Terms of Service as the relate to the rightholders of audiobooks, most notably the effective grant of a “non-exclusive, transferable, sublicensable, royalty-free, fully paid, irrevocable, worldwide license to reproduce, make available, perform and display, translate, modify, create derivative works “. Especially since it binds the rightful rightholders such that “Where applicable and to the extent permitted under applicable law, you also agree to waive, and not to enforce, any “moral rights” or equivalent rights, such as your right to object to derogatory treatment of such User Content. Nothing in these Terms prohibits any use of User Content by Spotify that may be taken without a license.”

This represents a clear attack on their lawful claim to their own intellectual property, and as such it is ridiculous and disgraceful that you would make such amendments to your Terms of Service.

Furthermore, it is cowardly to have done so quietly rather than with prominent preemptive announcement of such important changes.”

https://community.spotify.com/t5/Live-Ideas/Get-rid-of-the-audiobook-T-O-S-changes-that-apply-to/idi-p/5888834

What do you think? Should creators leave this platform? If you would like to keep your copyright intact, then the answer is a resounding: YES.

The problem is, that most users ignore a corporation’s Terms of Service. From either apathy or inability, corporations have seized power by user indifference to their legal rights. This has allowed corporations to use their users, instead of users using these platforms. The “good faith” clause no longer applies.

To see just how users disregard the Terms of Service document, a study was performed with a fake social media site called NameDrop. What the researchers discovered dismayed them. Here is what happened:

“Unbeknownst to the students, the terms of service contained two questionable clauses. The first said NameDrop may be required to share your data with the government, including the National Security Agency(NSA).

That clause is concerning when you really think about it, but it’s close enough to what you’d see in a real ToS. Twitter’s terms, for example, says “we also reserve the right to access, read, preserve, and disclose any information as we reasonably believe is necessary to (i) satisfy any applicable law, regulation, legal process or governmental request.

NameDrop’s second crazy clause should’ve stopped most users in their tracks—or at least clued them in that the service wasn’t real. The second clause said all users agree to give their “first-born child” to NameDrop. If the user didn’t have children yet, their first baby would still have to go to NameDrop until 2050.”

https://www.pcworld.com/article/415643/goodbye-firstborn-children-this-study-shows-how-wordy-terms-of-service-hurt-users.html

What the researchers found was that 74 percent of those who signed up for NameDrop did not read the policy. Less than two minutes were spent reading the TOS, while the full document took about 30 minutes. If the customers had read the legal document, then they would have seen that the social media site was fake.

And kept the rights to their firstborn child, anywho…

Most people who do read the ToS take less than one minute to do so, but if they did take that fifteen to thirty minutes of their time to safeguard their rights and privacy, probably would not sign up for such an account.

When something is free, YOU are the commodity that is being used to make someone wealthy at the expense of you, your rights, your privacy, and your mental health.

Expert reveals the ‘slot machine’ tricks Facebook uses to keep people addicted

https://sports.yahoo.com/news/expert-reveals-slot-machine-tricks-facebook-uses-keep-people-addicted-090211355.html

Social Media Use and Its Connection to Mental Health: A Systematic Review

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7364393/

As a creator, how do you intend to maintain your personal and legal sovereignty in the face of corporate governance? Is it time to push lawmakers in the direction of protecting our copyright against corporate power grabs?

Perhaps, creators should read the ToS for accounts on sites they use, outline the legal issues, and then demand a change to the laws for these platforms. Before we run to our local Congressional office, perhaps a walk down memory lane on how we got here will give us context to the situation:

47 U.S. Code § 230 – Protection for private blocking and screening of offensive material

https://www.law.cornell.edu/uscode/text/47/230

Americans Finally Have Access to American Propaganda
The Smith-Mundt Moderization Act of 2012

https://www.theatlantic.com/politics/archive/2013/07/americans-finally-have-access-american-propaganda/313305/

Universal Declaration of Human Rights
Article 29, Section 3:

These rights and freedoms may in no case be exercised contrary to the purposes and principles of the United Nations.

https://www.un.org/en/about-us/universal-declaration-of-human-rights

If more people read the Terms of Service to our treaties, regulatory laws, and online accounts, then more people would understand what seems like a platform problem is really a ubiquitous issue of eroding rights, privacy, and property on an international scale rather than an endemic one.

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DL Mullan holds a Master of Arts in Teaching and Learning with Technology.

Her lecture, Spacescapes: Where Photography Ends; Imagination Begins,
debuted at the Phoenix Astronomy Society, which then led to her Sally
Ride Festival lecture invitations. Her presentation, Bridging the Gap
between Technology and Women, won her accolades at a community
college’s Student Success Conference. She has been a panelist at
speculative fiction, science fiction, and other regional conventions.
Her digital exhibition pieces have won awards at convention art shows,
as well as garnered her Second Premium at the Arizona State Fair.
Currently, Ms. Mullan’s artistic renditions are seen on book covers,
blog sites, video presentations, and various merchandise. As an
independent publisher, she uses her technical background to innovate
the creative arts.

As a writer, DL Mullan loves to stretch her imagination and the
elasticity of genres. She writes complex multi-genre stories in
digestible and entertaining forms, be it poetry, short fiction, or
novels. Her science, history, mythology, and paranormal research
backgrounds are woven into her writings, especially in Undawnted’s
Legacy Universe. Ms. Mullan’s creative endeavors are available in
digital and print collections, from academia to commercial
anthologies. She is also an award-winning poet.

Be sure to subscribe to her newsletters and follow her on social
media. For further information, visit her at www.undawnted.com and
www.undawntech.top.


In Touch With Nature – The vulnerable life of male lions #wildlife #lions

A landscape with the words: In Touch With Nature, "The Earth is a fine place and worth fighting for." Ernest Hemmingway

Lions live in groups called prides. Each pride is comprised of related lionesses and one or more adult male lions will also be present with the dominant male being the pride leader. Female lionesses are loyal to their pride and not to their family members, and this often means that they don’t keep related males in their pride.

Male lion cubs are frequent victims of snake bits, hunting hyenas, and male lions that aren’t their father or uncle. One in two male lion cubs will die in their first year of life. The greatest single cause of male lion mortality in the first year of life is infanticide by unrelated male lions.

Picture caption: Lion cubs at Ukutula Lodge & Game Reserve

At approximately three years of age, male lions are pushed out of their pride by their fathers. Alternatively, they may be forced to leave the pride when a new coalition of male lions takes over the pride. For a period of two or three years after leaving their prides, young male lions wander on their own, trying to avoid confrontation with older, stronger male lions. Frequently, single males find other males of a similar age and join them to form a coalition. Coalitions typically comprise of two to four male lions and are often made up of brothers or cousins although some include unrelated males. The main purpose for male lions forming coalitions is to compete with other male lions for mates.

When the males in a coalition reach four to five years of age, they will challenge other male coalitions for access to a pride of lionesses. When a new coalition takes over a pride, the new males seek out and kill the cubs of other males or drive them away. The purpose of the killing of cubs is to accelerate the return of the lionesses to a reproductive state thereby allowing the new males to raise their own cubs. The dominant male or pride leader generally gets first mating rights but lionesses do mate with other pride males. The lesser males usually get their opportunity when several females are in heat at the same time and if the dominant male losses interest while the lionesses are still in heat.

The dominant male is usually the largest, strongest male lion. Dominant males usually only retain that position for a few years and then they are challenged by a younger male or an outside coalition. During their time as pride leader, the male is responsible for defending the females and their cubs from predators such as hyenas.

When a battle for leadership takes place within an existing pride, the battle is usually fierce but not deadly. If an outside coalition challenges the leader, the battle will be to the death.

Brothers, a 99-sylable Double Ennead poem by Robbie Cheadle

Picture caption: Two lion brothers resting in the shade

Dry, yellow grass stretches
To the horizon
Just there, under a scrub tree, lie two brothers
Within slumbers embrace
They soak up the sun
***
The colour of ripe wheat
They blend with the bush
Male lions resting peacefully
Enjoying blissful dreams
Concerning fat buck
***
One starts gently stirring
Rolls over and sighs
His underbelly unintimidating
But then he yawns widely
Showing great long teeth

This poem is included in Lion Scream, Syllabic Poetry About Southern African Wildlife

Lion brothers walking on the road:

About Roberta Eaton Cheadle

Award-winning, bestselling author, Roberta Eaton Cheadle, is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.

Roberta has two published novels and has horror, paranormal, and fantasy short stories included in several anthologies. She is also a contributor to the Ask the Authors 2022 (WordCrafter Writing Reference series).

Roberta also has thirteen children’s books and two poetry books published under the name of Robbie Cheadle, and has poems and short stories featured in several anthologies under this name.

Roberta’s blog features discussions about classic books, book reviews, poetry, and photography. https://roberta-writes.com/.

Find Roberta Eaton Cheadle

Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com

Twitter: https://twitter.com/RobertaEaton17

Facebook: https://www.facebook.com/robertawrites

Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5

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