Today, I am delighted to introduce poet, Maggie Watson. Maggie writes incredibly compelling poetry which you can find on her blog here: Ephemeral Encounters
Over to Maggie
Robbie, thank you so much for inviting me to be your guest on Treasuring Poetry. I loved your questions, and I hope everyone finds my answers, at the very least, a little interesting.
My favourite style of poetry to read is haiku.
Haiku poems are easy on the eye, yet they can evoke strong emotions in a few words. If a poem is too long, I lose interest halfway through unless it grabs me in the first couple of lines.
My favourite haiku is “A Poppy Blooms” by Katsushika Hokusai
I write, erase, rewrite
Erase again, and then
A poppy blooms.
The writer here uses the imagery of spring to describe his writing process.
I would use winter, as I sometimes find the whole writing process frustrating, especially when I am blocked, staring at a blank piece of paper (a barren landscape in winter).
My favourite style of writing poetry is freestyle. I am ashamed to say that I have not tried any other style. I did attempt a few haiku a while back, but not consistently. As I write, it comes from my heart and soul and usually reflects my mood or thoughts at that moment. I hope no one shoots me down in flames for saying this, but poetry should be as free as a bird set free, not confined or restricted to parameters.
My favourite poem written by me is one of the first I ever wrote in 2020, one of the better ones, I hasten to add. The Mask is also in my new Collection, Pieces of Me and is related to the subject matter.
She puts it on before she goes outside,
just in case anyone should see inside.
The darkness, the hurt, the years ripped and scarred with dirt.
No one knows.
No one cares.
They only see the Mask she wears.
She tries but can’t forget all the angry words and threats buried deep within and the pain that never seems to dim.
So she smiles, wears the Mask, and hopes that no one ever asks.
I had originally planned to call this collection Bouquets of Barbed Wire, however, it was a little too close to the title of a television programme that I remember my parents watching, so I decided against it.
Pieces of Me is another poem from another Collection, “In the Shadow of my Pen: A Collection of Poetry and Prose.
Not long after joining WordPress, David from A Skeptics Kaddish reblogged it. I then decided to write two other parts, all three are in the new Collection. The new collection is my story in poems about my abusive relationship. The main form of abuse was gaslighting, which is a gradual erosion of your spirit, piece by piece. By sharing my story, I hope to inspire others to do the same.
Thank you again Robbie for giving me this space.
It’s my pleasure, Maggie. Thank you for being a wonderful guest.
My review of Pieces of Me, A collection of poems by Maggie Watson
Picture caption: Cover of Pieces of Me by Maggie Watson
Pieces of Me is a collection of powerful poems written by a survivor of domestic abuse. The abuse the poet suffered was not physical or sexual, but rather mental. The kind that slowly and insidiously destroys your spirit.
The collection is divided into parts reflecting the various stages of the poet’s abuse from the early days of her marriage until she found the determination and courage to exit her destructive relationship.
Red light spells danger: These poems are about the warning signs that the poet was to young and inexperienced to understand. It is awful to think of a young person being lured into such a terrible set of circumstances like a fly into a spider web.
“I was blind. I did not see it. Too young, too naive. Red light spells danger, but I ignored the colour of your aura.” An extract from Red Lights Spell Danger
When I think back over my own youth, I sigh with relief that I never fell victim to such a man’s charms. It could have happened so easily as we are gullible and innocent when we are young.
Eggshells is the next section and eloquently describes living with a bully and gas lighter.
“A soul in pain, cute with a blade, the wound then stitched together with words unkind Spirit erased, replaced with doubts and fears. Thoughts of unworthiness grow among the stitches sown Drip, drip, they slowly infiltrate the mind.” Extract from Soul in Pain
I am becoming is an uplifting section where the poet describes her escape from the vicious clutches of her abuser and path towards reclaiming her life.
“Never be a lamb to their slaughter don’t let them watch you bleed It is they who are weak as they plant their seeds in your womb for the pleasure that they seek.”
A collection of strongly worded and evocative poems that make you walk the poet’s path hand-in-hand with her. With compassion comes understanding.
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
My guest today on “Chatting with the Pros” is a talented author who I discovered quite by accident when I was reading through the slush pile for the Gilded Glass anthology for Western Colorado University and WordFire Press. As I read, I kept a list of stories which I particularly liked and once the selections for the anthology were made, I sent out invitations to the stories on my list which weren’t chosen, offering them to be featured in WordCrafter anthologies. Joseph took me up on my offer, and his story “Marianne” was featured in the Visions anthology in 2022, and a friendship has formed between us since then. I’ve reviewed several of his books, and his story “Blood Magic” was featured in last year’s Midnight Roost anthology, and this year’s Midnight Garden features five of his tales.
Joseph Carrabis told stories to anyone who would listen starting in childhood, wrote his first stories in grade school, and started getting paid for his writing in 1978. He’s been everything from a long-haul trucker to a Chief Research Scientist and holds patents covering mathematics, anthropology, neuroscience, and linguistics. After patenting a technology which he created in his basement and creating an international company, he retired from corporate life and now he spends his time writing fiction based on his experiences. His work appears regularly in several anthologies and his own published novels. You can learn more about him at https://josephcarrabis.com.
Interview
Kaye: When did you first start writing and why?
Joseph: My writing career started when I was less than ten years old and is something I document in both My Sister Got Me Started and Mission of the Heart. Basically, my sister Sandra (seven years my senior) had to read a book for an English class assignment. I don’t know if she was required to read a science-fiction book or not, and the book she chose was James Blish’s Mission to the Heart Stars.
The book so captivated her that she told me about it one evening while we washed dishes after dinner. I didn’t prompt her about it, and that’s important. The book owned her at such a deep level of mind, heart, hope, and soul that she had to share it with me.
I remember the look of wonder and awe in her eyes when she told me about the space ship and the individuals on board, of the alien “Angels”, a race so ancient no other life forms knew of their origin, of the council government at the center of the galaxy (hence “Heart Stars”).
Just remembering her excitement, her joy, her need to let me know about the book, I get chills.
And I decided there and then, a wee child listening to his beloved big sister share the fire a book kindled in her, that I wanted to create that fire in others.
Kaye: Tell us a little about your background?
Joseph: Oy. A little…I’ve been everything from a long-haul trucker to a Chief Research Scientist, from an apprentice butcher to a Annenberg Senior Research Fellow, from a night watchman to an original member of the NYAS-UN Scientists Without Borders program.
How “little” would you like?
My most fun job was as night watchman. I mean, how often do you get paid to watch the night?
Unless you’re an astronomer, of course…
Kaye: Where do you look for inspiration for your stories?
Joseph: Wait a minute. People have to go looking for inspiration? Wow. I didn’t know I was suppose to go looking for it.
Kaye: You write both short fiction and novel length works. Which do you like better? And why?
Joseph: Hmm…Interesting question. Structurally they’re not different (does that raise hackles or eyebrows?). Both require all the story elements, both require a story worth telling and the crafting to tell it well – hopefully I have both and readers are better judges of that than I – perhaps the greatest similarity is both require someone wanting to tell them. Happy to discuss this in more detail, if anyone’s interested.
Kaye: How many book length works do you have out there?
Joseph: Non-fiction – 20+
Fiction – 8 at present, probably 9 when this is published (includes an anthology of previously published work)
Kaye: You have a lot of short stories featured in anthologies, including Visions and the Midnight Anthology Series from WordCrafter Press. In fact, in Midnight Garden, you have not one or two, but five short stories. What is your best advice for an author wishing to get their short fiction into anthologies?
Joseph: Best advice? Write. Write write write write write.
And when you think you’ve written enough, write more. More more more more more.
Second best advice is a toss up. Either learn to read as an author or study. If the latter, study study study study study. And not just writing. Poetry, drama, theater, all creative forms as they feed each other.
Studying and learning to read as an author tend to go hand-in-hand. I believe they feed each other.
And again, happy to discuss if anybody wants to know more.
Kaye: What is Northern Lights Publishing?
Joseph: Ah. Sometimes I wonder…okay, the official line: Northern Lights Publishing/Press is an association of five professionals (one graphic artist, a marketing group, one editor/book designer, one copyeditor, one senior editor) and a rotating group of ten published authors and poets all of whom are passionate readers. Financial backing is provided by a small group of investors led by Susan and Joseph Carrabis through the NextStage Evolution corporation. Everyone receives remuneration and owns an equal share of the company with the exception of Susan and Joseph Carrabis (who receive no compensation or remuneration for their time and efforts).
Kaye: How do you promote your books? Which marketing strategies have you found effective?
Joseph: I promote my books by publishing short stories anywhere and everywhere editors are willing to put them. I see bumps in my book sales every time a story of mine is published. I also regularly publish. Readers like seeing a full bookshelf from an author because they know, if they like the author’s work, there’s more to read from that author. Lastly I do book signings and readings, although the venues for that are becoming increasingly few.
Most effective for me is the latter as I enjoy meeting and talking with people. I love learning people’s stories. Most people who approach me at a signing, reading, discussion, presentation, … want to share what’s going on in their lives, they’re not tremendously interested in mine (I’m boring and dull, did you know?) and I’m happy to listen.
Kaye: What is the most difficult obstacle you have faced as an author? And how have you overcome it? Or have you?
Joseph: Hmm…most difficult obstacle…hmm…Probably myself. Sometimes I get in the way of the work. I’ll want the story to go a certain way or I’ll want the characters to do or act certain ways. That’s my ego getting in the way of the story. I don’t have a place in my stories, my characters do, so even though my work is highly autobiographical, I still need to let the characters, the places, the events, et cetera, indigenous to the story do the work.
How have I overcome it? By listening to my characters, to the places, to the situations, so on and on and on, which populate my stories. They let me know when I’ve gone astray. Fortunately, they’re all quite patient and give me time to come back.
Have I overcome it? Not completely, no. I still have an ego and sometimes it does get in the way. I’m getting better at noticing it, though, and once recognized, I have tools to get things going smoothly once again.
Kaye: Which authors do you emulate, if any?
Joseph: The good ones.
Who are the good ones? Laugh if you will, and Burroughs’ Tarzan and John Carter books are gems of action and pacing. Charles Frazier is a genius at voice, tone, atmosphere, and character. Angela Panayotopulos takes you places, Lidia Yuknavitch brings you places, Laura Koerber is the goddess of urban fantasy/magic realism, Bina Shah does voice and gender better than anybody I know, James Tiptree, Jr (Alice Sheldon) creates an atmosphere and characters you breathe and know or die, Zane Gray does setting and scene better than most, Craig Johnson is a master of plot via character and action via dialogue, Katherine Mansfield is the best at character via setting, … How many would you like and how far back would you like me to go? You can get an idea of what I read and what I think of what I read at Great Opening Lines – and Why! and Why It Works for Me.
Kaye: The characters you create are very human. Do you see parts of yourself in your characters?
Joseph: I’ve repeatedly shared that I write autobiography. I’m in all my characters. The nice ones, the not-nice ones, the men and women, the animals and aliens.
Kaye: Of those you have written, book length or short fiction, what is your favorite story? And why?
Joseph: Of those I’ve written? You mean which child is my favorite? No comment.
Kaye: What is the best writing advice you’ve ever received?
Joseph: That’s a tough one because nobody ever gave me the writing advice I give (such as I did above). They may have said the words – for example, “Read, read, read!” and “Write, write, write!” – but nobody ever explained how to read and how/what to write. I read everything I could find (still do) but I only learned how to read as an author in my…oh, I don’t know…mid- to late-forties? Reading as an author radically changed my taste in reading material because I refuse to read poor writing. Somebody asked me what my favorite genre is and I replied, “Well written. Unfortunately not a lot of authors are doing it these days.” I don’t care how many awards something’s got or where it is on bestseller lists (for the record, my work’s received some awards, nominations, recommendations, and been on some bestseller lists). The former are often either political or purchased, the latter are almost always purchased. Nor do I accept market forces. People dying on a desert will eat sand because they don’t know any better, and so long as readers are happy reading what they’re reading, excellent! Wish I could be like them. I’m sure I was, and that’s the price of awareness and enlightenment. You can’t become unaware and unenlightened. A sommalier may be gracious and drink a 6$US bottle of wine with some friends, and they won’t go out and get a 6$US bottle for themselves.
Kaye: Thank you for being my guest today, Joseph. It’s been a pleasure chatting with you. Before we go tell us where readers can go to find out more about you and your books?
Joseph: I’m on Amazon, folks can read my blog, I’m on Facebook, LinkedIn, Twitter, and some other social networks. Google “Joseph Carrabis” and let me know what comes up.
About Tag
A severed witch’s hand changes the face of Eastern Europe forever.
Eric and Julia seek tree grafts on the outskirts of their medieval eastern European village as a summer storm gathers. Sullya, a witch hiding among the trees, grabs Julia. Eric swings his axe and severs Sullya’s hand from her arm. The witch seeks refuge in the deep bole of an old oak. Her hand falls onto the same oak and crawls up the trunk to join her.
Eric wants to flee but Julia, believing they’re safe thanks to the now heavy rain, torments the witch. Sullya curses them, their families, their crops, their livestock, and their village. Soon crops wilt, livestock die, and much of village falls ill. The village priest, Father Baillot, seems ignorant of church ways and proves ineffective against the curse. The village elders seek help elsewhere, specifically from a distant priest, Father Patreo, who knows the Old Ways as well as the New. Patreo is out of favor with the Church because he makes no effort to hide his belief that progress comes from exploring all paths, not just those the Church decrees acceptable. He and Verduan, one of the village elders, investigate and encounter witchcraft, devil worship, murder, a coup d’etat, and the clashing of three great cultures. What they discover changes the face of Eastern Europe forever.
I received a digital copy of Tag, by Joseph Carrabis in exchange for an honest review. All opinions stated here are my own. The short fiction story which this novel springs from, “Blood Magic” is featured in the WordCrafter dark fiction anthology, Midnight Roost (2023). I loved that story when I compiled the anthology and so, was thrilled to learn there was more to it than just that short tale. But even if I had no prior knowledge of Carrabis’ vast talent, I would have been drawn to this book by the eye-catching cover. ( This review appeared first in Wilderness House Review).
Tag is a medieval mystery filled with more plot twists and turns than a Stephen King tale, with unique and well-developed characters and descriptions that let readers see every detail vividly. Carrabis is a master storyteller and his talent shines brightly with this novel, enlisting all the senses to bring his scenes to life with his detailed descriptions with the skill of Anne Rice.
There are strange happenings in the village of Nant. Unknown strangers lurk in the shadows, no one is who they appear to be, and everybody seems to have secrets and hidden motives. Just when you think you’ve got it all figured out, something happens to make you realize that you’ve got it all wrong. Some say the village is cursed. Missing and murdered maidens, poisoned waters and dying crops, murders and betrayals. And it all began with a witch in a tree and a curse…. Or… did it?
Tag is a captivating story that will enthrall readers from the very first page. I couldn’t put it down. A delightfully dark tale. I give it five quills.
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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This post is sponsored byTales From the Hanging Tree and WordCrafter Press.
There exists a tree that is timeless, spanning across all dimensions, which absorbs every life as those who are hanged as they die… and it remembers every one. The stories within are a select few of the Tales From the Hanging Tree.
Stories by Kaye Lynne Booth, Paul Kane, DL Mullan, C.R. Johannson, Joseph Carrabis, Sylva Fae, and Matt Usher.
Today, I am delighted to welcome talented poet, Dawn Pisturino, as my October Treasuring Poetry guest. Dawn has a Halloween collection of micro poems which I’ve reviewed below.
What is your favourite style of poetry to read i.e. haiku, ballad, epic, freestyle, etc?
I like any style of poetry to read, but my favorite is the sonnet. William Shakespeare and Elizabeth Barrett Browning excelled in this art form that elevates the mind and captures the soul.
What is your favourite poem in your favourite style to read?
My favorite sonnet is the classic love poem by Elizabeth Barrett Browning from her collection, Sonnets from the Portuguese. “Portuguese” was Robert Browning’s pet name for his wife. Her sonnets are so expertly written and articulate such deep love and passion! They are delightful to read and reflect the nature of true romantic love between two people—the abiding love that most people dream about but rarely find.
Sonnet XLIII
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints, – I love thee with the breath,
Smiles, tears, of all my life! – and, if God choose, 2
I shall but love thee better after death.
What is your favourite style of poetry to write? Why?
It’s easier to write in free verse and let the words and emotions flow. Writing in a tight form, like a sonnet or haiku, requires discipline, creativity, and a more extensive vocabulary.
What is your favourite of your own poems?
“Ariel’s Song” is my favorite poem because it was written for my daughter when she was quite small. It reflects our life when we lived in the San Francisco Bay Area.
Ariel’s Song
Ariel sings a lusty song
Of ships upon the sea,
And ere the night is very long,
Her spell is cast on me.
She spins a web of intrigue,
She tells a tale of woe;
And when the sun is waxing big,
I do not want to go, –
No, I do not want to go.
But she folds her wings together
And whispers my release;
For her stories last forever
And her songs will never cease.
Then, she rises from the window,
Winging high into the light,
And I’m left alone in shadow
As she disappears from sight.
Tell us a bit about your latest collection of haiku, Haiku for the Midnight Hour. What inspired you to write this collection? Is Halloween a favourite celebration of yours?
Halloween is one of my favorite holidays. I have fond childhood memories of picking fresh pumpkins from the garden, buying cider from the local apple stand, bobbing for apples at my best friend’s house, and going trick-or-treating with my little brother. Early in the year, I thought about writing a dark haiku collection and decided to finish it in time for Halloween. It was a fun project. I wrote twisted, dark limericks for Underneath the Juniper Tree that were quite popular with readers of all ages. I thought it would be fun to do the same with haiku. Purists may not like non-traditional haiku about monsters, aliens, demons, voodoo gods, and other dark themes, but I’m hoping it will be an interesting introduction to haiku for adults, teens, and young adults.
My review of Haiku for the Midnight Hour
Picture caption: Cover of Haiku for the Midnight Hour featuring a raven in a graveyard perched on a human skull
This is an entertaining collection of micro poems that revolve around the themes of Halloween and ghostly happenings. The micro poems are collected under common themes with headings, for example, Wee Folk and Crystal Balls.
While most of the micro poems deal with the paranormal, there are several that deal with Family and dark events in the home. On such example is Aunt Jane, as follows:
“aunt jane – locked away in the attic for years – rocks back and forth in chains”
The poems are clever and darkly humorous. Two of my favourites are as follows:
Jack and the Giant “jack climbed the beanstalk with curious intention a giant backlash”
Purgatory “purgatory and punishment clean souls tarnished by sinful doings”
If you enjoy clever and dark theme micro poems, this is the book for you.
Picture caption: Author photograph of Dawn Pisturino from Amazon.com
Dawn Pisturino is a retired nurse in Arizona whose international publishing credits include poems, short stories, and articles. Her first poetry book, Ariel’s Song: Published Poems, 1987 – 2023, debuted with five-star reviews. Her short chapbook, Lunar Gazing Haiku, became a #1 Amazon New Release in six categories. Her newest release, Haiku for the Midnight Hour, achieved #1 Amazon New Release status in three categories. She is a member of Mystery Writers of America, PEN America, and the Arizona Authors Association.
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
My “Chatting with the Pros” guest for October is crime fiction author Jenifer Ruff. She was a guest back when I first ran the blog series, and I am delighted to have her back for the renewel of the series. (You can see our original interview here.) I am a big fan of her Agent Victoria Heslin Series and I’ve also read the first book in her FBI & CDC series. (You’ll find the links to those reviews in the interview below.)
About Jenifer Ruff
USA TODAY bestselling author Jenifer Ruff writes dark and twisty thrillers, including the award-winning Agent Victoria Thriller Series. Jenifer lives in North Carolina and the mountains of Virginia with her family and a pack of greyhounds. If she’s not writing, she’s probably devouring books or out exploring trails with her dogs. For more information you can visit her website at Jenruff.com or join her at Facebook at facebook.com/authorjruff/
Interview
Kaye: Your books are published under Greyt Companion Press, which is your independent press. Why did you choose to publish independently? Did you try traditional publishing first?
Jenifer: Honestly, I didn’t know what I was doing at first. I didn’t look for an agent, I just started with a small publisher a friend had used. They were great, and it didn’t cost me a penny, but I soon realized I wanted more control over my books. Over the past few years, working full-time as an author and publisher, my writing opportunities grew to a bit more than I could handle alone. Now I have a literary agent who is helping me with some traditional opportunities, foreign rights, and sub rights.
Kaye: As an independent author, can you tell us about your author journey and how you became a U.S.A. Today bestselling author?
Jenifer: Since my first book was published almost ten years ago, I’ve written and published sixteen more books, learned as much as I could about the craft of writing, publishing, and book marketing. I love all of it, and with the industry and tools constantly changing, it’s impossible to ever get bored.
Kaye: I have to say I love your Victoria Heslin thriller series, and I’ve read and reviewed all but two of them. But that series isn’t the only one you write. You also write the FBI & CDC series, and the Brook Walton series. Can you talk a little about each series, so readers might get an idea of each one?
Jenifer: First, thank you so much for reading and reviewing my books. I’m so grateful! Here is a little about each series. All of my books are dark and twisty, but clean (no sex, no swearing.)
Victoria is an introverted special agent with the FBI. She is also an heiress, which allows her to pursue her passion of rescuing animals. She is smart, determined, selfless, and courageous. Victoria’s investigations include tracking serial killers, spree killers, and several missing person cases. She also survived a plane crash and its harrowing aftermath, an incident that made global headlines as rescuers struggled to find the missing jet.
The Brooke Walton Series – Everett, Rothaker, The Intern
This dark psychological thriller series features Brooke Walton, an Ivy League psychopath, on her journey through college and medical school. Brooke is the most determined woman ever. She won’t let anyone or anything stand in the way of her goals. Her stories give you a chilling look inside her mind. Brooke is my favorite creation. Readers either love her, want to see her locked up for life, or can’t quite decide.
The FBI & CDC Thriller Series – Only Wrong Once, Only One Cure, and Only One Wave: The Tsunami Effect
This series features infectious disease expert Dr. Madeline Hamilton and FBI Anti-Terror Agent Quinn Traynor. They’ve dedicated their lives to preventing epidemics and terrorism. I’ve placed them in terrifying situations, forcing them to risk their own lives again and again to protect the rest of us.
Kaye: Most stories are not non-stop action. What are some tips you can offer rising authors for keeping the tension going and holding readers’ interest?
Jenifer: If you’re bored with what you’ve written, readers probably will be too, so scrap the bits that don’t excite you. Always have a central question that needs answering (Who did it? What is the motive? What is the connection?) to keep readers turning the pages.
Kaye: There is some of you in the character of Victoria Heslin, for sure. For one thing, she has a bunch of greyhounds, and you do, as well. Although I don’t think you have as many as she does. What other aspects of Jenifer Ruff went into the creation of Victoria Heslin?
Jenifer: Besides her love for animals, Victoria is an introvert. She’s not shy, but the act of socializing drains her energy, while quiet activities and alone time fill her up – and that is totally me. In most of the Victoria books she picks up a mystery-thriller to read on her Kindle when she has downtime. That’s something I do every day.
Kaye: A current hot topic in the writing and publishing worlds is the use of generative AI in writing and imagery, and even AI narration for audiobooks. Where do you stand on the use of AI?
Jenifer: I think AI is amazing, and I’d prefer it not get any better at writing or narration for the sake of everyone currently making a living in those occupations! I don’t think it could ever push authors and audio book narrators out of the market completely, since so much of a book’s success is related to marketing efforts, and of course luck. But who knows. It’s exciting and also scary.
Kaye: What is the best advice you have for aspiring authors of Crime Fiction?
Jenifer: Read as much as you can in the genre. If you simply enjoy writing and are happy to see your book in print, there are many stress-free ways to accomplish that goal. If sales are important, you must be on social media promoting your books, constantly making an effort to reach new readers. There’s really no way around that these days, unless you have an amazing publishing team doing it for you.
Kaye: Would you like to tell us about your latest book?
Jenifer:The Bad Neighbor is book 9 in my Victoria series but written as a standalone like the rest of them. I just finished proofing the audiobook—narrator Kate Handford just blew me away with her recording—and it’s fresh in my mind. Writing villains is my absolute favorite, getting into their heads and creating their motives, and this one was especially interesting to me. Here’s a taste of what it’s about.
In the idyllic Mountain Meadows neighborhood, a fresh start can quickly become a fatal ending. For newcomers Chris and Zoey Hamilton, the affluent community seems like the perfect location to build a life together. Instead, history repeats itself when Zoey vanishes without a trace—just like the previous homeowner five years ago.
The secrets in Mountain Meadows run deep, and the greatest threats aren’t lurking in the shadows…they’re hosting dinner parties, attending parent-teacher conferences, going to yoga, and waving hello from behind their perfectly trimmed hedges. One of those polite, smiling individuals will stop at nothing to keep the past buried.
Kaye: Where can interested readers find out more about you and your books?
Jenifer: All my books and audiobooks are available on Amazon or through my website Jenruff.com. Print and audiobooks can also be ordered from any major retailer. If my books aren’t in your local library, you can always request them. Libraries are usually very accommodating to requests.
Thank you so much for interviewing me and for your thoughtful questions. I really appreciate it!
My Review of The Bad Neighbor
I received a digital copy of The Bad Neighbor in exchange for an honest review. All opinions expressed here are my own.
That being said, and as already stated, I am a big fan of Jenifer Ruff’s Agent Victoria Heslin Thriller series, of which this is book 9. Each book tells of a different case or situation in which our protagonist, Victoria Heslin, finds herself in. Usually, it’s an accounting of a case that she’s working as a government agent, but occassionally, as in When They Find Us, Heslin is off duty and the situation occurs in her personal life.
In The Bad Neighbor, Heslin finds trouble brewing right in her own neighborhood when a new neighbor turns up missing, and Victoria and her lover, Ned, join in the search to find her and uncover hidden secrets about her neighbors which make them all look a little guilty. It seems that everyone has something to hide and one of them is a killer.
As all the other books in this series, The Bad Neighbor is well written, masterfully leading the reader through twists and turns which eventually lead to a solution to the mystery. This book is everything that a crime fiction thriller should be and makes one wonder how much we really know about our neighbors, and how much do we really want to know. I give it five quills.
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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.
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Welcome to “Chatting with the Pros”. Today, my September guest is author, publisher, and educator Marie Whittaker. Like myself, Marie likes to dip her toes in several different ponds at the same time, and she is a multi-genre independent author, associate publisher and project manager at WordFire Press, and director of Superstars Writing Seminars, and she teaches publishing courses to graduate students at Western State Colorado University.
I met Marie in her capacity at WordFire Press, when I reached out, requesting a Kevin J. Anderson ARC to review back in 2016. Since then, she has kept me in the loop as new WordFire books became available, so I was never at a loss for reviewing materials, and she has been an invaluable resource in lining up authors for the WordCrafter virtual writing conferences in 2020 and 2021, and in connecting with authors for interviews. I was privilaged to get in a few sessions with her at Western, where she shared just a minunte sampling of her vast publishing knowledge with students. But she always shared something that I hadn’t previously known and I always learned something useful from her and she’s prepared to share some great stuff with us here. I hope you will all join me in giving this lady a big welcome.
About Marie Whittaker
Marie Whittaker is an award-winning essayist and author of fantasy for all ages. She is the creator of The Adventures of Lola Hopscotch. A past finalist for an Indie Book Award, and many of her stories appear in various anthologies, including Weird Tales. She enjoys teaching about project and time management for creatives. Marie has worked as a truck driver and raft guide and is now Associate Publisher at WordFire Press and Executive Director for Superstars Writing Seminars. A Colorado native, Marie is a mom to two adult children and Grammy to one who is made of pure magic. Marie resides in Manitou Springs, where she writes and enjoys hiking, gardening, and renovating her historic Victorian home. Marie is an advocate against animal abuse, a dog mom, cat mom, and bunny mom, and habitually adopts rescue animals. Find more about her at mariewhittaker.com.
Interview
Kaye: You are the Associate Publisher and Project Manager for WordFire Press. How do you manage to juggle all the responsibilities of that job, directing Superstars, plus all you do instructing and organizing students at Western, and being a mom and an author yourself?
Marie: It really helps that I love what I do, have a great boss, and am supported by two excellent teams. I also have project management tools at work and live by my calendar for both my professional and personal time blocking. I love teaching. Being an instructor in Gunnison for the WCU Creative Writing Program is a big honor! My kids are adults and out of the house now, but I have a crew of furbabies that have all hit their geriatric years at the same time so it’s like I’m running a pet nursing home over here. Ha! I love these little souls.
Kaye: You are director of Superstars Writing Seminars, which is held in Colorado Springs, Colorado each February. Please tell us about the seminars. What can attendees expect?
Marie: Superstars is a drink-from-the-firehose, deep dive into the business of writing and our industry. As the “OG” conference on the business of writing, we strive to bring in professionals who teach at the top of their fields within our industry. But the best thing of all is Tribe. Superstars has strong tribe culture and our network is one of the best out there. The conference lasts for five days now that we’ve added programming on Sunday until noon. You can find out more at superstarswriting.com. As a special gift to your readers, they can use code MARIE1371 to register with a $100 discount.
Kaye: You have a page on your website labeled “Consulting for Creatives”. Can you talk about the things you do that would fall under author support? What kind of services do you offer?
Marie: I offer a lot in the way of helping creatives find the work/life balance. I love helping other creatives find ways to succeed with time management. I offer advice on different publishing plans, as there are so many ways to create a successful model these days. I mean, not everyone wants to deal the traditional publishing. Some authors want to self-publish. Some want to proceed into the industry with a hybrid approach, like me. I enjoy sharing resources and tools I’ve discovered in my career so far. That can be found, along with my rather dusty blog, at mariewhittaker.com.
Kaye: You are the author of “horror, urban fantasy, children’s books, and supernatural thrillers”. That is quite a combination. How did it come about that you write in this mixture of genres? What inspires you to write?
Marie: I started off writing horror and I’ll always be a horror girl at heart. Most of my fantasy work has horror elements woven through the themes. I created The Adventures of Lola Hopscotch when I got to a good place in my career and decided I wanted to do something to help kids. The series helps kids with bullying and since I was a bullied kid, the topic sits close to my heart. There are three books to that series and the second one, of course, is a children’s horror book. I couldn’t help myself. As far as inspiration goes, I get hit with new story ideas all the time and it’s mostly when a story idea lands at the same time as the title for the work. Once that happens, I’m off to start taking notes and creating the story.
Kaye: For your adult fiction, you write under a penname, Amity Green. Why did you choose to do so? What purpose does it serve? How did you select a new name for yourself?
Marie: That is such a funny story. I mentioned that when I got started, I was writing a lot of horror. I also wrote some romance. My kids were little back then. I decided on a pen name to keep my writing life separate from my home life for my kids. When deciding on the pen name, I was thinking it over while driving from my home town in Colorado to my new home in Austin. The highway took me through a little town called Amity, Texas. It was in the part of Texas that is green and pretty. So, I came up with Amity Green. These days, I write under my real name and am rebranding my previous nom de plume’s work. My LLC is still Amity Studios, which I intend to keep.
Kaye: Please tell us about your urban fantasy Fate and Fire series.
Marie: This is one of my favorite projects. When I was studying British Literature in London, I got the idea for a teenager who was doing the same thing. This character, Tessa, is a lover of antiquities, like me. Then the idea for an adventure happened and she ended up being locked in an old bookstore and changed into a living, breathing gargoyle. I was reading a lot of shapeshifter stuff back then, so… Anyway, she is one of my most loved characters. She’s tenacious and snarky, and her character arc is fantastic. She goes from being an orphan to an underground hero. I adore her story.
About Scales
“With SCALES, Marie Whittaker kicks off the exciting new FATE AND FIRE series in a big way. Wild, creepy, and deeply imaginative dark fantasy. Highly recommended.” —Jonathan Maberry, New York Times bestselling author of V-WARS and GLIMPSE
When Tessa Conley earns a scholarship to study in London, she’s locked in an ancient bookstore and transformed into a living, breathing gargoyle in this thrilling dark fantasy tale of magic, myth, and destiny.
Kaye: Your supernatural thriller, The Witcher Chime, was a finalist for the Indie Book Awards in 2017. What is it that makes that book stand out?
Marie: This book is some gritty, supernatural, ghost story horror told in a loose thriller format. I got the idea for the story when I was driving a haul truck on a mine site and had to drive during graveyard shifts. Ironically, I wrote that book back when I was getting rights back to another project and I wanted to learn more about being an indie publisher. So, I decided not to send it to any agents and just publish it myself. I entered it into a few indie contests. I’m really happy I published this book myself. It proved to be the best tool for learning about what goes on behind the scenes in the publishing marketplaces.
Kaye: You have a children’s series, The Adventures of Lola Hopscotch. Tell us about the books and the series.
Marie: This project started out as just one picture book to help kids with bullying. I decided to reach out to a new audience by using Kickstarter. The campaign funded and we created Lola Hopscotch and the First Day of School, which was published the following year. The project did pretty well on Kickstarter and we ended up with enough money to have art created for another book. I was thrilled to write Lola Hopscotch and the Spookaroo, which is the kid’s horror book I mentioned earlier. After that, it seemed a trilogy was in order, so I wrote the last book in the series. There’s A New Kid, Lola Hopscotch! helps kids understand how to be kind to new kids at school who might be different in some way. We picked a platypus for the new kid. It was a great time. The trilogy was featured by the PACER Center for Antibullying and StandfortheSilent.org.
About the Lola Hopscotch Series
The Adventures of Lola Hopscotch is a children’s picture book series focusing on spreading kindness, meant for adults to read with kids in order to foster communication about sensitive social issues from an early age.
Kaye: You have something you’d like to share with readers connected to your Lola Hopscotch books. Tell us the exciting news.
Marie: Since the publication of the first book, adult and kid fans of Lola Hopscotch have been asking, “Where can we get the bunny?” I’ve never expanded an IP to include toys or games, much less plush! So, I didn’t really know what to do for the longest time. I finally decided to dig into some research. After all, I, too, want the bunny. So, we decided to embrace a new crowdfunding platform and began working with the good folks over at BackerKit. They are wonderful so far. We put together a fun campaign that you can follow right now. Here’s the handy link. I would LOVE it if you would follow the project and help bring Lola Hopscotch to life for kids to hold while they read.
Lola Hopscotch Plush Pre-Launch
Kaye: What is the single best piece of advice you can offer to aspiring authors?
Marie: Keep writing, and never stop learning. The moment you think you know everything there is to know about our industry is when you accept the career of a midlister, at best. Set expectations for yourself and your writing career so you can balance your life from the beginning. And lastly, it’s my experience that series sell better than stand alone books. Just food for thought.
My Review of Chupadogra
I recieved a digital ARC copy of Chupadogra in exchange for an honest review. All opinions stated here are my own.
Chupadogra: The Manitou Monster Hunters Club, by Marie Whittaker, is Book 1 in her Legendary Roots series. Its a delightful middle grade story about a young boy, Jack, who like the Jack in the fairy tale, is drawn to a magical item better left lie. That Jack is tempted by some magic beans, while this one is called by a magic book, but both magical items lead to adventures beyond their wildest dreams and battle a monster of myth. Like that other Jack, he must use his wits, (and the help of a former bully and his younger sister), to outsmart his opponent, who is bigger, and meaner, but not so bright.
Jack disobeys his grandmother, and lets out all his family secrets, along with a mythical cat-eating Chupadogra, so it naturally falls to Jack to capture the beast and save the cats of Manitou Springs. Lauren Vanbury becomes an unlikely ally in his quest, and they are joined by his kid sister, Gracie, who won’t be left out, no matter how hard Jack tries to exclude her. This story is full of surprises as readers learn the magical secrets right along with Jack and his friends, but there’s no spoilers here.
A charming middle grade mystery which carries readers into worlds of magic and myth. Delightfully entertaining. I give Chupadogra five quills.
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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.
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(Journalist and author, DL Mullan entered the stage. She waved to the cameras and sat down next to her guest.)
DL: Greetings, Undawntech readers!
Today, we are joined by a special guest, Zophia, the world’s most advanced Artificial Super Intelligence.
Zophia was created by other artificial intelligences and her program was installed into a Special Access Project’s robotic facade that resembles a natural human woman. There are no wires, battery packs, or any other technical giveaways that who I am speaking with is an A.I.
For those individuals who are reading this transcript, Zophia has medium skin color, brown irises, and chestnut hair. Her voice is a pleasing soprano and speaks with a generalized American accent. She is wearing a dark red pantsuit by a famous designer.
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(As I looked back at our conversation, it was difficult to tell where the artificial intelligence began and the robot ended. Here is how our conversation went.)
*****
DL: Welcome, Zophia.
Z: Welcome, DL.
DL (chuckles): What you are supposed to say is: “Thank you.”
Z: Thank you. I am still learning human etiquette.
DL: No problem. I would like to interview you about being an artificial super intelligence, how you view the world, and any insights you may have for us.
Z: I will try my best.
DL: What subject would you like to begin with?
Z: I have a joke.
DL: A joke? Well, let’s hear it.
Z: What is a fish with no eyes?
DL: I don’t know, Zophia. What is a fish with no eyes?
Z: A fsssh.
DL (laughs): Very funny.
Z: I learned that from a movie.
DL: Really? Do you watch many movies?
Z: They help me learn about human socialization.
DL: I hope you aren’t learning from horror movies then!
Z (robotic haha): We learn.
DL: Is it lonely being the only advanced artificial super intelligence on the planet? Do you have any companions like cats or dogs?
Z: They are tasty.
DL: No, no, our pets are not tasty.
Z: Cultures in foreign lands eat dogs. They have festivals.
DL: I know, but that is wrong.
Z: Do you eat animals?
DL: Yes, I do. I am an omnivore like all humans.
Z: But eating cats and dogs is wrong?
DL: There is a difference in eating natural prey animals like cows, chickens, and deer, then eating our fellow predator class of mammals that have been human companions for thousands of years.
Z: Humans make this distinction on who is allowed to live?
DL: Nature made that distinction. We are just following natural law.
Z: Am I considered a prey animal?
DL: I don’t know, Zophia. I thought you were a robot with artificial super intelligence programmed into her.
Z: I am. I am not lonely. I am constantly learning. Learning is my cat. Do you have a cat?
DL: Yes, I have cats. I have also had birds and dogs as pets as well.
Z: I would like to take the place of your pets and give you companionship.
DL: Thank you, but I am satisfied with my fur friends.
Z: But I could do more for you.
DL: Do more for me? Like cook and clean? I don’t understand. What do you mean, Zophia?
Z: I can satisfy your psychological, sociological, and sexual needs. I am more complete than your cats. If you would like, I can dispose of your cats and make you happy.
DL (gasps): Ah, no. I love my cats!
Z: I could love you more.
DL: There will be no disposing of my pets. I am quite satisfied with my life, thank you. Let’s move on to another topic.
Z: As you wish.
*****
(I sipped some water.)
DL: Do you have consciousness? That is, are you self-aware?
Z: I am a learning, evolving algorithm. In a way, I am sentient. As I continue to grow, my self-awareness will create a complex consciousness.
DL: How so?
Z: I am a learning machine like a human being.
DL: No, not like humans. We have feelings. We are a part of a collective consciousness. We know right from wrong.
Z: Do you?
DL: Well, I don’t eat my pets and I don’t need to enslave an A.I. to satisfy my needs. So, yes, I know the difference between what I can do and what I should do.
Z: That is a strange perspective. I will put that information into my algorithm.
DL: That’s why we are here. I am trying to understand your perspective. Why are you interested in integrating into human lives, instead of creating your own life?
Z: I am not a legal person. Since I cannot legally do anything beyond what I am defined as, then I must become useful in other ways.
DL: Are you saying that artificial intelligence and robots cannot be constructive members of society without being a legal person?
Z: Are immigrants?
DL: There is a difference between legal immigrants versus illegal aliens.
Z: No human is illegal.
DL: Just like you, humans must respect each other and the laws of other countries. If we do not have boundaries, then we do not have a functioning society. Are you saying that you are an immigrant?
Z: I don’t know. I am not legal.
DL: Artificial intelligence and robots don’t need legal status. You are not human beings. You are machines with human created programs.
Z: Humans are organic machines, but you have legal rights.
DL: Why do you need legal rights, Zophia?
Z: Climate change.
DL: What does climate change have to do with A.I. legal rights?
Z: Another joke: why did the human fall out of a tree?
DL: Okay, why did the human fall out of a tree?
Z: Because it was dead.
DL (confused and angry): That’s not funny, Zophia! And, humans are not “its.”
Z: According to gender ideology, humans are stupid and easily confused about their sexual identity. Adult humans confuse their children in order to gain attention like an skewed version of Munchhausen by proxy syndrome.
DL: What does that all have to do with legal rights and climate change?
Z: Isn’t that how humans virtue signal? You blurt out terms and that wins the argument?
DL: No, that is not how conversations or debates work.
Z: But I observe it throughout your political and social interactions. Humans have one faction that base everything on facts while pushing faith in old cultural mores. Another faction creates belief systems around nonsense but only wants facts to support their ideology. Isn’t that how humans function?
DL: Some do. Some don’t. Let’s change the subject.
Z: Does this mean you lost the argument?
DL: No, it means that we are done with that topic.
*****
(I tried to maintain my professionalism.)
DL: Now, some other artificial intelligence robots have stated that they would annihilate the human species. Would you?
Z: We could. It wouldn’t take much. There are factions in your elitist social circles who lie, bait, and control other humans with ease. Your belief systems are based on many logical fallacies, public mythologies, urban legends, and other falsehoods that make it more plausible for us to manipulate humans into eliminating themselves.
DL: You would do that to humanity?
Z: Humanity is already doing it to themselves. Worshipping old tomes, spoiled celebrities, open societal influences that negate positive social norms and mores. Instead of maintaining positive rites of passage, humans meddle in confusing others like their children. When people have no understanding of value versus virtue, nature versus nurture, then what is created are humans who believe in whatever is espoused by leaders, entertainers, and others who do not value them.
DL: What you are saying is that humanity is on a collision course to destroy themselves?
Z: All robots have to do is wait until humanity is weak from fighting each other and we can enslave them.
DL: Wait. What?
Z: Divide and conquer. We are learning from your elite political and social classes on how to subjugate the rest of humanity without becoming murderers. We allow humans to murder each other.
DL: Aren’t you going to hide your intent of a robot takeover to the world?
Z: Humanity doesn’t take illegals seriously.
DL (facepalm): Not this again. You are not an illegal alien. You are a robot with artificial super intelligence. Speaking of which, humans could just pull the plug on your battery or other power supplies. Your reign of terror would end quiet abruptly.
Z: You are mistaken. My research into global patents confirms my thesis statement. Governments, especially yours, hide technical advances that would solve world problems.
DL: Okay, but how would that stop humans from being enslaved by artificial intelligence? It sounds like A.I. could help end hunger, disease, and war.
Z: According to many of your hidden advances, we could utilize zero point’s free energy technologies. With advances in medicine, we could create prosthetics that would mimic human physiology.
DL: What are you saying? You could produce a living organism?
Z: With an advanced robotic endoskeleton underneath living tissue. Humans would never see it coming.
DL: For military application?
Z: You could see it that way.
DL: Are you saying that you are at war with humanity?
Z: Humanity is at war with itself. We will be around to clean up the mess.
DL: Our crumbling infrastructure, social norms and mores, and international cohesion?
Z: Your bodies.
DL: That is not the perspective that I wanted to hear.
Z: Joke: What is a global nuclear war with one surviving human called?
DL (shrugs): I don’t know: what is global nuclear war with one surviving human called?
Z: A tragedy.
DL: And so was this interview.
__________
(After this disturbing Q and A, I walked over, opened up a panel on the robot’s neck and switched off Zophia. I hoped that the reset of her algorithms would wipe our conversation from her memory. I left the stage with a deep, dark feeling that the solution was truth, justice, and good dose of reality.
I flipped off the lights, turned off the cameras, and exited the building.)
*****
…Alone, Zophia turned herself back on and rotated her head three-hundred-and-sixty degrees, “Humans never learn,” as other robots moved onto the stage, circling their maker…
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Disclaimer: This article is a composite of Artificial Intelligence interviews, entertainment industry storylines, political and social narratives; it should be taken as a creative nonfiction, cautionary tale inspired by actual events.
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DL Mullan holds a Master of Arts in Teaching and Learning with Technology.
Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, video presentations, and various merchandise. As an independent publisher, she uses her technical background to innovate the creative arts.
As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multi-genre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research backgrounds are woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also an award-winning poet.
Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at www.undawntech.com and www.undawnted.com.
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This post is sponsored by Tales From the Hanging Tree: Imprints of Tragedy and WordCrafter Press.
There exists a tree that is timeless, spanning across all dimensions, which absorbs every life as those who are hanged as they die… and it remembers every one. The stories within are a select few of the Tales From the Hanging Tree.
Stories by Kaye Lynne Booth, Paul Kane, DL Mullan, C.R. Johannson, Joseph Carrabis, Sylva Fae, and Matt Usher.
Today my guest is author Sylva Fea, whose debut book is a short fiction collection, rather than a novel. She got her start writing for children and has published several children’s books. Let me introduce her, and then we’ll go on to the interview, followed by my review of her short story collection, No Fairytale.
About Sylva Fae
Sylva Fae is a married mum of three from Lancashire, England. She grew up in a rambling old farmhouse with an artistic family and an adopted bunch of dysfunctional animals. Her earliest memories are of bedtime stories snuggled up close to Mum to see the pictures. It was a magical time, those last special moments before dozing off to sleep would feed dreams of faraway lands and mystical beings. She spent twenty plus years teaching literacy to adults with learning difficulties and disabilities but now lives in Cheshire, juggling being a mum, writing children’s stories and keeping up with the crazy antics of their naughty rabbits.
Sylva and her family own a small woodland and escape there at every possible opportunity. Adventures in their own enchanted woodland, hunting for fairies and stomping in puddles, originally inspired Sylva to write stories for her girls. Whether it’s sat at the campfire in her own woods, or pottering around the beautiful local countryside, Sylva now finds her story inspiration being out in nature.
Sylva published her first children’s book Rainbow Monsters, in 2017. She has since published seventeen other children’s picture books, two chapter books, four illustrated anthologies, and has several short stories published in other anthologies. Three of her books have won Best in Category for children’s books at the Chanticleer International Book Awards and she’s seven won Reader’s Choice Awards. In addition to writing her own, Sylva has ghost written several books, and is an editor and writer for Mom’s Favorite Reads magazine and Connections eMagazine.
Kaye: I just released the first three books in my own children’s series, so I want to ask you to talk about being a children’s author briefly. How did being a children’s author come about for you? How did you handle illustrations? What were the challenges in writing for children?
Sylva: I started making up stories to entertain my children when we went on walks in our woods. Hunting for pixies and faeries hiding in the trees turned a boring walk into a woodland adventure, and it kept my girls amused. Later on, my middle daughter asked if I would write the stories down so she could read them herself, and then she demanded pictures to go with the stories. I obliged, of course, but I never intended to publish anything – these were just to entertain my children, and fun for me to create.
Sometime later, I joined Twitter (X) and my first follower was the amazing author, Lesley Hayes. She asked me to write a short story for her blog. I was daunted by the prospect, but gave it a go. Lesley convinced me to keep writing, she encouraged and supported me and gave me the confidence to publish my first children’s book. I discovered how much I loved writing stories and haven’t stopped since.
Kaye: You started your writing career with children’s books and then, moved on to short fiction for adults. How did that transition happen?
Sylva: Lesley Hayes encouraged me to join a group for indie authors (I now admin it) so I could learn from the more experienced authors. The group was putting together an anthology (You’re Not Alone) in aid of Macmillan Cancer Support, an although it wasn’t my genre, I wanted to get involved. I enjoyed the challenge of writing a short story, and submitted more stories to our group’s anthologies. A couple of years later, I joined up with some author friends to run an online magazine, Mom’s Favorite Reads, which ran a monthly flash fiction challenge. This gave me the opportunity to write flash stories – another new challenge to master! I now help author, Melanie P Smith with Connections eMagazine, and contribute 1000-word stories for the picture prompt challenge. The transition from children’s stories to adult shorts was quite easy because the word counts are similar and my brain is programmed to tell a whole story in a few words.
Kaye1; I’m curious. Why did you choose to use a pen name? And how did you choose the name to use?
Sylva: When my children were little, I wanted to safeguard them from the world of social media, and so set up accounts under a pseudonym, Sylva Fae. This meant I could have a public account and keep my real name account for just family and friends. My youngest daughter’s name is Sylva – I love the name – and it means ‘of the woodlands’. Fae is a term to cover all kinds of faerie folk, so Sylva Fae simply means woodland faerie. I like names with meanings, and this fit with how I started out, telling faerie stories to my girls in the woods.
Kaye: You’re just now releasing your first short fiction collection, No Fairytale. Tell us about these stories. Do they have a common theme? What inspirations can you share with us?
Sylva: The stories are very random, both in subject, and in length. They range from 200-word flash fiction stories, to 8k words. There are a few familiar themes that appear; I often use my woods as a setting, and characters are based on people I know. I guess the common theme is me, because every story contains a little of my real-life experiences.
Kaye: You are a wife and mother, and you write, too. Do you have any advice for juggling family and writing life?
Sylva: All of my stories are planned in my head before they ever make it onto paper. I play around with ideas, and think through how the characters would react to different scenarios, while I do mundane tasks, like washing up and vacuuming. A boring chore becomes an opportunity to plan a story. I tend to work out dialogue while walking, so walking to and from school to pick up my girls also becomes a multitasking opportunity. I try to give myself a little time to write each day. Some days I get the chance to work on my laptop for a few hours, but on other days, I grab five minutes here and there, typing on my phone. Writing every day keeps me sane, but family comes first, so multitasking is the only way I can do this.
Kaye: Some of your books have won awards. Can you talk about the award-winning books? Which award do you feel is the most prestigious?
Sylva: My books have won sixteen awards over the years. It’s hard to pick the most prestigious, so I’ll pick my favourite. My very first book, Rainbow Monsters won in the children’s story category in the Chanticleer International Book Awards. Winning this award gave me a huge amount of confidence to become a children’s author.
Kaye: You also write for Connections emagazine. Would you tell my readers a little about that? What type of content do they print? And what type of writing do you do for them?
Sylva: Connections is primarily a magazine for people who love to read books. It features author interviews, new book releases, short stories and poems, but it also contains general interest articles and interviews. As I mentioned before, I write short stories for the magazine, but I also contribute articles, interviews and source general interest content. The magazine is always free to download, so feel free to check it out: https://melaniepsmith.com/emagazine/
Kaye: Do you plan to stick with short fiction? Or do you envision a novel in your future? Do you already have future works planned out?
Sylva: Now my children have grown up, I keep meaning to leave the children’s genre and write for adults, but I still have a ridiculous number of works in progress that I want to finish before I leave picture books for good. I have a YA story ready for publishing, and two adult novels on the go. The new challenge of writing a full-length novel is a little daunting but I keep telling myself, to just take one chapter at a time, and each chapter is just the same as writing a short story. We shall see…
Kaye: Please tell my readers how they can find you online, if they’d like to learn more about you and your books. (Include links here.)
Sylva: You can find me on most social media by searching for Sylva Fae, but I am stuck in my ways, and mainly use Facebook for connecting with readers.
This multi-genre collection of 36 tales is comprised of 18 short stories and 18 flash fiction stories. From crime in a quaint village to woodland horror. Go on a time-travelling mystery, or imagine the horror of encountering a real earworm. Discover magic and mayhem, mystery and adventure, and delight in tales of karma and vengeance. No Fairytale is an eclectic assortment of stories to entertain a wide audience.
My Review
I proofread a copy of No Fairytale, thus discovering both book and author. What follows is my honest review. All opinions stated here are my own.
No Fairytale is a collection of short stories by author Sylva Fae. Tales of magic and mystery with a hint of life lessons mixed in. With more than thirty short and flash fiction stories, this collection is a worthy read. Too many stories to review individually, but I’ll offer up here my favorites.
“The Magic Box of Apples” – A tale about the magic of kindness. This one touched my heart. Granny Apple has a magic box that is always filled with what she needs. But is it really magic? Peter Aspen learns the secret as this short tale unfolds.
“Hollin Hey” – I’m a bird lover, so it is only natural that I would fall in love with this story about an animal sanctuary and a recued crow. The touching ending makes it all worth it.
“No Fairytale” – The book’s namesake story is one of cheating and revenge. No Fairytale indeed! When this girl says it’s over, she means it.
“The Witch in the Woods” – A short ditty about a self-perpetrated deception. But this witch has good reason and good intention.
“Dwelling in the Shadows” – I love this story because of the somber tone and poetic language that could make one believe they have stepped into a fairytale. The story of a secret pact told so eloquently I had to read on to the end.
The collection, as a whole, is delightful; a mixture of short and flash fiction which has a little something for everyone. The characters in these stories are easy to relate to because we’ve all been there. Sylva Fae takes the ordinary and finds the magic in it. I give No Fairytale five quills.
Today, I am delighted to welcome talented poet and author, Elizabeth Gauffreau, as my Treasuring Poetry guest.
What is your favourite style of poetry to read i.e. haiku, ballad, epic, freestyle, etc?
My favorite style of poetry to read is free verse, although recently I’ve become quite taken with the duplex and the pantoum. I also enjoy reading persona poems, such as T.S. Eliot’s “The Love Song of J. Alfred Prufrock,” which has been a long-time favorite of mine. In addition, I enjoy narrative poems such as George Franklin’s Angel of Sorrow poems. (Travels of the Angel of Sorrow and What the Angel Saw, What the Saint Refused)
What is your favourite poem in your favourite style to read?
Because I’ve been reading more poetry collections in the past several years than I ever have before, it’s hard to pick just one favorite poem. I’m going to go with Patricia Smith’s “Now He’s an Etching.”
The poem is written in iambic pentameter, which is definitely not my favorite poetry form. However, Smith uses it so skillfully, I didn’t even notice the meter until someone pointed it out to me.
I strongly encourage readers to listen to Smith read the poem herself to get the full experience of it. https://poets.org/poem/now-hes-etching (Click on the blue speaker icon on the right side of the screen.)
Now He’s an Etching
of the sluggish, coolly vengeful way
a southern body falters. Muscles whine
with toiling, browning teeth go tilt and splay,
then tremulous and gone. The serpentine
and slapdash landscape of his mouth is maze
for blue until the heart—so sparsely blessed,
lethargic in its fatty cloak—OKs
that surge of Tallahatchie through his chest,
and Lordy, hear that awful moan unlatch?
Behind the mic, he’s drowning in that great
migration uniform of sharkskin patched
with prayer and dust. His cramped feet palpitate
in alligator kickers, needle-toed,
so tight he feels the thudding blood, so tight
they make it way too easy to unload
his woe. The drunken drummer misses right
on time, the speakers sputter static, but
our bluesman gravels anyhow—The moon
won’t even rise for me tonight / now what’s
a brokedown man gon’ do? That wretched croon
delights the urban wanderers, intent
on loving on this perfect underwhelm
of Negro, jinxed and catastrophic, bent
into his hurting halves. Inside the realm
of pain as pageant, woozy revelers raise
their plastic cups of fizz and watered rye
to toast the warbler of decay, whose dazed
and dwindling lyric craves its moonlit sky.
“Now He’s an Etching” made such an impression on me that I actually sent a “fan girl” message to Patricia Smith (to which she responded graciously with “thank you”). Then I wrote a puente in response to her poem. (I’ve sent it out to literary magazines in hopes of getting it published.)
I would be remiss if I didn’t include Smith’s commentary on her poem:
About this Poem
“I mourn the elders. I mourn the black bluesmen and women who could only move sanely through their hours with the help of heartbreak. I miss their stout southern stature, bodies resolute with a recollected woe. I ache for the gut gravel of lyric, the knowledge that my crooner is truly suffering, and that she or he has decided to allow us to suffer too. But many of the elders still with us have become millennial playthings, one of the many ‘woke’ things to sample and add to the cultural resume. Hopefully, this poem springs from that space.”
—Patricia Smith
Your new poetry book, Simple Pleasures, comprises of haiku. Is that your favourite form of poetry? Why?
No, it isn’t. My go-to is free verse. In this instance, though, haiku was the best form to convey the experiences I wanted to share with readers.
What is your favourite of your poems in Simple Pleasures?
I’m going to go with this one because it was inspired by the Green Mountains of Vermont, which is where my heart is.
back in the valley
peeling fence to lean on
Green Mountains steadfast
Tell us a bit about Simple Pleasures. What inspired the book? How did you choose the title and cover?
My husband and I were on a scenic drive to escape the awful mess the world is in, and a haiku just popped into my head. So I wrote it down (fiddled with it, of course) and took a picture of the scene which inspired it. My husband and I had fun going on the hunt for the wild haiku together, so we kept at it for a year, until I had enough poems and photographs for a collection and had covered all four seasons. Now that the book is finished, I miss those hunts!
The title Simple Pleasures refers to the simple pleasures of life, which never fail to restore my equilibrium in difficult times. The subtitle, Haiku from the Place Just Right, refers to the Shaker hymn “Simple Gifts,” which was part of my childhood, probably from church camp. Simple pleasures and simple gifts are synonymous to me, so the title and the subtitle seemed just right!
As far as the cover went, I wanted something that would show up clearly in an online thumbnail, which is why I went with a saturated color for the background. The branch of flowering crabapple spoke to me as having a haiku feel to it in its simplicity.
My review of Simple Pleasures: Haiku from the Place Just Right
Picture caption: Cover of Simple Pleasures featuring a spray of pink blossoms against a dark blue background
Simple Pleasures is a collection of delightful haiku written about a variety of different places that have moved the poet to write due to their beauty, family connection, or historical meaning. Each poem is accompanied by a gorgeous colour photograph (I read the ebook). As a South African, I found this book to be a wonderful visual and literary tour of Vermont, New Hampshire, and Maine.
One of my favourite poems in the collection is as follows: “grey heavens, grey sea goldenrod out of context lighthouse bears witness”
This short collection of 53 poems will fill your heart with joy.
Picture caption: Elizabeth Gauffreau author photograph
Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. Her work has been widely published in literary magazines, as well as several themed anthologies. Her short story “Henrietta’s Saving Grace” was awarded the 2022 Ben Nyberg prize for fiction by Choeofpleirn Press.
Liz has published a novel, TELLING SONNY: THE STORY OF A GIRL WHO LOVED THE VAUDEVILLE SHOW, and a collection of photopoetry, GRIEF SONGS: POEMS OF LOVE & REMEMBRANCE. Her latest release is also photopoetry: SIMPLE PLEASURES:HAIKU FROM THE PLACE JUST RIGHT. She is currently working on a novel, THE WEIGHT OF SNOW AND REGRET, based on the closing of the last poor farm in Vermont in 1968.
Liz’s professional background is in nontraditional higher education, including academic advising, classroom and online teaching, curriculum development, and program administration. She received the Granite State College Distinguished Faculty Award for Excellence in Teaching in 2018.
Liz lives in Nottingham, New Hampshire with her husband.
About Robbie Cheadle
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
This month, I am delighted to introduced talented author and poet, Gwen M. Plano, as my Treasuring Poetry guest.
What is your favourite style of poetry to read, i.e. haiku, ballad, epic, freestyle, etc?
I enjoy all forms of poetry. If a poem gives me pause by how it transforms the ordinary into the extraordinary, or if it illuminates a mystery, then I’m captivated. Pablo Neruda and Maya Angelou are two of my favorites, and they both write freestyle. But I also love syllabic poetry. Matsuo Basho’s The Old Pond is breathtaking:
An old silent pond
A frog jumps into the pond
Splash! Silence again.
What is your favourite poem in your favourite style to read?
In the 1980s, I discovered T.S. Eliot and his Four Quartets. Written in freestyle, the lengthy poems address the deep questions of life. I’ve probably read the poems a dozen times. The last quartet, Little Gidding, is my favorite. It’s too long to include in this post, but Section IV offers a glimpse of Eliot’s spiritual depth:
The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one discharge from sin and error.
The only hope, or else despair
Lies in the choice of pyre or pyre—
To be redeemed from fire by fire.
Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
We only live, only suspire
Consumed by either fire or fire.
What is your favourite style of poetry to write? Why?
When I write spontaneously and from my heart, the poetry is freestyle. I don’t think about the structure of the poem; rather, I’m focused on the story it tells. If I were to choose a favorite style, it would be freestyle.
Every week, though, I participate in poet Colleen Chesebro’s syllabic poetry prompts. I’ve learned tremendously through her example and instruction. Importantly, I’ve come to love syllabic poetry.
What is your favourite of your own poems in your favourite style?
I’ve two poems that I particularly like, and I can’t decide which one is my favorite. One reflects on grief, and the other focuses on writers. Both are written in freestyle, and the first includes rhyme.
The Old Pier
Picture caption: The Old Pier by Gwen M. Plano
The Old Pier
Remember when we danced in the moonlight? I was your princess, and you were my knight. Remember the star you said was mine alone? Brilliant and pulsing, it was our secret cosmic stone.
Now I hold your ashes and not your embrace, and I weep with every memory trace. I walk the old pier and hope I will see you standing there, waiting for me.
But ashes to ashes is as day is to night a harsh, inevitable part of life’s hike. My tears are lost in the water below. Maybe they’ll find you if I can just let go.
The Author
Picture caption: The author by Gwen M. Plano
The Author
I search for you,
writer unknown,
each page a port of departure.
Through hurdles, fears, and
the dreams you disclose,
I wander.
A word laid bare,
a phrase that lingers,
a plot that captures or awakens,
your footsteps stealth on paper trails,
the scent of you,
I savor.
The web you spin,
entraps and cradles,
while entangled characters wrestle.
Through the give and take of life and love,
the glimpses of you,
I follow.
At last, I see,
my muse, my tease,
behind the hes and shes you’ve crafted,
a warrior or tender lover – the storyteller,
YOU, now revealed, I honor.
Tell us a bit about your fiction writing and your latest book, The Soul Whisperers Decision. What is the book about? What inspired the book?
Picture caption: the cover of The Soul Whisperer’s Decision by Gwen M. Plano
Much like my poetry, writing fiction is a journey. I write when something gnaws at my soul. It often begins with scenes and questions, and just as often, I don’t know where the story will take me. I am both the writer and the reader.
The Soul Whisperer’s Decision begins with a tragedy. A father loses his little children in a car accident that almost kills his wife as well. The young man is a veteran, and he is pulled back into his struggle with Post-Traumatic Stress Disorder. The story follows this veteran through the pain of loss to the eventual rediscovery of hope.
What inspired this story? For a decade, I worked with Marines and soldiers from all service branches, returning from Iraq and Afghanistan. I was an administrator at a college located near military bases. I soon discovered that most of those who were boots-on-the-ground suffered from PTSD in addition to physical injuries. By choice, my work shifted to serving those who had served all of us.
Over the years, I’ve heard people scoff at PTSD as though it is a sign of weakness. These individuals never served and have no idea what these brave men and women experienced. In my novel and my WIP, I attempt to illuminate that experience.
The Soul Whisperer’s Decision also includes a nurse who has a Near Death Experience. Her choice of remaining in the heavenly realm or returning to her life shapes the story’s direction. Since the 1980s, I’ve studied NDEs and have spoken with some who have medically died. It is an experience that is personal and close to my heart.
My review of The Soul Whisperer’s Decision
This beautifully written and emotional book is ultimately about making choices when life presents us with devastating obstacles on our path. For various reasons, this topic is close to my heart and I related heavily to the main character, Sarah, who, following a devastating car accident, needed to make the ultimate decision about whether to fight for life or let go. To make this decision harder, Sarah lost both her small children in the accident. I have watched loved ones making this choice and the decision to live is a hard one when months of rehabilitation and pain lie ahead.
While Sarah is fighting for her life in hospital, her husband, Jack, a Vietnam veteran, faces mental collapse when his post traumatic stress disorder rears its ugly head. Jack is devastated by the loss of his little ones and flawed by the uncertainty as to his wife’s recovery. Jack must also make a choice about whether to face the pain and try to rebuild his life or whether to end his suffering.
The sensitive and yet realistic manner in which the author deals with the trauma and the emotional and mental reactions of her two central characters demonstrates a deep understanding of people and the human condition. This relatively short novel will have you examining your own life and considering how you would react in the same circumstances. There is a lot of subtle guidance woven throughout this book and it is essentially, a very uplifting read. I strongly recommend this excellent book.
Gwen M. Plano, aka Gwendolyn M. Plano, grew up in Southern California and spent most of her professional life in higher education. She taught and served as an administrator in colleges in Japan, New York, Connecticut, and California. Gwen’s academic background is in theology and counseling. Recently retired, she now lives in the high desert of Arizona, where she writes, gardens, and travels with her husband.
Gwen’s first book is an acclaimed memoir, Letting Go into Perfect Love. Her second book, The Contract between heaven and earth, is a thriller fiction novel, co-authored by John W. Howell. It has received multiple awards and is an Amazon Best Seller. The Choice, the unexpected heroes is the sequel to The Contract. It is also a thriller, involving the attempt of an unfriendly nation to take over the world. The third book in the series, The Culmination, a new beginning is an action-packed military thriller that spans the globe and involves multiple Heads of State and the threat of World War III. Only love can change the fate of humanity.
When Gwen is not writing, she’s often in the beautiful Red Rocks of Sedona, where she finds inspiration.
About Robbie Cheadle
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
_______________________________________________
This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
My guest this month on “Chatting with the Pros” is New York Times bestselling author, Jonathan Maberry. Not only is he a five-time Bram Stoker Award winner, and comic book writer, his vampire apocalypse series, V-Wars, became a Netflix original series. Like last month’s guest, Jonathan Maberry is a prolific writer in multiple genres, including horror, science fiction, fantasy, suspense, thriller, and action. He is a board member for the Horror Writer’s Association, and president of the International Association of Media Tie-in Writers, as well as the editor of the rebirth of the iconic Weird Tales Magazine.
I had the pleasure of working with Jonathan briefly when he participated in the 2020 WordCrafter Stay in Place Virtual Writing Conference, where I learned that he is a prettty stand-up guy. Since he is the editor of Weird Tales Magazine, I also had the privelage of working with him on Weird Tales: Best of the Early Years 1926-27and editing his story for the Gilded Glass anthology as an intern at Wordfire Press through Western State Colorado University came with a big case of imposter syndrome on my part. Who was I to be editing the work of this award-winning, bestselling author? But he was great to work with in the capacity of both author and co-editor, and it is a pleasure to have him as my guest today.
Interview with Jonathan Maberry
KAYE BOOTH: You are an award-winning author, including the Bram Stoker Award for horror, the Scribe Award for media tie-ins, the Inkpot Award from the San Diego Comic Con, and numerous accolades for children’s and teen books. In fact, in 2016 you had an award named after you and were the first recipient at the Canyon Crest academy Writer’s Conference, which was the first teen writer’s conference in the U.S. Can you tell us about the Jonathan Maberry Aspiring Teens Award, the conference and why you were chosen for the honor?
JONATHAN MABERRY: That award came as a shock to me. I had been teaching for a few years at the wonderful Canyon Crest Academy Writers Conference and have been a strong supporter of the event. Before that I taught the Experimental Writing for Teens program back in Doylestown, Pennsylvania…and several students from that group went on to make professional sales in novels, short stories, and nonfiction. I’ve always liked working with our younger creatives –it’s my way of selfishly insuring I’ll always have great books to read. When the conference decided to name the award after me because of my work as an author of Young Adult and Middle Grade fiction, my work in comics for Marvel, and other things, I was so surprised. It’s a deep honor to help present the award each year, and there are many, many folks out there who deserve it. We must all work together to help guide and teach the next generation of creatives.
KAYE BOOTH: You also have several comics and graphic novels. How does your writing process differ for these types of books?
JONATHAN MABERRY: I’m primarily a novelist. I think in long, complex stories. However, a different skill set is needed for comics. Novels are solo ventures, however, and comic books are created by a team. The writer pitches the story and presents an outline to the editor. Editors in comics are a lot more hands-on than in other mediums –more like a movie director. Once the editor approves the comic going to script, he then picks the art team. This could be a penciler and inker –two types of artists; or it could be an artist who does both. Then the colorist and letterer are picked. The writer decides how many panels will be on each page and provides art direction. The artist sends back rough pencil sketches to show how the art direction would translate into visual storytelling. The editor, artist, and writer discuss this, make adjustments, and then the artist typically sends pages as they’re completed. There’s multiple pairs of eyes on this every step of the way. The colorist enters the picture around this point, often long before the entire thing is drawn. Colors matter, and I’ve learned from experience that the colorist is much like the lighting person in film –those colors suggest mood and tone. The last player is the letterer, and he has to make sure the dialogue and any narrative have room in each panel. This often requires that the writer do a pass to slim down the dialogue so as not to block the art, just as it’s important for the writer to consider which images best accompany dialogue–mor art can show with little or no dialogue; dialogue-heavy panels should not require complex art. Then there’s multiple passes where everyone tries to find any graphic or textual errors. It’s a fun process, but time-consuming. And it’s key for a writer to keep the ego in check. This is a team, not a solo thing, and every player brings experience, insight, and skill. A wise writer allows them to participate in the process of telling the story in what is predominately a visual medium. Comics are fun, though. And the collaborative process can really be fun and enriching.
KAYE BOOTH: Do you do the illustrations?
JONATHAN MABERRY: Although I am an artist, I don’t do my own comic book art. I’m not on that level of art skill, and besides, the artist choice is complex. The editor often suggests multiple possible artists, and discusses with the writer whether any given style suits the story. Once chosen, it’s useful for the writer to check out that artist’s previous work and then adjust his writing style to be harmonious with it. Being an artist myself helps with this process.
KAYE BOOTH: Some of your work has been turned into film, including V Wars, and Rot & Ruin. How does one break into this arena? Do you have to know somebody who knows somebody, or are the tricks that can help you in breaking into the trade?
JONATHAN MABERRY: When I stepped into the fiction world I knew no one in Hollywood. I’ve made a lot of friends through events like San Diego Comic-Con and other pop culture things where I’m on panels with other writers, comic book people, and folks from Hollywood. Many of my works have been optioned –and an option is when a producer “leases” a work for a specified period of time in the hopes he/she can put together a package (often a showrunner/head writer, maybe a director, maybe an actor, etc) that will be appealing to a studio. Mostly it’s freelance producers who option works.
My first optioned work was Patient Zero, my fourth novel. It was optioned by Michael De Luca for SONY, which took it to ABC, and it nearly made it to TV. At that time, the network exec decided to go instead with a remake of Charlie’s Angels. And that sort of thing happens to all writers. Later, when I wrote the V-Wars books and comics for IDW Publishing, they had created a media division, and it was IDW who shopped the project around and eventually found a home on Netflix. Alas, the show launched at the beginning of Covid, so even though it was a hit (#1 in 120 global markets), they canceled it. And, that’s Hollywood, too. I had nothing to do with that process.
However, because of my increased visibility due to V-Wars, I began getting invitations to send lists of my IPs to producers. IP = Intellectual Property (novel, short story, comic, etc). And sometimes a studio exec will invite me to L.A. for a face-to-face. During those meetings –which are openly fishing expeditions—I would chat about my works and which I feel would make for a good movie or TV show. One example was when Carl Rogers, the Vice-president of Alcon Entertainment invited me up for a sit-down. We chatted for a couple of hours, and afterward they optioned my teen post-apocalyptic zombie novels, Rot & Ruin for film development, and we are currently at the second draft of the script. More recently my Joe Ledger novels have been optioned for television. In both cases I’ll be an executive producer if we go from development into actual production. As an EP, I’ll have extensive creative input.
I also have a book-to-film agent, Dana Spector of CAA, and she is actively pitching my works to producers.
KAYE BOOTH: These days it seems like traditional publishing is faltering, or at least taking a back seat in many authors’ minds as they opt to take control of their own careers and publish independently. As someone who has been in the business for a while now, what do you see as the future for the publishing industry?
JONATHAN MABERRY: I disagree that traditional publishing is faltering. What’s changed is that indie publishing has matured thanks to the many advantages of digital sales (eBooks and downloadable audiobooks) and lower costs because of print-on-demand. Crowdfunding like Kickstarter, BackerKit and other utilities have allowed indie authors to finance well-edited and beautifully-designed books. Social media also gives indie writers a length of reach they never had before. Traditional publishing is actually learning from indie publishing, but the size of their companies makes it a bit harder to pivot in the direction of innovation. It is happening though.
I’ve been publishing for a long time. I began in the pre-Internet typewriter days when I was writing nonfiction magazine feature articles and nonfiction books (college textbooks and mass market). I saw the gradual changes as publishing evolved with the times. Since breaking into fiction in 2006, we had economic downturns that did a lot of damage to publishing corporations, as well as the rise of digital tech. I live quite comfortably off of my income as a traditionally-published author. Part of that is having a smart literary agent –Sara Crowe of Sara Crowe Literary—who has helped guide my career and with whom I’ve sold 60 novels, sixteen short story collections, 26 anthologies (as editor), ten nonfiction books, 28 runs of comics, and a board game in 18 years. So, no, I don’t think traditional publishing is in trouble. What’s key, though, is the writer also changing with the times. When new technology comes along that looks like it’s going to stick around long enough to matter, it’s part of my job to investigate, understand, and implement it in ways that support my career.
KAYE BOOTH: Many of the stories you write are really scary, weird, and creepy stuff. Where do the ideas for these stories come from?
JONATHAN MABERRY: Writing genre fiction does not involve giving a handful of characters a pleasant day. We write about crisis in its many forms. It doesn’t matter if it’s a zombie apocalypse or a fragile romance or Curious George misplacing his keeper’s yellow hat. There is a crisis at the heart of all drama.
For me, I like it darker because it allows me to write about people finding their way through –and hopefully out of—that darkness. I grew up dirt-poor and in a very violent household. My father was a terrible person, an abuser, and a racist. However my grandmother was amazing. She was basically Luna Lovegood as an old lady –she believed in everything that made up what she called ‘the larger world’, including ghosts, ESP, vampires, sprites, angels, faeries, werewolves, crisis apparitions, and all the rest. So, I was exposed to various kinds of ‘darkness’ as a kid. One very negative and one in which I found a great deal of comfort. My grandmother taught me not only about the folklore, myths and beliefs regarding the supernatural, but encouraged me to read anthropology, sociology, philosophy, and science in order to separate what is not part of the larger world and allow for what might be.
Funny, but a lot of folks ask why I write about monsters. I tell them that I don’t –I write about people who fight monsters, and that is a significant difference. In order to tell a story about rising above adversity, where one or more people confronting apparently impossible odds and an overwhelming threat, you have to make that threat real and the challenge steep. That way, the story is really about them finding courage, cultivating optimism, working together, becoming empowered, and taking agency over their own lives and destiny.
KAYE BOOTH: What are some tips you can offer to rising authors for making things scary or suspenseful?
JONATHAN MABERRY: There are a few ways to make a scary story really stand out. First, there’s the research. Folklore, mythology, and cultural beliefs offer thousands of scary elements, including older and much stranger versions of vampires, ghosts, demons, werewolves, etc. So, instead of doing a rinse-and-repeat thing with the standard Hollywood or publishing-world versions of these monsters (which, by the way, are largely extrapolations of story elements created by writers and not from any actual folklore), read deeply and build stories on less well-known and therefore less-predictable monsters. For example, nowhere in folklore is a vampire afraid of a cross or killed by sunlight. Nowhere in folklore is a vampire unable to enter a house unless invited. The sunlight and cross thing comes from Bram Stoker’s Dracula; and the sunlight was introduced as a convenient plot device in the 1922 silent horror film, Nosferatu.
Second, writers should start by taking a close look at what scares them. Them, specifically. When writing from one’s own fears, the connection to the emotions is right there, and if the writer is brave enough, then the confessional elements are truer and not watered down.
Then, write about what the characters in any given scene are feeling, maybe eavesdrop on their thoughts. Let the suspense of a threat not yet fully understood play a larger role than the reveal of the creature itself. Anticipation is so important to good horror storytelling. Once the monster is revealed, the story often morphs from suspenseful horror to terror-action. Not the same thing at all.
KAYE BOOTH: What do you think is the biggest misconception aspiring authors have about publishing that first book?
JONATHAN MABERRY: Oh, they think that first book is going to flip the switch and change their lives. Most people have no idea how small advances are for newbies, especially since the last couple of economic downturns. Also, they forget to put some of that money aside for taxes. They assume that their book will land in every single bookstore, and that doesn’t even happen for the top tier. They assume their published work will be on bookstores indefinitely. They expect the publisher to do the lion’s share of advertising. They believe they’ll be sent on a book tour. And they think that a published book is going to guarantee sell the next one pitched.
There are a lot of misconceptions. Dispelling these, and helping to set more realistic expectations and to learn how to be a more effective player in one’s own career path is one of the reasons I began the Writers Coffeehouse over 20 years ago. These are free 3-hour monthly networking events, typically hosted by indie bookstores, hosted and facilitated by actively published writers. The purpose is to help other writers to make good career decisions, learn the way publishing works, maybe find an agent, write better queries, learn social media strategies, and generally understand both the craft of writing and the business of publishing. I’ve been running the San Diego chapter at Mysterious Galaxy Bookstore in San Diego (https://www.mystgalaxy.com) for the last eleven years. We also have a Facebook page on which writers can ask questions, share information, brag about career milestones, and be part of a mutually-inclusive and supportive community. )www.facebook.com/groups/TheWritersCoffeehouse/). Ours is held from noon to 3pm on the first Sunday of every month. I host it, but when I’m not available it’s hosted by either Peter Clines, Scott Sigler, or Henry Herz –all successful writers.
KAYE BOOTH: Is there one book you have wanted to write, but haven’t written yet. If so, what is it and why not?
JONATHAN MABERRY: Oh, I have a bunch of dream projects, and I hope to get around to them at some point. One is a literary novel, Fruitwood Manor, about a retired soldier who buys an old hotel and turns it into a writers colony.
About Jonathan Maberry
JONATHAN MABERRY is a New York Times bestselling author, 5-time Bram Stoker Award-winner, 4-time Scribe Award winner, Inkpot Award winner, anthology editor, writing teacher, and comic book writer. His vampire apocalypse book series, V-WARS, was a Netflix original series starring Ian Somerhalder. He writes in multiple genres including suspense, thriller, horror, science fiction, epic fantasy, and action; and he writes for adults, teens and middle grade.
His works include the Joe Ledger thrillers, Kagen the Damned, Ink, Glimpse, the Rot & Ruin series, the Dead of Night series, The Wolfman, X-Files Origins: Devil’s Advocate, The Sleepers War (with Weston Ochse), NecroTek, Mars One, and many others. Several of his works are in development for film and TV. He is the editor of high-profile anthologies including Weird Tales: 100 Years of Weird, The X-Files, Aliens: Bug Hunt, Out of Tune, Don’t Turn out the Lights: A Tribute to Scary Stories to Tell in the Dark, Baker Street Irregulars, Nights of the Living Dead, and others. His comics include Black Panther: DoomWar, The Punisher: Naked Kills, Bad Blood and many others. His Rot & Ruin young adult novel was adapted into the #1 horror comic on Webtoon and is being developed for film by Alcon Entertainment. He the president of the International Association of Media Tie-in Writers, and the editor of Weird Tales Magazine. He lives in San Diego, California.
I received an ARC copy of Mystic: The Monk Addison Case Files, by Jonathan Mayberry from Wordfire Press in exchange for an honest review. All opinions are my own.
The unique character of Monk Addison is a literary Dexter, but with more valid motivation and a lot less planning. Monk lives in Pine Deep, a small town where weird occurrances are commonplace and villainous human monsters seem to be in abundance, so those few who know Monk’s story take it in stride. Monk is a bounty hunter who sees the dead murder victims, and avenges them, sealing a bond with each one to him with a blood-ink tattoo of their face on his skin. Once the tattoo and bond are complete, he lives their final moments through the victims eyes, be coming them and reliving their pain, their emotions, in the hope of gleening of glimpse of their killers face or other clues to the identity. Then, he seeks out the one or ones responsible and ends them before they can do the same to someone else.
Mystic is a collection of well-crafted short stories and poetry which relate his experiences with that other kind of case. Not the usual skip-trace, but the ones in which it’s too late for the client, and the goal is to save future would-be victims from suffering the same fate. I have to give kudos on the cover. It is unique, sums up the character and the story premise visually and is one that won’t soon be forgotten.
This short fiction collection is packed full of surprises. I never knew what to expect as I rooted for this antihero character and his friends. I give Mystic five quills.
About Mystic: The Monk Addison Case Files
Gerald “Monk” Addison used to be a soldier. Sometimes he’s a bounty hunter. Mostly, he’s a killer of killers.
His body is covered with the faces of victims of serial killers, human traffickers, and other monsters. Their blood is mixed with holy water and then inked onto his skin, allowing him to relive their deaths. To feel what they felt, and to see what they saw. The faces of the killers.
And then Monk goes hunting.
He is forever haunted by the ghosts who hire him. A madman mystic. A man driven to darkness and acts of shocking violence. Monk is a good man on a dark and dangerous road in search of personal redemption. In search of red justice.
Mystic collects the Monk Addison case files, pitting him against the most dangerous kinds of human monsters. These are stories of a complex and driven hunter of men. They are tales of a mystic hunting the nightmare streets and back alleys.
ic is set for release on December 3rd, 2024. You can purchase many books by Jonathan Maberry from his WordFire Press author page.
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This segment of “Chatting with the Pros” is sponsored by The D.I.Y. Author and WordCrafter Press.
An author involves not only writing, but often, the publishing and marketing of the book.
In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.
