Who’s Best Friend? — A Two Way Street | The Real Owner

Who’s Best Friend? — A Two Way Street | The Real Owner.


September brings Letters & Lines Fall Conference – Colorado Springs literature

September brings Letters & Lines Fall Conference – Colorado Springs literature.


The first Mountains & Plains Independent Bookseller’s Association Writers’ Conference to be held in – Colorado Springs literature

The first Mountains & Plains Independent Bookseller’s Association Writers’ Conference to be held in – Colorado Springs literature.


Annual Rocky Mountain Fiction Writers Colorado Gold Conference to be held in Denver – Colorado Springs literature

Annual Rocky Mountain Fiction Writers Colorado Gold Conference to be held in Denver – Colorado Springs literature.


Book Haven: southern Colorado’s favorite independent bookstore – Colorado Springs literature

Book Haven: southern Colorado’s favorite independent bookstore – Colorado Springs literature.


The Painful Process of Revision

"Heather Hummingbird Makes a New Friend" by Kaye Lynne Booth

Illustrations by Aidana Willowraven

The good news is that I may finally have a publisher that is interested in my children’s book, Heather Hummingbird Makes a New Friend. The bad news, well I guess maybe it’s not that bad, is that the publisher liked the story and the concept, but she requested a rewrite. She sent me a set of general guidelines for children’s writing, that was basically grammar and punctuation rules, with the advice to “make every word count”, and a section that cautioned against using talking animals in your stories.
The My Backyard Friends series, of which Heather Hummingbird is only the first, is based on animals, mostly birds, but these are the characters. Was I supposed to rewrite the whole story and change all the characters into people? That would undermine the whole story concept of My Backyard Friends. I mean, the series is about the birds that are in my backyard, not the people that hang out there. Without the birds, there really are no stories. I pondered this, but finally decided they must be referring to animals that talk to people, which isn’t realistic and might be hard for kids, who are really smart, to buy. In my stories, all of the characters are animals, so this warning didn’t apply to my stories at all. Okay, that problem was taken care of, but I still wasn’t sure what I should change in my rewrite.
The next problem that I could see was one that I am sure a lot of writers are faced with. Here is this story that I wrote, edited and rewrote before ever sending it out anywhere. I thought it was already as perfect as it could get. How could I improve on perfection? The publisher wasn’t very specific about what she was looking for in the rewrite either. Hmmm….. Okay, so I sat down and gave the whole story a re-read. It had been awhile since I went over this one, so maybe I could get a fresh perspective on it. I found a few places where the wording could be changed a little, and I corrected a few spelling and grammar errors, and changed the punctuation in a couple places. It was only what you would call minor corrections, not enough to even be considered a rewrite.
A friend of mine, who is a writing coach looked at it, and made a few suggestions. She thought that it should be about 500-700 words for a picture book. We’re talking about a story that was running around 1,700 words! Shouldn’t be too hard to drop 1000 words or so, right? Ha! I went over it, and over it, and then over it again. This story had originally been written with a poet’s heart. Poets love to play with the sound of the words. “Heather Hummingbird was busily flitting from flower to flower, when she came upon Ethan Eagle, perched in the top of a very tall tree.” You can hear the sing-song quality that is pleasing to the ear and sort of rolls off the palette . Eventually, this opening phrase became, “Heather Hummingbird zipped from flower to flower. She came upon Ethan Eagle, perched in the top of a tall tree.” It’s much tighter writing, to be sure, but that lilting, poetic quality just isn’t there anymore. This really did hurt, because one of the things that I had really liked about the story was the way it sounded as I read it. I took the whole story went through this same basic process, with essentially the same results throughout. I still had 1, 269 words.
So, I took it to an editor friend, who helped me make some more cuts. She too, hated to cut any of it, because most cuts at this point would take away from the story. I mean, this thing was down to the nitty gritty. It was the same thing that I had been thinking, but she expressed it for me. So we tried to find ways that the story could be cut without losing vital pieces. We got it down to 1,242 after much painful deliberation.
I feared that I would cut so much that my illustrator would have to redo some of the illustrations that were already completed. I mean, she had even had mugs and magnets designed with that original opening line, which I thought was a very clever marketing device. Were the changes I was making going to mess up the illustrations? Would it cost me more if she had to redo some of them? I didn’t think that I had changed it so much that they would all have to be redone, but it worried me none the less.
My friend asked about my audience that I was aiming at. I was stumped. I didn’t set out to write for any one particular age group. I got an idea and just sat down and wrote the story. I hadn’t thought about how old the kids who read it would be. I know they tell you in all the writing courses and workshops to take the audience into consideration, but that just wasn’t how it had worked for me. She suggested that perhaps I was aiming for a higher age group, and this wasn’t a picture book at all. She pointed out some of the words that I had used that might be above the preschool/kindergarten age comprehension. Her point was a valid one. Would a kindergartener know what a mountain “crag” was? She suggested that if I were writing for a slightly higher age group, the word count wouldn’t have to be so low. 1,242 words is not bad for a book aimed at this age group, and some of the vocabulary suggested that the book would be more appropriate for a first or second grader. She was brilliant!
So, that is how I resolved my revision dilemmas. I took it home and did one last rewrite. It was still a very painful process, although I am sure that it is a better story for all the changes. I sent it back to the publisher, hoping that I had been able to do what she wanted, but still unsure. Now I wait to hear back and find out if she accepts it. Am I happy with what I ended up with? Is it still the story that I had intended? I suppose that it is, basically. I don’t think that it is as fun to read anymore, but perhaps it is better writing, even so. I learned some valuable lessons from the experience. Now I know why authors dread the revision process. I can’t even imagine doing what I did to this little story, with a full length book. It is a time consuming and heart wrenching process. On the other hand, I am a writer, so I hope with all my heart that someday I will have the chance to be faced with that chore. So, cross your fingers and wish me luck. The waiting is almost harder than the cutting was. Almost…, but not quite. I think I’ll wait awhile before I take another look at the other books in the series. The next book in the series,Charlie Chickadee Finds a New Home is about twice as long as Heather was. Ugh!


Now I am Ready to be a Memoirist – Well, . . . Maybe

Yesterday, I attended the final workshop in the Writing Your Life: Crafting Creative Non-Fiction and Memoir from Life Experience workshop in Salida, Colorado. Presented by New York writer, Alex Van Ark, this workshop was really a great experience. I chose to attend this workshop for two reasons: the main one being that I have started a memoir about the life of my son, Michael, and the bond that he and I shared; and the workshop was free, so it fit into my budget quite well. Although I was unable to attend the first of the three Sunday afternoon workshop sessions, the two that I did attend taught me a lot about my own writing. Now I sit here, chewing on an English muffin, reflecting on what I really got from this workshop:

Through a series of writing exercises, Alex showed us all how to write more factually, by writing with only nouns and verbs, thus eliminating all opinions. This is more difficult than it sounds, believe me. Using this method though, you can create a picture that is much more clear and concise, (and it also seemed to cut down on run-on sentences, but maybe that was just me). It is amazing how much we tend to interject our own impressions and biases into our writing, and while this is not necessarily a bad thing, the exercises showed us how those same impressions can be portrayed through the action in the scene being described, so that readers can reach their own conclusions. While you can say that a character was not a good mother, but it is much more effective to show the ways in which she was not good. For example,

       “More often than not, she would promise her boys that she would

        be there for Christmas and then never show up, making up       

       some excuse, maybe car trouble or some fictional emergency

       that didn’t really make sense, but would be believable enough for

       two young boys who needed to have faith in their mother. She

       would promise to send the presents, then, claim that she had to

       move, and the presents were in storage, so she couldn’t get to

       them, or claim that they must be lost in the mail. Sometimes

       they would arrive in March, or May, with price tags still

       attached, but sometimes they would never come at all. One

       of her favorite tricks was to ask, “Didn’t you receive the card

       that I sent?”, knowing full well they hadn’t. There never was a

       card. She would claim that there was money in it and their

       father must have stolen it, when they said that they had not

       gotten it, with tears in their eyes.”

When you read this piece of writing, you can easily imagine how disappointed her children must have been, over and over, and most people reading this would come to the conclusion on their own that this woman was not a good mother. Moreover, this is much more powerful than simply stating that she was not a good mother. Readers may or may not believe it just because you say it, but they believe it after reading the passage about how she disappointed her children, because they came to the conclusion themselves and her actions leave no question as to the matter.

We also talked about how not to get sued when writing memoir and including real people and places. You can change the names, or use titles in place of names, or have the real life people sign clearance forms, giving permission for you to write about them, or you can turn the whole thing into creative fiction. Even with clearance forms, people can come back on you if they don’t like the way that their character is portrayed. In my case, many of the people involved, especially those associated with his death, would probably not be very open to giving clearance anyway, so I will have to come up with another solution.

The other thing that I learned was how to use archetypes to create my characters. Combining different types of characters creates diversity and adds conflict to the story. One exercise had us pick an archetype and write a description, using behavioral examples, of course, the reading our descriptions to see if the other workshop participants could identify the archetype. Another writing exercise involved having two archetypes interact. I think that by placing characters into an archetypal mold, it allows the character to be more rounded, while remaining focused. I found both exercises to be very interesting and helpful, as character portrayal can be a very difficult thing for me.

The last session, yesterday, was a Cowboy Story Hour, where each of us did a reading of some of our work. I chose three pieces, two of which were poetry. I had been fortunate enough to attend a Poetry Performance Reading with Rosemary Wahtola-Trommer, of Telluride, (The Word Woman), whose reading was vibrant and filled with energy. I couldn’t hope to do a reading even close to that quality, but I tried to keep her in my mind and emulate her, as I stood before the other workshop participants and did my first reading ever. I tried to read slowly and pause in all the right places to give the proper inflection of my words. I probably should have selected different pieces, as the ones I chose were maybe too personal, and I can’t even read them to myself, without choking back tears. My fellow workshoppers were very gracious though and gave me a nice round of applause, even though they may not have understood the last lines through my tears. It was scary to walk up there to read my work, but I think I did okay, and I definitely lived through it. I know because I couldn’t have heard all the other readings if I were not alive following my own. The talent of all those in the room was just amazing, with readings that carried us all over the world, to places that I had never been before, but never the less, made me feel as if I were really there. That was the best part: all of the great writers that I met there.

The facilitator, Alex Van Ark, was just a wonderful guy, who had the ability to draw on your hidden talent with his exercises, which aside from their learning value, were also quite fun. He was easy to talk to and he never asked us to do anything that he did not do himself. He did a writing of his own for each exercise, and then read what he had come up with, right along with the participants. He is a very talented writer, as are many who attended. All in all, it was a wonderful experience that I very much enjoyed. I am looking forward to Alex’s promised return next year and plan to attend his workshop again. It will be interesting to see how my memoir has developed over the year.


“From the Spleen of Fiery Dragons”, by Mishka Zacharin

Here is another review that was originally posted on the Today.com site. A unique collection of poetry that delves into this very unique poet. Enjoy.

"From the Spleen of Fiery Dragons", by Mishka Zacharin

 

“From the Spleen of Fiery Dragons” by Mishka Zahkarin
I truly enjoyed some of the poetry included in this anthology by Mishka Zahkarin, as poetry is one of my favorite genres. The poetry included in “From the Spleen of Fiery Dragons” is unique and unusual, ranging from beautiful love sonnets, reminiscent of Shakespeare, to the truly bizarre and disturbing. Obviously, Zahkarin’s talent runs the gamut of poetic form and style, with some rhyming and some not, but most speaking of the bleak existence of one who searches for more, but doesn’t really expect to find it, (which is kind of depressing), intermixed with the poetry of love, (or at least, lust), that takes you aback and makes you draw in breath:
 

In Our Place
In waking dreams,
she comes to me…
I see passion in her eyes—
believe it the tempest of a kiss…
I feel her touch,
The urgency of her embrace,
                  flesh to flesh,
minds and bodies intermingling…
the inferno of our desires
rampaging unchecked,
consuming—fulfilling—
                overflowing—
each’s essence surging
through the other,
as if two souls
                might soar as one…

Humor finds a place within Zahkarin’s works, as well, leaving no choice but to chuckle:

MEAT! (reprise)
I told her we should pork—
but she said not to give her any beef…
I said she was only acting chicken—
but she told me: “Go fish!”
(I haven’t got any nines…)

The poetry of Mishka Zahkarin is rich and varied, and definitely worth reading. It reminded me of all the reasons that I love to write poetry: the freedom it allows; the structure it offers; the fun of playing with words that it offers… In The Spleen of Fiery Dragons, it is evident that each and every poem, whether you like them or not, is written straight from the inner fire of his being; emotion and feeling pouring forth. His small anthology was very enjoyable and I would recommend it to poetry lovers from all backgrounds, as there seems to be a little something in there for everyone.


The Basics of Marketing Your Book

Last week my friend and fellow author, Chris Keys gave us a guest blog post on the basics of marketing your book, filled with so much information that it had to be broken into two parts. This week I bring you the second part of that post from a modest guy, that doesn’t give himself near enough credit as a writer, or as a marketing professional. So here is the rest of his excellent advice on how to sell that book and I thank him kindly for sharing it with us.

The Basics of Marketing Your Book (Part 2)
by Chris Keys-Author of The Fishing Trip-A Ghost Story and Reprisal! The Eagle Rises!

You will next need to develop your own website. Yep, you need a website. It’s not as hard as it seems. There are several free website building sites and many, when they do charge for hosting are very inexpensive. Mine currently is only five dollars a month. I’m using Intuit-Homestead.com.
There are dos and don’ts, to having a website. A few of the major things to keep in mind: Your website needs to be user friendly and it needs ask the reader to buy your book(s), blog collections and /or your branded collectables. Yes, your website will be your book store, where you’ll sell your books and maybe posters, coffee cups, ball caps, pen sets etc. plus you’ll post excerpts from your books, info about yourself, maybe links with other authors and ads from Google and Yahoo to help pay for your host fees.
There are going to be some expenses in promoting yourself and your book for things like travel to book signings, book trailer video, book marks with your info, picture, book title and or other info you see fit to put on it, editing, book covers and listings on the right lists to insure that your book(s) are available to libraries and the major booksellers.
Now some of these costs you’ll avoid if you are lucky enough to get a traditional publishing contract, but if your like the vast majority of us new writers, you’ll be self publishing until you develop enough of a following to ensure a strong likelihood that the publishers will make money off your book. By then though, you may not want to be with a publisher who is only willing to pay you 20% of the profit when you can get 85% of the profit when self publishing. Just a little something to remember as your writing career develops.
You’ll also want to learn all you can about virtual book tours, developing links with other authors by helping to promote them with blurbs about them and their books. Most of the other authors will gladly trade blurbs, which helps both of you. You need to develop friendly relationships with as many other authors as possible. Your success, as well as theirs, is dependent upon getting as many other people talking about you and your work as possible. Don’t worry if the other authors are new or old pro’s, because you never know who someone else knows, and who they might introduce to your writing, and where that might go.
I’ve mentioned a number of things so far and none of it is too taxing on your time or your wallet, but you still have couple of things to do. The last clear marketing item you need to be aware of needing to do, is also the first thing that you need to do — ask for the sale! Ask on your blog, on your website, on your book marks, your book covers your email, your social interaction sites, everywhere. If you don’t ask, you won’t get. There are a few ways to ask for the sale, and it takes a mix of the methods to be successful in making the sale. Those ways are, directly, indirectly and the stealth way. To be honest, the stealth way is part of the indirect way. The direct way is when you come out and just ask some to buy your book. You know, “Hey, you should buy my book.” The indirect way is showing the picture of your book cover with a note about how you can use pay pal to buy it. The stealth way is showing a picture of your book cover and have a person reading it with a big smile on their face. You don’t actually ask them to buy it, but infer they will be happy if they do. Which if you have really good vision, that’s exactly what I’m doing in the background of this very page. There is a good looking man or woman, which ever works for you and their reading my newest story, The Fishing Trip-A Ghost Story and they’re wearing a great big smile. Well ok that’s not quite true, well actually it’s a lie but you get the general idea right?
So now you have the very basics for developing your self promotion and marketing plan, destined to make you a household name and get your books read by the largest possible number of readers, except for the actual book itself. When you get ready to publish, you need to be sure you are offering the very best possible product you can. Make sure you have had the work professionally edited, that the cover art is very professional, that the books layout is crisp clean and easy to read and that story itself is one that’s worth while for someone other than you to read. Five hundred pages about how your pet frog likes to eat fruit flies, instead of house flies just won’t draw as many readers as a rags to riches story of a handicapped individual who overcomes impossible odds to become the President, and then the U.N.’s leader, when all hostilities ended between Arabs and Israelis. If the work you’re selling isn’t very well written, or the story isn’t compelling, then at best you’ll only sell a few copies even if you have the absolute greatest marketing campaign ever conceived. The word of mouth of how bad it is will kill it. Unless of course that’s the niche you’re trying to fill, then maybe by telling people it’s so bad they need to read it, just might be the best way to market it.
Thanks for enduring, Chris Keys the author of Reprisal! The Eagle Rises!, The Fishing Trip-A Ghost Story and The Motor Home-God Does Work in Mysterious Ways! Look for all three books this summer as Ebooks and POD’s. Follow Chris on Blogspot, Facebook and Twitter, as well as, Writer’s World.
Books are what is meant to fill the space between your ears! You should read one or all of mine!


From the Old Blog to the New

As some of you may know, Writing to be Read was originally published on Today.com. Unfortunately, (or maybe fortunately, since I like this site much better), Today.com just up and disappeared one day – the whole site! – no forewarning, no “see ya laters”, not even a “sorry but we’re shutting down”. Due to that fact, all of my original posts there are no longer in existance. This includes several book reviews that I had done for fellow authors, which I really don’t think is fair to them, especially if they have reprinted them, in whole or in part, on their websites or elsewhere, or published links to them to promote their books. For that reason, I will be reprinting the reviews from the original site here, so bear with me if you have already read them. So, here are two reviews that I had originally published there for Demon Hunter: The Chosen One and Demon Hunter: Seek and Destroy, both by Cynthia Vespia. If you didn’t read the original reviews, then I hope you will read them now and be encouraged to go out and buy the books, because they truly are well worth reading. I was hoping that Cynthia would come out with a third book in the series, but I guess we will have to wait and see.

Demon Hunter: The Chosen One

"Demon Hunter: The Chosen One"

"Demon Hunter: The Chosen One" by Cynthia Vespia

I just finished reading Demon Hunter: The Chosen One, by Cynthia Vespia. For fans of dark fantasy, this book is a must read. It has all the qualities dark fiction readers could want: adventure; mystery; demons; werewolves; vampires and more. There is evil lurking in the shadows and young Costa is searching for who he really is. As he unlocks the secrets of his past, he finds himself facing a frightening and dangerous future, should he choose to follow the destiny that he reveals to be his. Used to facing adversity alone, he must learn to accept and depend on the help of his new found family, who teach him the meaning true friendship. Through these lessons he learns not only who he is, but also where his strengths and weaknesses lie, and how they can best be put to use to accomplish the tasks that lie ahead. This medieval tale will take you on an adventure into the darker realms, with characters that you come to care about and love. As in all such tales, good must triumph over evil, but will Costa learn his lessons fast enough and well enough to accomplish the task? A truly good, old fashioned legend and lore adventure novel that leaves readers thirsting for the sequel, which, fortunately, is coming out this month. Once you read this one, you won’t want to miss Demon Hunter: Seek and Destroy. Both are available in digital format and can be purchased through the Cynthia Vespia Book Store.

Demon Hunter: Seek and Destroy, a Supernaturally Good Read

"Demon Hunter: Seek and Destroy"

"Demon Hunter: Seek and Destroy", by Cynthia Vespia

 

The second book in Cynthia Vespia’s Demon Hunter series, Seek and Destroy has a little of everything that lovers of the supernatural might be looking for. Costa Calabrese is back, with his friends Telisa and Paralay, for more action and adventure in the dark realm. This time, love plays a role in motivating the demon hunter’s actions, pushing him accept the unrequested lot that he has been given in life and to face evil head on, in darker forms than ever before. Shape shifting demons, walking dead, dragons, werewolves, the hounds of hell, and even the dark lord himself await Costa and his friends in this adventurous journey that leads across the storming seas and straight into the pit of hell. Along the way there is self-revelation for Costa, especially when he thinks that he has lost the one he loves forever. For good to triumph over evil, Costa must come to terms with who he is and learn to take control of his fate from here on out. To find out if Costa and his friends can conquer their fears and win the battles that lay before them, a copy of Demon Hunter: Seek and Destroy can be acquired through the Cynthia Vespia Book Store. I highly recommend that you get your copy today.