For the time being, the cell phone revolution is finished. In thirty days the phase-out begins. All cell phones will be handed over at specified collection points.
It has now been proved that these things cause serious brain damage. This recall is the largest disaster in the history of consumer electronics. Negotiations for refunds have been bitter, to say the least. Apple, Samsung, Motorola, etc have fielded an army of lawyers and finally hacked out the so-called “50/50 Bill”. A complex algorithm has been devised to assess the value of cell phones to arrive at a figure worth half the original value of the phone. The consumer who is returning a phone will fill out a form noting the age, condition, features, and dozens of other items of data regarding the device. It has already been demonstrated that at least fifty percent of phone owners won’t bother to get their money back. Word is out that this so-called REFUND was designed by the IRS and is just as difficult to obtain.
Media commercials for cell phones have completely ceased. The vast airwave dead time will be filled with inspirational music by Yanni and Clannad. Media conglomerates have taken a gigantic hit in advertising revenues. The world needs new products and it needs them fast. Writers, engineers and marketers are working at top speed to fill the void. The most promising ideas are coming from the automobile industry. Vietnamese conglomerate GWENJIAP is preparing a luxury sedan with a sixty two inch FlexVision LED. Features include online bill payment, 3200 channels of satellite-borne programming and an array of pay per view specials. The screen and speakers will be seamlessly integrated into the vehicle by replacing the front windshield with the television screen and using software and GPS systems to drive the cars without the input of a human being. Three’s also a twelve foot extending periscope giving the driver panoramic vision.
Some conventional window space will remain in order to prevent claustrophobia. A disconnected steering wheel is featured in order to convey that sense of control and driving pleasure. GWENJIAP’s design team has apparently pulled off a brilliant coup and has finally merged the auto and entertainment industries.
UPDATE: January 2021
The degree of emotional and somatic shock was not anticipated when consumers were separated from their cell phones. The most common symptoms are anxiety, rage and feelings of powerlessness. Therapists have mobilized their most advanced techniques but the response has been inadequate. Consumers have been going into fugue states. They look into empty space while their thumbs shake with greater and greater agitation. Measures are now being taken. Pfizer Pharmaceuticals are testing an anti-spasmodic/SSRI medication to control these symptoms. Consumers are also being provided with dummy cell phones to alleviate the effects of what is now called “Texter Reflex Muscle Memory Syndrome”, or TRIMMS
The dummy phones are programmed with several hundred generic messages, such as “See you at home,” “Tht ws wild lst nite”, “Is he/she cute?”, “Did U do it?”, “Gt any E?”, “My parents will be gone tnt”, “Did yr doc sign yr dope ticket?”, and so forth. These messages are randomly scrambled and appear on the dummy phone screens to provide the illusion that users are connected to their friends. The texting interface appears to work but of course it is not receiving or transmitting. The therapy has had mixed results, but since the killing of Yanni and the disappearance of Clannad, Pfizer has been given the green light by the FDA to widely distribute the new medication. It will be marketed under the name Gontwich CR.
The GIAP 300SLE hybrid vehicle has sold well. Unfortunately, the auto-sensors and self-guidance software have had glitches that have caused an undisclosed number of collisions. Firmware updates have eliminated 88 percent of minor collisions and 99 percent of fatal collisions. Rival designs from BMW and Mercedes are appearing on the market as of this writing. The Mercedes Double Decker Home Theater Hybrid boasts efficiency of a whopping 82 mpg and the Surround Sound 9.1 with broad band picture-in-picture-in picture has stimulated sales as fast as the vehicles are manufactured. BMW has matched this success with its clever Mirror 32ESL. The vehicles feature advanced autopilots and software. There is also a choice between full autopilot and manual driving. Many consumers enjoy the actual process of driving and guiding a vehicle. BMW has catered to this market and relegates the Big Screen TV to a cleverly designed rear compartment. There have been fewer fatal incidents among drivers of the 32ESL.
Email has not had the anticipated resurgence, but statistics indicate that consumers are reviving the archaic telephone. Therapists are working on issues that surround the stuttering epidemic. Efforts to immobilize the thumbs with modified cuffs has only intensified the issue. Parents of adolescents are still, as they say, “talking to empty space” but statistics indicate there has been an eight percent rise in direct eye contact among members of nuclear families.
Hope always burns high that there will be a return to ancient modes of person to person conversation. Cynical laughter from many millions of consumers has not deterred designers at GWENJIAP from using hi-res cameras to convert interior TV screens to real-time two way windows on their 300 SLE models. Rumors are floating about that Mercedes is bringing back a vehicle with transparent polymer windows that open and close, either at the touch of a switch or via speech recognition software. The stuttering epidemic, however, has persuaded Mercedes to give the manual switches a higher profile.
All of this turmoil may be history when Nokia introduces the Safe Mini-Phone that has been designed to operate without the use of the dangerous selenium diode and other circuits that ramped up microwave emissions to one thousand times the minimum safe level as indicated by the Consumer Safety Council. Work proceeds on the range and sensitivity of this innovative cell phone.
Nokia employee Jorma Kikkinen, the “whistle blower” who broke the radiation scandal is still being sought by authorities but is feared to have met with foul play.
A Midwesterner by birth, Arthur Rosch migrated to the West Coast just in time to be a hippie but discovered that he was more connected to the Beatnik generation. He harkened back to an Old School world of jazz, poetry, painting and photography. In the Eighties he received Playboy Magazine’s Best Short Story Award for a comic view of a planet where there are six genders. The timing was not good. His life was falling apart as he struggled with addiction and depression. He experienced the reality of the streets for more than a decade. Putting himself back together was the defining experience of his life. It wasn’t easy. It did, however, nurture his literary soul. He has a passion for astronomy, photography, history, psychology and the weird puzzle of human experience. He is currently a certified Seniors Peer Counselor in Sonoma County, California. Come visit his blogs and photo sites. www.artrosch.com and http://bit.ly/2uyxZbv.
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In his 2012 Relevant article, “Where Did Good Christian Fiction Go?“, Micah Levi Conkling claims that Christian fiction has been marred by the Left Behind series and Amish fiction, and is very difficult to find. So, in September, we’ve been seeking out Christian fiction to see if Conklin’s claims are true. Is there really no good Christian fiction out there anymore?
To start off, I want to define what Christian fiction really is. It’s not really a genre. Not really, because as you’ve seen if you have joined me in my search, Christian fiction comes in many genres. The two books I reviewed from the Thanksgiving Books & Blessings collection, Texas Tearsand Mail-Order Misfire, are both western romances, and I also had the pleasure of interviewing the author of each, Caryl McAdoo and Davalynn Spencer respectively. My “Chatting with the Pros” author guest, Angela Hunt writes historical fiction, historical romance, heart-warming tales of love and friendship, and children’s books that can all be classified as Christian fiction.
Christian fiction is really a category that other genres fall under. The aforementioned Left Behind series might fall under the science fantasy genre, given it’s futuristic, alternative universe setting. As Christian novels can be so varied, let’s take a look at what they have on common like the portrayal of Christian lifestyles, and an underlying message of a loving God. A book in virtually any genre could be considered Christian fiction if it has these two components, even if the message is subtle and remains in the background of the story. According to the Christy Awards website, the award is “designed to nurture and encourage creativity and quality in the writing and publishing of fiction written from a Christian worldview and showcase the diversity of genres.”
In spite of Conklin’s claims, not all Christian stories boldly shove the message of God down the readers throat. (Many children, and adults as well, turn tail and run from a story that give a hard push to moralistic messages, as is discussed in this month’s “Growing Bookworms” post.) I think the message in good Christian fiction is delivered subtly, in small doses, giving the reader the option to take it or leave it while still being able to enjoy the story.)
Christian fiction really has a bad rep in some circles, where any story with no sex, no violence, no cursing, and no vice, it is believed that the reading of which might be comparable to eating white rice with no seasonings. Christian fiction, from my view, is a tale which portrays Christian beliefs and values in its character’s lifestyles. I think the historical may even be flavored a little more heavily with this, because in days of past Christian lifestyles were more prominent. That could explain why historicals and westerns, like those we’ve looked at here lend themselves so readily to the Christian aspects. I’m guessing that it would more difficult, although not impossible, to work Christian aspects into a futuristic work of science fiction or fantasy, but I have seen them worked into thrillers and mysteries, and they are easily worked into contemporary romance.
Most Christian fiction stories that I’ve read are heart-warming and inspirational, and I’ve walked away with a warm feeling at the story’s end, as if there might actually be hope left for this world, or for love, or humanity, depending on the individual story. In short, Christian fiction works are stories which are written for Christian readers. But you don’t have to be searching for something with Christian undertones to enjoy one if you come across one. A good, well-written Christian story lets the characters carry the reader through without being preachy and moralistic. The power of God shines through in the character’s lives.
When the first big screen adaptation of Steven King’s It hit theaters two years ago, it took the world by storm. Audiences found it incredibly unnerving, disturbing, and twisted. In other words, it was everything fans of the most important horror writer of the 20th century (and maybe even the 21st century) could want. Part one of the It saga is a coming of age story, a love letter to the kinds of urban legends that have haunted the young and the young-at-heart for generations. I mean for cripes sake, a killer clown? Nightmare fuel, right? And one considered top-notch by critics and movie-goers alike. Too bad that 2017 modern classic was only half the story.
It Chapter Two wastes no time catching up with the heroes of the first movie, the Losers Club, the same rowdy bunch of kids who stopped that pesky, evil-as-all-hell clown (or whatever he is) before his spree of terror and death could claim one more fragile life in the fictional town of Derry, Maine. The Losers are all adults now, and though they’ve forgotten a surprising amount of their battle with the eponymous monster, most of them, after a fashion, choose to remember and honor the oath they took together to return to Derry if and when the nightmare began again.
That’s the problem with evil immortal-monster-alien-clown-shapeshifter thingies. They just don’t take no for an answer. The cast of Chapter Two is suitably star-studded. Jessica Chastain plays the adult Beverly, who possibly had the most to deal with in the first film, mostly due to an abusive father. She’s still suffering at the hands of an abysmally abusive man, her husband, which is sad, though annoyingly ham-fisted in the ludicrous fashion with which the guy goes from zero-to-full-on-rage without any believable provocation. Stephen King has never been known for subtlety, and It Chapter Two suffers from it. Not that the movie’s problems begin and end with the author.
Bill (James McAvoy), Richie (Bill Hader), Mike (Isaiah Mustafa), Ben (Jay Ryan), and Eddie (James Ransone) join Beverly back in Derry twenty-seven years after the events of movie one, each of them having lived surprisingly full lives. Well, all except for Mike, who’s spent the last three decades charting, following, and studying the supernatural killer. One of the Losers, Stan (Andy Bean), chooses to end his own life rather than set foot in that town again, which makes for a chilling prologue to the events that follow.
The first real set-piece of the movie takes place at the fan-favorite Chinese restaurant, a scene even the 1990 made-for-TV It nailed. It’s more adult and much creepier this time, and the dialog flows about as well as the original banter Steven King committed to the page. Then of course there’s the main event, the monster himself, played once again by Bill Skarsgard. Holly cannoli, this guy is freaky. Unfortunately, director Andy Muschietti makes the mistake of giving us less of him. In fact, less is the watchword for the entire exercise.
It Chapter Two is bloated and water-logged, just like that one guy It killed in … never mind. The only significant moments of cogency and relatability occur in flashbacks to the Losers as kids. These brief indulgences serve to remind us just how comparatively focused part one was, and we can’t help but feel a slight twinge of nostalgia for a movie that’s only two years old.
The cast does a great job exploring their characters’ unique personalities and allowing us to feel true terror when the big moments arise. But the film seems far too interested in pondering and extolling the concept rather than pushing it forward. Stephen King may be one of the most beloved pop-fiction writers of all time, but a second-parter built on what amounts to little more than a scavenger hunt? Yee-ikes. Don’t get me wrong, I love The Stand, Carrie, The Shining, and many others, as much as the next guy. Some of those books used long-windedness to their advantage. I hear they’re adapting The Stand next. Fingers crossed, all you kooky King nuts.
The climax of the film is impressive if confounding. By the time we get there, it’s become apparent the It saga has suffered from the same disjointed sequel-manufacturing other literary adaptations indulged in (Harry Potter, Hunger Games, and Twilight, I’m looking at you). Funnily enough, Marvel Studios’ big Avengers two-parter—released in 2018 and 2019, respectively—managed the trick in a much neater fashion, but then, those movies are actually two separate stories blended into one, whereas the It saga feels like, well, a nicely-structured opener and an obligatory half-waisted capstone.
Which isn’t to say It Chapter Two doesn’t have its moments. With high production values, an excellent cast, and a willingness to scare no matter what it takes, the movie can’t help but hit the mark more often than it misses. It’s just that the scenario doesn’t get as much breathing room this time. Scratch that. The problem is the scenario gets far too much breathing room.
Writing to Be Read gives It Chapter Two a six out of ten.
Not a truly poor nor truly serviceable adaptation, but who knows? Maybe when you binge both movies together, Chapter Two feels more satisfying. Is it possible a freakish clown lured us all down into his favorite storm sewer and made a nice, toothy snack of our expectations? I guess it could be worse. We could’ve buried a beloved dog in a pet cemetery, rented out a room at a haunted Colorado hotel, or engaged in interstate mayhem with a possessed car. Ooph. What a way to make a living.
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, God’s Body: Book One – The Fall, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
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I’m a huge history lover, so anything old has always sparked my interest. I imagine that an old building can tell me the secrets of the past. If I walk through its ancient doors, I’ll be transported back in time. I’ll be able to experience everything that came before.
It hasn’t yet, but I’m still hoping.
One day I was bored, probably tired from work, and decided to look at abandoned buildings online. I was scrolling through Pinterest and voila, there was a beautiful, crumbling resort. The image showed an old pool. Vines crept up broken windows and ferns fought their way through cracked cement. It was beautiful and haunting. I clicked to learn more, and discovered it was a resort from the Catskills.
Photo by Pixabay on Pexels.com
In their heyday (1920s through the 1960s), the Catskill Mountains were home to numerous fancy resorts. People came from all over to experience the thrill of the mountains. Many New Yorkers left the city to experience the calm of the country. The popular movie, Dirty Dancing, takes place at a resort in the Catskills.
Overtime, interest waned. From articles I read online, it seems that the readily people could travel on airplanes to distant wonderlands, the less they wanted to travel upstate. There are still some resorts left and I hope to vacation there someday. I must admit, though, the abandoned resorts fascinate me more than the ones still standing.
Photo by Pixabay on Pexels.com
While looking at more pictures of those abandoned resorts, a story idea came to me. The world ends and the remains of civilization are holed up inside a crumbling hotel. Thus was born my post-apocalyptic novella, BUNKER BOY. If you decide to read it, let me know what you think! I’d love to know if it has inspired you, too, to check out the old memories of the Catskills.
Jordan Elizabeth is a young adult fantasy author. She is most likely gazing at something in awe, something she will soon include in one of her novels. You can connect with Jordan via her website, JordanElizabethBooks.com.
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My “Chatting with the Pros” author guest today is both versatile and prolific in her writing endeavors, writing in contemporary and historical fiction sub-genres, as well as young adult and children’s fiction and non-fiction. Though fiction, her historical novels tell the tales that could have been, revealing the women from the shadows of history. But no matter the sub-genre they all have the elements of Christian fiction. She is the bestselling author of over 180 books and winner of the 2000 Christy Award for futuristic fiction. Please help me welcome Christian fiction author Angela Hunt.
Kaye:When did you first know that you wanted to become a writer?
Angela: I had always been drawn to the creative arts—as a reader and a musician—but it wasn’t until I decided to become a mom and wanted a job I could do at home that I thought of seriously becoming a writer. I worked so hard to get my kids (we adopted them) that I couldn’t imagine working without them around.
Kaye:What separates Christian fiction from the rest of the pack?
Angela: I don’t write only Christian fiction, but when I do, I try to make sure there’s a spiritual plot line as well as a general plot line and a character arc. Most of my novels for the Christian market are parables—not preachy, but there is a Christian takeaway if you look for it.
Kaye: You write about historical characters that not much is known about them. How do you complete the picture and create fully developed and well-rounded characters from the little information about them that has been handed down through time?
Angela: I take all the information I can find in every conceivable source, and then come up with a story that does not contradict any known facts. Mostly, I look at the situations my characters are in and ask myself what I’d be thinking and feeling in those situations. Cultures change, but human nature and human emotions are remarkably consistent. Those are the elements that resonate with readers.
Kaye:Which of your characters would you say is your favorite? Why?
Angela: That’s an easy one—my favorite character is Sema, the gorilla in my novel UNSPOKEN. I based her on Koko, the real gorilla who spoke sign language, and Sema doesn’t do anything Koko hasn’t done—with one exception. I’d say more, but I don’t want to spoil the plot.
Kaye:Do you prefer to write series books or stand-alone novels? Why?
Angela: I don’t really have a preference. Sometimes I get an idea that works best as a stand-alone, but publishers usually want a series because readers invest in it. I try to write a mix of both.
Kaye: Which of your novels do you feel is the best writing you have ever done? Why?
Angela: I poured my heart and soul into THE NOVELIST, so I suppose I’d nominate that one. I submitted it and my editor sent it back—it wasn’t up to snuff, he said, because it was “too intellectual.” So I opened a vein, so to speak, and poured out a bit of my real life. Painful, but worth it.
Kaye:Is there anything unique or unusual about your writing process?
Angela: I like to sit and write in the bay window that allows me to watch my chickens. 🙂
Kaye: What is your biggest writing accomplishment to date?
Angela: I have received letters from readers telling me that my books have changed their lives—that’s priceless.
Kaye: What can you tell me about your most recent and upcoming releases: Jerusalem’s Queen and King’s Shadow?
Angela:JERUSALEM’S QUEEN is the story of Salome Alexandra, queen of Jerusalem for nine years before the Romans came in and took over. She was an amazing woman who did a lot for women and girls. KING’S SHADOW is the story of Herod the Great and his sister, another Salome. Fascinating people I enjoyed learning about.
Kaye: What did winning the Christy mean to you?
Angela:BY DAWN’S EARLY LIGHT won the Christy in the first year the award was given. Winning the Christy was an amazing honor and validation, because almost every writer I’ve ever met is a bit insecure.
Kaye:Would you like to say a little about the writing courses that you offer?
Angela: A few years ago I realized I’d been at this career for over thirty years, so perhaps it was time to share what I’d learned over the years. I have regularly spoken at writers’ conferences, but I did my own two-day workshop and taught everything I know, then videotaped it and put it into book form. WRITING LESSONS FROM THE FRONT is that book, and the video course is available at writinglessonsfromthefront.com.
Kaye:What can readers look forward to in the future? What are you working on now?
Angela: Ah, thanks for asking! I decided to keep going—King’s Shadow took me right up to the birth of Christ, so I’ve begun a new series,Jerusalem Road, about women we know existed, but we know little about them: Thomas’s twin sister, Jesus’ sister (he had two!), and others. I will be working on these books for the next year or two, with fun projects in between, just to keep things interesting. I think I’ll write about chickens next . . .
I want to thank Angela for chatting with me today and sharing her thoughts on writing Christian fiction and her own works. You can learn more about Angela Hunt and her books on her website or her Amazon Author page. Be sure and catch “Chatting with the Pros” next month, when I’ll be chatting with bestselling horror and dark thriller author Jeffrey J. Mariotte.
You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress.
Caryl McAdoo is the founder and creator Thanksgiving Books & Blessings collection two, which was just released this past week. Her Christian western romance, Texas Tears, is book three in that collection and its my pleasure to review it here today on Writing to be Read for this month’s Christian fiction theme. (You can also catch my review of book four from this collection, Mail-Order Misfire, by Davalynn Spencer here.)
Some of the transitions in Texas Tears were abrupt and unclear, and I found myself having to reread to determine who was speaking at times, or what setting we were in, but nothing some well placed dialog tags wouldn’t fix. The historical details are accurate to time and setting, and the story itself is heartwarming, with a delightful Southern twang.
Texas Tears is the story of two young girls, childhood friends and cousins, Miss Arlene Van Zandt and Miss Charity O’Neal, both hoping for their perfect dream man, with their sites set on one in particular. The same one, Hart de Vecchi. Hart seems content to be the wedge driven between the two friends while he tries to make up his mind, but by playing with the hearts of both women, he risks ending up alone.
A story of love, faith, and endurance. Texas Tears is everything a Christian western romance should be. I give it four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
The idea that children’s picture books should contain a strong moral or message seems to be very popular among authors of books for young people. This notion probably emanates from parents and caregivers who are of the view that books are a tool for instructing their young, especially in our modern world of so many more risks to the welfare our children than ever before.
This idea does, however, always bring to my mind the lyrics of the song, A British Nanny sung by David Tomlinson, from the original movie of Mary Poppins:
“A British nanny must be a general!
The future empire lies within her hands
And so the person that we need to mold the breed
Is a nanny who can give commands!
Mr Banks: Are you getting this Winifred?
Mrs Banks: Oh yes dear, every word
A British bank is run with precision
A British home requires nothing less!
Tradition, discipline, and rules must be the tools
Without them – disorder!
Catastrophe!
Anarchy – In short you have a ghastly mess!”
This is an amusing song and you can listen to it here:
The idea of a story or picture book containing a message is not a bad one. It is very much about how the message is presented in the story that will decide whether the book appeals to children or not. After all, children’s writers want to write books that children want to read again and again, not books that their parents think they should read.
My own children have taught me that children run a mile when they think that a book contains an overt moral or message. With this in mind, how then can a parent or caregiver select a book that both teaches and entertains?
Firstly, what the reader will takeaway from the story should be considered. It is not necessary to write out a moral at the end of a tale in the manner of Aesop’s Fables, the message can be subtle, for example, a polluted river that poisons a river or lake and results in all the fish and water creatures dying and the resolution of that predicament by cleaning up the river and preventing future contamination of the water. Children will understand the message without it being spelled out for them.
Some other tips for choosing books that will entertain as well as teach children are as follows:
Make sure that the book is character driven with memorable characters that make the reader care about them. For example in Heidi by Johanna Spyri, the author makes the reader really care about Heidi, Clara and even Grandfather as he changes from a grumpy old man into a tender caregiver. I can remember crying when Heidi goes away from Grandfather to live with Clara in the city;
The language and voice of the story should be suitable for a child and should be interesting and fun. The idea of family members all helping each other and their parents is strongly conveyed in Enid Blyton’s Faraway Tree series of books through the expectations of the parents and the behavior of, and awareness of their family dynamics by, the children;
Showing and not telling is another essential ingredient to a good children’s story. I think Roald Dahl is a master and demonstrating exactly where unkind and selfish behavior gets you in life, think of the fate of the two aunts in James and the Giant Peach or the Twits from the book of the same name.
What do you think about children’s books that contain messages? Should they be subtle or overt? Let me know in the comments.
About Robbie Cheadle
Hello, my name is Robbie, short for Roberta. I am an author with six published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.
I have recently branched into adult and young adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. My first supernatural book published in that name, Through the Nethergate, is now available.
I have two short stories in the horror/supernatural genre included in Dark Visions, a collection of 34 short stories by 27 different authors and edited by award winning author, Dan Alatorre. I also have three short stories in Death Among Us, a collection of short murder mystery stories by 10 different authors and edited by Stephen Bentley. These short stories are all published under Robbie Cheadle.
I have recently published a book of poetry called Open a new door, with fellow South African poet, Kim Blades.
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As we seek out Christian fiction, I’m reviewing two books from the recently released Thanksgiving Books & Blessings collection – a gathering of Christian western romance, authored by six Christian fiction authors. I have the privilege of reviewing two books from this collection; book two: Mail-Order Misfire, by Davalynn Spencer, last Friday, and book three: Texas Tears, by Caryl McAdoo. In addition to reviewing these Christian western romances, I’m pleased to be interviewing both authors. Last Monday, Davalynn was my guest, and today I have the pleasure today of chatting with the author of Texas Tears and founder of the Thanksgiving Books & Blessings collections, Caryl McAdoo. Please give her a big welcome.
Caryl: Hey, Kaye! It’s great being here with you, and I want to thank you again for this opportunity. I love meeting new bloggers who enjoy reading!
Kaye: It’s great to have you here. To start, can you share a little about your author’s journey? How did you come to be a Christian fiction author?
Caryl: My husband Ron and I wrote a three hundred eighty-five page novel by HAND back in the late 1980s. We paid to have it transcribed and sent it to New York! Again and again and again . . . rejections were aplenty! So in 1993, the Lord led us to a writers’ workshop where we were mentored and learned the craft of writing creative fiction.
That took six years before the first book was published in 1999. For the next nine years, we contracted an average book a year, all with smaller publishers. Then we met a New York agent at an East Texas Writers’ Conference. She said to write her a “Christian historical romance” set in the 1800s and she’d sell it. We did, and she did! To Simon and Schuster’s Howard Books Imprint! We thought we had arrived. That was our tenth title to be published, VOW UNBROKEN, and also where my dearly beloved’s name was removed from the front cover. First the agent then the editor at S&S said one author’s name was best, and female’s preferred for the genre.
So though we were Christians most our lives and our first ten titles were “clean” for the most part. It was our agent who caused us to write our first ‘Christian’ book. And we still write them all together—that’s why I have such strong heroes. We love discussing the story’s plot and about the characters. I adopted the tagline “Praying my story gives God glory!” and that’s exactly what I do! It’s a joy writing clean novels with no cursing and no on-scene intimacies!
Plus, I love the “community of Christian authors and readers. It is such a blessing and honor to serve God’s Kingdom on earth by writing.
Kaye: When did you know that you wanted to become an author?
Caryl: Well now, that goes WAY back to 1962 when I was in the 7th grade and wrote a homework essay on what I’d be doing in the year 2000. I was twelve then and would be fifty in 2000. I wrote about being an “intergallactically” famous author rocketing from planet to planet autographing books! But what can I say? The space program let me down!
Kaye: What do you like to do when you’re not writing?
(image of HEARTS book cover)(image TEARS book cover)
Caryl: Most of the time, I’m marketing! After Simon and Schuster, I learned about “Indie publishing” or putting my own stories out, so that same year in the fall of 2014, I became a hybrid author—published traditionally and independently with HEARTS STOLEN. I LOVE releasing my own books!Simon and Schuster took almost two years to get VOW UNBROKEN to market. Since I went Indie, I’ve released THIRTY-SIX titles! That’s in five years!
I guess after marketing, I mostly play games! Ron and I play a game called Quirkle almost every day at breakfast, lunch, and dinner.We’re very competitive and keep all the scores and stats and know who won the most games for the month and had the most points accumulated.We also play bridge Thursday nights and once a month on Tuesday at our bridge clubs, and there’s a couple who comes to our house every Friday night to play,too. We take turns fixin’ dinner. One night a week is planned or dinner and games at my son’s, usually Farkle.
Kaye: What is the biggest challenge of writing Christian fiction?
Caryl: Hmm . . . I guess I’d have to say getting the stories out there to the readers. To me, there’s no challenge in the actual writing. In the beginning there was — understanding point of view! POV was not easy to grasp, but once you’ve got it, you’ve got it! An author’s good understanding of POV is why readers feel like they are right there IN the story WITH the characters; why they love the characters so much.There was a LOT of other stuff to learn, but it was easy to get. After writing as many books as I have now, the writing isn’t really a challenge. I’d say it’s fun and rewarding, exhilarating!
Kaye: What is the biggest joy of writing Christian fiction?
Caryl: Working with so many awesome people! Readers and authors and promotion folks, the whole nine yards! I get to write awesome stories that help people learn to forgive, stop worrying, not be fearful, watch the words they say . . . doing all these things cause one’s life to be more peaceful. If they get the principles down,they will find they have more joy, too. What a blessing to affect lives in such a positive way!
Kaye: You writeinseveralsub-genresofChristian fiction: both historicaland contemporaryromance, Biblical fiction, and mid-grade/young adults. Which is your favorite to write in? Why?
Caryl:Without a doubt, my favorite is the historical romance genre. I love the stories of falling in love and the gentler times of bygone days. Folks worked hard, and families stuck together back then. Women were more modest, and children had plenty of time to be kids. Most of the time, Father went to work and earned the income that housed and fed the family while Mother stayed home to keep the house, cook, and care everyone. Children helped out, too. They felt no entitlement and didn’t resent their chores. It was what was expected. They didn’t have air conditioning back then or so many of our modern-day conveniences, but they had each other and shared so much that the younger generations today have no concept of. Those adventurous souls who left hearth and home to settle the new lands in the West were a rare breed indeed.
Kaye:TexasTearsisyourmost recentnovel,featuredinthe ThanksgivingBooks& Blessings Collection. What can you tell me about that story?
Caryl: It’s a continuation of my Cross Timbers Romance Family Saga, book three, and there’s a big Thanksgiving dinner surprise at the end. Set in 1845, the Texas Congress is deciding whether to join the Union or remain a Republic, thus the“Texas tears.” Plus there’s this one handsome Prince Charming kind of fellow and two best friends both think they love him . . . more tears. It’s a romance and there’s a happily ever after for at least one of the young women.
Kaye: WhatistheThanksgiving Books& Blessings Collection and how did you get involved in the project?
Caryl: Back in 2013, I planned a multi-author Facebook party I called the Thanksgiving Books & Blessings Bash, inviting some of my author friends to participate. That’s my favorite holiday of the year. I did that every November following until last year in 2018.
Since it was the event’s fifth anniversary, I wanted it to be special, so I came up with the collection idea and asked the authors that year to write a Thanksgiving story. I had nine that first year, and so this will be the second year for the collection. I’m so excited about having Mary Connealy, Samantha Bayarr, Allison Pittman, Davalynn Spencer, and Liz Tolsma joining me this year! It’s going to be so special! We’re all writing stand-alone novels or novellas with Thanksgiving playing a big part in the story. Readers loved the idea last year, and this year is already surpassing all my expectations. I suspect it will grow every year as I plan on keeping it going!
Kaye:What do you think is the most important element that makes a Christian story?
Caryl: To my way of thinking, all Christian stories will be free from on-scene intimacies and cursing. But what makes it ‘Christian’ is at least one character, maybe several, who live their lives seeking God, His Word and wisdom. I try to include themes such as dealing with fear or worry, the value of forgiveness, responding in love when hurt or disappointed instead of anger or bitterness.
This all makes for some great conflict. In TEXAS TEARS, one of the young heroines has a wonderful character arc, from being self-centered and prideful to caring for others as much as herself. So without being preachy, Godly principles are lived out through my folks.
Kaye: In addition to being an author, you also teach creative fiction. Tell me a little about that. How did you get into it? Why do you find it fulfilling?
Caryl: Well, that aspect of my daily activities came from receiving so much help and mentoring as a new writer. I want to give back, help others on their writing journey to be successful by sharing what I’ve been so privileged to learn. We all pretty much make the same mistakes when we first start.
I determined that from editing professionally for eleven years. I put out a great help a few years back in STORY & STYLE, The Craft of Writing Creative Fiction, told in an easy to understand conversational format with tons of examples. It helped me to not repeat the same things over and over.
Writing creative fiction is different from every other kind, and it can be learned. The same tools—Point of View (POV), scene and sequel, active versus passive, where to open a story to hook your reader, and a satisfying third act, bring the story to an end readers will love and remember.
But the writer must be a storyteller first, and that, I believe, is a gift. And every writer must be willing to rewrite. One of my favorite sayings is ‘Only God writes in stone, the rest of us rewrite!” I googled that one day to quote its originator, and dear Google gave me the credit. I think it might actually have been my husband.
Kaye: How many different series do you have published? Tell me a little about them.
Caryl: I have the two historical romance family saga series, Texas Romance and the Cross Timbers Romance, plus the historical collections I’m in: Lockets and Lace, Prairie Roses (covered wagon stories), Gold Diggers, and Thanksgiving Books & Blessings we’ve already discussed.
As a reader I always loved family sagas and I find I enjoy writing those just as much. I come to love the folks in them. It’s so hard to leave them behind. When my patriarch of Texas Romances passed in book eight, COVERING LOVE, I wept through the writing and the reading at my writers’ workshop!
That series has ten titles, but then there are six extras (so far) I call “Companion Books” with more tales of either ancestors or descendants. And I’ve started the new Cross Timbers that TEXAS TEARS is book three. I have a Red River Romance series of contemporary stories.
The Generations is my Biblical fiction series that so far covers from Adam to Abraham in the generations of God’s book. I love reading Biblical fiction that bring those old familiar characters to life, but am adamant that the fictional story does not deviate from the Bible’s. I mean how dare anyone think they can improve on God’s stories!
Kaye: You are pretty prolific in your writing. How many books have you released in 2019?
Caryl: Seven, and it was almost overwhelming! I believe all of them were over fifty-thousand words, but four of them are full length novels (around ninety to a hundred twenty-five thousand words). If it was just the actual writing, no problem, but being an Indie, I deal with editors and proofreaders — making their corrections and considering their suggestions, getting graphic artists to get the covers done, the formatting of the book’s interior, uploading to publish at Amazon, then the marketing with ‘Cover Reveal’ and ‘Launch’ events, and always on-going promotion.
Kaye: How big a part does networking play in the success of Christian writers?
Caryl: Huge. Christian authors for the most part all help one another. It’s beautiful how there’s so little jealousy and infighting in the community. The large majority want to see the others succeed as much as we want to be successful ourselves, so it just makes everything run so smoothly. And in God’s economy, everyone involved in any project or endeavor walks away blessed.
Kaye: What is your greatest writing accomplishment to date?
Caryl: There is one novel, my first ‘Companion Book’ that went back to the ancestors of the family first met in book nine MIGHTY TO SAVE, the Harrises, who I love. Its title is THE BED WARMER’S SON. One reader says it is her favorite all-time book of all the ones she’s read. Many called it the best of the best or my Magnum opus or my piece de resistance. I love the story, too, and have been thrilled at its reception!
Kaye: What’s next for Caryl McAdoo? What can your readers look forward to seeing from you in the future?
Caryl: Well, I’m planning five new titles in 2020. One for each of my collections — Prairie Roses, Gold Diggers, and Thanksgiving Books & Blessings, a special year as the authors will all set their stories in the Civil War era—and the Sweet Americana Sweethearts’ collection lockets and Lace, plus an extra story LEAVIN’ TEXAS for the Cross Timbers Romance Family Saga series. That one is coming in January. I’ve just passed the sixty thousand word mark writing that one.
Caryl: Thank you so much again, Kaye for inviting me to share with your readers! I so appreciate the opportunity and would like to offer a GIVEAWAY for them! For one of those commenting, I’ll send a print copy of either family saga’s book one—VOW UNBROKEN or GONE TO TEXAS, winner’s choice—AND—an eBook of the same to a second winner, so readers in other countries can win, too! (Print books to U.S. only please)
Please answer this question to enter: How many books do you prefer in a series like mine and how many is too many? (if there is such a thing)
Thank you so much Caryl for joining me here and sharing with my readers. This has truly been a fun interview. I hope everyone will be sure to take part in the giveaway by responding to her question. You can learn more about Caryl McAdoo and her many books on her website or on her Amazon Author page. And don’t forget to pick up your copy of Texas Tears today, too.
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Mail-Order Misfire, by Davalynn Spencer is a Christian western romance that will touch your heart. The story is well-crafted and entertaining, with well-developed characters that you can invest in, and setting details accurate to time period for authenticity. You’ve got to love young Gracie as she takes on the role of matchmaker for her unsuspecting father. It expertly portrays the Christian values of the historic west with a flare that draws you into the story and won’t let go.
Etta Collier is recently widowed and desperately looking for a way to get out from under the predatory banker who wants to claim all that her William left behind in this world, including her! A well-intended letter from young Gracie Stidham requesting a mail-order bride for her father and mother for herself, provides the only answer in sight, so she packs a bag and leaves her previous life behind, setting off for Lockton, Colorado with hope in her heart, as well as a fear of what might lie ahead. The results are a true love story as Etta, Gracie and her father Burn, who is both the preacher and the sheriff, come to terms with the rather awkward situation her arrival stirs and learn to love one another.
Mail-Order Misfire is a thoroughly engaging western romance that emphasizes Christian values without being ‘preachy’ in the least. An well-crafted example of Christian fiction that I give five quills.
Mail-Order Misfire is book two of the newly released Thanksgiving Books & Blessings Collection, available now on Amazon.