Adversity makes the story

When Donald Trump ran for election the first time, in 2016, he was heard saying that he got his start when he borrowed a half million dollars from his father to start a business. He went on to say that he created a successful business and paid back that loan in something like six months. He was very proud of this feat and used it as an example of what good business sense he has, which he claimed qualified him to run the country. My response to his claim was to think to myself, ‘Yeah, if someone loaned me a half million dollars, I bet I could create a successful business, too.’

Everything I have ever done in my life, I have done on my own. There has never been anyone who would extend me a loan, or support me in my efforts. I’ve had a lot of failures, like the landscaping business I tried to start and got taken to the cleaners by my very first customer, leaving me in debt on the endeavor, but I picked myself up and tried again. Now, I have created a small independent press and I offer author services through WordCrafter. It’s small and I do it all online, out of my home. To me, that is more of an achivement than former President Trump’s multi-million dollar corporation, because I didn’t have any help in getting where I am today. I struggled to overcome all obstacle that stood in my way, and I built my business a little at a time, without loans or other help from anyone. To me there is no real story in what Trump did, but the road to success for me has been paved with obstacles and setbacks to overcome. He may be a lot richer than I am, but my story is ever so much more interesting.

Several years ago, one of the nurses that I worked with came up to me and told me how happy she was to learn that I had continued writing after my son died. She said that it meant that I was healing. The truth was, after Mike died, I had to write. I had so much grief boiling inside me that my only recourse was to write and let it all flow out. After Mike died, writing was what helped me keep my sanity. I wrote poetry. I wrote stories about Mike. I wrote and delivered his eulogy. More than likely none of it will ever be published, but the stuff I wrote during that time was powerful. If I read it now, it still brings tears to my eyes.

The negative emotions- grief, sadness, hate, anger – are all powerful emotions and to write a story that stirs those emotions is to draw your reader into the story and make them care. The positive emotions like love or triumph are powerful, as well, but they are made more powerful if the character has to struggle to achieve them. If the character is happy when the story begins, and remains happy throughout, then it’s really no big deal when he is happy at the end. But, if the character has longed for happiness, struggled to overcome the obstacles that prevent him from being happy, and the reader has been right there feeling his frustration and sorrow along the way, then the reader will be elated when, at the end, the character accomplishes his goal and achieves the ever sought after happiness. The negative emotions are what makes the positive ones that much stronger. In life, happiness is fleeting, easily forgotten as we move on to the next goal, but the negative emotions are always there, just below the surface, waiting to be called forth. They don’t go away. I miss my son now just as much as I did the day he died, and all I have to do is think about him for the tears to start to flow, even eleven years later. The negative emotions don’t fade away, like the positive seem to.

Adversity creates conflict, and conflict is why we keep reading. We have to see how the character is going to overcome whatever obstacles are placed in his way. We must read on to find out who wins the battle, to learn if our character will be triumphant, or if he will be ruined for life. Adversity, or conflict, is the key to writing a good story. Going through the characters struggles with them makes their revenge sweeter, their triumphs more elating, and their love so much stronger. Adversity is what makes us care about the characters.

So, make things hard for your characters no matter what genre you write. Beat them up, make them walk over hot coals, climb mountains, jump out of airplanes, or dive to the ocean’s depths to get the girl, find the treasure, win the race, or achieve self-discoveries. And just when they are at the lowest point they have ever been at, and it seems that there is no way to come out ahead, throw a burning building in their path, raise the stakes, throw in a ticking time bomb. Don’t make it easy for them. If a good looking guy walks into the bar and sweeps the girl off her feet without even blinking and there is no one to object, no one will care if they live happily ever after or not. When the reader is aware of the price that has been paid to achieve the goal, then your readers will care so much more. Give your characters conflict and adversity. They’ll thank you for it later, and so will your readers.

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Growing Bookworms – Are there benefits to repetitive reading?

“As adults, we know that you might read a complex book and, if you read it again, it allows you to absorb all the different elements over time. It’s true for children too. Not only do children love having the familiarity of their favourite books but the repetition is so valuable.”

DR ELIZABETH WESTRUPP

When my boys were young, they liked to have the same book read to them over and over again. With Greg it was the Farmyard Tales about Poppy and Sam and their dog called Rusty.

Greg was about two and a half years old when he went through this repetitive reading stage. Every afternoon when I got home from work, he would ask me to read Farmyard Tales to him. It was fortunate for me as I was pregnant at the time and busy working on a big transaction; Greg’s love of these books enabled me to rest a lot more than I would have been able to if he’d wanted to play outside.

You can find out more about Poppy and Sam here:

Michael went into this book reading stage later. He was about five years old when he decided he loved The Enchanted Wood series by Enid Blyton. I read this book to him so many times I learned sections of it off by heart. Michael also loved the Famous Five series also by Enid Blyton. Thankfully, I was smart enough to get the audio books of the whole series and so I didn’t have to read these to him repetitively. He liked Five go off in a caravan the best and his listening to this story nearly drove me mad eventually.

Five Go Off in a Caravan - Wikipedia

Back to today’s question: Is repetitive reading good for children?

According to a number of child psychologists repetitive reading does have some important benefits, in particular, children take longer to encode information that older children and adults and they forget faster. Repetitive reading helps young children to remember patterns, new and unusual words, and connect key concepts in the story. In other words, repetition helps develop better comprehension.

Repetitive reading also helps children learn to see things from a different perspective and undergo a different learning experience if you add some new nuances into your reading of the same story. It also helps make reading a story for the 20th time more fun.

Two other benefits of repetitive reading are as follows:

1. Children develop language fluency through repetition. It also helps them to learn sequencing and understanding the two concepts of timing and placing in a story;

2. Repetitive reading also helps develop confidence when a child knows the story and is able to remember what happens next. It also enables the child to re-tell the story to peers or a younger sibling.

Some books that are fun to read over and over again to children are the Dr Seuss books. I always find those books a lot of fun to read, even though I have read them many times, including to my own younger siblings.

I’m going to end off with a great quote from Dr Seuss:

The more that you read, the more things you will know. The more that you learn, the more places you’ll go.” ― Dr. Seuss, I Can Read With My Eyes Shut!

About Robbie Cheadle

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Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 2 poetry books.

The 7 Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.

Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.

Robbie has 2 adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories in the horror and paranormal genre and poems included in several anthologies.

Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.

Robbie has a blog, https://robbiesinspiration.wordpress.com/ where she shares book reviews, recipes, author interviews, and poetry.

Find Robbie Cheadle

Blog: https://www.robbiecheadle.co.za/

Blog: robbiesinspiration.wordpress.com

Twitter: BakeandWrite

Instagram: Robbie Cheadle – Instagram

Facebook: Sir Chocolate Books

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Book Review: Mudflap – A character concept many of us can identify with

In Mudflap, by Jay Alden Bailey the character’s name isn’t really Mudflap, but that is the name he identifies with because life always seems to be throwing him under the bus. We’ve all been there, so the character concept is easy to identify with. Every time Mudflap gets up, life knocks him back down again. But he just keeps getting back up again, even starting over from step one when necessary. This story makes a suttle social commentary as Mudflap’s tale unravels that readers with a keen eye will be sure to pick up on.

Sharing in the life and experiences of Mudflap makes one appreciate the circumstances in one’s own life more. If you need cheering up or are just looking for a chuckle, this story is for you. I give Mudflap four quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Mind Fields – Marketing to Obsessive Compulsives: Is It Fair?

Mind Fields

Marketing To Obsessive Compulsives: Is It Fair?

May 16, 2021

That’s not supposed to be a funny title, but it is certainly ironic. Aren’t we all slightly OCD? Isn’t the condition of compulsiveness generic to our culture? Isn’t it nurtured, encouraged, normal, to be obsessive when we’re bombarded with messages to buy stuff that we don’t really need? I’m compulsive. Is there a difference between being compulsive and being an addict? There is, but it’s a question of degree. An addict is compulsive beyond reason, dominated by compulsions that create a self-harming syndrome. A “normal” obsessive compulsive is just another citizen of modern times. 

This subject began to entice me when I went hunting for a new camera. I don’t really need a new camera, but my current camera is from 2013. That is ancient in terms of digital cameras and their markets. It’s like having a thirty year old dog. The compulsion to upgrade is generated by massive commercial influences. It’s Canon and Nikon, Pentax and Fujinon. Asian conglomerates pour a lot of money into creating an itch, for the latest gear. The two big companies, Canon and Nikon, continue to manufacture upgrades and new iterations of the same basic camera features. Mostly what the newest cameras do is focus faster and weigh less. A lot faster. A lot less. And they cycle frame rates at 20 shots each second. This enlivens the “lucky shot” school of photography, meaning everyone who shoots with a camera. I bought my first digital camera eighteen years ago. It was an Olympus that featured a 2.1 megapixel sensor. The resolution of camera sensors has taken wings and there are now consumer cameras with 50 megapixels. I own a 20 megapixel camera and it takes beautifully sharp and accurate images. As did my 12 megapixel camera, and my 3.3 megapixel camera.

Do I yearn for the new 32 megapixel camera from Canon? Yes. I can’t help myself. I can’t help wondering what would 32 megapixels look like? One problem is that this kind of gear is really good. The makers of cameras have conquered an array of technical problems that go with acquiring digital images. They are brilliant! How good can these cameras get before CanIkonAx (choose yr company) lunges into our brains and starts taking out the visual cortex to implant image sensors in our heads? 

BUT: people like gear. People enjoy gear, so the in-the-brain-controlled- by -your -thoughts paradigm may have trouble acquiring lift. It may never get off the ground because what’s the fun of doing cool jobs when there’s no gear to play with but a chip of silicon within our bodies?? That may take a few hundred years, when we’ve learned that our very hardware bodies are also gear and there comes with this gear some interesting software. 

I’ve digressed from my original question. Is it fair to market to obsessive compulsives? Who else is there to market to? If you find a person free of neuroses it won’t be a person easily conned by ads and glitz.

To answer the question: NO! It’s not fair. It’s a way of rigging the society to feed the voracious maws of Business. I’ve written elsewhere on the idea that “contempt sells”. We’re treated with contempt every day. It is assumed by highly placed marketers that we’re stupid. We ARE kinda stupid. A lot of our behaviors are stupid and against our own interests. Electing charlatans to high office is stupid, but it happens all the time. Buying TV sets the size of walls is a bit stupid. It’s kind of cool but still, how big does your TV need to be? Do you need a hoist and crane to install it in your house?

Being OCD is the modern equivalent of being religious. In the middle ages one HAD to be religious or the authorities would hunt you down and kill you. Heretic! In our own times it’s consumerism that drives our religion. There are so many ways to drain our bank accounts, so many temptations that leap from our social media and TV to entice us as if with a sexual appetite. 

UHOH! This is the new SEX! No wonder it’s so powerful! People will climb over one another to experience five minutes of pleasure. People do the same thing at a store sale. Climb over each other to save a dollar. Now I get it. 

It’s not fair to market to obsessive compulsives, but there is no one else to whom the companies can market. This OCD, which I will now dub Exogenous OCD, or EOCD, has been created by the forces of modern civilization. 

It is said by some Buddhists that Emptiness is the true nature of reality. Deep inside ourselves we are aware, and terrified, of this condition. We will do a lot to escape from Emptiness. There is a giant misunderstanding about this term, Emptiness. It isn’t Nothingness. It’s Everythingness pouring into Nothingness. Always and now.

The market will be aimed at obsessive compulsives no matter what else happens. There is nothing we can do about it. We are the obsessive compulsives we hope to protect.


Where do you find inspiration?

Many of you may know that I started my writing career as the Southern Colorado Literature Examiner for Examiner.com, but what you might not know, is that I was also a content writer for Demand Studios. And I wrote D.I.Y. gardening articles, because I have always been an avid gardener, so it was an area I was knowledgable in. It’s been many years since I wrote gardening articles, but I still enjoy gardening and landscaping. I find it to be relaxing, soothing – a time when I can contemplate in my mind and find inspiration while engaged in the physical labors of hauling, digging, pulling and planting. So, when I get bogged down or stressed out, I go out and work in the garden to mellow out and regain my center.

Looking out over my yard today, I am taken aback with what I have accomplished over the years. For the first years that I had this beautiful mountain property, there wasn’t much except the natural forest, as far as landscaping goes. I started out by creating a quartz rock garden with a few Irises, which I had transplanted from my old home in Canon City and a few old metal wash pans with rocks placed in them for the birds to bathe in. I added to quartz to that garden for many years, but didn’t do much else as the focus was on getting a cabin built.

I still add quartz to that rock garden; it’s an ongoing process. But I have also collected and added rocks to create paths and what has turned out to be a huge landscaping project. You see, gardening doesn’t just provide inspiration in my writing endeavors, it inspires me in the design of my garden.

It began when I buried a cut-off water tank with the idea of creating a water garden. Then, I buried an old bathtub in the gully running down to the ‘water garden’ and bolted a trellis over it. That first year, I planted mixed flower seeds and Morning Glories to grow up the trellis. I began placing flat rocks around the edges of the bathtub to create an area where I could sit and maintainence the flowers planted in the bathtub easily.

Bathtub Garden Bed

While staying in place due to the pandemic, I had a lot of time on my hands, but not a lot of money, so I set about making my yard into a bird sanctuary – a place where all types of birds, especially Hummingbirds, would be attracted. I have always put out feeders and provided birdbaths in the quartz rock garden, and I’ve always had a good amount of avian visitors to my garden, but last summer was absolutely crazy. In addition to the multitude of Rufus and Allen’s Hummingbirds, I counted over thirty different bird breeds visiting, with more than twenty different bird families nesting for extended stays – Robins, Woodpeckers, Nuthatches, Chick-a-dees, Flickers, Blue Jays, Grosbeaks, to name a few. I went on rock collecting excursions around my property and I began to expand my rock work extensively, and I planted sixty-five Gladiola bulbs and a Butterfly Bush. When the Glads came into bloom, my yard was aburst with color. They were gorgeous. The Hummingbirds thought so, too.

I made a lot of progress last summer and into the fall, and the work continues. It seems to be an ongoing process. I don’t know if it will ever be completely finished, because I seem to always be inspired in new and different ways. This year, the rock work has all come together well, and I added a couple more Butterfly Bushes, Westeria, Daylillies, and a Rose. The quartz rock garden had Iris blooms in both yellow and purple. I planted a wild flower patch near the ‘water garden’ opposite the Pussy Willow, and added a larger trellis and three tier grecian urn planter. I threw some mixed flower seeds and Love Lies Bleeding in with the Glads in the bathtub garden, which has now turned into a small forest in which I can no longer find the Gladiolas. I didn’t know that Love Lies Bleeding could grow so tall and I planted it everywhere, but it certainly makes my yard look spectacular.

Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribing to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.


Paid Writing Opportunity – Call for Short Fiction Submissions

I recently embarked on the journey toward yet another degree – an M.A. in Publishing at Western State Colorado University – and I am studying under the prolific bestselling author and founder of WordFire Press, (and inductee into the Colorado Authors Hall of Fame), Kevin J. Anderson. For one of the publishing projects that must be completed for graduation is a cohort produced anthology. This will be the third year that the publishing cohort at Western has been headed by Kevin, and the third anthology that they have published.

Each of the previous year’s cohorts have produced an outstanding anthologies featuring stories by reputable author names, as well as new discoveries. You can see my review of Unmasked, last year’s anthology, here. The first year, Monsters, Movies & Mayhem received the Colorado Book Award. Both of these exceptional anthologies are available from amazon, your favorite bookstore, or buy direct at wordfirepress.com/gpcw.

This year’s cohort worked hard to develop the theme and guidelines over the past two weeks, and I’m really excited about this anthology. One of the cool things about this opportunity for writers is that it pays per word, if your story is chosen. Since I am a part of the publishing team, I’m not eligible to submit, but all of my readers are. I strongly encourage you to check out the guidelines below, get the gears turning and crank out an original story to submit for this year’s anthology. Feel free to share with anyone who might be interested.

Tips for getting your story accepted: Read the submission guidelines and follow them.

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MIRROR, MIRROR:

Modern Myths

Executive Editor: Kevin J. Anderson

When you’re alone with your reflection, are you prepared for what you see?

A prince in disguise? A monster revealed? An alien race?

Mirrors can be truth-tellers, wish-granters, face-concealers, illusion-makers, even monster-summoners. Maybe the mirror shows an evil twin, or an echo of the life that should have been. Or a portal to another world. 

What happens when it shatters?

Once upon a time, no one knew the phrase “Once upon a time.” You’ve read the classic stories. Now write the lore you’ve always wanted to read. Explore this creative challenge from your own unique perspective informed by your roots, culture, and background. We want original fables, folklore, and fairy tales for an eclectic anthology showcasing a new dawn of an old artform.

Imagine a canon of diverse characters for today’s readers to love and loathe. Gaze into the mirror, whether literally or figuratively—classic or genre-bending, grim or whimsical, as long as it is new and fresh.

We are looking for original short stories (prose poems will also be considered) to include a mix of fantasy, science fiction, horror, magical, and romance elements. Must be appropriate for a “PG-13” audience. Please, no copyrighted characters. Previously unpublished stories only. Women, BIPOCs, LGBTQIA+, neurodiverse individuals, and other minorities are strongly encouraged to submit.

Length: up to 5000 words (firm limit)

Rate: 6¢/word on acceptance.

Rights: First Anthology Rights and audio rights as part of the anthology; rights revert to author one month after publication; publisher retains non-exclusive right to include in the anthology as a whole. 

Due: We are open to submissions from August 30 through October 15, 2021.  

Submit: A Microsoft Word or RTF file in standard manuscript format to 

https://wordfirewestern.moksha.io/publication/2/3/submit

If you don’t know what standard manuscript format is, review, for example, https://www.shunn.net/format/classic/

One submission per person, please. NO SIMULTANEOUS SUBMISSIONS. 

Edited by Kevin J. Anderson with an editorial team provided by Western Colorado University Graduate Program in Creative Writing, Publishing MA students. Anthology made possible by a generous contribution from Draft2Digital.

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Dark Origins – Bluebeard

The fairytale of Bluebeard was the most scary one I can recall hearing or reading as a child. This story is featured in Grimm’s Fairy Tale Classics.

It this version of the story, Bluebeard’s bride is a teenage peasant girl named Josephine. She has been raised by her brothers who are woodworkers. In this version, Bluebeard, a wealthy widower with a blue beard, choses Josephine as his wife because she is beautiful, naïve and desires to marry a prince. The character design for Bluebeard strongly resembles that of the English King, Henry VIII, who had six wives, two of whom he beheaded. After the wedding, Bluebeard gives Josephine a key ring with all the keys to all the doors of his castle. He tells her that she must never use the golden key to open one of the doors.

Of course, Josephine’s curiosity gets the better of her and one day when Bluebeard leaves the castle on business, she opens the forbidden door. Behind the door she discovers the blood splattered remains of the former wives of Bluebeard, all of whom he’s murdered. Josephine is saved by her brothers before she can suffer the same fate as Bluebeards previous wives.

Blue Beard in Tales of Mother Goose (Welsh).png
Picture from Wikipedia

There are two possible sources for the story of Bluebeard.

The first theory is that the story of Bluebeard was based on the life of 15th-century convicted Breton serial killer, Gilles de Rais.

Gilles de Rais was a knight and lord from Brittany, Anjou and Poitou. From 1427 to 1435, he was a commander of the French army and fought alongside Joan of Arc against the English and their Burgundian allies during the Hundred Years’ War.

In 1434 or 1435, Gilles retired from military life and became a spendthrift, staging extravagant theatrical productions of his own composition. In June 1435 his family persuaded King Charles VII to proclaim a royal edit preventing him from selling his property and from entering into contracts with any French subject.

In 1438, Gilles became involved in alchemy and demon summoning.

According to his confession at his trial in October 1440, de Rais said he committed his first child assaults in 1432 and 1433. The first murders occurred at de Rais’ castle in Champtocé-sur-Loire. Murders of an unknown number of children took place after de Rais moved to Machecoul. de Rais was believed to have sexually assaulted the children before killing them. The bodies were burned in the fireplace in de Rais’ room. The number of de Rais’ victims is believed to be between 100 and 200 children aged between 6 to 18 years old and predominately male.

He was executed by hanging and burning on Wednesday, 26 October 1440 along with his two accomplices, Poitou and Henriet.

Picture of the execution of Gilles de Rais from Wikipedia

Another possible source for the story of Bluebeard is early Breton king, Conomor the Accursed, who was notorious for his cruelty. According to the biography of St Gildas, a 6th century British monk, Tréphine married Conomor after he threatened to invade her father’s lands and kill his people.

While Conomor was away, Tréphine found a secret room containing relics of his deceased wives. She prayed for their souls and their ghosts appeared and warned her that Conomor will kill her if she becomes pregnant due to a prophecy that states he will be killed by his own son.

According to legend, Tréphine fled when she discovered she was pregnant and gave birth to her son, Trémeur, in the forest. She hides her son but Conomor finds her and beheads her. St Gildas restores her to life and she and her son live lives of saintly retirement until Tréphine dies. After her death, Conomor finds Trémeur and kills him.

Both Tréphine and Trémeur are deemed saints in Brittany and there are many churches dedicated to them.

Copy of St Tréphine from Wikipedia

Based on these two stories, I was quite right to be scared of Bluebeard when I was a child.

About Roberta Eaton Cheadle

Roberta Eaton Cheadle is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.

Roberta has short stories and poems in several anthologies and has 2 published novels, Through the Nethergate, a historical supernatural fantasy, and A Ghost and His Gold, a historical paranormal novel set in South Africa.

Roberta has 9 children’s books published under the name Robbie Cheadle.

Roberta was educated at the University of South Africa where she achieved a Bachelor of Accounting Science in 1996 and a Honours Bachelor of Accounting Science in 1997. She was admitted as a member of The South African Institute of Chartered Accountants in 2000.

Roberta has worked in corporate finance from 2001 until the present date and has written 7 publications relating to investing in Africa. She has won several awards over her 20-year career in the category of Transactional Support Services.

Find Roberta Eaton Cheadle

Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com

Twitter: https://twitter.com/RobertaEaton17

Facebook: https://www.facebook.com/robertawrites

Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5

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Want to be sure not to miss any of Robbie’s “Dark Origins” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.


Capturing Enlightenment: A brief tale of humor

Buddy and Holly came bouncing up to Egbert, ready with any number of humorous things to say to tease him. Teasing Egbert was one of their favorite pass times. Buddy liked to say that Egbert wasn’t one of the brightest bulbs in the batch, and Holly usually commented on the squirrelly round glasses that magnified his eyes and made them appear to be popping out of his head, or the way that he stuttered when he talked. When they ran out of jibs on those subjects, they could always make fun of his name, telling him that his mother must not like him at all to give him a name like that; obviously, she didn’t love him or she would have given him a better name than Egbert, uh! Usually long before they got that far the tears were running down Egbert’s face. Sometimes he started tearing up as soon as he saw them coming.

That wasn’t the case today. Today, Egbert was actually happy to see them. He had something wonderful to show them and it was so special that once they saw it, they wouldn’t make fun of him anymore. “Hi Buddy! Hi Holly!” he said, heading over to meet them with a huge grin on his face.

“What are you so happy about, Egg Head?” Buddy asked.

“Yeah. You look ridiculous. That grin is almost bigger than your face. Close your mouth, so I can see you.” Holly said with a giggle.

“Wait until you see what I found!” Egbert said. “You guys aren’t going to believe this.”
            “Oh, right,” Holly replied. “What could you possibly have that would even interest us?”

Egbert grinned even bigger as he looked from Buddy to Holly, and back to Buddy again. He was absolutely beaming with excitement.

Holly looked over at Buddy uneasily. When he glanced back at her, the uncertainty showed in his eyes.

Finally, Buddy broke the silence. “Well, are you just going to stand there with that silly grin on your face or are you going to show us whatever it is that you found?”

Egbert came out of his reverie. “What? Oh, yes of course. Just wait until you see!” He turned, running back toward his house, leaving the two of them standing there in puzzlement.

They looked at one another. “What do you think has him so excited?” Holly asked through the side of her mouth in a hushed voice, but Egbert could still hear her.

“Probably some old seashell from the beach or something,” Buddy replied.

“I don’t think so. He wouldn’t show us something like that anyway because he knows we’d just take it from him if it was cool or smash it if it wasn’t.” Holly said. “Besides, don’t you think it’s weird that he hasn’t stuttered at all?”

Before Buddy could answer, Egbert came racing around the side of the house with a jar which glowed from within.

“A firefly?” Holly said in disbelief. “We’re supposed to be impressed by a firefly?”

Egbert shook his head. “It’s not a firefly.”

“Then what is it?” Buddy asked. “It sure looks like a firefly to me.”

“Does it look like a firefly?” Egbert said, holding the jar up higher, so that they could see better. They squinted as the light coming from the jar seemed to get brighter, much too bright to be produced by a little firefly. Finally, they turned away, unable to look directly at it.

“Actually, that doesn’t look like any firefly I ever saw.” Buddy admitted.

“I told you, it’s not a firefly,” Egbert said.

“So, what is it? What did you find?” Holly asked. Egbert now had their full attention.

Egbert beamed and grinned once more. “I found enlightenment! I was playing down at the beach, when I saw it sitting, half buried in the sand. I scooped it up and carried it home and put it in this baggie for safe keeping.”

Buddy was skeptical. “Enlightenment? How do you know that’s what it is?”

“Because I can feel it.” Egbert replied. “I know things now that I didn’t know before.”

“Like what?” asked Holly.

“Like I know that you guys aren’t really bad people. You only do all of those mean things to me because you don’t feel very good about yourselves.” Egbert replied.

Buddy and Holly looked at each other nervously. Then they looked back at Egbert.

“It’s okay. Don’t be afraid,” Egbert said. “I also know now that all the things that I dreamed about doing to get back at you came from petty feelings. I want you guys to be my friends, just like I always wanted, only now I know that I don’t have to change who I am to do that.”

Buddy shuffled from foot to foot nervously. Usually ready with a smart comeback to anything, it seemed he suddenly had nothing to say.

Holly eyed Egbert distrustfully. “What do you mean?”

“Here,” Egbert said, holding the bag up closer to them. “If you just feel it, you’ll understand everything.” 

“That’s okay,” said Buddy, backing into Holly.

“What are you afraid of?” Egbert asked.

“I-it’s nothing.” Holly said, stumbling over her own feet to get out of Buddy’s path. “I-it’s just that, well…, w-what if you’re wrong?”

Suddenly, Buddy found his voice. “Yeah, that might not even be enlightenment at all. Even if it is, how do we know that that is something that we would want to have any part of?” He spoke bravely, but he kept backing away.

“Doesn’t everyone want enlightenment?” Egbert asked, truly puzzled by their strange behavior.

“I’m not sure that I d-do.” Holly said, stammering the words. “L-look at y-you. L-look at the ch-changes that it has m-made in you already. And l-look at m-me, too. I d-don’t know w-why I’m st-st-stuttering all of a s-sudden!” Tears streamed down Holly’s face. She turned, rushing out of the yard and down the street.

“Hey wait, Holly!” Egbert called after her. “I know a good speech therapist. I’ll give you her card.”

“I uh, I think I should go and see if she’s okay.” Buddy said, running out of the yard, as well.

As he watched him go, Egbert got another grin on his face, this one however, had a sly cast to it. “Tsk. Tsk.” he said, shaking his head. “My speech therapy finally paid off. I really thought that they would be more impressed.” He opened the jar and lay it down in the grass where two small winged beetles crawled out and seperated from one another before flying away into the night. “Imagine getting so upset over two little glowbugs.” Egbert chuckled to himself all the way back into his house.

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The Many Faces of Poetry – So Many Poets

The Many Faces of Poetry

So Many Poets

By Arthur Rosch

Only I understand my own poetry.

If I read another poet

and get to the end of the poem

without being bored,

that makes her

a good poet.  People tell me that William Butler Yeats

was a great poet but I’ll be damned if I understand him.

There are poets who play games with words

in such a way that the poetry bends the wind so that it ties knots in itself.

Listeners are embarrassed at their lack of comprehension.

So they applaud, to hide their gullibility, and the poet goes on to become a great

poet with audiences at colleges and books on shelves at stores.

Another kind of poet writes in plain English

but his narcissism makes him seem

as if he’s holding back a fart.

For god’s sake write in plain English. Or French.  Or Serbo-Croatian. 

Let’s start again.

I love MY poems.  I love Pablo Neruda’s poems, just because I do.

e.e. cummings?  Hey, come on.  What a goofball.  And Bukowsky; that’s as close to

real as poetry ever gets.

There are too many leaves and geese in Mary Oliver’s stuff.  She’s obviously wise;

I hate poets who are wise.  They fill me with envy.  I’d like to be wise.

I don’t like poetry very much.  There’s such a to-do over it, but hardly anybody

gives a poet money.  Rich poets are always terrible.  It isn’t about the poetry.  It’s about the poet.  We need poets,

badly, desperately.  But we don’t need poetry at all.  So I guess the best thing

is to be a poet who doesn’t write. 

Just don’t tell anyone about me.

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Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award.

Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016. His other works include his memoir, The Road Has Eyes, and his science fantasy novel, The Gods of Gift. Arthur’s lates release is a poetry and photography collection Feral Tenderness.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

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“Watching Glass Shatter”: Some secrets are better left buried

Watching Glass Shatter

In Watching Glass Shatter, by James J. Cudney, secrets threaten to destroy a family and a legacy with the solidest of foundations. Olivia is a staunch matriarch who controls with an iron fist, or so some have said. When her husband Ben dies in a car crash, she is forced to take a close look at herself as she struggles to deal with the huge secret that he kept from her in what she thought was an open and honest marraige. Once it is dropped in her lap, she must decide how to handle this new knowledge that has the potential to rip apart the life of one of her five sons and change their familial relationships forever.

Olivia decides to spend some time with each of them before making her final decision, but the closer she gets to her sons the more secrets she learns that her family is harboring from one another, each with the potential to destroy family bonds and crumble all they have worked for. This family drama would be worthy of a television soap-opera series, such as Dynasty or Dallas.

The Glass family is well off, having built up a successful law firm which was to be the family business. Although the story is well-written, it seemed to me that things seemed to resolve a little too easily to be fully believable to me. It is a very different world in which I live, but maybe money does bring with it the solutions to many of life’s difficulties more easily. I give Watching Glass Shatter four quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.