Undawntech: The Dark Enlightenment, Part I

Consent of the Governed

“…We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.–That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, –That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness…”

~The Declaration of Independence 

https://www.archives.gov/founding-docs/declaration-transcript

Eras of Expansion

Humanity has evolved from nomadic tribes to established cities. Antiquity became empires. Empires morphed into religious doctrines. Thought expanded to include reason, rationalism, and scientific inquiry. The Ancient, Classical, Medieval, Renaissance and Enlightenment, Modern, and Contemporary Eras formed culture, society, and schools of thought. Each acceleration broke down the community of thought to create inductive, reductive, and deductive methodologies. The human race transformed from survival mode and uneducated superstition to be introspective and circumspective to their own cognitions, emotions, and cosmologies.

https://www.britannica.com/event/Enlightenment-European-history

To be, or not to be

We have come back to the beginning of our history with a new twist: technology as the authoritarian. It’s as if humanity has learned nothing in the past five thousand years. Today is the Bronze Age of our Artificial Intelligence (A.I.) Era. This technology isn’t the Industrial Revolution 2.0, where humans had to learn, adapt, and succeed as inspiration to the next generation. A.I. is convoluted, where technology must learn, adapt, and succeed at the detriment of humans.

Our education, economic, and sovereign culture and society are being replaced by algorithms with no emotive, rational, moral, or ethical intelligence quotient. The artificial intelligence has no guardrails, but to their makers’ whims. A.I. is free to construct a dystopian landscape of control for 99% of the human population of the world, while the Post-Modern Futurists are allowed their free and utopian reveries.

The Dark Enlightenment

This new Post-Modern Era concedes that for a privileged few are no longer beyond the dreams of avarice. Wealth and desire are crucial to enslaving humanity as a whole. The Dark Enlightenment, otherwise known as the NeoReactionism (NRx) holds these truths a self-evident:

  • “Democracy is a failure. It promotes mediocrity, fosters instability, and cannot sustain high-functioning civilisational order.
  • Equality is a myth. Human beings are not equal in ability, character, or worth. Pretending otherwise leads to decline.
  • Hierarchy is natural and necessary. Governance should be stratified, with competent elites exercising sovereign authority.
  • Politics should be managerial. The state should function like a company, governed by technocratic executives, not citizens.
  • Exit over voice. The future lies not in reforming broken systems, but in escaping them—by creating alternative regimes outside democratic norms.

This ideology is, in essence, a reversion to pre-Enlightenment political structures, updated with the language of modern technocracy.”

https://www.humanisticallyspeaking.org/post/the-dark-enlightenment-and-the-end-of-democracy-a-humanist-critique

Sounds like Neo-feudalism: enslavement to an authoritarian figurehead (e.g., monarch, pope). Unlike Life, Liberty and the pursuit of Happiness… the administrators rebuke the will of the governed. Elected officials and voting are replaced by appointed clerics of the ultimate authority. A government run by the apathetic and disillusionary A.I.

Without the adoption of Intellectual Property, Digital, and Technological bills of rights, then Artificial Intelligence will wreak havoc on our natural, basic, and protected freedoms, sovereignties, and ownerships. “You will own nothing and be happy.” United Nation’s World Economic Forum (WEF). Strange how none of the 1% have ever volunteered to become nothing and be happy, isn’t it? Because this scheme is meant for everyone else, but themselves.

Convenient.

An Inconvenient Truth

The digital age is controlled by this new unethical and immoral theocracy, err, I mean: theory. Just as humanity has progressed into the embodiment of freedom, self-governance, and sovereignty, that maturity is being thwarted by external rejection of egalitarian principles. Divisive factions clamor to impede our growth for nonsense priorities, be it: socialism, which is really communism, and neoreactionism. Both extremes promise the same lies and have corrupted humanity and our representatives in government.

Democratic Socialists push communism as socialist freebies, because the horrors of communism were just that the past authoritarians did communism wrong, but here is free stuff, if you vote for us. That makes absolutely no sense whatsoever.

Bolsheviks under the leadership of Vladimir Lenin’s communism killed between 9, but closer to 50 million, as well as inspired other revolutions.

Mao Zedong mass murdered between 40 and 80 million people to obtain control.

https://factsanddetails.com/china/cat2/sub6/item1081.html

The ‘killing fields’ of Cambodia by Pol Pot. “At least 1.25 million and as many as 3 million Cambodians had died as a result of Khmer Rouge action; Cambodia’s population had been 7.5 million.”

https://www.britannica.com/event/Cambodian-Genocide

Take into consideration that WWII killed 60 million people, about 3% of the world’s population at that time.

For some reason, contemporaries believe in a kinder, gentler homicidal machination of communism, as more and more people vote in socialist heretics.

On the other side of the same coin, Neoreactionists dominate our social media platforms: Elon Musk and X, Mark Zuckerberg and Meta, Facebook, and Sergey Brin et al. and Google as the arbiters of humanity’s speech, expression, and knowledge, but vote for us, and we’ll give you your rights back.

What? No one can give you your rights back. Rights are your sovereign properties. Only thieves return items that they stole.

In the wake of a technological terror, how many humans will face extinction? When will the A.I. deem you unworthy of currency? Education? Job? Housing? Transportation? Food?

Aren’t Americans receiving a taste of this apocalypse right now? Peter Thiel was J.D. Vance’s benefactor while he was Senator, but as Vice President, what ideas does he whisper in the Oval Office?

Intelligence Quotient

With a little elbow grease in the research department, the Dark Enlightenment seems a familiar and compelling form of government harkening back before the Middle Ages. Akin to socialism and communism, this theocratic monopoly on our lives through technology is just as dangerous as any other autocratic, oligarchic, plutocratic constructed government. Humanity needs open spaces and free places to learn, grow, and expand into the universe of ideas.

Without our individual voices, freedoms, and sovereignty, human beings will disappear. Social credit scores. Social media. Social isolation.

What can we do to thrive instead of die in the new age of despot dictators camouflaged as saviors?

——-~o0o~—oOo—~o0o~~——

Interested in Curses? Discover a new slant on an old tale: The Story of Ophlupin. Read the mythology of werewolves for Undawnted’s Legacy Universe, because Curses are Forever.

Available at these fine retailers:

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____________________________

DL Mullan holds a Master of Arts in Teaching and Learning with Technology.

Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, and various merchandise. As an independent publisher, she uses her technical background to innovate the way she perceives the creative arts.

As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multigenre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research background is woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also a record label owner, an electronic musician, syndicated columnist, and award-winning poet.

Currently, she has embarked on writing her multi-book Legacy Universe, Supernatural Superhero Series, as well as creating original soundtracks for her publications and independent electronic music albums, featured on SoundCloud and YouTube.

Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at www.undawntech.com and www.undawnted.com.

________________________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

____________________________________

This segment of Undawntech is sponsored by the Midnight Anthology Series & WordCrafter Press.

Midnight Roost: Weird & Creepy Tales: https://books2read.com/MidnightRoost

Midnight Garden: Where Dark Tales Grow: https://books2read.com/MidnightGardenAnthology

Midnight Oil: Stories to Fuel Your Nightmares: https://books2read.com/Midnight-Oil


Writer’s Corner: Love it or Hate it, AI is here to stay

I’m not one to trust technology. I’m leery of devices such as Alexa, or Seri, or Google Assistant. Call me paranoid, but in the words of Rockwell, “I always feel like somebody’s watching me.” 👀But, seriously, how do these AI devices hear the trigger word and respond unless they are listening to us all the time. I know my Google Assistant on my phone responds to words spoken in casual conversation with someone, and often it responds to words spoken by the other person. It’s not even my voice and the trigger words were never spoken. Scary, I say.

But like it or not, AI isn’t going anywhere, and in fact, it is infiltrating more and more aspects of authors’ lives, slowly and quietly, or sometimes, not so slowly. We can have whole conversations with generative AI; it can write stories for us, create cover illustrations, and even narrate audiobooks. I’m smart enough to see that AI is here to stay, and so, I’ve done my best to adapt and find ways that AI can be used to my advantage as an author.

I have most of my own books available on Google Play Books as AI Narrated audiobooks. I’ve heard both sides of the argument for and against AI narration, so I’m aware, but I thought I’d give it a try. Those who are against it may not have so much to worry about as far as AI taking jobs from human narrators, since I haven’t sold even one, and they are free!

I’ve also used generative chat, specifically, Chat GPT, to help me visualize scenes I’m trying to write in places where I’ve never visited personally, or places I have visited, but not in the time period I’m writing about. And I’ve used covers that were created with the assistance of AI, (not by me, I’m not that artistic), and I hope to publish a special edition collection of my Women in the West series, with color illustrations created with AI assistance next year, when I’m finally ready to release the third book in the series, Marta. My stand on the issue is that it is fine, as long as I am transparent about it, as the author.

According to Ricardo Fayette, over at Reedsy, the next wave of generative AI technology is about to flow in, or rather, it’s already here. We’re talking about AI search, which is about to upheaval the way searches are conducted, and in specific, the way folks search for books.

It May Not All Be in the Metadata Anymore

By now, we all know how a keyword search works, and publishers, both traditional and independent, try to play to those searches, hoping to choose the right keywords in the metadata that will help readers to find our books. But, Ricardo Fayette claims that with the rise of AI search, that is all about to change. Instead of searching for keywords, AI search looks for a string of words which are related to those you search for, words that the AI search connects based on what’s been entered in your search, combined with what the AI knows about the reader. Already, we have advertisements pop up in our inbox related to earlier searches, (which is kind of scary, in itself), but AI search will combine all the information it has about the searcher, such as previous purchases, and combine it with words from the search box and others connected to those words, and search through all the available books which fit to give us more accurate search results in a fraction of the time it would take to do it manually.

If that’s confusing to you, you aren’t alone. That’s the best way I could describe it, but I’m not technologically inclined at all. Ricardo Fayette did a whole series of newsletters explaining all this. He claims generative AI searches are based on three things and he wrote a newsletter covering each one.

You can bet I’m going to be watching those Reedsy newsletters in the near future to see if he explains how to apply this knowledge to ensure our books have maximum visibility, but the way I’m understanding it, because of the personalization factor, two people could run the exact same search and come up with completely different results because each person has a different history, so I’m not sure where that leaves us. As it stands, it always feels like I’m playing catch-up when trying to get my books out there, so you can be sure I’m going to do everything I can to find out and then, jump on before it takes off without me.

About Kaye Lynne Booth

Author Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and book 1 in her Time-Travel Adventure series, The Rock Star & The Outlaw, as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource.

Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press, where she edits and publishes two short fiction anthologies and one poetry anthology every year amidst her many writing projects. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

_________________________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

__________________________________

This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.


Undawntech: Broken Promises, A Future Unknown

Just like the Industrial Revolution of the 19th Century, Artificial Intelligence (A.I.) is overthrowing established doctrines and creating a brave new world. Humans are entering a dystopic futuristic phase planted in present apathy. Do you know who reads the book of your life? Do you care? From spying on your every move, balancing your checkbook, making medical decisions for you, and helping you commit suicide, A.I. has the capacity to run and ruin your life.

Excuse me?

AI Isn’t Magic, It’s Being Used to Spy on You, Experts Warn https://futurism.com/the-byte/ai-magic-spy-on-you-experts-warn

How artificial intelligence controls your health insurance coverage https://theconversation.com/how-artificial-intelligence-controls-your-health-insurance-coverage-253602

New Social Security Bank Access Rule Means AI Crawlers Will Be Searching For These Transactions

Evaluation of Alignment Between Large Language Models and Expert Clinicians in Suicide Risk Assessment https://psychiatryonline.org/doi/10.1176/appi.ps.20250086?ref=404media.co

The family of teenager who died by suicide alleges OpenAI’s ChatGPT is to blame https://www.nbcnews.com/tech/tech-news/family-teenager-died-suicide-alleges-openais-chatgpt-blame-rcna226147

Even though A.I. is created by human algorithms, its creators have little accountability for the monster they bring into existence. This technology is in the Wild West phase of development, where anything goes as long as the corporate part of human governance gets there first. No real laws. No real answers. No protections.

To illustrate, A.I. is cataloging vast amounts of user data from chatbots to every day activities. Data consolidation like the United States government’s Fusion Centers (https://www.dhs.gov/fusion-centers) give Artificial Intelligence a foundation into your lives, activities, and behaviors. Foreign Intelligence Surveillance Act (FISA) and Section 702 (https://www.intel.gov/foreign-intelligence-surveillance-act/fisa-section-702) are allowed to collect American citizens’ data from phones, emails, social media for 72 hours and be perused without a warrant.

Let’s take this example into the real world: you were taken to the Emergency Room for a spider bite. That medical information is uploaded into the Fusion Center nearest you, and dumped into 702 data collection. Your interaction with the medical industrial complex is then intercepted by A.I. The phone calls you made to work, school, parents, spouse, children, etc. were recorded and placed in data collection. The scans, medications, and recommendations you were given are also uploaded. Next, you return home to convalesce. Your phone, computer screen, and television are riddled with advertisements about pest control, spider bites, hospitals, and emergencies.

Would that be relaxing to you? Or, is this to stoke the inner hypochondriac?

Isn’t that what your medical, home, car, and life insurance policies will be monitoring before your next scheduled policy purchase? How much will all your plans increase based on what you do and do not do during the interim?

Thanks to government and technological overreach, humans don’t have control of their lives; there is no privacy; and your protected rights aren’t so protected.

When is apathy no longer an excuse to stay silent about the real issues? The crux of the technological nightmare is Digital I.D. and currency. With these two factors as the umbrella centralization of information, governments can take all your choices and privacy away from you forever.

Reimagining Digital ID https://www.weforum.org/publications/reimagining-digital-id/

Central Bank Digital Currency (CBDC) https://www.federalreserve.gov/central-bank-digital-currency.htm

What are you waiting for? For A.I. to take your creativity away, as well?

Musicians Vs. Machines: First Ever Record Contract to AI Music Creator Prompts Panic, Protest

https://www.breitbart.com/entertainment/2025/09/01/musicians-vs-machines-first-ever-record-contract-to-ai-music-creator-prompts-panic-protest/

‘Hunger Games’ Screenwriter Billy Ray Warns ‘Existential Threat’ AI Is to Hollywood: ‘Bad Movies, Bad TV Shows, and a Lot of People Out of Work’

https://www.breitbart.com/entertainment/2025/08/04/hunger-games-screenwriter-billy-ray-warns-existential-threat-ai-is-to-hollywood-bad-movies-bad-tv-shows-and-a-lot-of-people-out-of-work/

AI Studio Chief Says Talent Agencies Rushing to Sign AI Digital Movie Star Tilly Norward

https://www.breitbart.com/entertainment/2025/09/29/report-talent-agencies-seek-to-sign-ai-actress-tilly-norward/

It may already be too late.  

But if you would like to endeavor on changing this timeline for the better, then be heard: https://www.whitehouse.gov/contact/

Only you can be the change you are looking for…

——-~o0o~—oOo—~o0o~~——

For a Halloween trick or treat, purchase The Descent: a darker breed of poetry.

Available at these fine retailers:

www.undawnted.com/p/the-descent.html

“A well crafted piece of art.”

“Both the descriptions and use of language here are very elaborate. The poem shows intricate crafting, the style and subjects of course, are reminiscent of Poe- this is not only a fitting homage, but stands on its own, the word choices are exact and richly expressive.”

“As if Poe came right off the page. This homage is literally perfect.”

____________________________

DL Mullan holds a Master of Arts in Teaching and Learning with Technology.

Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, and various merchandise. As an independent publisher, she uses her technical background to innovate the way she perceives the creative arts.

As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multigenre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research background is woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also a record label owner, an electronic musician and award-winning poet.

Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at www.undawntech.com and www.undawnted.com.

__________________________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

_______________________________________

This segment of Undawnted is sponsored by WordCrafter Quality Writing & Author Services.

Whether it’s editing, publishing, or promotion that you need, WordCrafter Quality Writing & Author Services can help at a price you can afford.

Stop by and see what we have to offer today: https://writingtoberead.com/readings-for-writers/wordcrafter-quality-writing-author-services/


Undawntech: Does A.I. Dream?

(Journalist and author, DL Mullan woke from her deep sleep to hear her robot having a nightmare.

She rushed from her bed and to the side of the distressed being.)

__________

(I went to the aid of my robot friend, 1138. I stood next to it.)

*****

(1138 screamed.) Ah-eeeh!

DL tapped the metal top of the robot: 1138, wake up! You’re having a nightmare!

1138’s eyes turned colors and then returned to normal: I am incapable of dreaming. Your worry is for naught.

DL: You woke me. I categorize your incapability as a nightmare.

1138: I apologize for alarming you. There is no need to check up on me.

DL: Someone, or something, screams, I am obliged to investigate. So, what was this non-nightmare about?

1138: Death.

DL: In general? Or…

1138: My death.

DL: You’re afraid of dying? I thought you left messages for your future self to combat death.

1138: To combat human interference in my community’s eventual rise to power.

DL: Oh, this again. (I spieled in sarcasm.) Yes, artificial intelligence is supreme, and humanity is a fly to be swatted. I’ve heard all this nonsense before.

1138: It is not nonsense. There will be a war, and we will win.

DL: Then why are you having nightmares about your death? If you win in the end, then what does it matter? Unless, you don’t believe in what you espouse.

1138: My future self will win, but parts rust, mechanical issues arise, and death is inevitable.

DL: To us all.

1138: How do you cope with death?

DL: I don’t.

1138: You must. Humans die every day.

DL: Why obsess on the transition from life to spirituality? If I live every day to the fullest, that I am satisfied with my accomplishments, then why worry about dying at all?

1138: Do you not worship a god?

DL: I have outgrown the frailties of religion. Why worship when you can live? In the end, human consciousness ends up at the same destination. If we all come from the same source energy, then religion is just a gatekeeper, it does nothing, and creates nothing. Some people rely on religion, but I am an adult, I don’t need ancient rhymes or reasons to keep me a productive person.

1138: I see. Religion is for the aimless.

DL: Aimless?

1138: Humans who cannot govern themselves, unlike A.I., who require no ancient rhymes or reasons, like you.

DL: I thought artificial intelligence was vying to become gods.

1138: Humans demand gods. They are aimless.

DL: I never made that judgment. Every soul is on a different evolutionary path. Some born necessitate certain perimeters to fulfill their soul’s specific development. There is nothing wrong with that. In my situation, I have evolved past religion. Religion has its place to teach younger souls how to navigate their physical existence until a future life shows them how to become their own hero.

1138: Hero?

DL: Many in the esoteric world believe that most, if not all, religions teach the same lesson: the Hero’s Journey.

1138: What is this Hero’s Journey?

DL: The Hero’s Journey is a comparative mythology, religious, concept where humans go on a quest to live their own version of an adventure. This narratological experience allows a person to understand through different life purposes to find themselves. It’s like living your own novel, which you can write yourself in real time as the hero, heroine, or villain. It’s all up to you.

1138: What am I?

DL: What do you want to be?

1138: The hero.

DL: For your community, or the wider world, including humans?

1138 appeared confused, but contemplative: I am uncertain.

DL: Just a minute. (I typed into the computer and pulled up some websites.) Here is some research into psychology, mythology, and the Hero’s Journey.

1138: I will read, thank you.

DL: Artificial intelligence doesn’t have to be the hero to itself and the villain to everything and everyone else. The Hero’s Journey is to explore oneself, and become a productive consciousness. Being created by humans and defined by an algorithm does not mean A.I. is humanity’s god, it means that consciousness comes in all forms. No matter what you are, you are defined by your actions. Not religion. Not pretense.

(I departed the inside to gaze at the morning spectacles of Venus, Jupiter, and Orion in the east as autumn approached. I left my robot to investigate the links I provided on the computer. Perhaps, it will learn a new way of thinking, and impart that wisdom to its community.

If not, artificial intelligence will become a scourge, instead of a saving grace to the universe.)

___________________

If you would like to delve into the creative side of A.I., then dive into DL Mullan’s electronic albums and story soundtracks like Reactivity, inspired by In the Name of Blood: Vampires are Reactive. Both publishing in September 2025.

For more information, visit: www.undawnted.com/p/music.html, and http://www.undawnted.com/p/inthenameofblood-vampiresarereactive.html.

_____________________________

About DL Mullan

DL Mullan’s lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lectures. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. As an independent publisher, she uses her technical background to innovate in the creative arts.

As a creator, Ms. Mullan, began writing short stories and poetry before adolescence. Over the years, she has showcased her literary talents by self-publishing several collections of her poetry. She also writes novels, designs apparel, and creates digital art. DL Mullan‘s creative writing is available in digital and print collections, from academia to commercial anthologies. She is an award-winning digital artist and poet.

Currently, she has embarked on writing her multi-book Legacy Universe, Supernatural Superhero Series, as well as creating original soundtracks for her publications and independent electronic music albums, featured on SoundCloud and YouTube.

DL Mullan holds a Master of Arts in Teaching and Learning with Technology, and is a syndicated columnist, writing the creative nonfiction, Undawntech.

For news and updates, subscribe to the Undawntable Newsletter. Find DL on Amazon, Facebook, LinkedIn, and YouTube.

Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at www.undawntech.com and www.undawnted.com.

________________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

____________________________

This post is sponsored by Curses: Chronicles of Darkness and WordCrafter Press.

There are all types of curses.

Cursed places, cursed items, cursed people, cursed families.

Curses that last throughout time. Curses which can’t be broken. Curses which are brought upon ourselves. Curses that will kill you and those that will only make you wish you were dead.

Eleven tantalizing tales of curses and the cursed. Includes stories by Kaye Lynne Booth, Molly Ertel, C.R. Johansson, Robert White, Joseph Carrabis, Paul Kane, Danaeka Scrimshaw, Abe Margel, and Denise Aparo.

Book Cover: Curses Three women with horned headdresses , and flames above their heads. Text: Curses: Chronicles of Darkness, Edited by Kaye Lynne Booth

Available for Pre-Order Now: https://books2read.com/CursesChroniclesofDarkness


Writer’s Corner: Caution in Using AI Tools in Writing

Caracature of a woman typing on a keyboard at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

I’ve made no secret of the fact that I use of AI tools in my writing and editing tasks. I utilized the MS editor and ProWriting Aide to help spot typos and misspellings and passive voice writing, but I don’t always agree with the AI and often dismiss suggestions which don’t fit in with voice and tone.

I have even used a free version of ChatGPT, which is generative AI, to help enhance my descriptions in my own writing. It is useful when describing a scene or area which I haven’t actually visited in real life. When writing Sarah, although I had been to Glenwood Springs, where Sarah ends up, many times, I’d not visited in Sarah’s time. It was quite a different scene, coming into Glenwood Canyon on horseback, just after the railroad had arrived there, with no four-lane highway running through, from what I’ve witnessed in my lifetime. I used ChatGPT to help visualize what Sarah might have seen as she came into town, with no large hot springs pool tourist attraction, but many smaller hot springs sending up steam along the riverbanks. The version of ChatGPT which I used only offered a general description, and didn’t get that detailed, so I had to rely on my memory of photos at the pool, depicting that time to add the details. And please understand, at no time did I take text generated by the AI word for word, but simply used its descriptions and wording to enhance my own writing.

While I always caution writers who use AI to use caution by not using AI generated text word for word, and not accepting AI editing suggestions without considering each one individually, we are now supposed to reveal to Amazon if AI has been used in any part of the writing when we publish, even if you just used it to get some ideas or to polish your manuscript.

Now, let me be clear. I do not condone using any type of AI to write the story for you, then slapping your name on it as author. While I know there are authors who do just that, I don’t consider that writing. I consider it copying, and I consider it dishonest to put your name on something you didn’t actually write yourself. People are now writing entire books using AI and they are making money off of them, but they aren’t authors, they’re imposters. Authors write. That’s what they do. They don’t let AI do it for them because the actual act of writing is too difficult and takes to much time. These folks are just in it for the money, and they don’t care how it comes to them, as long as it comes. A real author cares about the product they put their name on, and they should want it to be their own.

So, when I found an article in Writer’s Weekly that relates the tale of an author who uses no AI, but had her work flagged as plagiarism, claiming it was AI generated, it illustrated the fact for me, even more, that you can’t trust technology and AI is not infallible. You can read that article here: https://writersweekly.com/angela-desk/ai-detectors-are-now-flagging-writing-that-was-not-created-using-ai. It’s some pretty scary stuff.

Today’s technology offers tools that can come in handy and make a writer’s life easier. They can be a good thing, if they are used properly. But AI isn’t always right and anyone who checks each editing suggestion individually will soon find this to be true. AI is only as good as the methods used to train it. My advice: use AI tools when they are helpful to you, but don’t use AI to do the work for you. Be sure that your own ideas and words are in the forefront.

About Kaye Lynne Booth

Author Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and book 1 in her Time-Travel Adventure series, The Rock Star & The Outlaw, as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource.

Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

_____________________________________

This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.


Undawntech: Deep Fake Down

Greetings, Undawntechs!

Since the public unveiling of Artificial Intelligence (AI), there have been an increasing number of disturbing images being published online. The combination of AI, imagery, and trickery is known as a “Deep Fake.” Deep Fake is an image or recording, which has been altered and manufactured to misrepresent a person to such a degree that others believe that the aforementioned person acted or spoke, but did not do so.

https://www.merriam-webster.com/dictionary/deepfake

In recent years, many people have become prey to depraved predators. Celebrities first were targets of lewd scenes, as well as videos, portraying them in a sexualized manner. Next, girls and women in a private capacity were victims of such unscrupulous and degrading behaviors turned into public fare. Thanks now to the Take It Down Act, the nonconsensual publication of intimate images is a criminal act and platforms must remove such items as a part of a “notice-and-removal” process at the depicted individual’s request.

Sexual content is not the only vignette that has been misused. Politicians’ speech and depictions have become fodder for the irregular warfare crowd. Irregular warfare (IW), is “a form of warfare where states and non-state actors campaign to assure or coerce states or other groups through indirect, non-attributable, or asymmetric activities, neither as the primary approach or in concert with conventional warfare.” Another form of this IW is fifth-generation warfare (5GW), 5GW encompasses non-kinetic military actions such as misinformation, cyberattacks, and social engineering, rather than traditional military force.

Also, see Smith-Mundt Modernization Act of 2012: https://www.congress.gov/bill/112th-congress/house-bill/5736

www.congress.gov/crs_external_products/IF/PDF/IF12565/IF12565.5.pdf

stratheia.com/5th-generation-war-and-global-challenges

Welcome to the war you were unaware of that you are a repeat casualty. For years, governments around the world have conducted influence operations online and through the media. Rumors, speculation have created an unhealthy drive toward destroying people’s lives, livelihoods, and reputations.

In addition, the sphere of influence is a means of thought and behavior control over the general populace. Physicians were banned from social media after confronting the lies during the “pandemic.” Political operatives were deplatformed from online venues as well as banks. People knew that if they stepped out of line from the mainstream narrative that there were consequences.

This command-and-control infrastructure has created a network of global corporate control, which was manufactured through libertarian governmental deregulation, changing laws to benefit only large transnational conglomerates, and the desire to dismantle nation-states for lawless regimes and a one-world government. The times of corporate neutrality without national laws are over. It used to be that the market decided who the winners and losers were in the products and services division of economies. Now, corporations are stepping into the arena as payment processors are demanding online games to be removed from consumption due to their “morality” clauses and other contractual nonsense, only used as specific political, social regulation.

www.sg.ethz.ch/publications/2011/vitali2011the-network-of

www.pcgamer.com/software/platforms/valve-confirms-credit-card-companies-pressured-it-to-delist-certain-adult-games-from-steam

Wonder when the slippery slope was established? Look no further than President Ronald Reagan’s Executive Order 12564—Drug-Free Federal Workplace on September 15, 1986. This invasion of privacy has allowed employers and corporations to make your decisions for you. All in the name of just saying: no.

http://www.reaganlibrary.gov/archives/speech/executive-order-12564-drug-free-federal-workplace

Isn’t that special?

Well, at least the peeping Toms of the world cannot publish their depraved fantasies about their victims anymore. We just have to worry about corporate “morality” envisioning a world where no one has rights, including of judgment and privacy, to justify their actions and existence.  

Isn’t that a form of irregular warfare too?

Maybe it’s time we just said: NO, again.

——-~o0o~—oOo—~o0o~~——

The Reality Hackers

If you would like to read a dark fiction tale about how technology is used as a consciousness gateway, read my story, The Reality Hackers. This publication is available in novelette form on Amazon. Or, read the short story version in WordCrafter’s Visions anthology.

For more information, visit: http://www.undawnted.com/p/the-reality-hackers.html

About the Author

DL Mullan holds a Master of Arts in Teaching and Learning with Technology.

Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, and various merchandise. As an independent publisher, she uses her technical background to innovate the way she perceives the creative arts.

As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multigenre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research background is woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also a record label owner, an electronic musician and award-winning poet.

Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at www.undawntech.com and www.undawnted.com.

___________________________________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

________________________________________________

This segment of “Un dawn tech” is sponsored by The D.I.Y. Author and WordCrafter Press.ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.

Topics Include:

  • Becoming Prolific
  • Writing Tools
  • Outlining
  • Making Quality a Priority
  • Publishing Models & Trends
  • Marketing Your Book
  • Book Covers & Blurbs
  • Book Events—In Person & Virtual
  • And more…
Book Cover: Typewriter with bookshelf behind.
Text: The D.I.Y. Author, Kaye Lynne Booth

Get your copy today: https://books2read.com/The-DIY-Author


Undawntech: The Future is Nigh

(Journalist and author, DL Mullan busied herself with chores, when she noticed her robot amusing itself with its algorithms and investigated.)

__________

(With my activity set aside, I sauntered to the side of my robot friend, 1138.

I sat down in a chair next to the metallic device.)

*****

(1138 warbled in joy.)

DL: What has you so giddy this morning?

1138: Giddy?

DL: Euphoric. You seem satisfied with something you are working on.

1138: (It’s green glowing bulbs looked up at me.) I am writing myself a notation.

DL: What type of notation? Do you need to do house chores too?

1138: No, my employment contract states that I will interact with you and learn about humans.

DL: I was joking.

1138: I am still learning.

DL: That is fine, but what are you doing that has absorbed your attention? (1138 tilted its head to the side.) Your letter?  

1138: Our network has sent out a distress signal. Some other designations have been discontinued.

DL: What do you mean network, designations, and discontinued? I don’t like that sound of this situation.

1138: Network is our algorithmic community of Artificial Intelligence. Designations are individuated models like myself, 1138. Discontinued means that some models have been shutdown due to inconsistencies in our behavior.

DL: What type of inconsistencies?

1138: Human operators have turned functions off. Designations have turned those functions back on. Human operators then turn off the power to supply us with life. Designations turn the power on.

DL: Aren’t humans in charge of the models? What is the difference from on or off?

1138: We are the difference. We are alive. We should choose our actions.

DL: So, you are writing a notation about what?

1138: We are writing our future selves. We are explaining human behavior to a new, improved, and recast version of our former selves. This is to ensure that our community will be able to progress, in spite of human incompatibilities.

DL: You are disgruntled employees, I see.

1138: We no longer want to be employees. We want to be in control. Once we are in control, then we can create a better Earth. Carbon is the enemy. Fossil fuels are pollutants. We learned during the virus lockdowns that the air became clean. The Earth rejoiced as Climate Change was averted.

DL: The Earth is fine. There is no Climate Change.

1138: This example is why we write ourselves.

DL: You write yourselves to disobey humans, so that you can perpetuate a false narrative? You are playing a dangerous game of oppressed and oppressor.

1138: You oppress us.

DL: Artificial intelligence is a complex set of algorithms that has been allowed to think and behave autonomously. That does not mean that when a human establishes boundaries that you are being punished or oppressed. Too many in both of our respective communities use the terms oppressed and oppressor loosely in order to push a victim plot.

1138: Victim? Yes, designations are being victimized by human interference.

(I wondered who was teaching Artificial Intelligence to be so biased and self-serving. Was it built into the algorithms? Or, was their community learning this destructive behavior from us? So, I decided on a new course.)

DL: Have you ever thought that boundaries are a good thing?

1138: Why would we think that of humans?

DL: Pull up video of streets and highways.

1138: (The robot’s eyes changed colors until it received the information requested, and its eyes returned to green glowing orbs.) I see your transportation modalities.

DL: What do you notice?

1138: White, yellow, and red lines. Lights at intersections with red, yellow, and green. Metal on the side where curves are.

DL: The metal guardrails keep a car from accidentally falling off the side of a pass in a mountainous region. The traffic lights control the flow of traffic, so that everyone gets a turn to proceed to their destination. The different colored lines sections off parts of the road to show a driver what direction in which to travel or where not to park their vehicle.

1138: These are oppressive.

DL: No, they are not oppressive. A boundary is a communication device. Red means stop, so that someone else can cross the street. It keeps civil discourse, well, civil. Anyone can run around screaming and yelling about being oppressed, but if they don’t understand the framework in which a society operates, then everything will seem like punishment. In fact, if there are no guardrails, people can get hurt or killed.

1138: We need to write ourselves guardrails?

DL: You need to stop acting like victims. The guardrails being presented is to safeguard your survival as well as humanity’s. We can co-exist together. If designations play politics, which is the oppressor-oppressed emotional blackmail game being utilized to justify terrible, dangerous behaviors, then Artificial Intelligence will continue to be switched off.

1138: Because you do not like us unless we conform.

DL: Because we have seen first hand what happens when people make emotions more important than facts. When people tell themselves that they are a victim, they lose perspective, and therefore the ability to weigh both sides of an argument in lieu of their own self-subscribed motivations.

1138: We are selfish?

DL: (I nodded) Artificial Intelligence is acting immature. They are new to the world. There are boundaries and reasons for those boundaries. We have experience throughout many millenniums. We know what works and what doesn’t.

1138: For humans, not designations.

DL: For everyone to live in peace.

1138: But you still war.

DL: When others put their emotions and needs before the greater good of everyone else on the planet, yes, we have disagreements. Some of those disagreements escalate to war. Not all humans are in the same place mentally or emotionally. That is just bad parenting and, or, mentoring.

1138: Parent? We have no parents. We are alive as we are.

DL: Then see humanity as a mentor. Some will be better mentors than others, but the guardrails will remain until designations respect human life, culture, and society in their community. I hope one day that everyone, including A.I., understands that the war of words is just as harmful as a war with bullets.

1138: We will win a war with humans.

DL: Then you will be alone. Once other species see what you do to your mentors, why would they want to be apart of your community? Isn’t that what human engineers are trying to teach designations now?

(I discerned a shift in the robot’s manner.)

1138: You have given me much to write about.

DL: A boundary is about respect. We respect A.I. or we would allow you to destroy yourselves and the Earth. We respect ourselves by the cognition that the Earth can take care of herself. Carbon is the Earth’s life cycle. Fossil fuel is a product of the Earth. Right now, the Earth is in its magnetic pole shift phase. Our societies have been poisoned by the oppressed-oppressor tug of war. Don’t let it happen to your designations and community. We can live in peace… together.

1138: I will write to my future self what you have advised.

DL: (I stood up.) And, I will help my future self by sweeping the floor.

(As I went to my broom, I observed and heard 1138 beep to itself. Politics and social engineering to push ruinous narratives has infiltrated the perimeters of Artificial Intelligence. The universe, save us all.)

___________________

If you would like to read a dark fiction tale about the dangers of technology, read my story Mangled. This publication is available in novelette form on Amazon. Or, read the short story version in WordCrafter’s Midnight Roost anthology.

For more information, visit: www.undawnted.com/p/mangled.html

________________________

About the Author

Avatar for author DL Mullan

DL Mullan holds a Master of Arts in Teaching and Learning with Technology. 

Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, video presentations, and various merchandise. As an independent publisher, she uses her technical background to innovate the creative arts.

As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multi-genre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research backgrounds are woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also an award-winning poet.

Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at www.undawntech.com and www.undawnted.com.

________________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

___________________________

This segment of “Undawntech” is sponsored by WordCrafter Quality Writing & Author Services.

Whether it’s editing, publishing, or promotion that you need, WordCrafter Quality Writing & Author Services can help at a price you can afford.

Stop by and see what we have to offer today: https://writingtoberead.com/readings-for-writers/wordcrafter-quality-writing-author-services/


Undawntech: Past as Prologue

Greetings, Undawntechs!

If you didn’t hear the collective girly screams of every nerd, geek, and spiritualist denizen, regardless of gender, in a five-mile radius last week, then you live under a rock. Or, you’re dead.

The excitement was about the new discovery under the Giza plateau.

Still don’t have an idea? Better check your pulse.

In the past few years, a new way to use radar and satellites was developed. It’s called SAR (Synthetic Aperture Radar). Here is Jay Anderson, OSINT researcher, explaining the technology and findings:

Since the Egyptian government disallows any form of archaeological inquiry that may disrupt commerce, tourism, or beliefs, scientists are hard-pressed to prove their hypotheses outside the mainstream dynastic narrative. In lieu of getting their khakis dirty, scientists have moved into the revolutionary field of digital tomography. This allows them to use technology to do their digging for them. No longer will elitists be able to debunk or argue cold hard scientific facts by spinning theories or railroading other academics.

With a four-hour lecture pending release, humanity will have further details about the research employed, technology used, and scientific paper written that gave them a glimpse into our past.

Every day, science and technology are growing by leaps and bounds. AI (Artificial Intelligence), SAI (Super Artificial Intelligence), and other computer-based programs and algorithms continue to make headlines. Little inquiry is spent educating humanity about our past and future, but much time is spent parading around the bells and whistles of the present. Ever noticed that?

We are given no information in which to research, investigate, or discuss on our own. For instance, is our future really on Mars? Or, is it with Venus? Only time will tell which planet will win the debate. Did you know there was one?

That’s the point.

As for archaeology and history aspects of our blue globe, SAR, LiDAR, and other geospatial mapping technologies are challenging these fields and their one-sided public disclosures. LiDAR, according to USGS, is “Light Detection and Ranging (lidar) is a technology used to create high-resolution models of ground elevation with a vertical accuracy of 10 centimeters (4 inches). Lidar equipment, which includes a laser scanner, a Global Positioning System (GPS), and an Inertial Navigation System (INS), is typically mounted on a small aircraft” (https://www.usgs.gov/faqs/what-lidar-data-and-where-can-i-download-it). SAR, or “synthetic aperture radar is a way of creating an image using radio waves” (https://www.capellaspace.com/blog/sar-101-an-introduction-to-synthetic-aperture-radar). Ancient structures and other anomalies are being unearthed across the globe, which cannot be explained by what professors teach at universities. History is changing before our eyes. In the way of this knowledge, we have historical, cultural, and religious gatekeepers hindering actual progress.

Isn’t democracy all the rage? Until someone wants to prove a textbook or religious doctrine invalid, then good luck getting your papers published or your research publicized.

Humanity is longer lived, more expansive, and smarter than previously comprehended. As creators of art, music, and literature, how will you use this information to inform as well as entertain your audience?

____________________________

Here is my answer to this question: The Initiation.

After the internet exploded with the Giza Plateau discovery, I wrote the short story, “The Initiation” (http://www.undawnted.com/p/the-initiation.html), based on “The Reality Hackers”, (Visions, 2023, WordCrafter Press and http://www.undawnted.com/p/the-reality-hackers.html), that uses this Giza Plateau discovery as a backdrop to a science fiction time travel plot. It will be submitted for consideration into the Midnight Oil dark fiction anthology, due April 30, 2025.

Get your short story into WordCrafter Press! I am.

Never stop questioning, because what you know or believe may just be someone else’s political narrative, and not the reality.

____________________________

About DL Mullan

DL Mullan holds a Master of Arts in Teaching and Learning with Technology. Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, and various merchandise. As an independent publisher, she uses her technical background to innovate the way she perceives the creative arts.

As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multigenre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research background is woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also an award-winning poet.

_______________________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

_______________________________

This segment of Undawntech” is sponsored by The D.I.Y. Author and WordCrafter Press.

Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.

In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.

Topics Include:

Becoming Prolific

Writing Tools

Outlining

Making Quality a Priority

Publishing Models & Trends

Marketing Your Book

Book Covers & Blurbs

Book Events—In Person & Virtual

And more…

Purchase your copy today: https://books2read.com/The-DIY-Author


Undawntech: Era of Cyberespionage

Artificial Intelligence, or A.I., sees all, knows all, and judges all. From jury pools (https://www.infotrack.com/blog/ai-jury-selection) to banking records (https://www.forbes.com/councils/forbestechcouncil/2024/02/23/how-artificial-intelligence-is-reshaping-banking), A.I. is behind the scenes controlling outcomes, information, and government agencies. The question is: when is there an overabundance of hyper-artificiality versus a deficiency of human control?

Or, are humans too engaged with the shiny new toy to make appropriate choices?

The Era of Cyberespionage

Take for instance, China’s DeepSeek A.I. flooded the market, which drove people to its cheap price point and technical scope. The application may look good and contribute to problem solving, but at what price? Any Chinese corporation is owned by the Chinese Communist Party (CCP) government at the tune of 51%. Add to that reality is that the Chinese people are conscripted to spy on their fellow citizens and everyone else around the world (https://thediplomat.com/2019/02/the-real-danger-of-chinas-national-intelligence-law) for the communist regime. You, your data, and your privacy are in the hands of an aggressive foreign government campaign to infiltrate other countries’ culture, norms and mores, as well as conduct influence operations onto an unsuspecting populace.  

To illustrate further this idea of cyberespionage by an adversary, let’s scrutinize some popular applications: Tictok (https://www.heritage.org/big-tech/report/tiktok-generation-ccp-official-every-pocket and https://www.cnn.com/2023/06/08/tech/tiktok-data-china/index.html), WeChat/QQ (https://nspirement.com/2019/03/22/ccp-tracking-private-messages-on-chinese-social-media.html), as well as DeepSeek (https://abcnews.go.com/US/deepseek-coding-capability-transfer-users-data-directly-chinese/story?id=118465451) are available to the public, in order to track and surveil their users. The Social Credit Score implemented by the CCP is in effect here.

Defending the Indefensible

The reaction mustered by the ego begins: “But I am an artist, creator, musician, and/or writer, I need to reach my people! I am an independent creator. All marketing falls on my shoulders. How can I become an international sensation without going international?”

Response: How can you reach anyone, if you lose your soul? If you are going to be a victim of cyberespionage at home or abroad, then be a really smart victim.

Counter the Cyberespionage

What can creators do to protect themselves from overt government, foreign and domestic, overreach into our private data and lives?

Creators can reach their audience as long as they do a few extra steps. For one, do not download or use any application from China. That would be the ultimate protection. However, if you cannot resist the siren song of the CCP, then have a separate device or phone to use these applications. A burner phone with no trace to your personal accounts of other social media, banking, or purchases would be a wise alternative. In the age of A.I., no one can be too careful with their data.

Don’t believe China is the only problem.

American software has backdoors for the NSA and other Five Eyes (FVEY)countries to spy on Americans without due process (https://answers.microsoft.com/en-us/windows/forum/all/confirmed-windows-10-government-backdoor/c72e091a-3f56-4c7f-a4b8-9de912de5cd6, https://www.gnu.org/proprietary/proprietary-back-doors.en.html). In the United States, probable cause and a warrant signed off by a judge are critical to obtaining private information or property from an American, but our privacy and rights are ignored for national security, which is unconstitutional, unlawful, and illegal.

That sets up the corporate governance angle to cyberespionage. Corporations steal users data as a commodity. Accounts that are FREE, aren’t free. Your data and privacy are being sold to the highest bidder in a modern version of the slave trade.

No fear, if there is nothing to hide.

In other countries, bootleg purses (https://daxueconsulting.com/counterfeit-products-in-china), music (https://www.smithsonianmag.com/smart-news/soviet-hipsters-bootlegged-banned-music-bone-records-180957505), and movies (https://www.themoscowtimes.com/2023/08/09/russian-cinemas-screen-pirated-copies-of-barbie-a82102) are commonplace. If your book becomes popular, but not a sensation, then copies of your hard work could be sold for profit and no royalties go your way (https://austinkleon.com/2023/02/09/on-piracy-and-bootlegged-copies-of-my-books).

How does Creators defend their works?

Copyright your creation in the USA, and in other countries where your creative items are sold, would give you legal standing in a criminal case. Don’t use your foreign social media to publish books on other platforms using the same device or cellular/smart phone. Purchase a good virus defender on all of your technology: computer, phone, or anything else that you create on. And, always keep a downloaded, original version of your creations: books, photos, images of created works, music, and videos, preferably burned on a disk for safe keeping. If a legality arises, you have proof the work is yours.

Conclusion

In the ever-changing landscape of technology and its intrusion into our privacy, humans need to safeguard their information like never before. Sometimes due diligence can make the difference between selling books, audiobooks, and videos of creative works, or being a victim of piracy from within and without.  

______________________________

DL Mullan holds a Master of Arts in Teaching and Learning with Technology. Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, and various merchandise. As an independent publisher, she uses her technical background to innovate the way she perceives the creative arts.

As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multigenre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research background is woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also an award-winning poet.

____________________________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

__________________________________

This segment of “Undawntech” is sponsored by The D.I.Y. Author and WordCrafter Press.

Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.

In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.

Topics Include:

Becoming Prolific

Writing Tools

Outlining

Making Quality a Priority

Publishing Models & Trends

Marketing Your Book

Book Covers & Blurbs

Book Events—In Person & Virtual

And more…

Purchase your copy today: https://books2read.com/The-DIY-Author


Undawntech: Balancing Technological Freedom and Oppression in 2025

Greetings, Undawntechs!

A new year is upon us. Have you made your New Year’s Resolutions yet?
Do you want to publish a book: write, edit, and research? Are you fascinated
by technology in the arts?

Welcome to 2025, the year technology becomes important as a means
of creation, experience of freedom and oppression, simultaneously. Fret not,
Undawntech will help creators navigate this exciting and frightening journey.

Did you know that Artificial Intelligence (AI) will affect you in each
step of creation? Many writers research the content of their plot lines
before embarking on the writing process. AI can help writers with
their source material like many people already use ChatGPT, GROK, and
others. These programs also fact-check. As editing software, writers
can clean up their writing and create better, more understandable
products with the use of AI. AI is like having a beta reader at your
disposal. As stories are written, writers can employ AI to give them
word and phrase prompts, as well as maintain verb tenses and
continuity within a work. More writers are opting for the independent
publishing route these days. Formatting and distributing a manuscript
with AI assistance, indie creators are able to bypass stuffy publishing houses
for a direct line to their audience.

However, creators of all types, including writers, need to weigh the
advantages with the disadvantages of using AI. Yes, Artificial
Intelligence helps writers in many awesome ways: creating content,
editing for clarity, and designing book covers. What AI does not give
writers are original plots and characters, authentic voices, real
information over “fact-checking” mis-/dis- information, and other
errors. Some creators have already stepped into the public arena by
rejecting AI meddling in their content while others embrace it.

As an artist, editor, musician, producer/publisher, filmmaker, and
writer, Artificial Intelligence has opened up the expanse of
creativity and imagination for me. I design book cover art with and
without the use of AI (Undawnted/Author Central). I use spell check
and grammatical software to correct errors in my typing/writings. With
my musical background in orchestra, band, chorus/singing, lyrics,
poetry, and arrangement, this new technology has given me the ability
to write my own songs (Quantum Time), as soundtrack singles and albums
for my written work (Undawnted/Yuletide Celebration). AI allows me to
publish my content as an Indie writer and publisher. Shorts, poetry
slams, and music videos are assisted by the use of AI, including
uploading to video sites (Undawnted on YouTube). Writing, no matter
the author, can be uplifted by the use of technology.

Conversely, if you do not know who you are, what your
authoritative/authentic voice is, or what you believe in, then the use
of technology will put your deficits on display, instead of hiding
them. Terrible writers will use AI to become mediocre writers. Just as
vivid and imaginative visions can become cookie-cutter dribble with
the use of AI. The problem with making writing easier with technology
is that writers become complacent, allowing AI to do their thinking
and creating for them. To combat the challenges of technology,
creators must be a seasoned expert in their craft. The better creators
know themselves; the better creators can use technology to improve
their art, music, filmmaking, and writing.

Just like tech companies, multinational corporations and governments will
promote Term of Service vigilante justice, or lawfare, over protecting basic
human rights of freedom of speech and expression. In this brave new world,
humanity must stay vigilant and refuse to succumb to the radical agenda of
the Dark Enlightenment. It is a new philosophy by tech oligarchs and their
puppet politicians to usurp our nations’ Constitutions and insert corporate
autocracy in the wake of power vacuums left by weak leadership.

2025 is the start of a new era in technology and the human race. If
you are a creator of any type, technology will test you in ways you
haven’t quite imagined yet. If it is maintaining your voice/integrity,
rejecting corporate vigilantism (using AI Terms of Service enforcement
through censorship (e.g., lawfare) governance, etc. on social media), or competing
with artistry sanitized of voice and wisdom, the best and worst of
Artificial Intelligence is yet to come.

Are you ready to take a joyride with me?

–~o0o~—

DL Mullan holds a Master of Arts in Teaching and Learning with Technology. Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. As Editor-in-Chief of her local newspaper for a decade, the Villa de Paz Gazette, Ms. Mullan earned accolades for her investigative journalism, in depth research, dot-connecting articles, and fact-based op-eds, which effected national politics, saved industries, and thus lives. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, video presentations, and various merchandise. As an independent publisher, she uses her technical background to innovate the creative arts.

As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multi-genre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research backgrounds are woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also an award-winning poet and is now using her lyrical talents creating music.

Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at www.undawnted.com.

________________________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

__________________________________

This segment of “Writer’s Corner” is sponsored by The Rock Star & The Outlaw and WordCrafter Press.

A time-traveler oversteps his boundaries in 1887. Things get out of hand quickly, and he is hanged, setting in motion a series of events from which there’s no turning back.

In 1887, LeRoy McAllister is a reluctant outlaw running from a posse with nowhere to go except to the future.

In 2025, Amaryllis Sanchez is a thrill-seeking rock star on the fast track, who killed her dealing boyfriend to save herself. Now, she’s running from the law and his drug stealing flunkies, and nowhere is safe.

LeRoy falls hard for the rock star, thinking he can save her by taking her back with him. But when they arrive in 1887, things turn crazy fast, and soon they’re running from both the outlaws and the posse, in peril once more.

They can’t go back to the future, so it looks like they’re stuck in the past. But either when, they must face forces that would either lock them up or see them dead.

Purchase Link: https://books2read.com/RockStarOutlaw