Dark Origins – Bluebeard
Posted: July 28, 2021 Filed under: Dark Origins, Fairy Tales | Tags: Bluebeard, Dark Origins, Roberta Eaton Cheadle, Writing to be Read 48 Comments
The fairytale of Bluebeard was the most scary one I can recall hearing or reading as a child. This story is featured in Grimm’s Fairy Tale Classics.
It this version of the story, Bluebeard’s bride is a teenage peasant girl named Josephine. She has been raised by her brothers who are woodworkers. In this version, Bluebeard, a wealthy widower with a blue beard, choses Josephine as his wife because she is beautiful, naïve and desires to marry a prince. The character design for Bluebeard strongly resembles that of the English King, Henry VIII, who had six wives, two of whom he beheaded. After the wedding, Bluebeard gives Josephine a key ring with all the keys to all the doors of his castle. He tells her that she must never use the golden key to open one of the doors.
Of course, Josephine’s curiosity gets the better of her and one day when Bluebeard leaves the castle on business, she opens the forbidden door. Behind the door she discovers the blood splattered remains of the former wives of Bluebeard, all of whom he’s murdered. Josephine is saved by her brothers before she can suffer the same fate as Bluebeards previous wives.

There are two possible sources for the story of Bluebeard.
The first theory is that the story of Bluebeard was based on the life of 15th-century convicted Breton serial killer, Gilles de Rais.
Gilles de Rais was a knight and lord from Brittany, Anjou and Poitou. From 1427 to 1435, he was a commander of the French army and fought alongside Joan of Arc against the English and their Burgundian allies during the Hundred Years’ War.
In 1434 or 1435, Gilles retired from military life and became a spendthrift, staging extravagant theatrical productions of his own composition. In June 1435 his family persuaded King Charles VII to proclaim a royal edit preventing him from selling his property and from entering into contracts with any French subject.
In 1438, Gilles became involved in alchemy and demon summoning.
According to his confession at his trial in October 1440, de Rais said he committed his first child assaults in 1432 and 1433. The first murders occurred at de Rais’ castle in Champtocé-sur-Loire. Murders of an unknown number of children took place after de Rais moved to Machecoul. de Rais was believed to have sexually assaulted the children before killing them. The bodies were burned in the fireplace in de Rais’ room. The number of de Rais’ victims is believed to be between 100 and 200 children aged between 6 to 18 years old and predominately male.
He was executed by hanging and burning on Wednesday, 26 October 1440 along with his two accomplices, Poitou and Henriet.

Another possible source for the story of Bluebeard is early Breton king, Conomor the Accursed, who was notorious for his cruelty. According to the biography of St Gildas, a 6th century British monk, Tréphine married Conomor after he threatened to invade her father’s lands and kill his people.
While Conomor was away, Tréphine found a secret room containing relics of his deceased wives. She prayed for their souls and their ghosts appeared and warned her that Conomor will kill her if she becomes pregnant due to a prophecy that states he will be killed by his own son.
According to legend, Tréphine fled when she discovered she was pregnant and gave birth to her son, Trémeur, in the forest. She hides her son but Conomor finds her and beheads her. St Gildas restores her to life and she and her son live lives of saintly retirement until Tréphine dies. After her death, Conomor finds Trémeur and kills him.
Both Tréphine and Trémeur are deemed saints in Brittany and there are many churches dedicated to them.

Based on these two stories, I was quite right to be scared of Bluebeard when I was a child.
About Roberta Eaton Cheadle

Roberta Eaton Cheadle is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.
Roberta has short stories and poems in several anthologies and has 2 published novels, Through the Nethergate, a historical supernatural fantasy, and A Ghost and His Gold, a historical paranormal novel set in South Africa.
Roberta has 9 children’s books published under the name Robbie Cheadle.
Roberta was educated at the University of South Africa where she achieved a Bachelor of Accounting Science in 1996 and a Honours Bachelor of Accounting Science in 1997. She was admitted as a member of The South African Institute of Chartered Accountants in 2000.
Roberta has worked in corporate finance from 2001 until the present date and has written 7 publications relating to investing in Africa. She has won several awards over her 20-year career in the category of Transactional Support Services.
Find Roberta Eaton Cheadle
Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com
Twitter: https://twitter.com/RobertaEaton17
Facebook: https://www.facebook.com/robertawrites
Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5
_____________________________________________________________________________________________
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Dark Origins – Here We Go Round the Mulberry Bush
Posted: June 30, 2021 Filed under: Dark Origins, Nursery Rhymes, Nursery Rhymes | Tags: Dark Origins, Here We Go Round the Mulberry Bush, Nursery Rhymes, Roberta Eaton Cheadle, Writing to be Read 79 Comments
Do you know the nursery rhyme Here We Go Round the Mulberry Bush?
I remember it from when I was a girl. The girls used to hold hands and dance in a circle singing the lyrics and doing the actions.
These are the first two stanzas of the most modern version:
Here we go round the mulberry bush,
The mulberry bush,
The mulberry bush.
Here we go round the mulberry bush
On a cold and frosty morning.
This is the way we wash our face,
Wash our face,
Wash our face.
This is the way we wash our face
On a cold and frosty morning.
The rhyme was first recorded by James Orchard Halliwell, an English Shakespearean scholar, antiquarian, and a collection of English nursery rhymes and fairy tales, as an English children’s game in the mid-nineteenth century.
The song and associated game are traditional in England and different versions are found in Scandinavia and the Netherlands.
R.S. Duncan, a prison governor at HM Prison Wakefield in Wakefield, West Yorkshire, England suggested that the nursery rhyme was about female Victorian prisoners exercising in the yard at Wakefield. A mulberry tree grew in the yard and women inmates would dance around the tree with their children and sing the song. The tree died in May 2019.
About the Victorian prison system
The Victorian prison system was created by men for men. Accommodation for women was usually an after thought and the penal system designed for them as generally a modified version of the men’s prison.
Women convicts were considered to need saving twice, firstly from their criminality and secondly from their deviance from expected female behaviour.
To this end, instead of being subjected to hard labour, women progressed through several disciplinary stages intended to put them on the path to reform. The stages were separate confinement for four months (men had to endure nine months of separate confinement), associated labour and, finally, a transfer to a female-only institution.
Prison authorities had to deal with pregnant and postpartum women. Lying-in wards and nurseries had to be created and the regulations relating to exercise, communication, and dietary provision had to be modified for such women.

Another possible interpretation of the rhyme is that it references Britain’s struggle to produce silk. Silkworms eat mulberry leaves and during the eighteenth and nineteenth centuries, Britain tried to emulate the success of the Chinese silk production industry. Britain’s cold winters with frost proved to be to harsh for the mulberry trees to thrive and this hampered the development of a successful silk production industry.
The lyrics: “Here we go round the mulberry bush / On a cold and frosty morning” are thought to be a joke about the difficulties experienced by the industry.
About Roberta Eaton Cheadle

I am a South African writer specialising in historical, paranormal and horror novels and short stories. I am an avid reader in these genres and my writing has been influenced by famous authors including Bram Stoker, the Bronte sisters, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.
I was educated at the University of South Africa where I achieved a Bachelor of Accounting Science in 1996 and a Honours Bachelor of Accounting Science in 1997. I was admitted as a member of The South African Institute of Chartered Accountants in 2000.
I have worked in corporate finance from 2001 until the present date and have written seven publications relating to investing in Africa. I have won several awards over my twenty year career in the category of Transactional Support Services.
I have been published a number of anthologies and have two published YA books, While the Bombs Fell and Through the Nethergate. I have recently published my first adult novel called A Ghost and His Gold which is partly set in South Africa during the Second Anglo Boer War.
Find Roberta Eaton Cheadle
Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com
Twitter: https://twitter.com/RobertaEaton17
Facebook: https://www.facebook.com/robertawrites
Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5
_____________________________________________________________________________________________
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Dark Origins: The Sleeper, a poem by Edgar Allan Poe and my reading
Posted: May 26, 2021 Filed under: Dark Origins, Poetry | Tags: Dark Origins, Edgar Allen Poe, Poetry, Roberta Eaton Cheadle, The Sleeper, Writing to be Read 25 Comments

The Sleeper, a poem by Edgar Allan Poe takes as it subject a beautiful woman in death.
At midnight in the month of June,
I stand beneath the mystic moon.
An opiate vapour, dewy, dim,
Exhales from out her golden rim,
And, softly dripping, drop by drop,
Upon the quiet mountain top.
Steals drowsily and musically
Into the universal valley.
The rosemary nods upon the grave;
The lily lolls upon the wave;
Wrapping the fog about its breast,
The ruin moulders into rest;
Looking like Lethe, see! the lake
A conscious slumber seems to take,
And would not, for the world, awake.
All Beauty sleeps!—and lo! where lies
(Her easement open to the skies)
Irene, with her Destinies!
The speaker in the poem begins by describing the cemetery at midnight in the month of June. He observes the moon and notes the flowers that grow about the grave. At the end of the movement, he introduces the beautiful woman whom has died and whose grave is being prepared ready for her internment.
Oh, lady bright! can it be right—
This window open to the night?
The wanton airs, from the tree-top,
Laughingly through the lattice drop—
The bodiless airs, a wizard rout,
Flit through thy chamber in and out,
And wave the curtain canopy
So fitfully—so fearfully—
Above the closed and fringed lid
‘Neath which thy slumb’ring soul lies hid,
That o’er the floor and down the wall,
Like ghosts the shadows rise and fall!
Oh, lady dear, hast thou no fear?
Why and what art thou dreaming here?
Sure thou art come p’er far-off seas,
A wonder to these garden trees!
Strange is thy pallor! strange thy dress!
Strange, above all, thy length of tress,
And this all solemn silentness!
Irene is still lying on the bier in her room. The speaker can see her corpse through the window and watches the moving shadows on the wall and floor as the curtain of the canopy are blown about by the wind. The watcher is struck by her pallor, her strange dress, and her unusually long hair.
The lady sleeps! Oh, may her sleep,
Which is enduring, so be deep!
Heaven have her in its sacred keep!
This chamber changed for one more holy,
This bed for one more melancholy,
I pray to God that she may lie
Forever with unopened eye,
While the dim sheeted ghosts go by!
My love, she sleeps! Oh, may her sleep,
As it is lasting, so be deep!
Soft may the worms about her creep!
Far in the forest, dim and old,
For her may some tall vault unfold—
Some vault that oft hath flung its black
And winged pannels fluttering back,
Triumphant, o’er the crested palls,
Of her grand family funerals—
Some sepulchre, remote, alone,
Against whose portal she hath thrown,
In childhood, many an idle stone—
Some tomb from out whose sounding door
She ne’er shall force an echo more,
Thrilling to think, poor child of sin!
It was the dead who groaned within.
The speaker refers to Irene as being asleep and wishes for her sleep to be deep and for her not to be disturbed by on-going life such as children playing and throwing stones at the family sepulcher. The speaker calls Irene a “child of sin” but that holds no special significance. She is human and, therefore, is a child of sin.
Why did Poe write about women?
Throughout his life, virtually every woman Poe loved and who loved him died young.
His mother died before he was three years old and he was taken into the home of John Allan, a Richmond merchant who was presumed to have been his godfather. His foster mother died when he was in his late teens.
In 1835, when he was 27 years old, Poe married his cousin, Virginia Clemm, who was only 13. In 1842, Virginia became ill with tuberculosis and she died on the 30th of January 1847 at the age of 24.

Why did Poe almost always write about women who died? It may have been because all the important women in his life died or he might have done it anyway. No-one will ever know.
Excerpt from Edgar Allan Poe’s letter to George W. Eveleth, Fordham, New York ,January 4, 1848 about his wife.
“Six years ago, a wife, whom I loved as no man ever loved before, ruptured a blood-vessel in singing. Her life was despaired of. I took leave of her forever & underwent all the agonies of her death. She recovered partially and I again hoped. At the end of a year the vessel broke again—I went through precisely the same scene. Again in about a year afterward. Then again—again—again & even once again at varying intervals. Each time I felt all the agonies of her death—and at each accession of the disorder I loved her more dearly & clung to her life with more desperate pertinacity. But I am constitutionally sensitive—nervous in a very unusual degree. I became insane, with long intervals of horrible sanity. During these fits of absolute unconsciousness I drank, God only knows how often or how much. As a matter of course, my enemies referred the insanity to the drink rather than the drink to the insanity. I had indeed, nearly abandoned all hope of a permanent cure when I found one in the death of my wife. This I can & do endure as becomes a man—it was the horrible never-ending oscillation between hope & despair which I could no longer have endured without the total loss of reason. In the death of what was my life, then, I receive a new but—oh God! How melancholy an existence.”
You can read more extracts of letters about Virginia Clemm Poe here: https://www.nps.gov/people/poe-virginiapoe.htm
My reading of The Sleeper by Edgar Allan Poe
About Roberta Eaton Cheadle

I am a South African writer specialising in historical, paranormal and horror novels and short stories. I am an avid reader in these genres and my writing has been influenced by famous authors including Bram Stoker, the Bronte sisters, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.
I was educated at the University of South Africa where I achieved a Bachelor of Accounting Science in 1996 and a Honours Bachelor of Accounting Science in 1997. I was admitted as a member of The South African Institute of Chartered Accountants in 2000.
I have worked in corporate finance from 2001 until the present date and have written seven publications relating to investing in Africa. I have won several awards over my twenty year career in the category of Transactional Support Services.
I have been published a number of anthologies and have two published YA books, While the Bombs Fell and Through the Nethergate. I have recently published my first adult novel called A Ghost and His Gold which is partly set in South Africa during the Second Anglo Boer War.
Find Roberta Eaton Cheadle
Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com
Twitter: https://twitter.com/RobertaEaton17
Facebook: https://www.facebook.com/robertawrites
Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5
_____________________________________________________________________________________________
Want to be sure not to miss any of Robbie’s “Dark Origins” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
Winners of the WordCrafter A Ghost and His Gold Blog Tour giveaway
Posted: May 3, 2021 Filed under: Blog Tour, Books, Giveaways, Historical Fiction, Paranormal, WordCrafter Book Blog Tours | Tags: A Ghost and His Gold, Giveaway, Paranormal Historical, Roberta Eaton Cheadle, WordCrafter Book Blog Tours 6 Comments
Thank you to everyone who supported the WordCrafter A Ghost and His Gold Blog tour which ran from Monday, 20 April to Friday, 24 April 2021.
If you missed any of the posts, you can find all of them listed in this post: https://writingtoberead.com/2021/04/24/day-4-wraps-up-the-2021-wordcrafter-a-ghost-and-his-gold-book-blog-tour/
The winners of the $10 Amazon gift vouchers are as follows:
Day 1 – Elizabeth Gauffreau
Day 2 – Annette Rochelle Aben
Day 3 – Staci Troili
Day 4 – Marsha Ingrao
Day 5 – Craig Boyack
The winners of the two paperback copies of A Ghost and His Gold are as follows:
Darlene Foster
Miriam Hurdle
The winners will have received a message from Roberta Eaton Cheadle to arrange for delivery of their prize.
Book your WordCrafter Book Blog Tour today!
Dark Origins – The Legend of Sleepy Hollow
Posted: April 28, 2021 Filed under: Dark Fantasy, Dark Origins, Fairy Tales, Nursery Rhymes | Tags: Dark Fantasy, Dark Origins, Fairy Tales, Nursery Rhymes, Roberta Eaton Cheadle, Writing to be Read 34 CommentsThe Legend of Sleepy Hollow is a gothic story by American author, Washington Irving, and is included in a collection of 34 essays and short stories entitled The Sketch Book of Geoffrey Crayon, Gent.

The plot

The story is set in 1790 in the countryside around the Dutch settlement of Tarry Town, New York. Sleepy Hollow is a secluded glen which is famous for its ghosts and haunting atmosphere.
Ichabod Crane moves to Sleepy Hollow to be the schoolmaster of the village. As was customary at the time, Ichabod earns practically no money, but is provided with lodgings and food on a rotational basis by the local farmers who are also the fathers of the boys he teachers. This arrangement, and the singing lessons he gives on the side, keeps him employed and also gives him numerous opportunities to listen to the many tales about ghosts, haunted spots and twilight superstitions shared by the farmers wives.
Ichabod is most fascinated by the story of the ghost of the Headless Horseman who is believed to be a Hessian soldier who lost his head when he was hit by a cannon ball during the Revolutionary War. The ghost has been seen riding near the church where he is believed to have been buried.
Katrina Van Tassel is one of Ichabod’s students and the beautiful daughter of one of the most successful of the farmers in the area. Ichabod comes to believe himself in love with her. He sets out to woo her but crosses swords with one of the other men in the village, Brom Van Brunt or Brom Bones. In order to scare off Ichabod, Brom resorts to trying to prank him.
One evening, Ichabod is travelling home late after a party at Katrina’s home. He is confronted by a rider with no head on his shoulders. The head is sitting on the saddle in front of the shadowy man. Ichabod tries to run away and ends up near the church. Ichabod makes a dash for the bridge where the ghost is said to disappear and not follow, but when he looks back, the Horseman throws his detached head at him. It knocks Ichabod off his horse.
Ichabod disappeared leaving nothing behind but hoof prints and a smashed pumpkin. He is never heard from again in Sleepy Hollow.
Origins of the story
Although one of America’s most famous tales and one the resurfaces every Halloween, Irving did not invent the idea of a headless rider. Tales of headless riders existed in Europe during the Middle Ages, including stories by the Grimm Brothers and the Dutch and Irish legend of the “Dullahan” or “Gan Ceann”, a Grim Reaper-like rider who carries his head.
One theory is that Irving’s headless horseman is derived from Sir Walter Scott’s ballad, The Chase, which is a translation of the German author Burger’s The Wild Huntsman.
Another popular theory is that Irving was inspired by the story of the actual Hessian soldier who was decapitated by a cannon ball during the Battle of White Plains around Halloween 1776.
As a teenager, Irving moved with his family to the Tarry Town area due to an outbreak of yellow fever in New York City. The character of Ichabod Crane may have been inspired by Jesse Merwin, a teacher from upstate New York and who was a mutual friend of Irving and Martin van Burden, America’s eighth president. An alternative theory is that Ichabod was based on Samuel Youngs, a lieutenant from Tarry Town and a friend of the Van Tassel family.

The name Ichabod Crane belonged to a real army officer, Colonel Ichabod B. Crane who served at Fort Pike during the British-American war of 1812. Irving was also stationed at Fort Pike but there is no evidence that he knew Colonel Crane.

Katrina Van Tassel is also believed to be loosely inspired by Eleanor Van Tassel Brush and, possibly, another woman Irving knew.
About Roberta Eaton Cheadle

I am a South African writer specialising in historical, paranormal and horror novels and short stories. I am an avid reader in these genres and my writing has been influenced by famous authors including Bram Stoker, the Bronte sisters, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.
I was educated at the University of South Africa where I achieved a Bachelor of Accounting Science in 1996 and a Honours Bachelor of Accounting Science in 1997. I was admitted as a member of The South African Institute of Chartered Accountants in 2000.
I have worked in corporate finance from 2001 until the present date and have written seven publications relating to investing in Africa. I have won several awards over my twenty year career in the category of Transactional Support Services.
I have been published a number of anthologies and have two published YA books, While the Bombs Fell and Through the Nethergate. I have recently published my first adult novel called A Ghost and His Gold which is partly set in South Africa during the Second Anglo Boer War.
Find Roberta Eaton Cheadle
Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com
Twitter: https://twitter.com/RobertaEaton17
Facebook: https://www.facebook.com/robertawrites
Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5
_____________________________________________________________________________________________
Want to be sure not to miss any of Robbie’s “Dark Origins” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.


































