Chatting with New Blood: Mathew V. Brockmeyer

I’m pleased to introduce horror author, Mathew V. Brockmeyer. Mathew has published a novel and two short fiction collections of his own, and has had a number of short stories featured in various anthologies and horror magazines, both online and in print. His novel, Kind Nepenthe, won the 2018 Maxy award for best suspense thriller. (You can read my review of Kind Nepenthe here.)

About Mathew V. Brockmeyer

Matthew V. Brockmeyer lives in an off-grid cabin, deep in the forest of Northern California, with his wife and two children. He enjoys howling at the moon and drenching his fangs in human blood.

He is the author of the critically-acclaimed novel KIND NEPENTHE: A Savage Tale of Terror Set in the Heart of California’s Marijuana Country.

His short stories have been featured in numerous publications, both in print and online, including, among others, Infernal Ink Magazine, Not One of Us, Timeless Tales Magazine, Body Parts Magazine, Alephi, Pulp Metal Magazine, and the anthologies The Edge: Infinite Darkness, After the Happily Ever After, and One Hundred Voices.

Interview

Kaye: Hello Mathew. I’m pleased to have you as my guest today. Horror is a genre that has always fascinated me. I read horror long before I thought of writing it. Stephen King, Anne Rice, Dean Koontz, John Saul are a few of my favorite horror authors. But its a genre I struggle with writing, so I’m hoping to pick up a few tips from you today.

So, let’s start with the basics. Why horror?

Mathew: Well, first one might ask what even is horror? Like pornography, many say it’s hard to define, but when you see it you know it. I believe there’s elements of horror in all great literature, from Steinbeck to the Grimms Brothers to Dostoevsky. I also tend to classify things as horror that others do not, such as the works of Cormac McCarthy and much of Joyce Carol Oates. I also see many elements of horror in true crime, of which I have a life-long love. In fact much of my time these days is spent working on a true crime podcast called Murder Coaster I put out with Bram Stoker-award-winning author Christa Carmen, an old friend of mine.

But back to your question, why horror? Well, first off there’s the thrill, the roller-coaster-ride rush of adrenaline. It’s highly entertaining. But on a deeper level there’s an existential confrontation with our mortality. Horror forces one to reconcile with death, which is the final destination for all of us. I believe reconciling with death makes us more empathetic and better human beings. Ever notice horror freaks and true crime fans are the nicest people you could ever want to meet?

Finally there is the implied warnings and life lessons. Like fairy tales of old, horror, as well as true crime, teaches us to be aware. Life can be dangerous, can be scary, monsters are out there.

Kaye: Where does inspiration for your stories come from? Is your mind just terribly twisted and dark?

Mathew: Most my inspiration comes from reality, which I find much more terrifying than any vampire or werewolf tale. I’ve led a wild life, seen many crazy things, been in many scary situations, I have a lot of material to pull from there. And true crime has always been an huge inspiration, from the Manson Family to serial killers, cults of all sorts, these are the places I go to seeking inspiration.

I occasionally write about vampires, ghosts and werewolves, but I see them more as metaphors for types of people than actual tropes. Vampires as psychic parasites that feed off of people’s life energy and soul, dead inside and living off of other’s misery, and in doing so creating fellow monsters. Ghosts as elements of the past that haunt us, lurking in our subconscious. And werewolves as folks with an inner beast raging inside them, a monster hiding within waiting for the right moment to show itself.

But, yes, my mind is naturally twisted and dark. I really don’t know why. I find some bizarre comfort in the horrific. Perhaps it makes me feel better about my own situation,

Kaye: Your novel, Kind Nepenthe, won the 2018 Maxy Award for best suspense thriller. Is this something that you sought after or was it a complete surprise?

Mathew: It was entered by my publisher and was a nice little surprise, for sure.

Kaye: Much of your writing career is based on short fiction. You have stories published in numerous anthologies and magazines. It is a good way to get your name out there. Do you have any tips for submitting short fiction that might get an author closer to acceptance?

Mathew: Carefully going over the submission guidelines is probably the most important, making sure it’s the right genre, the right length, whether it should be submitted as a word doc or in the body of the email, whether it’s a blind submission and your name shouldn’t be on the manuscript, all of these simple things are so important and often ignored.

Kaye: What differences do you see in writing short fiction and novel length works? Which do you prefer?

Mathew: Well, they say a novelist is a failed short story writer, take that how you will. The length of a novel obviously leaves a lot of room for character development and world building and a longer narrative arc. The short story has to quickly get to the point. Some say every chapter of a novel should hold the elements of a short story, and many writers have submitted chapters as short stories. When Louise Erdrich was writing her first novel Love Medicine she famously had some chapters published as short stories, which went on to win awards, and helped establish her as a writer. I can’t say I prefer one over the other, though, obviously, it’s much more of a commitment to write a novel than a short story.

Kaye: What advice would you give to an author wanting to break into the horror genre?

Mathew: Read, read, read. Get to know the community. There’s a vibrant horror scene on social media. The extreme horror and splatter punk communities are blowing up right now. It appears to be a great time to be an indie horror writer.

Kaye: Who are your favorite authors? Do you try to emulate them?

Mathew: Off the top of my head my favorite authors are John Steinbeck, Cormac McCarthy, Bret Easton Ellis, Donna Tart, Irvine Welsh, John Irving and Andre Dubus III. Do I try to emulate them? Yes. Absolutely, though I try to always give everything a uniqueness and my own personal style. But when writing a pastoral scene I will stop and think, how would Steinbeck phrase this? Or when trying to be postmodern or meta I’ll think, what would Bret Ellis do to convey how advertising and television has shaped this person’s soul? Of course trying to sound like Cormac McCarthy or Irvine Welsh could be dangerous and absurd, ha ha ha. But in the end, we stand on the shoulders of those before us.

Kaye: What’s the best piece of writing advice you were ever given?

Mathew: Make it harder for your protagonist, make their lives harder, their conflicts more intense. How can the situation be worse? More life and death? Brings us to that point.

Kaye: What’s next for Mathew V. Brockmeyer? Is there another book in the works?

Mathew: I’m trying to sell a finished novel, a prequel to Kind Nepenthe. I’m finishing up a novella. I have a few short stories I’ve recently sold that await publication. But my main focus right now is this podcast Murder Coaster. It’s a fully scripted podcast where we often act out the stories, more like an old-time radio dramatization than a modern podcast, with sound effects and full musical scores. It’s insanely labor intensive. I had no idea what I was getting into when I started it, but I love the process. I really love podcasts, there’s an independent, DIY, almost punk rock element to them. Anyone with a microphone and computer can make one. It’s a very underground thing.

Kaye: Where can readers learn more about you and your works?

Mathew: For my podcast go to murdercoasterpodcast.com and for me go to matthewvbrockmyer.com. As for social media I’m most active on Facebook and have a lot of fun there interacting with people. Thanks so much for having me!

I want to thank Mathew for joining us here today. His tips for submitting short fiction, (or anything, really), are spot on to what I have experienced in both submitting and in receiving submissions. And his take on emulating his favorite authors made a lot of sense.

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This segment of “Chatting with New Blood” is sponsored by The Rock Star & The Outlaw and WordCrafter Press.

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