Reading Like a Writer

One of the pieces of advice most often offered by writers and authors to those trying to break into print is that writers must first be readers. Good advice, to be sure. Most of us started out as avid readers, and through books we gained an appreciation for the written word, which is what made us aspire to be writers in the first place.

At some point however, the way that writers read changes and reading for pleasure and entertainment may fade, and we may find ourselves reading more critically. We start noticing writing style, word choice, character development, story lines and plots. It’s not that we no longer derive pleasure from reading a good story, but now we think more about the creative process, and these things just seem to jump out and grab our attention. It may be that the dialog rings so true that we long to emulate it in our own writing, or perhaps an ending is so totally sappy that it spoils an otherwise great story.

This change occurs because when we read like writers, we learn from other authors; both their successes and their mistakes. For example, in Patricia Cornwell’s The Book of the Dead, halfway through the book I found that although the story line was compelling, I wasn’t really invested in the characters. As I continued to read, I found myself analyzing this further. Most of Cornwell’s characters in this series are independently wealthy and act rather pompous. Most people that I know do not possess either of these qualities and so to have a group of them, who seem to take being well off for granted does not ring true for me. The only character that I could really identify with was Marino, who is portrayed an emotionally messed up puppy dog, who has followed Scarpetta around for years harboring feelings for her that he conceals because he knows that she has a thing going with Benton. He seems to always be hurt because she doesn’t look at him as her equal, let alone a prospective lover, which makes him look rather foolish from the third person’s, or reader’s POV. Even though I have read other books in the series and I have some idea of what brought the characters to this point in time in the story, Cornwell was unable to interest me enough to really care about them, because they just didn’t seem realistic to me.

In comparison, the works of Anne Rice such as The Vampire Chronicles series holds characters that stand on their own merit and one doesn’t have to know what came before in the series to be invested in them. Whether Lestat is in the spotlight, where he most likes to be, as the hero or the villain, the reader still cheers him on and cares about what happens next. When the story is over, we want to know more about his exploits and he becomes almost like an old friend. And who could not fall in love with kind and mild mannered Louis, who fights against what he is so desperately, even though he is only featured in the first book. In fact, throughout her entire vampire series, Rice allows you to know many of her characters intimately, and she keeps the readers coming back for more.

It doesn’t take a genius to figure out which author I would rather emulate in my own work. Obviously, I want to create characters that are rich rather than shallow. The point here is that these differences are what I notice now when I’m reading. Dialog that doesn’t sound realistic makes me stop and say to myself, “Who says that?”; improper punctuation makes me pause; misspelled or missing words cause me to stumble on the text. These things never seemed to happen when I was just a reader. I’m not complaining though. I could never have become an editor if I didn’t read like a writer.


“Life, Death and Back” Review

Life, Death and Back, by Cynthia Vespia takes readers to realms they may never have considered before. Killed in an auto accident, Bryan Caleb isn’t ready to cross over to the other side. He has unfinished business here.  He is offered a chance to stay and be the guardian angel to Lisa Zane, who has made a life time of wrong choices and is now strung out on drugs and running with the wrong crowd. Bryan’s job is to save her, from herself and the rough crowd she’s fallen in with. How he does that, when Lisa refuses to believe that he is real, is nothing short of miraculous. But that’s not the end of the story, for Bryan. When his son, Kriticos takes a wrong path in life, Bryan is offered yet another chance at life, in order to steer his son away from the path of destruction he is on. His job this time, to change the path of his son’s life, to find the boy that he knows dwells within and brings him back into control. In the process, he discovers that his wife is dying, and he feels that he must help her cross over to the other side, even when he has been forbidden to reveal himself to her. What happens is an exciting journey, with a surprising ending that will make readers both laugh and cry.
This is an unbelievable story that takes readers through life and death and then back again.


The Process Takes Time

by Kaye Lynne BoothI signed the contract for Heather Hummingbird Makes a New Friend last month. This was a big step for me. I held on to the contract for almost a month before signing it, researching publishing contracts to be sure I was getting a fair deal and making sure that the author’s responsibilities were not unreasonable. I had never contracted a book to be published before, and so I was probably being overly cautious. This is the moment all writer’s hope for, being able to say that you have a publisher, right? So, why has it taken so long for me to share it with my readers?
I have to admit that my stomach did flip-flops when the contract arrived. I read over the whole thing and then set it aside for a few days, while I let the reality sink in. I actually had a publisher offering me a contract on a book that I wrote. Wow! It had been three years since I first signed the contract with my agent/illustrator that would start the illustration process. Although, at least a year of that time was a delay brought on by the death of my son, I was beginning to wonder if this day would ever come. Now here it was.
I was thrilled and excited once I convinced myself that it was the real deal, and I began to research what should be included in a publishing contract. All the legal terminology was pretty much mumbo jumbo to me. I wrote my illustrator/agent to verify that the parts outlining the illustrator’s share of the profits, (always assuming that there will be profits), were not in conflict with the contract I had signed with her three years ago. She assured me that it was not. After doing some online research, I was satisfied that what I had in front of me was a fairly standard publishing contract, which required me to do nothing unreasonable. As the author, I am expected to make promotional efforts, as is more and more common in these days of digital media, but the publisher was committing to do their share as well. It seemed fair. Finally, I gathered my courage and visited a notary, so that my signature could be witnessed and all would be official.
So why wasn’t I crowing from the rooftops, announcing this joyous occasion? Although I was pleased with the way things were going for the book, I was still hesitant to make the official announcement. I think perhaps it was because the projected date of release is October of 2012. That seems so far away right now. I have friends and readers that have been with me since I started this quest three years ago, that are patiently waiting for this book to come out, so they can get their copy. How do I tell these folks that have stuck by me that it’s going to be almost two more years before they will have that opportunity? Those that wanted a copy for their child or grandchild may find that the child in question has advanced past the age when Heather Hummingbird will bring screams of delight. I have to admit, it is a little disheartening.
But, it made me realize just how long this whole process of getting published takes. Sure, I had read the tales of other authors, which give lengthy wait times between start and the actual release date, but I don’t think it really sank in for me. I still envisioned my book being swept up by a publisher, like a princess being swept away by a prince in a fairy tale. “….And it was read joyously by children everywhere and made huge royalties ever after”. Okay, so maybe I was off into the clouds a little, but the reality of having a contract has brought me right back down to earth. Don’t get me wrong. I am pleased that I do have a contract and will wait for the release, perhaps a little impatiently. So for all of you that have been waiting with me, we have a ways to go still. Hopefully, that group will grow over the next two years, so if you haven’t been waiting with us, but would like to now, I welcome you. When you read those authors that are telling you that it takes time to be published, believe them. It does. All we can do now, is wait.


It’s Up to You, the Reader

New Years is almost here and what writer doesn’t include in their list of resolutions a resolve to improve their writing? In 2010, I had the privilege of reviewing many truly good reads, by some really awesome authors. With 2011 just around the corner, I thought it might be beneficial to take a look at those reviews to see what worked and what didn’t. The only problem is I don’t really have an unbiased opinion, so I thought that I’d leave it up to you. So, here are links to twenty-two book reviews, both here and on the Southern Colorado Literature Examiner. Please take a look at them, if you haven’t already,  and then vote for the ones that you think are the best in the comments section. You can choose more than one, but please include a brief explanation as to why you liked each particular review, or why you didn’t, so that I can identify areas that might need some work. If you read the book, do you agree or disagree with my review? I will approve all comments as long as they are not downright nasty. Next week I will publish a list of the top reviews, according to you, the readers. I couldn’t do it without you.

“The Ruby Notebook” holds the key to many secrets

When “Mosquito” gets hold of you, it sucks you in and doesn’t let go

Anna Strong is a force to be reckoned with in “Chosen”

Storyline in “The Truth Comes Out” keeps readers guessing

You’ll think twice about water after reading “Water Hazard”  

“Reprisal! The Eagle Rises” gives readers something to think about

“I’ll Be There to Write the Story” – A true tale that will touch your heart and stir your spirit

“The Last Lie”: a perplexing tale that will keep readers guessing

“Why Did This Happen to Me, Aunt Lou?” Inspires and Delights  

“Killing the Cobra” is packed with action

“The Midnight Ride of Blackwell Station” is delightfully entertaining for all ages

“The Secret to Lying” holds the key to more than one secret

“Raw Edges: A Memoir”: a journey of self discovery and revelation

“Star in the Forest”, a glimpse of reality through a young girl’s eyes

Pamela Clare brings another sizzling romance in, “Naked Edge”

“The Spirit Lens”, a spellbinding tale that will captivate readers

“From the Spleen of Fiery Dragons”, by Mishka Zacharin  

From the Old Blog to the New – Reviews of “Demon Hunter: The Chosen One” and “Demon Hunter: Seek and Destroy”

“The Fishing Trip: A Ghost Story”, by Chris Keys  

“Beneath the Mask of Holiness” depicts the human side of Thomas Merton

“The Secret of Everything” is an absolute must read


Playing Catch Up on Amplify

I just realized how badly I have neglected this site. I haven’t posted anything since last month! In an attempt to catch all of you up, I am going to post the links that I should have posted since that time. I hope some of the links will catch your interest and you’ll give them a read.

A Pyschic Reading with Dannion Brinkley:
http://socyberty.com/paranormal/a-psychic-reading-with-dannion-brinkley/

Can Johnson Remain Grounded After Five Consecutive Championships?
http://sportales.com/racing/can-johnson-remain-grounded-after-five-consecutive-championships/

How to Build a Raised Bed Garden with a Treated Wood Frame
http://gomestic.com/home/how-to-build-a-raised-bed-garden-with-a-treated-wood-frame/

Five Things You Should Not Say to a Friend Who is Grieving the Loss of Their Child
http://gomestic.com/family/five-things-you-should-not-say-to-a-friend-who-is-grieving-the-loss-of-their-child/

French Culture and Predictions for the Future Through the Eyes of Voltaire: A Reminder of the Origins of Democracy and its True Meaning
http://socyberty.com/issues/french-culture-and-predictions-of-the-future-through-the-eyes-of-voltaire-a-reminder-of-the-origins-of-democracy-and-its-true-meaning/

A Trip Down Memory Lane to the Days of Saturday Morning Cartoons
http://telewatcher.com/telewatching/an-trip-down-memory-lane-to-the-days-of-saturday-morning-cartoons/

Top Five Pot Luck Dishes on Short Notice
http://telewatcher.com/telewatching/an-trip-down-memory-lane-to-the-days-of-saturday-morning-cartoons/

Will Travis Pastrana Steal the NASCAR Show?
http://sportales.com/motorsports/will-travis-pastrana-steal-the-nascar-show/

Planting a Vegetable Garden Over a Leach Field
http://bizcovering.com/business/planting-a-vegetable-garden-over-a-leach-field/


What’s in a Poem?

When this blog was on the Today.com site, as I’ve mentioned before, I published a poem at the end of every post. In “Poetry Worth Noting” I reposted two poems written by others that I had posted on the old blog site, which received several views, making me think that perhaps the poetry is something that my readers might have an interest in. So, in this post, I will publish two of my own poems and tell you a little about the stories behind them. Please leave comments to let me know if this is something that you would like to see more of here, on Writing to be Read.

The first is called Voices and it really has a lot to do with the point where I really began to feel like a writer. I was preparing for the 2008 Fremont County Writers’ and Artists’ Fair. I had a table at the fair, but I had no book to sell, so I was putting each of my poems on an illustrated background for display. While looking for a suitable background for this particular poem, I discovered a painting, by artist Mitch Barrett, of the same name. I contacted the artist and obtain copyright permission to use his painting as the background for my poem. This was all very exciting for me for several reasons. First, the painting fit absolutely perfect with the content of the poem, with a central head, surrounded by faces that all seemed to be screaming at him. Second, this was the first time that I had every participated in any type of writing function, and I was beginning to feel like a “real” writer. And third, Mitch Barrett lives in England, and that is where he called me from. I was thrilled that this man would go out of his way to make an international call to me and grant me permission to use his work!

Voices

Is what I hear voices from above?
Or are they the voices of foolish love?

Sometimes they tell me to open my eyes,
And not believe your blatant lies.
Sometimes they tell me to forgive all.
At times they warn that I’m about to fall.

Sometimes they whisper, so I can barely hear.
Other times, they are so near
That it sounds as if they’re shouting in my head.
Sometimes they caution; I could end up dead.

They tell me I’m heading for dangerous ground,
Or tell me I shouldn’t have you around.
Sometimes they say I’m headed straight for the top.
Other times, they scream that I must stop.

They urge me to go faster,
Then they say slow way down.
They seem to speak most
When there’s no one around.

They tell me to do what I feel is right,
But then they say that it’s not worth the fight.
When I feel that my heart is shattered glass,
They say that I’d better get off my ass.

They that I might just think for a bit,
But they never allow me to give up or quit.
I listen, sometimes long into the night,
And they always say that I must do what is right.

They push me one way, then pull another.
Sometimes they sound just like my mother.
Often, I wonder if they’re from my past.
Sometimes, I long for silence at last.

Is what I hear voices from above?
Or are they the voices of foolish love?      

Background Painting by Mitch Barrett, Poetry by Kaye Lynne Booth

The second poem that I would like to include here, came about because of Voices and that first initial contact with Mitch Barrett. Not long after the fair, Mitch contacted me about some paintings he was working on that he wanted to display with poetry, and he asked me to see what I could come up with to go with them. He explained what he was trying to do in the painting and sent me sketches of what the intended works would look like. This past summer, his painting, Intimacy went on display at the Kaleidoscope Gallery at Battle Sea Park, in London, featuring my poem, Intimacy and the Harlequin Dance. Just recently, the painting sold, which thrilled me to no end. It now has a home in Milan, I am told. It is a great painting, with my poetry, and there has been interest expressed by gallery owners of exhibiting more artwork/poetry combinations, so I may be collaborating with this talented artist again in the future.

Intimacy and the Harlequin Dance
By Kaye Lynne Booth

We dance through the masquerade of life
Disguised to fit the music
Of so many different melodies
That at times, we forget which tune
Holds the heartstrings of who we really are.

Then one day, we find the perfect dance partner,
But to attain the perfect rhythm
We must open ourselves up and reveal our souls.
Intimacy requires that we relinquish the mask
To expose the genuine self that lies beneath.

After all the years of dancing to false tunes
Will we be able to keep time
To the genuine dance and the original rhyme?
Or shall we don the mask once more and continue to
Keep time to the false melody of the Harlequin dance?

Intimacy and the Harlequin Dance

Painting by Mitch Barrett, Poetry by Kaye Lynne Booth


Inside the Editing Process

Okay, I know I have been negligent in giving this blog the tender loving care that it deserves. I have been negligent in a lot of things lately, due to my husband’s illness and the care that he has required. I’ve taken leave from work, as well as cutting back time for writing and editing, but I’m trying hard to get back into the swing of things, so let’s talk about my latest endeavor. Did you catch it back there? Yep, I said editing. This has been a new and glorious prospect for me, because I’ve discovered that I am pretty good at it, and I’m learning a lot about writing, by looking at it from an editor’s perspective.
I never realized how much work really goes into the editing process. That was the first thing that I learned. I guess I hadn’t thought about it before, but it’s not just making a few corrections and sending it back to the author for repair. Oh, no. After that, the author sends the rewritten version back and you have to edit the whole thing again. Now this may sound like a pain, but I also learned that it is well worth it, for half the time I find things that I missed the first time around, or even change corrections that I had suggested back, because they didn’t have the effect that I thought they would. Many chapters go back for rewrites and then, re-editing four or five times, before I can call them good and put them in my finished folder. This is why they say you shouldn’t try to edit your own work, at least not on the final manuscript—authors can’t be objective enough about their own words, because they are too close to it. Through editing, I’ve been learning what to do in my own works, as well as what not to do. Here are some helpful things that I have learned so far, through my editing, about the writing process.
     

       • I learned that sometimes autocorrect fixes things that don’t need fixing.

         The computer program doesn’t    recognize that you are writing dialog,

        and sees a period as the end of the sentence, capitalizing the next word,

        regardless of whether it should be or not. I’ve been constantly fighting

        with this in my own writing, as well as when editing the work of others.

        It also fails to pick up on things that need correcting. The computer

        doesn’t distinguish between “Their” and “There”, or “Your” and “You’re”.

         As long as the word has a legitimate spelling, the autocorrect doesn’t

         perceive it as being wrong, even if it is wrong for the context of the

         sentence.

       • I learned that if you work with people and can be reasonable with

          pricing and flexible with financing, you are often more likely to get

          the job. I guess that is true for anything, not just editing, but I do

          think it makes a difference. And I look at it this way; doing the job

          for a little less than I would have liked and accepting payment in

          installments, is better than losing the job because it is overpriced,

          and not getting paid at all. I also think that this is one way in which I

          can help out my fellow writers, and I’m all for that!

 
       • I learned that sometimes, I can get so into the writing, that I take

          liberties and actually suggest ways to reword things, instead of just

          suggesting ways that it might be changed. So far this hasn’t been a

          problem, but I can see where it could be. I’ll have to be careful not

          to step on any author toes.
     

       • I learned that while the bottom line is that the author is the boss, I have

         been amazed at times, at how willing the author may be to take my

         suggestions to heart. It brings a smile to my face each time I see one of

         my suggestions implemented, and makes me feel good to know that I

         might actually be making a difference that improves the work’s chances

         of being published.
     

      • I learned that when I feel like I’m going to scream if I have to read

         chapter two one more time, it’s time to put it down and move onto

         the next chapter. That’s when I need to pick up a chapter from the

         file that is still waiting for first edit, and read something fresh that I

         haven’t scrutinized so many time that I lost count. And… there is

         such a thing as over analyzing and it is easy to do. I’ll have to be

         careful not to pick each chapter to death.
      

       • I learned that I like editing. I was hesitant at first to get into the editing

          side of the business, because I’d never done it before. No experience.

          But how are you going to get experience?…. Exactly! So far, I think I’m

          holding my own. (By the way, it also felt great to be able to add copy

          editing services to my website as I redesigned it, and to find my name

          listed in the acknowledgements of the book as someone who helped

          make it happen.)
      

       • I learned that if I do too much editing at one time, I start making

          changes and correcting spelling and punctuation in everything I

          read. I have to remember to consciously switch mental gears,

          when I’m reading for pleasure, rather than business. Somehow, I

          don’t think Stephen King would be as interested in my suggestions

         as my clients are.

Well, that’s what I have learned so far about editing. I have no doubt that I’ll learn more, as time passes and I edit more manuscripts, and of course, I will share it here, in hopes that it might help you to learn something, or at least make you chuckle.


Listening to Experience

No two writers are alike, and what works for one, may not necessarily work for another. On the other hand, every successful author was once a writer, just starting out. We’ve all been there. Some of us are still there. So, why not learn from those that have moved on and achieved a degree of success? With this in mind, I have composed a list of the top twenty writer’s tips for all to learn from. Some, I have found through Internet research, while others were given me personally, while doing author profiles for my Southern Colorado Literature Examiner column. Often, these author quotes may seem to be saying the same thing as other authors have said before them. I figured that if I was hearing it again and again, from more than one successful author, then maybe it is worth taking special note of, so I have included them all, even if the advice is similar to what others have said.

My Top Twenty Writer Tips

• “Write what you love, and love to write. Honestly, I can think of nothing more important and more true.” Susan Orlean, author of The Orchid Thief (“Q&A: Susan Orlean”, Editor Unleashed)
• “read widely in your chosen genre, to see what kind of writing and stories are being published.” Beth Groundwater, author of the Claire Hanover Gift Basket Designer Mystery series (“Beth Groundwater – Success is no Mystery”, Southern Colorado Literature Examiner)
• Never give up – “after being rejected by 89 agents before the 90th one signed me on, I advise every writer who is looking for an agent to query at least 100 before giving up, especially if you’re getting feedback and full-manuscript requests” (“Beth Groundwater – Success is no Mystery”, Southern Colorado Literature Examiner)
• “Read a lot first — I read 100 novels my last year in law school and 200 more over the next couple of years after that. I wasn’t educated and didn’t know what had been done.” Kent Nelson, author of The Touching that Lasts and numerous others (“Kent Nelson – A True Southern Colorado Author”, Southern Colorado Literature Examiner)
• “If there’s a formula for writing a “successful novel” I don’t know it. If you’re serious about it, you write the best book you’re capable of, for your own reasons, according to your own lights. I think it’s as impossible as that.” Kent Haruf, author of Plainsong (“Kent Haruf: Colorado Author Touches the Heart”, Southern Colorado Literature Examiner)
• “Write what you know…I think once you write in and or about something
you’re truly passionate about, the work will show it.” Cicily Janus, author of The New Face of Jazz (“Cicily Janus Helping Fellow Writers Along the Way”, Southern Colorado Literature Examiner)
• “I wasn’t the best writer I knew when I was a teenager. I knew many, many
writers who were much, much better than I was. But most of them stopped
writing somewhere along the way. So part of what you can do to be a
writer is just keep writing.” Jessy Randall, author of The Wondora Unit (“The Literary World of Jessy Randall”, Southern Colorado Literature Examiner)
• “The best piece of writing advice I ever got was to write the sort of story you always wanted to read.” Todd Mitchell, author of young adult novel and finalist for the Colorado Book Award, The Traitor King (his website)
• “Don’t give up, if you truly believe and love this work, then work harder. Go back and re-edit your manuscript a third time. Make it stronger. Take a chance and go deeper with the emotions.” Romance author Lorhainne Eckhart (“Interviewing Romance Author Lorhainne Eckhart”, Talk About My Favorite Authors: Our Opinions About the Authors We Love to Read, Jordan, Phoebe, 8/25/2009)
• Start with a promise and then make sure to follow through and deliver to your readers. Jessica Page Morrell, veteran writing coach and author (“Start with a Promise”, Editor Unleashed)
• Learn to write excellent query letters, as this is where you sell your work and yourself. Sue Midlock, writer and illustrator (Personal communication)
• “Make sure that by the time you have one novel published, you have the next half-written,” she said. “Always be a moving target.” Author, Iris Murdough, quoted by author Amanda Craig, “Starting A New Novel – or being a moving target”(Aug. 6, 2009, Amanda’s Blog)
• “Two things are important to remember:
#1 Once the book is published, it no longer belongs to us. It belongs to each individual reader.
#2 The book is not the writer who wrote it. Your book is not you. You are not the book.” Colorado Springs romance author, Barbara O’Neal (“Preparing for Publication Anxiety”, Writer Unboxed)
• “Read, read, read. And write, write, write. Then rewrite, rewrite, rewrite. Subscribe to the magazines you want to be published in. Don’t give up.” Annie Dawid, author of AND DARKNESS WAS UNDER HIS FEET: STORIES OF A FAMILY (“Westcliffe author Annie Dawid is always on the goSouthern Colorado Literature Examiner)
• “Invest in your profession. Take classes, attend workshops, join a supportive critique group, participate in professional writers’ organizations and as early as you possibly can, go to workshops and conferences (SCBWI, Chautauqua, and Highlights Founders Workshops). Look into correspondence courses such as those offered by The Institute of Children’s Literature. And, if you are serious about becoming a top quality children’s writer, consider finding the $20,000 to enroll in a low residency MFA program in writing children’s Literature.” Young adult author of the Santa Fe Trail Trilogy, Mary Peace Finley (“Award winning children’s author Mary Peace Finley brings history alive for young readersSouthern Colorado Literature Examiner)
• “Join writers’ organizations, get in a critique groups, enter writing contests, write every day, finish projects, then submit them to agents and publishers. Submit a lot, and stick with it through the rejections (I once got twelve in one day). While submitting one project, work on another. Keep writing. Keep writing. Keep Writing.” Mystery author, Robert Spiller (“Author Robert Spiller writes what he knowsSouthern Colorado Literature Examiner)
• “Discover your writing life style. Do you work best with a strict routine, writing on a set schedule? Does your writing respond best when the muses call or when the mood is right? There’s no right way to approach writing. Find what works for you, and when you do, honor your commitment with the space, equipment and undisturbed focus it deserves.” Young adult author of the Santa Fe Trilogy, Mary Peace Finley (E-mail interview, September 1, 2009)
• “ if you don’t love it, you won’t persist through the hard bits and you won’t dig deeper to fund the truth of your characters and the logic of your plot.” Fantasy author, Carol Berg (“Epic fantasy author, Carol Berg lives a writer’s fantasy of success”, Southern Colorado Literature Examiner)
• “Subscribe to Writer’s Digest. Read writers who specialize in helping other writers get started, like James Scott Bell and Randy Ingermanson. Go to a writer’s conference–or two or three. The more you learn, the more it’ll help you. But the best is to read what you love and then write better than those you’re reading. Tough orders, but what it takes these days to get published…” Christian Fiction author, Lisa Tawn Bergren. (“Heavenly inspiration keeps author Lisa Tawn Bergren running at a fast pace”, Southern Colorado Literature Examiner)
• “Don’t look to people like me for guidance. Publishing exists in a starkly different world than it did twenty years ago. The strategies that were successful for me would probably doom a hopeful writer today. What endures? Good stories, intriguing characters, quality writing. What is required beyond that? Determination, tenacity, and a thick skin.”, bestselling mystery/thriller series author, Stephen White (“Bestselling series success was an unexpected surprise for Colorado author, Stephen White”, Southern Colorado Literature Examiner)


Poetry Worth Noting

When I started this blog, on the Today.com site, I published a poem at the end of every post. It seemed to be something that readers liked, and I had many poems that weren’t doing anything else at the time, so I just made it a practice. I tried to use poetry that fit in with the subject matter, and soon ran out of things that I had already written that fit. So, I found myself trying to write poems on the fly that would fit in with my posts. Some of those poems were okay, some were my worst attempts at poetry, but most were not really worth noting. However, there were two poems that I published on that site that were definitely worth noting. I was not the author of either one.
The first was written by a young man, named Brandon Boyd. He is the son of one of my oldest and dearest friends, and his poetry has depth for one so young. He now has a Facebook page dedicated to his poetry, which caqn be viewed at: I was proud to publish this poem by this as yet, undiscovered poet.

The Sands of Time
The sun once again breaks the horizon,
With the ball of fire my hopes begin risin.
The past is far gone and future is near,
My once foggy mind is starting to clear.

The cold wind blows but worse pain has been felt,
A new beginning and new cards have finally been dealt.
Grit my teeth at the past lettin go is a war,
But it’s time to look forward, rekindle the core.

Takin steps on each path with each step comes a choice,
Must not follow my instinct but only Gods voice.
Ill walk straight and narrow on my given path,
Nothin will stop me not even hells wrath.

The past is now gone into the depths of history,
What happens next in life is simply a mystery.
Each memory passes into the sands of time,
Never felt better I’m back in my prime.

The day is done the sun falls into night,
Awaiting tomorrow’s promising light.
My body falls asleep but my mind has awaken,
God with me through all I’m never forsaken.

-Brandon Boyd-

The other poem was written by a lady that I never even met. My husband was taking a creative writing class and had shared something about our son, who died two years ago, and his dog. I don’t even know what it was that he shared, but it inspired one of his classmates to write this lovely poem that just brought me to tears. She wrote it about our son and his dog, based on what my husband had said. I knew who it was about before I ever knew the story behind it. With her permission, I published this exceptional poem and would like to reprint it here.

Dance

when the air is brisk
and the breeze cool,
a presence is felt
and he invites me to dance with him

when i remember his smile
i swirl around to find him
he teases me, ready to play
and he invites me to dance with him

when i jump and run
along the mountain, my stage
i laugh and sing
and i invite him to dance with me

when we sprint down the hill,
wind whips through our coats
we fall into the yard
and we invite you to dance with us

when we call your name
and you don’t even answer
we continue to play
and we invite you to dance with us

look a little closer
at what you think you cant see
because we are here waiting
and we invite you to dance with us

Elizabeth Sansone


Colorado Book Award winner, Laura Resau prepares for NaNoWriMo – Colorado Springs literature | Examiner.com

Colorado Book Award winner, Laura Resau prepares for NaNoWriMo – Colorado Springs literature | Examiner.com.