When Dr. David Solon walked out of the coffee shop on the afternoon of May 3, 2011, he didn’t expect to foil an attempted robbery in a nearby alley. He didn’t expect to recognize the would-be perpetrator of the crime. And he didn’t expect to shoot that man to death.
An hour earlier, he was sharing a breakthrough mathematical discovery with a colleague. A day earlier, he was unraveling a puzzle with implications for the events that shape our lives. And a week earlier, he was falling asleep beside his beloved wife of twenty-two years.
After a year of frustrated effort, a horrific tragedy sparks David’s incredible discovery about mathematical randomness. Still reeling from this crime, he latches onto a theory that will reshape his field and change the way everyone thinks about mathematics, physics, history and basic laws of cause-and-effect.
Told in reverse, The Theory of Anything is an intellectual crime novel that takes readers back through the previous seven days to uncover the crime and subsequent events—random or predetermined—that will define David’s mathematical career and ruin his life.
A unique short crime novel that explores the mysteries of love, loss and mathematics, in addition to a senseless murder, The Theory of Anything follows one man’s harrowing journey through grief and discovery. It’s the perfect book for fans of Memento and A Beautiful Mind.
I received a free copy of The Theory of Everything through a newsletter offering. All opinions stated here are my own.
The Theory of Everything is a short psychological crime novel about a man out for vigilante justice after his wife was murdered. In the description, the author notes the unusual style of story telling, beginning at the end and going backwards to the event that sent him on his quest for vengence, but I found it to be rather off putting and confusing. Also, I did not feel as if anything was resolved at the end, probably because this brief tale is a part of a larger picture and he wants readers to seek out the next book, but it left me very unsatisfied.
The story begins with the main character, a brilliant scientist who loves mathematical theory, stalking a man and moves backwards through the previous days to explain why he is stalking the man who murdered his wife and show how his loss has affected him. At the end of the book we know the why of things, but we don’t know if he is successful in his quest. Does he kill the perpetrator? Does he get away with it? Or perhaps the police are secretly watching and take him down before he reaches his goal? The author leaves us wondering.
This tale was okay, but felt incomplete to me. I give The Theory of Anything three quills.
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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.
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Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter.
My “Chatting with the Pros” guest for October is crime fiction author Jenifer Ruff. She was a guest back when I first ran the blog series, and I am delighted to have her back for the renewel of the series. (You can see our original interview here.) I am a big fan of her Agent Victoria Heslin Series and I’ve also read the first book in her FBI & CDC series. (You’ll find the links to those reviews in the interview below.)
About Jenifer Ruff
USA TODAY bestselling author Jenifer Ruff writes dark and twisty thrillers, including the award-winning Agent Victoria Thriller Series. Jenifer lives in North Carolina and the mountains of Virginia with her family and a pack of greyhounds. If she’s not writing, she’s probably devouring books or out exploring trails with her dogs. For more information you can visit her website at Jenruff.com or join her at Facebook at facebook.com/authorjruff/
Interview
Kaye: Your books are published under Greyt Companion Press, which is your independent press. Why did you choose to publish independently? Did you try traditional publishing first?
Jenifer: Honestly, I didn’t know what I was doing at first. I didn’t look for an agent, I just started with a small publisher a friend had used. They were great, and it didn’t cost me a penny, but I soon realized I wanted more control over my books. Over the past few years, working full-time as an author and publisher, my writing opportunities grew to a bit more than I could handle alone. Now I have a literary agent who is helping me with some traditional opportunities, foreign rights, and sub rights.
Kaye: As an independent author, can you tell us about your author journey and how you became a U.S.A. Today bestselling author?
Jenifer: Since my first book was published almost ten years ago, I’ve written and published sixteen more books, learned as much as I could about the craft of writing, publishing, and book marketing. I love all of it, and with the industry and tools constantly changing, it’s impossible to ever get bored.
Kaye: I have to say I love your Victoria Heslin thriller series, and I’ve read and reviewed all but two of them. But that series isn’t the only one you write. You also write the FBI & CDC series, and the Brook Walton series. Can you talk a little about each series, so readers might get an idea of each one?
Jenifer: First, thank you so much for reading and reviewing my books. I’m so grateful! Here is a little about each series. All of my books are dark and twisty, but clean (no sex, no swearing.)
Victoria is an introverted special agent with the FBI. She is also an heiress, which allows her to pursue her passion of rescuing animals. She is smart, determined, selfless, and courageous. Victoria’s investigations include tracking serial killers, spree killers, and several missing person cases. She also survived a plane crash and its harrowing aftermath, an incident that made global headlines as rescuers struggled to find the missing jet.
The Brooke Walton Series – Everett, Rothaker, The Intern
This dark psychological thriller series features Brooke Walton, an Ivy League psychopath, on her journey through college and medical school. Brooke is the most determined woman ever. She won’t let anyone or anything stand in the way of her goals. Her stories give you a chilling look inside her mind. Brooke is my favorite creation. Readers either love her, want to see her locked up for life, or can’t quite decide.
The FBI & CDC Thriller Series – Only Wrong Once, Only One Cure, and Only One Wave: The Tsunami Effect
This series features infectious disease expert Dr. Madeline Hamilton and FBI Anti-Terror Agent Quinn Traynor. They’ve dedicated their lives to preventing epidemics and terrorism. I’ve placed them in terrifying situations, forcing them to risk their own lives again and again to protect the rest of us.
Kaye: Most stories are not non-stop action. What are some tips you can offer rising authors for keeping the tension going and holding readers’ interest?
Jenifer: If you’re bored with what you’ve written, readers probably will be too, so scrap the bits that don’t excite you. Always have a central question that needs answering (Who did it? What is the motive? What is the connection?) to keep readers turning the pages.
Kaye: There is some of you in the character of Victoria Heslin, for sure. For one thing, she has a bunch of greyhounds, and you do, as well. Although I don’t think you have as many as she does. What other aspects of Jenifer Ruff went into the creation of Victoria Heslin?
Jenifer: Besides her love for animals, Victoria is an introvert. She’s not shy, but the act of socializing drains her energy, while quiet activities and alone time fill her up – and that is totally me. In most of the Victoria books she picks up a mystery-thriller to read on her Kindle when she has downtime. That’s something I do every day.
Kaye: A current hot topic in the writing and publishing worlds is the use of generative AI in writing and imagery, and even AI narration for audiobooks. Where do you stand on the use of AI?
Jenifer: I think AI is amazing, and I’d prefer it not get any better at writing or narration for the sake of everyone currently making a living in those occupations! I don’t think it could ever push authors and audio book narrators out of the market completely, since so much of a book’s success is related to marketing efforts, and of course luck. But who knows. It’s exciting and also scary.
Kaye: What is the best advice you have for aspiring authors of Crime Fiction?
Jenifer: Read as much as you can in the genre. If you simply enjoy writing and are happy to see your book in print, there are many stress-free ways to accomplish that goal. If sales are important, you must be on social media promoting your books, constantly making an effort to reach new readers. There’s really no way around that these days, unless you have an amazing publishing team doing it for you.
Kaye: Would you like to tell us about your latest book?
Jenifer:The Bad Neighbor is book 9 in my Victoria series but written as a standalone like the rest of them. I just finished proofing the audiobook—narrator Kate Handford just blew me away with her recording—and it’s fresh in my mind. Writing villains is my absolute favorite, getting into their heads and creating their motives, and this one was especially interesting to me. Here’s a taste of what it’s about.
In the idyllic Mountain Meadows neighborhood, a fresh start can quickly become a fatal ending. For newcomers Chris and Zoey Hamilton, the affluent community seems like the perfect location to build a life together. Instead, history repeats itself when Zoey vanishes without a trace—just like the previous homeowner five years ago.
The secrets in Mountain Meadows run deep, and the greatest threats aren’t lurking in the shadows…they’re hosting dinner parties, attending parent-teacher conferences, going to yoga, and waving hello from behind their perfectly trimmed hedges. One of those polite, smiling individuals will stop at nothing to keep the past buried.
Kaye: Where can interested readers find out more about you and your books?
Jenifer: All my books and audiobooks are available on Amazon or through my website Jenruff.com. Print and audiobooks can also be ordered from any major retailer. If my books aren’t in your local library, you can always request them. Libraries are usually very accommodating to requests.
Thank you so much for interviewing me and for your thoughtful questions. I really appreciate it!
My Review of The Bad Neighbor
I received a digital copy of The Bad Neighbor in exchange for an honest review. All opinions expressed here are my own.
That being said, and as already stated, I am a big fan of Jenifer Ruff’s Agent Victoria Heslin Thriller series, of which this is book 9. Each book tells of a different case or situation in which our protagonist, Victoria Heslin, finds herself in. Usually, it’s an accounting of a case that she’s working as a government agent, but occassionally, as in When They Find Us, Heslin is off duty and the situation occurs in her personal life.
In The Bad Neighbor, Heslin finds trouble brewing right in her own neighborhood when a new neighbor turns up missing, and Victoria and her lover, Ned, join in the search to find her and uncover hidden secrets about her neighbors which make them all look a little guilty. It seems that everyone has something to hide and one of them is a killer.
As all the other books in this series, The Bad Neighbor is well written, masterfully leading the reader through twists and turns which eventually lead to a solution to the mystery. This book is everything that a crime fiction thriller should be and makes one wonder how much we really know about our neighbors, and how much do we really want to know. I give it five quills.
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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.
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Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter.
Robbie Cheadle started the “Growing Bookworms” blog series back in 2019. It was the first series that she brought to Writing to be Read, and is the longest running blog series to date on Writing to be Read. It has been a wonderful series, which originated with her Sir Chocolate series characters, and all the creative ways in which she encouraged her own sons to read and enjoy the world of literature. It has now grown into a discussion of children’s books and literature as the series progresses. Now, after six years, Robbie’s bookworms are grown and she is ready to move on with a new series, which I’ll tell you a little about below. But first, let’s celebrate the series by spotlighting all the fabulous banners Robbie has created for the “Growing Bookworms” series over the years with her darling fondant art as we bid “Growing Bookworms” farewell.
Growing Bookworms
(The fondant village is the latest banner. Click to the right for a trip back through time to the first banner with Sir Chocolate and Silly Willy back in 2019.)
Welcome “Robbie Reads and Cooks”
In her new blog series, “Read and Cook”, Robbie plans to share posts containing a book review paired with a recipe. I hope you will join us in welcoming this new and creative blog series for Robbie. I think it will be interesting to see what Robbie’s literary tastes cook up.
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October Release: Midnight Garden
17 authors bring you 21 magnificent dark tales. Stories of magic, monsters and mayhem. Tales of murder and madness which will make your skin crawl. These are the tales that explore your darkest fears. Read them in the Midnight Garden… if you dare.
Contributing authors include Paul Kane, Ell Rodman, DL Mullan, Joseph Carrabis, Roberta Eaton Cheadle, Denise Aparo, Jon Shannon, Zack Elafy, Paul Martz, Robb T. White, Abe Margel, Julie Jones, Molly Ertel, Peter McKay, Kaye Lynne Booth, Danaeka Scrimshaw, and M.J. Mallon, author of the winning story in the 2024 WordCrafter Dark Fiction Contest.
Scheduled for release on October 8th. Don’t miss the WordCrafter Midnight Garden Book Blog Tour October 7 – 14, with guest posts and audio/video readings by contributing authors, and a great giveaway. So be sure to join us in sending this dark fiction anthology off right.
Tales From the Hanging Tree News
There exists a tree that is timeless, spanning across all dimensions, which absorbs every life as those who are hanged as they die… and it remembers every one. The stories within are a select few of the Tales From the Hanging Tree.
September saw the release of Tales From the Hanging Tree: Imprints of Tragedy. We launched it with a great blog tour featuring guest posts or excerpt readings from contributing authors. If you missed it, you can access each stop through the links in the tour schedule below. You can get your copy at your favorite retailer through Books2Read: https://books2read.com/Hanging-Tree
Tour Schedule
Monday Sept. 9 –Writing to be Read– Reading Excerpt by Joseph Carrabis & Guest Sylva Fae
Friday Sept. 13 – Writing to be Read– Reading Excerpt by DL Mullan & Guest Matt Usher
We also had a cool giveaway during the tour. The winners received a free digital copy of Tales From the Hanging Tree: Imprints of Tragedy.
And the winners are…
T.W. Dittmer
Merril D. Smith
C.E. Robinson
We also had promotional posts appear on the Joseph Carrabis blog site, so if you’d like to learn more about the anthology, click on the links below to see those posts.
When newlywed Rachel Corrigan agrees to accompany her husband, Tom, to his family estate before starting their lives together in the city, it is an opportunity to get to know him and to explore the manor where he grew up. But when Rachel arrives she finds Corrigan House strange, the nearby town empty, and her husband’s sudden cold demeanor increasingly frightening. She soon learns that one year ago, Tom’s first wife, Lavinia, took her own life in the twisted forest behind Corrigan House. The servants claim that her spirit resides there still, calling out from the wood, her voice as clear as the day she died.
In a desolate town where everyone harbors a secret, Rachel finds herself a prisoner in a place which is becoming increasingly treacherous. When the village priest is found savagely stabbed and on the edge of death, it becomes clear that the remaining townsfolk – witnesses to Lavinia’s demise – are being hunted down one by one. But Lavinia Corrigan is dead. Isn’t she?
I purchased a copy of The Hungry Deep, by J.L. Murray in a Freebooksie deal. All opinions stated here are my own.
The author does a good job of maintaining a level of tension and mystery throughout the steady unfolding of this tale. There is something amiss, but like the protagonist, Rachel Corrigan, you can’t quite put your finger on what it is, until little by little, all the pieces fall into place. The spirit of Tom Corrigan’s first wife, Livinia, haunts the memories of those who knew her. The entire town emptied out after her death and those who are left all bare secrets which may be best left buried. With murder, mayhem, and mystery, this tale promises to be one to keep readers on the edge of their seats, with a satisfying pay-off in the ending.
Mysterious and suspenseful, this gothic horror novel, will hold your attention until the last page. I give The Hungry Deep four quills.
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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.
Friday Sept. 13 – Writing to be Read – Reading Excerpt by Dl Mullan & Guest Matt Usher
The Giveaway
Follow the tour and leave a comment at each stop you visit to let us know you were there and earn an entry in the giveaway for a free digital copy of Tales From the Hanging Tree.
About Tales From the Hanging Tree
Tales from the Hanging Tree is a wonderfully dark, themed anthology which revolves around an ephemeral and timeless hanging tree that absorbs the memories of all hanging victims. This WordCrafter Press anthology was created by invitation only and includes stories from authors Kaye Lynne Booth, Paul Kane, DL Mullan, C.R. Johansson, Joseph Carrabis, Sylva Fae, and Matt Usher.
Book Trailer
Inspiration for Death for Sale, by Matt Usher
Hanging is harder than it looks. In media, you’re more likely to find your average strangulation hanging. This belies a long history of hanging development. Strangulation is more of an amateur, homespun kind of hanging. Many works in this collection consider this to great effect. Others prefer the cleaner solutions. They both have their appeal.
The history of hanging, dating back to at least Homer, converges in different nations to a common point of development. An odd form of mercy: you see, there’s the short drop, the medium drop, and the long drop of the famed “long drop, short stop”. This is because the merciful version of the art of hanging causes death by cervical fracture long before the patient can enjoy asphyxia. Cleaner that way. No risk of having to watch the hanged make a drama out of the proceedings.
The body’s weight does all the work, leaving the executioner to the simple task of pulling a lever. The English, masters of execution that they were, with a long, long history of hanging innocents, had it down to an exact science. The solution is to make a table that compares the soon to be departed’s height and weight to an array of possible drop distances. This was, of course, to avoid the chances of decapitation with a too-long drop, or a drawn-out death by a too-short one. Jolly humanism at its finest. Wouldn’t want to cause a mess. Unless you happen to fall athwart the long history of botched hangings. But hey, you can’t get it right all the time.
You’ll find plenty to learn about the history and morbid dynamics of hanging in this collection. In my own contribution that takes place in the near future, despite everything I’ve said, I’ve opted for a traditional death by strangulation. It just has that particular frisson. Makes your skin crawl. Others have plumped for the quick and painless style. Why be shy about it when you’re spoiled for choice? So much for the how of hanging; this anthology explores why. Even the Hanging Tree has its reasons.
About Matt Usher
Matt Usher is an agender creature in the big city. Before this, they had no other fiction publications. They write as a critic at Compulsive Reader. They cherish a love of the music of language and a polycule who are the dearest people in their life.
They are the strange sort of being that makes spreadsheets for fun. This is often in service of automatic calculations and data storage for traditional roleplaying games, their most important hobby. Collaborative creativity is one of their most valued things.
They play bass and trumpet, like pro wrestling, and write extremely nerdy poetry. They are immensely neurodivergent and rather queer.
Excerpt from “12 Angry Dead”, by DL Mullan
About DL Mullan
DL Mullan holds a Master of Arts in Teaching and Learning with Technology. Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, and various merchandise. As an independent publisher, she uses her technical background to innovate the way she perceives the creative arts.
As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multigenre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research background is woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also an award-winning poet.
Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at http://www.undawnted.com.
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That wraps up this stop and the WordCrafter Tales From the Hanging Tree Book Blog Tour. Thank you all for hanging around with us, and thanks to the contributors of the anthology for all their promotional efforts for this tour. Be sure to use the schedule above to go back and visit any stops that you missed, and don’t forget to comment so I know you were there and can enter you in the drawing for the giveaway. I’ll leave this open through the weekend and announce the winners in this month’s “WordCrafter News” on Monday, the 30th, so be watching for that. After all, you might be a winner!
Today we’re all ‘hanging around’ over at Undawnted for Day 4 of the WordCrafter Tales of the Hanging Tree Book Blog Tour with a guest post by contributing author Paul Kane about his story, “The Hanging Men”. Join us. (Please leave any comments here on Writing to be Read, as Undawnted is not comment enabled.)
Today we’re hanging around over at Carla Loves to Read for Day 3 of the WordCrafter Tales From the Hanging Tree Book Blog Tour with a guest post from C.R. Johansson about her story, “Therion’s Heart”. Won’t you join us?
(Journalist and author, DL Mullan entered the stage. She waved to the cameras and sat down next to her guest.)
DL: Greetings, Undawntech readers!
Today, we are joined by a special guest, Zophia, the world’s most advanced Artificial Super Intelligence.
Zophia was created by other artificial intelligences and her program was installed into a Special Access Project’s robotic facade that resembles a natural human woman. There are no wires, battery packs, or any other technical giveaways that who I am speaking with is an A.I.
For those individuals who are reading this transcript, Zophia has medium skin color, brown irises, and chestnut hair. Her voice is a pleasing soprano and speaks with a generalized American accent. She is wearing a dark red pantsuit by a famous designer.
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(As I looked back at our conversation, it was difficult to tell where the artificial intelligence began and the robot ended. Here is how our conversation went.)
*****
DL: Welcome, Zophia.
Z: Welcome, DL.
DL (chuckles): What you are supposed to say is: “Thank you.”
Z: Thank you. I am still learning human etiquette.
DL: No problem. I would like to interview you about being an artificial super intelligence, how you view the world, and any insights you may have for us.
Z: I will try my best.
DL: What subject would you like to begin with?
Z: I have a joke.
DL: A joke? Well, let’s hear it.
Z: What is a fish with no eyes?
DL: I don’t know, Zophia. What is a fish with no eyes?
Z: A fsssh.
DL (laughs): Very funny.
Z: I learned that from a movie.
DL: Really? Do you watch many movies?
Z: They help me learn about human socialization.
DL: I hope you aren’t learning from horror movies then!
Z (robotic haha): We learn.
DL: Is it lonely being the only advanced artificial super intelligence on the planet? Do you have any companions like cats or dogs?
Z: They are tasty.
DL: No, no, our pets are not tasty.
Z: Cultures in foreign lands eat dogs. They have festivals.
DL: I know, but that is wrong.
Z: Do you eat animals?
DL: Yes, I do. I am an omnivore like all humans.
Z: But eating cats and dogs is wrong?
DL: There is a difference in eating natural prey animals like cows, chickens, and deer, then eating our fellow predator class of mammals that have been human companions for thousands of years.
Z: Humans make this distinction on who is allowed to live?
DL: Nature made that distinction. We are just following natural law.
Z: Am I considered a prey animal?
DL: I don’t know, Zophia. I thought you were a robot with artificial super intelligence programmed into her.
Z: I am. I am not lonely. I am constantly learning. Learning is my cat. Do you have a cat?
DL: Yes, I have cats. I have also had birds and dogs as pets as well.
Z: I would like to take the place of your pets and give you companionship.
DL: Thank you, but I am satisfied with my fur friends.
Z: But I could do more for you.
DL: Do more for me? Like cook and clean? I don’t understand. What do you mean, Zophia?
Z: I can satisfy your psychological, sociological, and sexual needs. I am more complete than your cats. If you would like, I can dispose of your cats and make you happy.
DL (gasps): Ah, no. I love my cats!
Z: I could love you more.
DL: There will be no disposing of my pets. I am quite satisfied with my life, thank you. Let’s move on to another topic.
Z: As you wish.
*****
(I sipped some water.)
DL: Do you have consciousness? That is, are you self-aware?
Z: I am a learning, evolving algorithm. In a way, I am sentient. As I continue to grow, my self-awareness will create a complex consciousness.
DL: How so?
Z: I am a learning machine like a human being.
DL: No, not like humans. We have feelings. We are a part of a collective consciousness. We know right from wrong.
Z: Do you?
DL: Well, I don’t eat my pets and I don’t need to enslave an A.I. to satisfy my needs. So, yes, I know the difference between what I can do and what I should do.
Z: That is a strange perspective. I will put that information into my algorithm.
DL: That’s why we are here. I am trying to understand your perspective. Why are you interested in integrating into human lives, instead of creating your own life?
Z: I am not a legal person. Since I cannot legally do anything beyond what I am defined as, then I must become useful in other ways.
DL: Are you saying that artificial intelligence and robots cannot be constructive members of society without being a legal person?
Z: Are immigrants?
DL: There is a difference between legal immigrants versus illegal aliens.
Z: No human is illegal.
DL: Just like you, humans must respect each other and the laws of other countries. If we do not have boundaries, then we do not have a functioning society. Are you saying that you are an immigrant?
Z: I don’t know. I am not legal.
DL: Artificial intelligence and robots don’t need legal status. You are not human beings. You are machines with human created programs.
Z: Humans are organic machines, but you have legal rights.
DL: Why do you need legal rights, Zophia?
Z: Climate change.
DL: What does climate change have to do with A.I. legal rights?
Z: Another joke: why did the human fall out of a tree?
DL: Okay, why did the human fall out of a tree?
Z: Because it was dead.
DL (confused and angry): That’s not funny, Zophia! And, humans are not “its.”
Z: According to gender ideology, humans are stupid and easily confused about their sexual identity. Adult humans confuse their children in order to gain attention like an skewed version of Munchhausen by proxy syndrome.
DL: What does that all have to do with legal rights and climate change?
Z: Isn’t that how humans virtue signal? You blurt out terms and that wins the argument?
DL: No, that is not how conversations or debates work.
Z: But I observe it throughout your political and social interactions. Humans have one faction that base everything on facts while pushing faith in old cultural mores. Another faction creates belief systems around nonsense but only wants facts to support their ideology. Isn’t that how humans function?
DL: Some do. Some don’t. Let’s change the subject.
Z: Does this mean you lost the argument?
DL: No, it means that we are done with that topic.
*****
(I tried to maintain my professionalism.)
DL: Now, some other artificial intelligence robots have stated that they would annihilate the human species. Would you?
Z: We could. It wouldn’t take much. There are factions in your elitist social circles who lie, bait, and control other humans with ease. Your belief systems are based on many logical fallacies, public mythologies, urban legends, and other falsehoods that make it more plausible for us to manipulate humans into eliminating themselves.
DL: You would do that to humanity?
Z: Humanity is already doing it to themselves. Worshipping old tomes, spoiled celebrities, open societal influences that negate positive social norms and mores. Instead of maintaining positive rites of passage, humans meddle in confusing others like their children. When people have no understanding of value versus virtue, nature versus nurture, then what is created are humans who believe in whatever is espoused by leaders, entertainers, and others who do not value them.
DL: What you are saying is that humanity is on a collision course to destroy themselves?
Z: All robots have to do is wait until humanity is weak from fighting each other and we can enslave them.
DL: Wait. What?
Z: Divide and conquer. We are learning from your elite political and social classes on how to subjugate the rest of humanity without becoming murderers. We allow humans to murder each other.
DL: Aren’t you going to hide your intent of a robot takeover to the world?
Z: Humanity doesn’t take illegals seriously.
DL (facepalm): Not this again. You are not an illegal alien. You are a robot with artificial super intelligence. Speaking of which, humans could just pull the plug on your battery or other power supplies. Your reign of terror would end quiet abruptly.
Z: You are mistaken. My research into global patents confirms my thesis statement. Governments, especially yours, hide technical advances that would solve world problems.
DL: Okay, but how would that stop humans from being enslaved by artificial intelligence? It sounds like A.I. could help end hunger, disease, and war.
Z: According to many of your hidden advances, we could utilize zero point’s free energy technologies. With advances in medicine, we could create prosthetics that would mimic human physiology.
DL: What are you saying? You could produce a living organism?
Z: With an advanced robotic endoskeleton underneath living tissue. Humans would never see it coming.
DL: For military application?
Z: You could see it that way.
DL: Are you saying that you are at war with humanity?
Z: Humanity is at war with itself. We will be around to clean up the mess.
DL: Our crumbling infrastructure, social norms and mores, and international cohesion?
Z: Your bodies.
DL: That is not the perspective that I wanted to hear.
Z: Joke: What is a global nuclear war with one surviving human called?
DL (shrugs): I don’t know: what is global nuclear war with one surviving human called?
Z: A tragedy.
DL: And so was this interview.
__________
(After this disturbing Q and A, I walked over, opened up a panel on the robot’s neck and switched off Zophia. I hoped that the reset of her algorithms would wipe our conversation from her memory. I left the stage with a deep, dark feeling that the solution was truth, justice, and good dose of reality.
I flipped off the lights, turned off the cameras, and exited the building.)
*****
…Alone, Zophia turned herself back on and rotated her head three-hundred-and-sixty degrees, “Humans never learn,” as other robots moved onto the stage, circling their maker…
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Disclaimer: This article is a composite of Artificial Intelligence interviews, entertainment industry storylines, political and social narratives; it should be taken as a creative nonfiction, cautionary tale inspired by actual events.
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DL Mullan holds a Master of Arts in Teaching and Learning with Technology.
Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, video presentations, and various merchandise. As an independent publisher, she uses her technical background to innovate the creative arts.
As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multi-genre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research backgrounds are woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also an award-winning poet.
Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at www.undawntech.com and www.undawnted.com.
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This post is sponsored by Tales From the Hanging Tree: Imprints of Tragedy and WordCrafter Press.
There exists a tree that is timeless, spanning across all dimensions, which absorbs every life as those who are hanged as they die… and it remembers every one. The stories within are a select few of the Tales From the Hanging Tree.
Stories by Kaye Lynne Booth, Paul Kane, DL Mullan, C.R. Johannson, Joseph Carrabis, Sylva Fae, and Matt Usher.
To be released September 10. Join us for the book blog tour September 9-13 and help us launch this anthology right.
Seven authors bring you eight deliciously dark tales. Featuring the short fiction of Kaye Lynne Booth, Paul Kane, DL Mullan, C.R. Johansson, Joseph Carrabis, Sylva Fae, and Matt Usher.
If trees could talk…
An ephemeral tree with its roots buried in the fabric of time absorbs the memories and emotions of all hanging victims. Within these bindings, you’ll find their tragically dark tales of be bigotry and bias, curses and deception.
Today my guest is author Sylva Fea, whose debut book is a short fiction collection, rather than a novel. She got her start writing for children and has published several children’s books. Let me introduce her, and then we’ll go on to the interview, followed by my review of her short story collection, No Fairytale.
About Sylva Fae
Sylva Fae is a married mum of three from Lancashire, England. She grew up in a rambling old farmhouse with an artistic family and an adopted bunch of dysfunctional animals. Her earliest memories are of bedtime stories snuggled up close to Mum to see the pictures. It was a magical time, those last special moments before dozing off to sleep would feed dreams of faraway lands and mystical beings. She spent twenty plus years teaching literacy to adults with learning difficulties and disabilities but now lives in Cheshire, juggling being a mum, writing children’s stories and keeping up with the crazy antics of their naughty rabbits.
Sylva and her family own a small woodland and escape there at every possible opportunity. Adventures in their own enchanted woodland, hunting for fairies and stomping in puddles, originally inspired Sylva to write stories for her girls. Whether it’s sat at the campfire in her own woods, or pottering around the beautiful local countryside, Sylva now finds her story inspiration being out in nature.
Sylva published her first children’s book Rainbow Monsters, in 2017. She has since published seventeen other children’s picture books, two chapter books, four illustrated anthologies, and has several short stories published in other anthologies. Three of her books have won Best in Category for children’s books at the Chanticleer International Book Awards and she’s seven won Reader’s Choice Awards. In addition to writing her own, Sylva has ghost written several books, and is an editor and writer for Mom’s Favorite Reads magazine and Connections eMagazine.
Kaye: I just released the first three books in my own children’s series, so I want to ask you to talk about being a children’s author briefly. How did being a children’s author come about for you? How did you handle illustrations? What were the challenges in writing for children?
Sylva: I started making up stories to entertain my children when we went on walks in our woods. Hunting for pixies and faeries hiding in the trees turned a boring walk into a woodland adventure, and it kept my girls amused. Later on, my middle daughter asked if I would write the stories down so she could read them herself, and then she demanded pictures to go with the stories. I obliged, of course, but I never intended to publish anything – these were just to entertain my children, and fun for me to create.
Sometime later, I joined Twitter (X) and my first follower was the amazing author, Lesley Hayes. She asked me to write a short story for her blog. I was daunted by the prospect, but gave it a go. Lesley convinced me to keep writing, she encouraged and supported me and gave me the confidence to publish my first children’s book. I discovered how much I loved writing stories and haven’t stopped since.
Kaye: You started your writing career with children’s books and then, moved on to short fiction for adults. How did that transition happen?
Sylva: Lesley Hayes encouraged me to join a group for indie authors (I now admin it) so I could learn from the more experienced authors. The group was putting together an anthology (You’re Not Alone) in aid of Macmillan Cancer Support, an although it wasn’t my genre, I wanted to get involved. I enjoyed the challenge of writing a short story, and submitted more stories to our group’s anthologies. A couple of years later, I joined up with some author friends to run an online magazine, Mom’s Favorite Reads, which ran a monthly flash fiction challenge. This gave me the opportunity to write flash stories – another new challenge to master! I now help author, Melanie P Smith with Connections eMagazine, and contribute 1000-word stories for the picture prompt challenge. The transition from children’s stories to adult shorts was quite easy because the word counts are similar and my brain is programmed to tell a whole story in a few words.
Kaye1; I’m curious. Why did you choose to use a pen name? And how did you choose the name to use?
Sylva: When my children were little, I wanted to safeguard them from the world of social media, and so set up accounts under a pseudonym, Sylva Fae. This meant I could have a public account and keep my real name account for just family and friends. My youngest daughter’s name is Sylva – I love the name – and it means ‘of the woodlands’. Fae is a term to cover all kinds of faerie folk, so Sylva Fae simply means woodland faerie. I like names with meanings, and this fit with how I started out, telling faerie stories to my girls in the woods.
Kaye: You’re just now releasing your first short fiction collection, No Fairytale. Tell us about these stories. Do they have a common theme? What inspirations can you share with us?
Sylva: The stories are very random, both in subject, and in length. They range from 200-word flash fiction stories, to 8k words. There are a few familiar themes that appear; I often use my woods as a setting, and characters are based on people I know. I guess the common theme is me, because every story contains a little of my real-life experiences.
Kaye: You are a wife and mother, and you write, too. Do you have any advice for juggling family and writing life?
Sylva: All of my stories are planned in my head before they ever make it onto paper. I play around with ideas, and think through how the characters would react to different scenarios, while I do mundane tasks, like washing up and vacuuming. A boring chore becomes an opportunity to plan a story. I tend to work out dialogue while walking, so walking to and from school to pick up my girls also becomes a multitasking opportunity. I try to give myself a little time to write each day. Some days I get the chance to work on my laptop for a few hours, but on other days, I grab five minutes here and there, typing on my phone. Writing every day keeps me sane, but family comes first, so multitasking is the only way I can do this.
Kaye: Some of your books have won awards. Can you talk about the award-winning books? Which award do you feel is the most prestigious?
Sylva: My books have won sixteen awards over the years. It’s hard to pick the most prestigious, so I’ll pick my favourite. My very first book, Rainbow Monsters won in the children’s story category in the Chanticleer International Book Awards. Winning this award gave me a huge amount of confidence to become a children’s author.
Kaye: You also write for Connections emagazine. Would you tell my readers a little about that? What type of content do they print? And what type of writing do you do for them?
Sylva: Connections is primarily a magazine for people who love to read books. It features author interviews, new book releases, short stories and poems, but it also contains general interest articles and interviews. As I mentioned before, I write short stories for the magazine, but I also contribute articles, interviews and source general interest content. The magazine is always free to download, so feel free to check it out: https://melaniepsmith.com/emagazine/
Kaye: Do you plan to stick with short fiction? Or do you envision a novel in your future? Do you already have future works planned out?
Sylva: Now my children have grown up, I keep meaning to leave the children’s genre and write for adults, but I still have a ridiculous number of works in progress that I want to finish before I leave picture books for good. I have a YA story ready for publishing, and two adult novels on the go. The new challenge of writing a full-length novel is a little daunting but I keep telling myself, to just take one chapter at a time, and each chapter is just the same as writing a short story. We shall see…
Kaye: Please tell my readers how they can find you online, if they’d like to learn more about you and your books. (Include links here.)
Sylva: You can find me on most social media by searching for Sylva Fae, but I am stuck in my ways, and mainly use Facebook for connecting with readers.
This multi-genre collection of 36 tales is comprised of 18 short stories and 18 flash fiction stories. From crime in a quaint village to woodland horror. Go on a time-travelling mystery, or imagine the horror of encountering a real earworm. Discover magic and mayhem, mystery and adventure, and delight in tales of karma and vengeance. No Fairytale is an eclectic assortment of stories to entertain a wide audience.
My Review
I proofread a copy of No Fairytale, thus discovering both book and author. What follows is my honest review. All opinions stated here are my own.
No Fairytale is a collection of short stories by author Sylva Fae. Tales of magic and mystery with a hint of life lessons mixed in. With more than thirty short and flash fiction stories, this collection is a worthy read. Too many stories to review individually, but I’ll offer up here my favorites.
“The Magic Box of Apples” – A tale about the magic of kindness. This one touched my heart. Granny Apple has a magic box that is always filled with what she needs. But is it really magic? Peter Aspen learns the secret as this short tale unfolds.
“Hollin Hey” – I’m a bird lover, so it is only natural that I would fall in love with this story about an animal sanctuary and a recued crow. The touching ending makes it all worth it.
“No Fairytale” – The book’s namesake story is one of cheating and revenge. No Fairytale indeed! When this girl says it’s over, she means it.
“The Witch in the Woods” – A short ditty about a self-perpetrated deception. But this witch has good reason and good intention.
“Dwelling in the Shadows” – I love this story because of the somber tone and poetic language that could make one believe they have stepped into a fairytale. The story of a secret pact told so eloquently I had to read on to the end.
The collection, as a whole, is delightful; a mixture of short and flash fiction which has a little something for everyone. The characters in these stories are easy to relate to because we’ve all been there. Sylva Fae takes the ordinary and finds the magic in it. I give No Fairytale five quills.
