Writing to be Read

My review of How to Build a Better Mousetrap: Recollections and Reflections of a Family Caregiver (Poetry)

How to Build a Better Mousetrap is a memorable book of poetry which covers two distinct time periods in the author’s life.

Part 1: On Being a Family Caregiver, revolves around the poet’s role as caregiver to her husband following his having two strokes, a year apart, and becoming partially paralysed.

The second section section of the book comprises of Part 2: Recollections, Part 3: Reflections and Part 4: In the End which describes through the medium of freestyle poetry, the various states of the poet’s life from her early childhood through to her old age. There is little mention throughout the book of the author’s visual impairment, but I am aware of it as I have previously read an anthology, Understanding edited by Stevie Turner, that disclosed this information.

The poetry in this book is compelling and quite fascinating in its honesty as the poet ventures to express feelings and emotions that many people might seek to hide. It is refreshing to read expressions of helplessness and even the occasional anger and resentment towards a set of circumstances that have so drastically and unexpectedly impacted on the poet’s life. These emotions are overwhelmed by the poet’s clear devotion and love for her partner.

These verses from three different poems in this collection illustrate this internal conflict:

“In the beginning, you knew all about me
which buttons to push,
how to hook me up,
install programs, fix problems.

Now, you hesitate,
push the wrong buttons.
When I don’t give you the desired response,
you beat my keyboard, proclaim I don’t work.”
From Before and After

“I open my eyes,
gaze upon his sweet sleeping face,
long to hold, kiss him,
caress his hair, his cheek.”
from Awakening

“I’ll never tell you you’re stupid
when you forget something or don’t understand.
I’ll never tell you you’re lazy
when you sit at the kitchen table in your wheelchair
while I fix dinner, clean up.
I’ll never tell you you’re a baby
when I must do most things for you.”
from Things I’ll Never Tell You

What Amazon says

In January of 2006, Abbie Johnson Taylors husband suffered a stroke that left him paralyzed on his left side. After months of therapy in a nursing facility, he returned home in September of that year. Although he still had little use of his left arm and leg, it was hoped that through outpatient therapy, he would eventually walk again. In January of 2007, he suffered a second stroke that wasnt as severe, but it was enough to impact his recovery. In August of that year, his therapy was discontinued because he showed no progress. He has never walked since.

The first five poems tell the story of how Taylor found her husband when he suffered his first stroke, detail events in the first few months afterward, and describe Taylor and her husbands reactions. The rest of the poems in the first part were inspired by Taylors experiences while caring for her husband. Covering such topics as dressing, feeding, toileting, their relationship, and his computer, they often provide a humorous outlook. Some poems are from the husbands point of view. Poems in the next two parts cover childhood memories and other topics. The last section of poems was inspired by Taylors fifteen years of experience as a registered music therapist in a nursing home before marrying her husband.

Purchase How to Build a Better Mousetrap: Recollections and Reflections of a Family Caregiver

About Robbie Cheadle

Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 2 poetry books.

The 7 Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.

Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.

Robbie has 2 adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories in the horror and paranormal genre and poems included in several anthologies.

Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.

Robbie has a blog, https://robbiesinspiration.wordpress.com/ where she shares book reviews, recipes, author interviews, and poetry.

Find Robbie Cheadle

Twitter: BakeandWrite

Facebook: Sir Chocolate Books

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Treasuring Poetry – Meet poet and artist, Smitha Vishwanath

Posted: February 16, 2022 | Author: robbiesinspiration | Filed under: Book Review, Books, Interview, Poetry, Review, Treasuring Poetry, Writing | Tags: Author Interview, Book Review, Roads: A Journey with Verses, Robbie Cheadle, Smitha Vishwanath, Treasuring Poetry, Writing to be Read | 48 Comments

Which of your own poems is your favorite?

There are quite a few poems I like – some for the flow, some for the imagery and some for the memories they bring back with them, there’s one poem that has stood the test of time. It’s a poem I penned when my girls were one and three respectively. Seventeen years later, the girls have grown – each into young ladies with a distinct personality, but it’s beautiful how the description of them in the poem still holds true. It’s special because this poem is one thing that the girls agree about.

Tender Moments

I sneak silently into the room
A quick peak I take of my budding blooms
Their breathing soft – rises and falls, a melodious rhapsody
To the soothing sound of a Spanish symphony

Their countenance silken smooth; serene
Tugs my heart, an enticing scene
Each distinctly different, yet subtly the same
Contrasting as night and day; asleep, they look- Oh! So tame

Their striking silhouette, in the mellow moonlit night
Slightly stirring, they curl; enraptured I gaze at the sight
One’s creamy-white skin peeps from the warm woollen quilt above
And the other’s little chocolaty toe pushes its way from below

One, strong and athletic; the other, dainty and petite
Poles apart in every way; a miracle I behold, a divine treat

The window slightly ajar, lets in the wintry wind
Blowing their untied tresses over their satiny skin; I lean

O’er their tender frames, and sweep the bouncy, brown curls away
And the silk-smooth strands of the other, as in deep slumber they lay

Both unique, both special, both a part of me
Peas in a Pod, they are and shall forever be

What inspired you to write this poem?

I had walked into the children’s room one night, sometime in 2008; the girls were asleep. The curtains were drawn, and the moonlight cast a soft glow on them. I looked at them and I scribbled a version of the poem in my diary. However, it was only later, in 2017, that I reworked on the poem and published it on my blog for the NaPoWriMo prompt, ‘Write a poem that explicitly incorporates alliteration,’ on 12^th April.

What are your plans for your poetry going forward?

I co-authored a poetry book ‘Roads- A Journey with Verses’ which was published in 2018. My poems have been published in various journals since then, but I haven’t got to publishing a solo book as yet. I’d like to do that, but I have a lot of starting trouble, and so, it’s taken me longer than I expected, to do it. Hopefully, I can do it this year.

What is your favorite poem?

It’s difficult to choose a favorite. I have quite a few that never fail to speak to me. However, if I have to choose it will be Emily Dickinson’s ‘Hope is a thing with feathers’ (copied from the poetry foundation)

“Hope” is the thing with feathers by Emily Dickinson

“Hope” is the thing with feathers –

That perches in the soul –

And sings the tune without the words –

And never stops – at all –

And sweetest – in the Gale – is heard –

And sore must be the storm –

That could abash the little Bird

That kept so many warm –

I’ve heard it in the chillest land –

And on the strangest Sea –

Yet – never – in Extremity,

It asked a crumb – of me.

Why do you like this poem?

No matter how many times I read it I can not help being in awe of the choice of words, the simplicity and most importantly, how easily and perfectly ‘hope’ is described. Every line in the poem is a gem and anyone who has ever experienced ‘hope’ will vouch for it.

Roads: A journey with verses

What Amazon says

“Roads” is a poetic rendezvous that takes the reader on a panoramic journey, making one pause, ponder and celebrate life.

The book is a light, alluring read that instantly strikes a chord and elevates one’s spirits. A trove of 60 poems, it is quilled with beads of nine virtues: Courage, Wisdom, Serenity, Love, Hope, Strength, Joy, Compassion and Gratitude. The verses encapsulate life’s ebbs and flows while prompting the reader to enjoy its simple pleasures.

“Roads” is a book that you would want to keep on your bedside, for a quiet read before retiring for the night or for the morning wisdom to seize the day. With poems revolving around emotions that each of us experiences, “Roads” very easily develops a personal connect with the reader that is defiantly refreshing.

“Roads” is a journey with verses. Take it on yours.

My review

Roads: A Journey With Verses is a beautiful book of mainly freestyle poetry written by Smitha Vishwanath and Vandana Bhasin. I have read and enjoyed a lot of poetry on Smitha’s blog in the past, but this was my first introduction to Vandana’s poetry.

I thought this was a wonderful combination of work by two talented poets and I enjoyed the different styles of writing by the two contributors. Smitha writes delicately beautiful poems in which her messages are subtly shrouded as if within a loving cocoon of words. Vandana’s writing is more strident and forthright, but I enjoyed her style equally and her strong messages for women’s rights moved me greatly.

This book is divided into sections as follows: Courage, Wisdom, Serenity; Love, Strength, Compassion and Joy, Hope, Gratitude. Each section is divided into subsections setting out an arrange of delightful poems in each subcategory. Each subsection is introduced with a short introductory verse which conveys its meaning for the poets and each poem is introduced with a paragraph setting out the the meaning and purpose of the specific poem to the writer. I really enjoyed reading about the inspiration and meaning behind each poem.

A selection of my favourite verses from this book are as follows:

From the sub-section Strength –

Believe in yourself by Vandana Bhasin

“They’ll laugh at you, and even ridicule you

They’ll even endeavor to enervate your spirits

But let the force of their dissuasion empower your faith

and the sound of their derision echo your beliefs

Believe in yourself, even when none believes in you.”

From the sub-section Compassion –

Help! She’s calling by Smitha Vishwanath

“Her eyes shone a tear, her lips quivered with

fear; down her face ran a scar, like a spear.

Her leg bruised, her hand bleeding, she felt a

shooting pain.”

From the sub-section Joy –

Tender moments by Smitha Vishwanath

“Their countenance silken smooth; serene

Tugs my heart, an enticing scene

Distinctly different, yet subtly the same –

Contrasting as night and day; asleep, they look

– Oh! So tame

Their striking silhouette, in the mellow moonlit night

Slightly stirring, they curl; enraptured, I gaze at the sight

One’s creamy-white skin peeps form the warm woolen quilt above

And the other’s little chocolaty toe pushes its way from below

One, strong and athletic; the other, dainty and petite

Pole apart in every way; a miracle I behold, a divine treat.

From the sub-section Hope –

Wings of freedom by Vandana Bhasin

“Wings of freedom are all I need

I want to live and not just breathe

I want to fly high like a bird

I want to dream big, not chase the world”

Purchase Roads: A Journey with verse

About Smitha Vishwanath

Smitha Vishwanath is your quintessential ‘bored banker’ turned writer. After a rewarding career in Banking in the Middle East where she worked for leading banks in senior positions, she quit and moved to India in July 2018 with her husband who had been transferred to the country on an International assignment. Therein began her writing journey.

‘Roads’ is the first book she has co-authored. Having lived and studied in different countries and different states within India and worked with different cultures, Smitha understands that ‘change’ and ‘ups and downs’ are very much a part of life. It is this experience that reflects in her poems and her writing which are filled with positivity, acceptance and willingness to change for the better.

She also writes regularly through her blog : https://lifeateacher.wordpress.com

Smitha’s art

Smitha is also a wonderful painter. I wrote a blog post about one of her painting that I have hanging in my bedroom here: https://robbiesinspiration.wordpress.com/2021/07/10/a-new-painting/

You can find more of Smitha’s artwork here: https://www.spacesbysmithav.com/

About Robbie Cheadle

Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 2 poetry books.

Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.

Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.

Robbie has a blog, https://robbiesinspiration.wordpress.com/ where she shares book reviews, recipes, author interviews, and poetry.

Find Robbie Cheadle

Twitter: BakeandWrite

Facebook: Sir Chocolate Books

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Treasuring Poetry 2022 – Robbie Cheadle discusses the War Poets

Posted: January 19, 2022 | Author: robbiesinspiration | Filed under: Historical Fiction, Historical Inspiration, Poetry, Treasuring Poetry, Writing | Tags: Poetry, Robbie Cheadle, Siegfried Sassoon, Treasuring Poetry, Vera Brittain, Walt Page, Writing to be Read | 50 Comments

The poet I was hoping to feature today, Walt Page, has been unwell and was unable to participate. I decided that I would share a beautiful poem of Walt’s today called Sometimes When it Rains. Walt told me I was the inspiration for this poem and I love it.

Sometimes when it rains

Sometimes when it rains
she loves to go walking
snuggled inside
her warm rain jacket

Walking in the rain
is a sanctuary for her
a time when she can
create her poetry

it is her time alone
to be inspired
she loves being with her family
and she loves creating her poetry

those of us who follow her poetry
are blessed with her friendship
we know she is probably out walking
and we look forward to her new poems

~The Tennessee Poet~
©Walt Page 2020 All Rights Reserved

Walt is currently on a sabbatical from writing poetry, but he has years of wonderful poetry available to readers of his blog here: https://waltswritingsonlife.wordpress.com/

For the past 14 months, I have been deeply down a WW1 hole, reading book after book about this devastating and world-changing war.

My interest in books about WW1 is due partly to my general fascination with war and partly as research for my work in progress, The Soldier and the Radium Girl, a novel set in the USA and France from 1917 to October 1939.

My interest in war poetry was sparked by Sally Cronin from Smorgasbord Blog Magazine who shares poems by the war poets during the week leading up to Remembrance Day.

This year, Sally shared poems by two specific war poets which interested me so much, I read up about them and subsequently read one of each of their works.

Siegfried Sassoon

This is what Wikipedia says about Siegfried Sassoon:

“Siegfried Loraine Sassoon CBE MC (8 September 1886 – 1 September 1967) was an English war poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War. His poetry both described the horrors of the trenches and satirised the patriotic pretensions of those who, in Sassoon’s view, were responsible for a jingoism-fuelled war. Sassoon became a focal point for dissent within the armed forces when he made a lone protest against the continuation of the war in his “Soldier’s Declaration” of 1917, culminating in his admission to a military psychiatric hospital; this resulted in his forming a friendship with Wilfred Owen, who was greatly influenced by him. Sassoon later won acclaim for his prose work, notably his three-volume fictionalised autobiography, collectively known as the “Sherston trilogy”.”

Siegfried Sassoon features as a main character in Regeneration by Pat Barkers. I had just finished this book when I read Sally’s post about him: https://smorgasbordinvitation.wordpress.com/2021/11/11/smorgasbord-blog-magazine-poetry-rewind-in-remembrance-the-war-poets-siegfried-loraine-sassoon-cbe-mc-by-sally-cronin/

You can read my review of Regeneration here: https://www.goodreads.com/review/show/4354087186

I elected to read The War Poems by Siegfried Sassoon available from Amazon here: https://www.amazon.com/gp/product/0571202659/

Over the past few years, I have read the odd poem by Siegfried Sassoon and found them to be very moving. These poetic encounters were usually on Poppy Day when the world commemorates both WW1 and WW2. Although I had a high level appreciation of this war and knew about trenches and a little of the horror, I had never studied WW1 or read much about it outside of these Poppy Day poems.

Over the course of the last 14 months, I have been extensively researching WW1 and have read a number of books detailing life for both the soldiers in France and for the civilian populations at home. My research has covered the British, French, South African, and American perspectives of WW1. These books, which included All Quiet on the Western Front by Erich Maria Remarque, Farewell to Arms by Ernest Hemmingway, Testament of Youth by Vera Brittain, and Regeneration by Pat Barker, really opened my eyes about the dreadful conditions in the trenches, the filth, the rats, the dead bodies, and the fear, as well as the heartbreak of losing a generation of young men. As a result of all this reading and my immersement in life during this time of worldwide conflict, my appreciation and understanding of Sassoon’s war poetry grow and I decided to read it all.

Reading this book was an excellent investment of my time and energy. Siegried Sassoon’s words are powerful and hard-hitting, striking right to the core of the war time experiences of these young men – their hopes and dreams dying around them along with their friends and leaders. This is a book that all youngers should read, after being given some context to WW1, so that this time can be remembered and timeous steps taken to prevent a re-occurrence at any future date. Remembering history and the mistakes of mankind, are best weapons against complacency.

The poem that moved me the most in this collection was The death-bed. You can listen to me reading it here:

Vera Brittain

What Wikipedia says about Vera Brittain:

“Vera Mary Brittain (29 December 1893 – 29 March 1970) was an English Voluntary Aid Detachment (VAD) nurse, writer, feminist, socialist^[1] and pacifist. Her best-selling 1933 memoir Testament of Youth recounted her experiences during the First World War and the beginning of her journey towards pacifism.”

You can read more about Vera Brittain here: https://en.wikipedia.org/wiki/Vera_Brittain

I recently read Vera’s memoir Testament of Youth and posted by review to Roberta Writes here: https://robertawrites235681907.wordpress.com/2022/01/19/roberta-writes-book-review-testament-of-youth-by-vera-brittain/

In conclusion

Finally, I am sharing one of my poems about a different kind of silent war. One that can still be contained and prevented from destroying our planet through carbon emissions and overuse of plastic if we reign it in. A compromise can be reached between profits and sustainability.

The Corporate Giant

It rears upwards

into the blue sky,

a monstrosity

of reflective glass, and

shiny stainless steel

towering over

the ant-sized people

who scurry about

in its imposing shadow.

***

An emotionless giant

it is bereft of a soul,

It feeds on small businesses

corner cafes, fruit and nut shops

independent butcheries, bakeries,

confectionaries and cake shops.

Even book sellers and

small stationers

are swallowed whole

disappearing into the gaping maw

of the corporate giant.

***

It shreds and ingests

taking the sustenance it seeks

spitting out the bones

independence and individuality

creativity and the unique

mere entrails, unwanted and discarded.

***

It stamps on difference

in its pursuit of profits

imperfections and blemishes

an unacceptable blight

on a perfect track record.

***

What remains will finally

emerge as a mirror

reflecting the sameness

uniformity and consistency

it holds so dear.

***

Providing its market

with the conformity

and rigidness

that has taken over

and turned the world grey.

About Robbie Cheadle

Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 2 poetry books.

Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.

Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.

Robbie has a blog, https://robbiesinspiration.wordpress.com/ where she shares book reviews, recipes, author interviews, and poetry.

Find Robbie Cheadle

Twitter: BakeandWrite

Facebook: Sir Chocolate Books

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Ahead in 2022 on Writing to be Read, WordCrafter and author Kaye Lynne Booth

Posted: January 10, 2022 | Author: kayelynnebooth | Filed under: Anthology, Books, Dark Fantasy, Editing, Fairy Tales, Fantasy, Fiction, Nonfiction, Short Fiction, Stories, Treasuring Poetry, Western, WordCrafter, WordCrafter Press, Writing Contest, Writing Reference, Writing to be Read | Tags: 2022 Ask the Authors, 2022 Poetry Treasures, 2022 WordCrafter Short Fiction Contest, Books, Delilah, Fiction, Kaye Lynne Booth, Once Upon an Ever After, Playground for the Gods, Poetry, Slivered Reflections, Visions, WordCrafter Press, Writing to be Read | 8 Comments

Well, we’ve all made it through another year and now have a whole new year ahead of us. I’m not into making resolutions that will just be broken, probably before the month of January has come to a close, but it seems like this time of year always brings about changes, so I thought I might share with you the changes planned for 2022, some of which are already in process.

Writing to be Read

On Writing to be Read, we have a few changes to the line-up. Jeff Bowles will only be doing one blog series, “Words to Live By”, on the first Wednesday of every month. Art Rosch will be doing “Mind Fields” and “The Many Faces of Poetry” bi-monthly, alternating every other Friday. Robbie Cheadle will still be offering all three of her monthly blog series. While “Growing Bookworms” and “Dark Origins” will keep their spots on the second and fourth Wednesday of each month, but “Treasuring Poetry” will be moving from it’s Saturday spot to the third Wednesday of each month.

My new series, “Writer’s Corner” will appear once a month on Mondays, as will my reviews, including any “Review in Practice” posts. I was considering making my monthly “Chatting with the Pros” series into a podcast, but I think that will have to wait, since I have so much on my plate already for 2022. So, what I’m wondering now, is does anyone miss this series and would like to see me bring it back on the blog? If you do, or you would, I’d love to hear about it in the comments. It will help me to decide whether or not this series is worth reviving.

Author Kaye Lynne Booth

Back in May, for the 2021 WordCrafter New Beginnings Virtual Writing Conference, Anthony Dobranski, author of Business Class Tarot, did a workshop on the use of the cards he created. We didn’t have a great turn-out in 2021 and there were numerous set-backs, including my loss of internet causing me to miss out on a full day of the conference I was hosting, so when no one showed up for this wonderful workshop, Anthony was kind enough to do a reading for me. It was a lot of fun and I was surprised at how accurate to my own life his reading was. One of the things that was revealed was that I was trying to do too much and I needed to enlist others to take a part of the load on me, because I have always tried to be a one woman show and do all the various tasks involved in being an independent author and publisher. (You can see the video of the full reading here.)

Acting on the revelations from that reading, as I ramp up to transition into a full time writing career, with several releases planned for 2022, I realized I needed beta-readers and reviewers, and others to just help spread the word on social media, and so the Kaye Lynne Booth & WordCrafter Press Street Team group was born. It’s a great group with members who support my writing endeavors and want to be a part of the process. Members have exclusive access to behind the scenes information, opportunities to weigh in on scene and cover creation, and early access to new releases and book events, in exchange for their support as beta-readers and reviewers, or their help in spreading the word through their social media channels.

I’m also reviving my newsletter after letting it fall by the wayside for over a year. Newsletter recipients will receive early notice of new releases and book events, and sometime news of works by other authors bi-monthly. You can sign up for my newsletter here.

My first release for 2022 is scheduled for June, with the re-release of Delilah, in an edition that is the story I originally intended to tell. (You can find out more about the decision for this change here.) The current edition of Delilah will come down from the Amazon shelves sometime in April, and the new edition will be released wide, so it will be found not only on Amazon, but on Kobo, Barnes & Noble, Apple, Baker & Taylor, Bibliotheca, Borrow Box, Overdrive, Scribd, and other selected digital book outlets because WordCrafter Press publishes through D2D. (I’m a member of their affiliate program. Sign up for your own D2D account here.)

In the past, I told you about my science fantasy series, Playground for the Gods. The first book in that series was my thesis project when I was earning my M.F.A. at Western State Colorado University, back in 2016, so the it has been finished since then, yet you’ve never seen the implied promise of publication come to fruition. In 2022, I plan to release not just Book 1: The Great Primordial Battle, but also Book 2: In the Beginning, and Book 3: Inanna’s Song sometime toward the end of the year, but release dates for these haven’t been set yet.

WordCrafter Press & Author Services

WordCrafter Press has some great releases coming in 2022 as well. An updated version of the writing reference, 2022 Ask the Authors, is scheduled to be released in March. The original Ask the Authors, was taken from a Q&A blog series I ran in 2018. While the much of the advice offered from the 17 different authors who participated in that project is still valid today, this edition will address the changes in the publishing industry since the original edition was published and will feature an anthology of essays on craft and publishing in addition to the Q&A advice. This edition will feature advice from 13 authors, including Bobby Nash, Mark Leslie Lefebvre, Roberta Eaton Cheadle, Nancy Oswald, Christopher Barili, Mario Acevedo, L. Jagi Lamplighter Wright, Kevin Killany, Paul Kane, Jeff Bowles, Enid Holden, Christa Planko, and myself, Kaye Lynne Booth.

The call for submissions for the 2022 WordCrafter Short Fiction Contest posted on January 3rd. However, in 2022, WordCrafter Press will be putting out not just this one anthology, but a total of three short fiction anthologies. In addition to the Visions anthology, which contest submissions may be included in, that will be released in August, there will be two by invitation only anthologies: Slivered Reflections, which will be released in September, and Once Upon an Ever After, which will be released in November.

In 2021, we released the first edition of Poetry Treasures poetry anthology, featuring the works of Robbie Cheadle’s 2020 “Treasuring Poetry” poet guests on Writing to be Read, and we’ve decided to do it again. 2022 Poetry Treasures will feature the works of the 2021 “Treasuring Poetry” guests for a spectacularly unique poetry anthology, and will be released April to celebrate National Poetry Month.

**WordCrafter Quality Writing & Author Services**

Last, but not least, Write It Right Quality Editing Services is open to new editing clients in 2022. If you’re looking for affordable quality editing, Write It Right could be the editing service you’ve been looking for. A part of WordCrafter Quality Writing & Author Services.

I’m looking forward to 2022. I hope you’ll all join me in the coming year, as it promises to be a good one.

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Treasuring Poetry – An introduction to Word Weaving #1: A Word Craft Journal of Syllabic Verse edited and compiled by Colleen Chesebro and Jules Paige

Posted: December 18, 2021 | Author: robbiesinspiration | Filed under: Anthology, Book Review, Books, Interview, Poetry, Treasuring Poetry, Writing | Tags: Anthology, Colleen Chesebro, Interview, Poetry, Robbie Cheadle, Treasuring Poetry, Word Weaving#1: A Word Craft Journal of Syllabic Verse, Writing to be Read | 78 Comments

Today, I am delighted to introduce you to Word Weaving #1: A Word Craft Journal of Syllabic Verse, The Moons of Autumn, a delightful collaboration of syllabic poems by a variety of poets, edited and compiled by Colleen Chesebro and Jules Paige.

By way of background, Colleen Chesebro has run a weekly syllabic poetry challenge on her blog, Word Craft: Poetry and Prose for years. She has been a guiding light to the poetry community, sharing her knowledge about the many different forms of syllabic poetry and encouraging poets to experiment and all learn together.

What inspired you to put together a poetry anthology, is it a once off or will there be others?

My inspiration for the syllabic poetry journal came about when I realized that many of the poets who joined in my weekly challenge did not have the ways or means to publish their own books of poetry. I envisioned a yearly journal filled with creative syllabic forms. I’m not aware of another journal that presents both Japanese and American versions of syllabic poetry. This is a different concept and I think it has paid off.

Also, to note, the poet’s retained ownership of the poems submitted to the journal. All rights reverted to the respective author/artist upon publication. All we asked, was if their work was republished, we appreciated a mention that the Word Weaving Poetry Journal was the first place of publication.

While I planned this journal, I realized I wanted to host a poetry contest on wordcraftpoetry.com with paid prizes. It was logical to use the royalties from the sale of the Word Weaving Journal to pay for the prizes. As for another journal… I’ll let you know after the poetry contest in 2022. I’m aiming for the month of June for the contest on wordcraftpoetry.com. I’ll reevaluate at that time.

Which poem in the anthology touched you the most? Please provide the test of the poem and the author

This is a hard question to answer. My co-editor, Jules Paige and I first selected our favorites. We deliberated for some time over the poems… they were all so good! In the end we selected Ken Gierke’s gogyohka poem:

warmth of a pale light

found as clouds part

rewarded

while seeking the moon

on a cool autumn night

We both felt this gogyohka best illustrated the concept of the “Moons of Autumn.” At the end of the Journal, Jules and I shared our three favorite poems by D. L. Finn, Merril D. Smith, and Ken Gierke.

If I had to go in deeper, my next favorite would be D. Wallace Peach’s tanka prose Idyll. The imagery in this poem is one of my favorites.

“Moon-spun”

November’s moon spins upon the tip of a white fir. Her fairy light whispers across the glades where alders part their leafless fingers into spindly shadows. The night glow sends the trolls trudging into the deep forest, brittle twigs crunching beneath their knobby feet. With nothing to fear, the deer lie down in a silver meadow. Old owl watches the coyotes croon to autumn’s stark beauty as they whiff the delicate scent of the coming snow.

a moon’s enchantment

befalls the northern forest

her magical light

banishes luring prowlers

inviting the night to sing

What attracts you to syllabic poetry as opposed to other forms like freestyle and rhyming verse?

Syllabic poetry, especially the Japanese forms with their brevity of words, fills a special place in my heart. Not only do I like writing these forms, but I also enjoy reading what others have written. There is a simple beauty in haiku that I don’t find in other forms. Written mindfully, haiku are small poems with large meaning. It’s those a-ha moments of connection, I find the most pleasing.

For example:

summer clouds—

kayakers floating

the river

In this haiku, I worked on imagery. The idea was to connect emotions by associating two or more images together in strange and unusual ways. It’s not as easy as it sounds. I find it is always best to look for alike or contrasting images to feature in my poem.

I targeted the “summer (my kigo) clouds” and the “kayakers floating the river,” as a summer activity. Clouds float – kayakers float, which are alike images.

A haiku should present an event in an image. It should SHOW us what happened without telling us about it or what emotion to feel. In the haiku above, what emotions do you feel?

Haiku poems share a specific event or observation. Haiku are not generalities, and we never use a simile or metaphor. Most haiku are written in seventeen onji (Japanese sounds) which equates to around twelve syllables (3, 5, 3). Most rhyming poetry doesn’t give me the same emotional impact as the simple haiku does. Although, I do enjoy creating some of the syllabic forms that use rhyme and meter.

What advice can you give people setting out on the path of writing poetry?

Poetry is about expression and creativity. Poets should write poetry daily. If you don’t practice, how can you perfect your craft? I write my poetry on my author blog at colleenchesebro.com and in a handwritten journal.

It’s best to get involved in a poetry community with poetry challenges where you can stretch your wings and try new things like we do on wordcraftpoetry.com. If you can’t find a challenge you like, start your own! Learning how to comment, critique, and write about the work of another poet is crucial to your own poetic journey.

Write more poetry! Find what forms bring you the most joy to write. Write them! Then, learn everything you can about that type of poetry.

Submit your poetry to literary journals and contests. I’ve had more poetry rejected than accepted, but that hasn’t stopped me yet.

What are your plans for Word Craft: Prose & Poetry going forward?

Wordcraftpoetry.com will continue to be a safe place to write syllabic poetry. We’re in our fifth year of the #TankaTuesday Poetry Challenge. Each week, I strive to make the challenges interesting. In 2022, we will have a few new prompts to freshen up our creativity. I will continue to feature a poet and their poem almost every week. Depending on the challenge week, the poet will choose the prompt for the next month’s challenge. It’s important to me to involve the poets in the challenges. That is what community is all about. Stay tuned. Who knows what I’ll think of next!

Thanks so much, Robbie for featuring me and the Word Weaving Journal on Treasuring Poetry.

Author biography

Colleen M. Chesebro is a Michigan Poet who loves crafting syllabic poetry, flash fiction, and creative fiction and nonfiction. She sponsors a weekly poetry challenge, called #TankaTuesday, on wordcraftpoetry.com where participants learn how to write traditional and current forms of syllabic poetry.

Along with JulesPaige, Colleen is also a co-editor of “Word Weaving, a Word Craft Journal of Syllabic Verse,” at wordweavingpoetryjournal.com. The debut issue of the journal published October 2021, with a kindle and print version of the journal.

Colleen’s syllabic poetry has appeared in various other online publications. Recently, she created the Double Ennead, a 99-syllable poetry form for the Carrot Ranch literary community at carrotranch.com. She hosts a challenge as a guest of the Saloon, every third Monday of the month.

Colleen’s poetry has poetry in various anthologies and journals including “Hedgerow-a journal of small poems,” and “Poetry Treasures,” a collection of poetry from the poet/author guests of Robbie Cheadle on the “Treasuring Poetry” blog series on “Writing to be Read” in 2020.

Colleen published “Word Craft: Prose & Poetry, The Art of Crafting Syllabic Poetry,” which illustrates how to write various syllabic poetry forms used in her Tanka Tuesday challenges; and a collection of poetry, flash fiction, and short stories called, “Fairies, Myths & Magic: A Summer Celebration,” dedicated to the Summer Solstice. She contributed a short story called “The Changeling,” in the “Ghostly Rites Anthology 2020,” published by Plaisted Publishing House.

Find Colleen Chesebro

Find Colleen at Word Craft: Prose & Poetry at wordcraftpoetry.com.

Find Colleen’s author blog at colleenchesebro.com.

Find Colleen’s pagan blog at awitchsbrew.wordpress.com

My review of Word Weaving #1: A Word Craft Journal of Syllabic Verse

This book, edited and collated by talented poets Colleen Chesebro and Jules Paige, is a delightful collection of meaningful poems by a variety of different contributors. The theme of the book is Harvest Moon and each poem gives insight into the meaning of this expression to the particular poet. Some poems are practical and some are ethereal, yet others are colourful and then there are the silvery ones, but they all share the common feature of being beautiful.

The poems in the book demonstrate as wide a variety of styles as there are contributors, with a common thread of all being syllabic. I came across a number of forms that were new to me, including senryu, haiga, and gogyohka among otehrs. There are also the more familiar syllabic forms such as haiku, tanka, haibun, tanka prose, etheree, nonet, shadorma, and cinquain.

My favourite poem in this collection is written by Kerfe Roig. I like it because it is filled with mystery and delight:
“who is this Other
come to greet me
glittering shadowed
behind and before
a changeling of light”

All the poems are gorgeous and this collection is a most worthwhile read for poetry lovers.

What Amazon says

Word Weaving is a yearly poetry journal, and for our first issue, we bring you poetry crafted from a broad mix of new and established voices across the spectrum of Japanese and American syllabic poetry forms. Enjoy this collection of poems that celebrate the Moons of Autumn.Contributing Poets:

Annette Rochelle Aben, Mona Bedi, Nancy Brady, Colleen M. Chesebro, Goutam Dutta, Bill Engleson, Elizabeth F., Andreea Finichiu, D.L. Finn, Jeff Flesch, Ken Gierke, Franci Hoffman, Thom Kerr, Sujata Khanna, Ruth Klein, Jules Paige, D. Wallace Peach, Gwen M. Plano, M. J. Mallon, R.V. Mitchell, Elaine Patricia Morris, Lisa Smith Nelson, Pat Raffington, Susmita Ramani, Kerfe Roig, Aishwarya Saby, Akhila Siva, Merril D. Smith, Willow Willers, and Cheryl Wood.

About Robbie Cheadle

Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 2 poetry books.

Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.

Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.

Robbie has a blog, https://robbiesinspiration.wordpress.com/ where she shares book reviews, recipes, author interviews, and poetry.

Find Robbie Cheadle

Twitter: BakeandWrite

https://www.smashwords.com/books/view/1080756

Facebook: Sir Chocolate Books

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Treasuring Poetry – Meet poet Lynda McKinney Lambert and a review

Posted: October 16, 2021 | Author: robbiesinspiration | Filed under: Book Review, Interview, Poetry, Treasuring Poetry, Writing | Tags: Book Review, Interview, Lynda McKinney Lambert, Poet Interview, Poetry, Songs for the Pilgrimage, Treasuring Poetry, Writing to be Read | 46 Comments

Today, I am delighted to welcome artist and poet, Lynda McKinney Lambert, to Treasuring Poetry with her thoughts about poems and poetry,

Which of your own poems is your favorite?

I chose a poem on page 127 of my latest publication, Songs for the Pilgrimage, DLD Books, 2021. “Talisman,” is located in Part IV: Landmarks and Landscapes.

“Talisman” (This is a free-form poem)

Lynda McKinney Lambert

(written April 30, 2016)

Visualize a talisman-

precious stones and crystals

woven in bold patterns

plenty of Japanese glass seed beads

tiny drops of perfect symmetry.

I select flawless beads

stab them onto steel needles

hundreds of stitches.

thrust them one at a time

upwards into the heavens

endlessly.

I plunge my thin needle

deep through layers of stiff cloth

make my stitches sure

hold tight.

I’m a warrior woman

thumping my spirit-drum

made of dappled starlight.

I measure timeless days

counting beads in

a mystical circle

held together

with a bronze toggle clasp.

A Talisman brings

protection from evil

healing for weary spirits

nourishment for aching bodies

courage for new directions

on a pilgrimage

over treacherous pathways

guides my dimmed eyes

and nervous steps.

Black onyx ovals

are like a vintage fan

unfurled with a flourish

or a sacred victory flag

prepared to cast an invocation.

my fingers stroke cold stones

glossy-smooth, polished, faceted.

gifts for a King.

What inspired you to write this particular poem?

My Process:

My poems are created in the same way I create a work of art.

First, the studio must be in pristine condition. I go through this cleansing activity of putting everything in its proper place, cleaning the surface of my working table, and laying out my materials.

Second, I begin to put a few things down on the paper. I may b begin with just a word that has been flashing through my mind for some time. I may begin with an idea or a color, or an object that I want to describe.

I start making a list of all of those things. I also refer to the thesaurus and the dictionary to expand my possibilities and to give me insight into the deeper meanings of words I am working with. I continue laying this all out on my list until I have quite a lot of information from which to begin the work. I like to work with at least forty words, phrases, or ideas initially.

Third, I begin selecting from my list. As I select a word, I cross it off my list after I have put it down on the page where I am building the poem.

Fourth, I continue this selection process from my pool of ideas. As I am working back and forth from the brainstorming sheet to the poetry sheet – I am deleting, moving, or adding in my process.

Since I am a person who likes to begin with chaos, I continue sifting and sorting and I am actually bringing order to the chaos.

Fifth, After I’ve laid down a considerable amount of line, I begin the process of deleting and paring it all down to the essential essence. I want my poem to become sleek and spare. I remove every article that I can in this process. I do not want any extra words. I consider them a distraction that hides the core of the poem. I am ruthless at this time in the process.

Sixth, after I’ve taken away as much as I can and exposed the essence of what I am describing, I call it finished. I will read it over many times during the process to get a feel for how it will sound when spoken. At this point it passes from an idea to a living sound. The poem is an object that stands alone. It has taken on meaning in ways I could not have imagined when I began the building process. I am satisfied.

I chose this poem for it exemplifies the parallel between writing and making mixed-media fiber art

The focus of my attention for this poem is on the making of the object that will become a talisman.

When I am writing, I am conscious of being a weaver as I move my words, sentences, and punctuation around the page. When I am making art, I am conscious of how everything fits together as I plunge my thin, sharp needle through tiny faceted beads, Czech and Swarovski crystals, circle around gemstones and capturing found objects. My needle is my paintbrush, forming the shapes and values that take me on a journey.

When I begin to write or make art, I prepare for a journey. I carefully lay out all of the things I will need for my travels. I expect to reach a destination at the time when I begin to write.

Photo_ I Only Have Eyes For You” is an award-winning Talisman.

About Lynda McKinney Lambert

Lynda’s interdisciplinary interests led her to a career in teaching across disciplines in fine art and English literature. She retired from her position as a professor of fine arts and humanities at Geneva College in 2008. Retirement from her international teaching schedule opened the door for her to pursue her love of writing full-time.

Lynda works from her rural western Pennsylvania home in The Village of Wurtemburg. Her five published books are available on Amazon, Smashwords, and other retail book sellers. Lynda’s newest book of poetry and personal non-fiction essays was published in April 2021 – Songs for the Pilgrimage.

Her second chapbook, Primavera: When Spring Break is Over, is ready for publication.

She is creating a collection of poems for a chapbook for the summer season and one for the autumn season in the year ahead.

Lynda’s poems appear internationally in journals and anthologies. She lives with her husband Bob and they celebrated their 60th anniversary on April 14, 2021.

Lynda earned a BFA and MFA in Painting. She also received the MA in English degree with her focus on poetry.

Lynda – Photo from August 27, 2021, with a bouquet of flowers she received for her 78^th birthday.

Purchase Lynda’s books:

My e-books on Smashwords.com

Authors Page at DLD Books.

http://www.dldbooks.com/lyndalambert

Learn more about Lynda

Smorgasborg Café and Bookstore – Meet the Authors_Review

Smorgasbord Cafe and Bookstore – Meet the Authors – #Thriller Daniel Kemp, #Poetry Lynda McKinney Lambert, #YAFantasy Jean Lee | Smorgasbord Blog Magazine (wordpress.com)

Robbie Cheadle Book Review of Star Signs: New and Selected Poems.https://www.lyndalambert.com/robbie-cheadle-review-of-star-signs/

Ten Things You May Not Know About Me.

This interview is featured on Marcia Meara’s Blog, The Write Stuff. September 3, 2021.#TenThingsYouMayNotKnow – About Lynda Lambert | The Write Stuff (marciamearawrites.com)

Showcase: Songs for the Pilgrimage.

Published by Charles Portolano, editor of The Avocet: A Journal of Nature Poetry.https://www.lyndalambert.com/showcase/

NFReads – An Interview with Lynda McKinney Lambert.https://www.nfreads.com/interview-with-author-lynda-mckinney-lambert/

Poem, Photo, and Explication of the work.https://www.lyndalambert.com/autumn-gifts-poem/

My review of Songs for the Pilgrimage

Songs for the Pilgrimage by [Lynda Lambert]

What Amazon says

From the Prologue and Epilogue of Songs for the Pilgrimage

The word pilgrimage refers to a religious journey. Individuals commit to traveling to reach a predetermined destination, such as a shrine or holy place. The excursion is a trek from one location to another. Pilgrimage has been an abiding theme in my writing for several decades.

My first book, Concerti: Psalms for the Pilgrimage (Kota Press, 2002, now out of print), was inspired by my annual journeys to Salzburg, Austria, where I taught a month–long drawing and writing course. I revised and expanded the previous collection of stories, poems, historical notes, and journal entries for this new book. Songs for the Pilgrimage features writings, drawings, and photographs I created over four decades.

I conclude with an artist’s prayer:

My studio is yours, Lord. Be my welcome guest today. Your goodness and unfailing kindness have been with me all my life. I have tried to make your glory visible in the works of art I have created. Someday I will close the door of my studio for the final time, but I will not be alone. Together, we will go to your home, where we will continue to collaborate on glorious projects throughout eternity. Amen.

May I Serve You?
Here are the stacks of paintings
for you to look at tonight.
I carefully brought them out
of storage closets
arranged them here
in the kitchen—
where my children used to play
games around a square oak table.
Once, food to nourish the body
was prepared here, by my hands.
Tonight, there is an
abundance of food
for your soul.
Come into my kitchen and
taste the world,
prepared by my hands.

© 1997

My review

Songs for the Pilgrimage is an unusual and interesting collection of poems, interspersed with journal entries from the poets annual journeys to Austria where she taught a month long drawing and writing course. The journal entries provide a lot of insight into the poet’s life and experiences during these times and dovetail with the poems which expand on these experiences by vividly depicting the sights, smells, and thoughts of the poet. The poems are mainly freestyle and cover a full spectrum of observations including interpretations of different artworks, songs, and music.

My favourite poem in this collection and the one that demonstrates the vividness of the imagery presented in these poems is called How Vivaldi Learned to Dance:

“Antonio Vivaldi heard a new beat
began to dance inside his soul
Concerto Grosso came to visit him
D-Major opened his eyes at dawn
every set of notes in the strong
foot-stomping beginning
gave his soul a new pair of wings
horns, oboes, 2 violins, Vivaldi cast the spell
imagination approached the heavenly realm
just as his nimble feet urged him to dance on clouds
kicking up his heels, high off the pungent streets
lively staccato andante reminded
Medieval Venetians to stroll on sunny afternoons
narrow passageways, the scent of Italian lilies floats
over cobblestone paths Vivaldi’s thoughts
pulsed cautiously into the Adagio duet
quiet staccato notes changed his rhythm
roaming violin twins began a centripetal dance
slow and steady – up, down, up, down, up
the long final chord ended his journey on
urban bridges of arched stone
violin solos of his butterfly visions soared
where playful frantic allegro takes flight
X is the unknow factor when the master musician
yearns for one more summer day in Venice
Zeitgeist. His presence spanned the Baroque ages.”

I chose to share this particular poem because I feel it represents everything I enjoyed about this book. The vivid imagery is demonstrated in may places with the depictions incorporating the senses of sight, sound, movement/touch, and smell, the references to the music show the poet’s appreciation of Vivaldi, the Italian Baroque composer, virtuoso violinist, teacher, impresario, and Roman Catholic priest and her love of all of these things, including her religion. There is a strong theme of faith and religious respect running through this book. There is also a haunting attraction for Venice and all it offers which ties in with the overarching concept of a pilgrimage.

An intriguing and enjoyable book of prose and poetry.

About Robbie Cheadle

Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 2 poetry books.

Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.

Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.

Robbie has a blog, https://robbiesinspiration.wordpress.com/ where she shares book reviews, recipes, author interviews, and poetry.

Find Robbie Cheadle

Twitter: BakeandWrite

https://www.poetryfoundation.org/poems/43650/auguries-of-innocence

Facebook: Sir Chocolate Books

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Treasuring Poetry – Meet poet and author Harmony Kent and my review

Posted: September 18, 2021 | Author: robbiesinspiration | Filed under: Book Review, Books, Interview, Poetry, Treasuring Poetry | Tags: Author Interview, Book Review, Poetry, Poetry Collection, Robbie Cheadle, Writing to be Read | 102 Comments

Today, I am delighted to feature poet and author Harmony Kent as my guest for Treasuring Poetry. I have read one of Harmony’s fictional books and her non-fiction book, Creative Solutions for the Modern Writer: Inspirational Tools to Fire Your Imagination, and they are both excellent. I have read and reviewed her poetry book, Slices of Soul: A Collection of Contemporary Poetry.

Welcome Harmony!

Which of your own poems is your favourite?

VOYAGE

Into the unknown we go

riding the ocean breeze

tacking this way and that

not too concerned with the far horizon

At peace, keeping an eye on the waves

that toss us about now and then

sailing through bright day

and deep dark night

It matters not

what tempest may come

we will weather the storms together

while we wend our way

We’ve lain our course

taken our soundings

and with love at the helm

we’ll keep a steady pace

Call it what you will

scow, skiff, sloop, hulk, schooner, bucket

so long as we caulk the boards and set the stays

we shall not founder

There’s no glory like it

in the heavens or on the Earth

than sailing free into the fire

of the sun as it sets into the glistening sea

What inspired you to write this particular poem?

When I met the love of my life, right away, we both went through some tough personal times. Those hardships brought us closer, and we’ve now been married for two years.

Which genre of poetry do you enjoy writing the most and why?

Some form of Haiku, because it forces me write with brevity and choose my words with utmost care.

Which genre of poetry do you enjoy reading the most?

As with my writing, my reading is eclectic. I enjoy a broad range of styles and genres.

What is your favourite poem?

Auguries of Innocence by William Blake

To see a World in a Grain of Sand

And a Heaven in a Wild Flower

Hold Infinity in the palm of your hand

And Eternity in an hour

A Robin Red breast in a Cage

Puts all Heaven in a Rage

A Dove house filled with Doves & Pigeons

Shudders Hell through all its regions

A dog starved at his Masters Gate

Predicts the ruin of the State

A Horse misused upon the Road

Calls to Heaven for Human blood

Each outcry of the hunted Hare

A fibre from the Brain does tear

A Skylark wounded in the wing

A Cherubim does cease to sing

The Game Cock clipped & armed for fight

Does the Rising Sun affright

Every Wolfs & Lions howl

Raises from Hell a Human Soul

The wild deer, wandering here & there

Keeps the Human Soul from Care

The Lamb misused breeds Public Strife

And yet forgives the Butchers knife

The Bat that flits at close of Eve

Has left the Brain that wont Believe

The Owl that calls upon the Night

Speaks the Unbelievers fright

He who shall hurt the little Wren

Shall never be beloved by Men

He who the Ox to wrath has moved

Shall never be by Woman loved

The wanton Boy that kills the Fly

Shall feel the Spiders enmity

He who torments the Chafers Sprite

Weaves a Bower in endless Night

The Caterpillar on the Leaf

Repeats to thee thy Mothers grief

Kill not the Moth nor Butterfly

For the Last Judgment draweth nigh

He who shall train the Horse to War

Shall never pass the Polar Bar

The Beggars Dog & Widows Cat

Feed them & thou wilt grow fat

The Gnat that sings his Summers Song

Poison gets from Slanders tongue

The poison of the Snake & Newt

Is the sweat of Envy’s Foot

The poison of the Honey Bee

Is the Artists Jealousy

The Princes Robes & Beggars Rags

Are Toadstools on the Misers Bags

A Truth that’s told with bad intent

Beats all the Lies you can invent

It is right it should be so

Man was made for Joy & Woe

And when this we rightly know

Through the World we safely go

Joy & Woe are woven fine

A Clothing for the soul divine

Under every grief & pine

Runs a joy with silken twine

The Babe is more than swaddling Bands

Throughout all these Human Lands

Tools were made & Born were hands

Every Farmer Understands

Every Tear from Every Eye

Becomes a Babe in Eternity

This is caught by Females bright

And returned to its own delight

The Bleat the Bark Bellow & Roar

Are Waves that Beat on Heavens Shore

The Babe that weeps the Rod beneath

Writes Revenge in realms of Death

The Beggars Rags fluttering in Air

Does to Rags the Heavens tear

The Soldier armed with Sword & Gun

Palsied strikes the Summers Sun

The poor Man’s Farthing is worth more

Than all the Gold on Africs Shore

One Mite wrung from the Labrers hands

Shall buy & sell the Misers Lands

Or if protected from on high

Does that whole Nation sell & buy

He who mocks the Infants Faith

Shall be mocked in Age & Death

He who shall teach the Child to Doubt

The rotting Grave shall neer get out

He who respects the Infants faith

Triumphs over Hell & Death

The Childs Toys & the Old Man’s Reasons

Are the Fruits of the Two seasons

The Questioner who sits so sly

Shall never know how to Reply

He who replies to words of Doubt

Doth put the Light of Knowledge out

The Strongest Poison ever known

Came from Caesars Laurel Crown

Nought can Deform the Human Race

Like to the Armours iron brace

When Gold & Gems adorn the Plow

To peaceful Arts shall Envy Bow

A Riddle or the Crickets Cry

Is to Doubt a fit Reply

The Emmets Inch & Eagles Mile

Make Lame Philosophy to smile

He who Doubts from what he sees

Will ne’er Believe do what you Please

If the Sun & Moon should Doubt

They’d immediately Go out

To be in a Passion you Good may Do

But no Good if a Passion is in you

The Whore & Gambler by the State

Licenced build that Nations Fate

The Harlots cry from Street to Street

Shall weave Old England’s winding Sheet

The Winners Shout the Losers Curse

Dance before dead England’s Hearse

Every Night & every Morn

Some to Misery are Born

Every Morn and every Night

Some are Born to sweet delight

Some are Born to Endless Night

We are led to Believe a Lie

When we see not Thro the Eye

Which was Born in a Night to perish in a Night

When the Soul Slept in Beams of Light

God Appears & God is Light

To those poor Souls who dwell in Night

But does a Human Form Display To those who Dwell in Realms of day

Slices of Soul: A Collection of Contemporary Poetry

What Amazon says

Slices of Soul is a collection of contemporary poetry from author Harmony Kent that will both delight and call for deeper reflection. ‘Phantoms’ gives a gritty account of pain that you can never catch. ‘Enough’ expresses the contentment of Zen. ‘Diamonds’ shows the beauty to be found on a drab and rainy day. While ‘The Alchemist’ shows you how a guitar can turn lead into gold. This wonderful arrangement of fifty poems takes you from the abstract of Zen to the melody of music, and will reach into your mind, your heart, and your soul.

My review

Slices of Soul is a compelling and unusual collection of poetry which certainly does give the reader glimpses into the complex soul and unusual life of the poet.

I think it is important to note that the poet spent 13 years living in a Zen Buddhist Temple and that the poems featured in this book were written, during and after this period in her life. I believe that her spiritualism and surroundings had a bearing on the thoughts and ideas expressed through the poems in this book.

The poems are divided into sections: Shaved Head, written during her time at the Zen Buddhist Temple, Short Hair, written during the transitional period of her changing life circumstances, and Long Hair which effectively covers all the remaining sections in the book and were written after she’d adjusted to her new life.

I felt the tone of the poems changed over the course of the book from intense reflections on life, to studies of nature, to fierce expressions of emotion, to gentler articulations of love and contentment.

The two poems that impacted me the most in this collection are from the first two sections of the book, Shaved Hair and Short Hair:

The Path
The ten directions all merge into one
this winding road leads nowhere
and goes straight there

Lost and Found
Deep dark depths
I got lost on purpose
this desolate place
the only way
to get my bearings

Poetry lovers who like poems that make you think about things and see them differently will appreciate this book.

Purchase Slices of Soul

Amazon Author Page Harmony Kent

About Harmony Kent

Harmony Kent is an award winning multi-genre author. Her publications include:

The Battle for Brisingamen (Fantasy Fiction) AIA approved

The Glade (Mystery/Thriller) AIA Approved/BRAG Medallion Honouree/New Apple Literary Awards Official Selection Honours 2015

Polish Your Prose: Essential Editing Tips for Authors (Writing/Editing) New Apple Literary Awards Top Medallist Honours 2015

Finding Katie (Women’s Fiction)

Slices of Soul (Contemporary Poetry)

Interludes 1 & Interludes 2 (Erotic Short Stories)

Moments (Short Stories and Poetry)

Jewel in the Mud (Zen Musings)

Backstage (Erotic Romance)

FALLOUT (Apocalyptic/post-apocalyptic Dystopia) BRAG Medallion Honouree

The Vanished Boy (Psychological Thriller)

As well as being an avid reader and writer, Harmony also offers reviews and supports her fellow authors. Harmony works hard to promote and protect high standards within the publishing arena. She is always on the look out for talent and excellence, and will freely promote any authors or books who she feels have these attributes. Harmony lives in Cornwall, England.

Resonance (Home)

twitter: @harmony_kent

Goodreads: https://www.goodreads.com/HarmonyK

harmonykent@gmx.com

About Robbie Cheadle

Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 1 poetry book.

Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.

Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.

Robbie has a blog, https://robbiesinspiration.wordpress.com/ where she shares book reviews, recipes, author interviews, and poetry.

Find Robbie Cheadle

Twitter: BakeandWrite

Facebook: Sir Chocolate Books

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Treasuring Poetry – Meet poet Leon Stevens and book review

Posted: August 21, 2021 | Author: robbiesinspiration | Filed under: Book Review, Books, Humor, Poetry, Treasuring Poetry | Tags: Book Review, Leon Stevens, Lines by Leon, Poetry, Poetry Collection, Treasuring Poetry, Writing to be Read | 27 Comments

Today, I am delighted to host artist, poet and author, Leon Stevens.

Which of your own poems is your favourite?

Wow. Starting off with the hardest question…I have written about many aspects of my existence, but I think some of the poems about ego and human nature are my attempt at understanding why people act the way they do. I still don’t get why some people are jerks.

Ego (Part II)

An ego is a big cat

That needs to be stroked

By you or someone else

Smaller cats are easy to please

And the bigger the cat

The more dangerous it is

To rub the wrong way

What inspired you to write this particular poem?

I wrote a series of poems about ego after spending some time observing how people interact with each other as individuals jockey for position within a group. While they do that, they seek affirmation to justify their perception of themselves. There are positives to egos, but if an ego is too aggressive, it can leave you rolling your eyes and shaking your head.

Which genre of poetry do you enjoy writing the most and why?

I don’t set out to write any particular form of poetry. Usually, as the words come to me, they will dictate how the poem will manifest itself. This leads to some erratic rhyming and rhythmic patterns, but often I find that a well-placed, unexpected rhyme can have a powerful effect.

My poems tend to be short—no more than a page—often 4-6 lines. They are like a snapshot of a moment or experience rather than a slideshow or movie.

Which genre of poetry do you enjoy reading the most?

I honestly do not read a lot of poetry. Maybe it is a way not to be influenced, which I hope makes my own poetry unique. I do follow many blogs that feature poetry, so most of what I do read comes from those sites.

I grew up with my father reading the poems of Robert Service. The Cremation of Sam McGee Is one that has always stuck with me (Dad had it memorized along with many others). It is a tale set during the Klondike gold rush which has a humorous, macabre twist.

The Cremation of Sam McGee by Robert Service

There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.

Now Sam McGee was from Tennessee, where the cotton blooms and blows.
Why he left his home in the South to roam ’round the Pole, God only knows.
He was always cold, but the land of gold seemed to hold him like a spell;
Though he’d often say in his homely way that “he’d sooner live in hell.”

On a Christmas Day we were mushing our way over the Dawson trail.
Talk of your cold! through the parka’s fold it stabbed like a driven nail.
If our eyes we’d close, then the lashes froze till sometimes we couldn’t see;
It wasn’t much fun, but the only one to whimper was Sam McGee.

And that very night, as we lay packed tight in our robes beneath the snow,
And the dogs were fed, and the stars o’erhead were dancing heel and toe,
He turned to me, and “Cap,” says he, “I’ll cash in this trip, I guess;
And if I do, I’m asking that you won’t refuse my last request.”

Well, he seemed so low that I couldn’t say no; then he says with a sort of moan:
“It’s the cursèd cold, and it’s got right hold till I’m chilled clean through to the bone.
Yet ’tain’t being dead—it’s my awful dread of the icy grave that pains;
So I want you to swear that, foul or fair, you’ll cremate my last remains.”

A pal’s last need is a thing to heed, so I swore I would not fail;
And we started on at the streak of dawn; but God! he looked ghastly pale.
He crouched on the sleigh, and he raved all day of his home in Tennessee;
And before nightfall a corpse was all that was left of Sam McGee.

There wasn’t a breath in that land of death, and I hurried, horror-driven,
With a corpse half hid that I couldn’t get rid, because of a promise given;
It was lashed to the sleigh, and it seemed to say: “You may tax your brawn and brains,
But you promised true, and it’s up to you to cremate those last remains.”

Now a promise made is a debt unpaid, and the trail has its own stern code.
In the days to come, though my lips were dumb, in my heart how I cursed that load.
In the long, long night, by the lone firelight, while the huskies, round in a ring,
Howled out their woes to the homeless snows— O God! how I loathed the thing.

And every day that quiet clay seemed to heavy and heavier grow;
And on I went, though the dogs were spent and the grub was getting low;
The trail was bad, and I felt half mad, but I swore I would not give in;
And I’d often sing to the hateful thing, and it hearkened with a grin.

Till I came to the marge of Lake Lebarge, and a derelict there lay;
It was jammed in the ice, but I saw in a trice it was called the “Alice May.”
And I looked at it, and I thought a bit, and I looked at my frozen chum;
Then “Here,” said I, with a sudden cry, “is my cre-ma-tor-eum.”

Some planks I tore from the cabin floor, and I lit the boiler fire;
Some coal I found that was lying around, and I heaped the fuel higher;
The flames just soared, and the furnace roared—such a blaze you seldom see;
And I burrowed a hole in the glowing coal, and I stuffed in Sam McGee.

Then I made a hike, for I didn’t like to hear him sizzle so;
And the heavens scowled, and the huskies howled, and the wind began to blow.
It was icy cold, but the hot sweat rolled down my cheeks, and I don’t know why;
And the greasy smoke in an inky cloak went streaking down the sky.

I do not know how long in the snow I wrestled with grisly fear;
But the stars came out and they danced about ere again I ventured near;
I was sick with dread, but I bravely said: “I’ll just take a peep inside.
I guess he’s cooked, and it’s time I looked”; … then the door I opened wide.

And there sat Sam, looking cool and calm, in the heart of the furnace roar;
And he wore a smile you could see a mile, and he said: “Please close that door.
It’s fine in here, but I greatly fear you’ll let in the cold and storm—
Since I left Plumtree, down in Tennessee, it’s the first time I’ve been warm.”

Poem credit: https://www.poetryfoundation.org/poems/45081/the-cremation-of-sam-mcgee

Book review: Lines by Leon: Poems, Prose, and Pictures

My review

Every now and then you discover a book of poetry which has you nodding your head in agreement and identifying with the views of the poet. For me, this was one of those books. Leon Stevens has an unerring way of aiming a poetic arrow straight at the heart of a difficult issue and exposing it for exactly what it is. This exposure is done with great dry wit, but it is nevertheless, brutally honest and truthful.

The poems in this book cover an array of topics including, inter alia, the poets personal viewpoints on specific matters, environmental experiences, the human conditions and how we relate with others, people and places, and ponderance and muse. There is a sprinkling of the poet’s own sketches throughout the book, and these, complement the humour and the simple, straightforward messages woven into these compelling poems.

This poem, called The Tendency to Cluster, was my personal favourite in this collection and demonstrates the points I’ve mentioned above:

People like orbs
Drawn by gravity
Unable to exist alone
Each dependent on the orbits of others
The only thing that keeps them
From being flung away
Needing others to define them
Needing to know
The quantum state of others
There are people
Content with singularity
In the colder outer regions
Emptiness brings strength, warmth, life
Occasional objects pass
Piquing curiosity
Worthy to share space (for a while)
Mostly continuing alone
Comfortable that orbits won’t decay

If you enjoy poems that speak clearly and simply about important matters, then you will enjoy this collection. Even if you don’t share the poet’s viewpoint, these poems will still make you think deeply.

Purchase Lines by Leon: Poems, Prose, and Pictures