Writer’s Corner – Five Podcasts Serious Indie Authors Won’t Want to Miss

In my publishing courses at Western State Colorado University, my instructors and mentors, Kevin J. Anderson and Allyson Longuiera have introduced us to several useful podcasts for independent authors and/or publishers and I’d like to share them with you here.

Writing Excuses : https://writingexcuses.com/2021/03/07/16-10-paying-it-forward-with-kevin-j-anderson/

Hosts Dan Wells, Mary Robinette Kowal, Peng Shepard, and Howard Taylor offer up tips and writing advice, mainly on craft. This podcast provides short sessions, they claim 15 minutes, but the session for the link above is closer to 30. It’s an interview with Kevin J. Anderson about paying it forward, and it’s really good, so I tought you all might enjoy it. Kevin started out with traditional publishing way back when, but has now established his own independent press in WordFire Press, so he speaks to both sides of the industry, and this interview is proof that whether published traditionally or independently, authors are a good bunch. I’m proud to be counted amoung this tribe.

But the episodes really are brief, so take a little time and explore the site. They have many interesting topics of value to authors at all stages of their career. Here’s the main page link: https://writingexcuses.com/

Six Figure Authors: https://6figureauthors.com/

With hosts Lindsay Baroker, Joe Lallo and Andrea Pearson, this podcast offers publishing and marketing tips, more than craft advice, but as six figure authors, they are crushing it and they are willing to share their advice with their listeners. I enjoy binging back episodes on my lengthy commute to and from my day job. They have a Facebook group which listeners can join, where they can pose questions to the hosts or their guests to be answered on the podcast. Lots of valuable information for authors here, whether just starting out or if you’ve been at it for a while.

The Creative Penn: https://www.thecreativepenn.com/podcasts/

I love this podcast! Host Joanna Penn (with a double N), is an author/enterprenuer and a futurist. Her podcast is filled with interviews and discussion about industry trends and where things might be headed. She’s got a killer accent which makes her fun to listen to, too.

The Self Publishing Formula: https://selfpublishingformula.com/spf-podcast/

Host Mark Dawson is a best selling independent author provides interviews and master classes on self-publishing. He and his co-host, James Blatch both have accents that are heavier and more difficult for me to understand, but they do offer up some valuable information on the independent publishing world.

Quick and Dirty Tips: https://www.quickanddirtytips.com/grammar-girl

This is every writers go-to podcast for all of your grammer questions, with Grammar Girl, Mignon Fogarty, who discusses proper grammar and common grammar mistakes. A quick reference for all grammar questions you are unsure of during writing and editing processes.

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Mind Fields – Healed By A Cat: An Autistic Man Meets A New Friend

Mind Fields

          One day we found out that an autistic man was going to move in next door. At the time we lived in an RV park in a 38 foot motor coach. “Next door” meant that we shared a small yard with our neighbor.         

           I was concerned. How autistic is he? I wondered. Autism can be a vague diagnosis. It has stretched beyond its original meaning of a soul completely lost to human interaction. The park’s manager described the man as “a little autistic”. That could mean almost anything.

          As Henry was helped to park in his site, he took a look at me and The Fox. He said one word, “Whew”, and then vanished into his RV.

          “Whew.” Where did he live before he came here? His former neighbors, we later learned, were motorcycle people and meth freaks. Whew, indeed.

          Henry divulged little about himself. He said he liked cats. That was fortunate, because we have two indoor cats and two outdoor cats, plus a wide variety of feral visitors and neighborhood pets. There’s something about this space that draws cats. It might be the plum trees and their abundant population of wrens and robins. 

          There are people who claim their pets have super powers. I regarded such people as harmless nuts. Lately my thinking has changed. Our cat Obsidian is a big brown tabby with green eyes. I’ve seen him tame people in that Little Prince way, literally capture their unruly spirits and put them back in a more harmonious order. That’s Obsidian’s super power, the power to restore tranquility.

          He’s getting old, and so are we. He doesn’t jump the fence and climb around with the younger cats any more. He has more important work to do.

          Our new neighbor Henry is middle-aged. He is a fearful, cranky and withdrawn man, but he’s an ideal neighbor. We barely know he’s here. He can be easily upset by minor disturbances. He is so averse to noise that he can be pushed into a ferocious sulk by the mere revving of a motorcycle.

          He has been adopted by our two outdoor cats, wise old Obsidian and his sidekick, the comical black and white Cookie. These cats have given structure to Henry’s otherwise bleak world. By loving Henry they have tricked him into loving. I looked out the window one day to see the elusive and feral Cookie sitting calmly on Henry’s lap. I had never seen her behave this way. It was strangely impressive. Henry is a cat savant, he has some magical affinity that he didn’t know he possessed until he moved close to Obsidian and Cookie.    

          I hope that you, my readers, understand how easily a friendly animal can become a tyrant who turns your life upside down. Henry is such an innocent that he immediately began flirting with disaster. We had to set him straight without setting him off. If he let Obsidian into his home even once, he would become nothing but a door man, opening and closing all day, all night, at the cat’s demand. I caught him just on the verge of doing this very thing and rushed to halt the action.

          “Don’t let him in, Henry! Close your door, quick!” He was frightened and cut Obsidian off  just as he was about to slip between his feet.

          I explained what had almost happened. I spoke towards Henry’s averted eyes and raised defensive shoulders. I spoke to him as I would speak to any intelligent adult. In Henry’s heart, the need to trust someone was rising like a powerful burst of magma from a volcano deep beneath the sea. His need to share the cats’ companionship was forcing him to emerge from his shell and talk to us. The cats pushed Henry past his fears. 

          In the next few weeks we learned more about Henry. It wasn’t easy but we supported his struggle to communicate. Then something unexpected happened. Henry and Obsidian fell in love. I’m not being flippant. It’s just that simple. When Henry left to visit his mother, Obisidian sat on his front step, waiting for his return. He would emit an occasional sob. There’s no mistaking Obsidian’s sob. He has an amazing gamut of vocalizations, including a perfectly robin-like cheep that must have been useful during his hunting years.

          I can’t put it any other way. They were in love with a pure emotional connection. Perhaps Henry’s autism short-circuited his intellectual activity and left his feelings to flourish without interference from the busy mind. I watched this fountain of feeling take shape between Henry and the cats. 

          Henry leaves the campground for treatment four days a week. When he first went away, Obsidian was inconsolable. He went into a paroxysm of grief. He stared into space for long periods.  He moped and cried. But Obsidian gradually learned that Henry ALWAYS comes home. Thus our cat friend’s tranquility was restored. He knows Henry will be back and that’s enough to comfort him. It took him a few weeks to get this; I watched him unwind and relax. I watched his attention return to his world: the falling leaves and the showoff Cookie with her bounding up and down fences and trees. Obsidian resumed his lordship of his domain. The lost baby possum was under his protection. The upstart kitten Stinker was not welcome and he meant business, even if he had to hire Cookie to teach Stinker a lesson.

          Now Henry has left for two weeks. He has gone to Connecticut to visit his sister. “Three thousand miles!” cried Henry in terror before he was picked up by his ride. The enormity of this journey was paralyzing. I shared with Henry my own fears about travel: the feeling that I’ll never get home; I’ll be trapped in some alien environment without the solace of my place and my people. Henry and I aren’t so different. This bit of one on one engagement gave Henry something to take with him on this unprecedented trip. He had shared an emotional link with another human being. And he had given his heart to a big brown cat with green eyes.

          How different is Henry’s world today? That’s not for me to say, but I suspect that it’s just different enough… enough to make a difference.


BOWLESIAN! – Tumbleweeds and Little Girls

Tumbleweeds and Little Girls

They had the tumbleweed ambassador on the news a month before the big battle. The news guy and news girl said he was intelligent, and then a local representative of the Plains and Wildlife Service translated for him because tumbleweeds can’t talk and must sign everything by rolling and hopping and what not.
“We mean your people no harm,” said the Plains and Wildlife Service guy. He spoke kind of slow and choppy. I guessed he wasn’t actually, what do you call it? Fluent in tumbleweed?
He said, “The war has started, whether you realize it or not. The Prairie Queen has an army of deer, antelope and coyotes. She’s got the power of fire. She murdered our Wizard Father and made her castle from our dead tumbleweed brothers and sisters. The crazy bitch!”
I winced at this last word. I’m only twelve years old, after all. My dad used to talk real rough like that. He used to cuss and laugh and say to me, “Don’t repeat that to your mother, Amie Masterson. I don’t want to fight no little girl.” Then we’d roughhouse a bit. My dad died last year, though. Some kind of cancer. Mom never told me which.
I don’t usually watch the late news. I’m supposed to be in bed. But Mom passed out on the sofa early. I laid a blanket over her and picked the empty wine bottle off its side so it wouldn’t drip on the carpet.
The Plains and Wildlife Service guy said, “Have you not noticed her spot-fires outside your city? We want to kill your precious girls!”
The tumbleweed popped up into the air and spun angrily.
Plains and Wildlife Guy said, “Oh, I’m sorry, I’m sorry. We want to utilize your precious girls. We have no defenses. We need soldiers. The Prairie Queen cannot stand against the wealth of your girls. Or so we believe.”
There was some more talking. I was getting sleepy.
The news guy said, “And of course we know the city has been expanding into the Queen’s prairieland at an exponential rate.”
And the news girl said, “Right you are, Tom. In retrospect, that may have been a huge mistake. Oops.”
And then a commercial for local heating and cooling repair came on. I went to kiss Mom on the forehead. She moaned softly, smiled for a second, and then settled into a noisy, listless snore. Mom is a good mother, but I think Dad dying did some stuff to her. I guess that’s normal. She never used to drink wine.
There was a knock at the door. I was scared for a second, but only because Mom said never to open the door to strangers at such a late hour.
There was another knock.
“Mom,” I said, “someone at the door.”
Mom didn’t wake up. I nudged her, shook her, but still nothing, all snores, drool dribbling from the corner of her mouth. I went to the door, looked through the peephole.
There was nobody there.
“The heck?” I said. I slid back the deadbolt and opened the door.
A tumbleweed sat on our welcome mat. It had a leather glove duct-taped to its scrawny, scratchy limbs. It was kind of a big tumbleweed. The color of autumn wild grass. It leaned in to, like, look in our house.
“Is this because I’m a precious girl?” I said.
The tumbleweed shook.
“And you’re recruiting all the girls and that means me, right?”
It shook again.
“Only thing is I can’t leave. Mom’ll be super pissed. Oops. Mom’ll be super angry.”
The tumbleweed rolled, over and over, until the glove and duct tape came undone and stuck and sat limp and kind of sad on our porch. The tumbleweed wiggled and bent toward the glove.
I shrugged and picked it up. There was a big rock inside. There was also some red dirt. I brought the dirt to my nose to sniff it. It smelled salty, briny, kind of like how I imagine the ocean smells, like vast rotting shipwrecks beneath the waves where porpoises and turtles swim and play.
“What’s this stuff?” I said.
The tumbleweed smashed into my leg. My hand jerked, the dirt flew, a bunch of it went up my nose.
I sneezed.
Someone said, Me entiendes?
I sneezed again. A big cloud of red flew from my nostrils.
Someone said, Ne me comprenez-vous?
“Huh?” I snorted. “S’that even English?”
Oh, English, English! Oh, of course! Yes, how sally of me.
“What? Sally?” I wriggled my nose and wiped allergy tears from my eyes.
Silly! Silly! Of course! Stupid Dumb-Dust. I’m dumb, you know? All tumbleweeds are dumb. Call me Aaron. Aaron Sisymbrium Altissimum. Don’t worry about that last part. That’s my family name. Are you ready to be a soldier, girl?
“Soldier?” I said. “You mean to fight the Prairie Queen?”
That’s precisely what I mean. Time is short. Matters are barbiturate.
“Barbiturate?”
Aaron twitched. Desperate! Desperate! If we don’t stop her now, she’ll kill all the tumbleweeds, and then, girl, she’ll kill all the humans, too.
I looked over my shoulder. Mom was still snoring away on the couch. Wine makes adults snore. That’s something I learned.
Come on, soldier, said Aaron, no more dilly dallying. Don’t you want to make your fellow humans proud?


I learned a lot of things in Tumbleweed Army. I learned how to march, how to roll up into a little ball to protect myself. Learned how to say, “Yes, ma’am!” like I meant it. Most of all, I learned coyotes and deer and antelope were really scary because they could eat the tumbleweeds and break the wizard’s spell and use their shoulder-mounted flamethrowers to burn everything. The Prairie Queen had the power of fire. She wanted to burn it all, burn the world, which I guess included my home and my mom, which is why I stayed.
There was a girl there called Jade. She was an older girl. Really pretty, with deep almond skin and bright green eyes. We’d be in the middle of flamethrower-dodging exercises, and she’d come up to me and look at the way I was darting and dodging around, and she’d say, “Looking real good, Masterson. Looking real sharp.”
The tumbleweeds didn’t do any of the teaching or drilling themselves. They only knew tumbling. They left it to all the thirteen and fourteen-year-olds to teach us everything we needed to know. Maybe they should have asked for the real army, the adult army. Even they seemed weirded out by a little girl army, and sometimes they acted like they didn’t know how they’d ended up with us at all.
If the adult army was looking for us, they never found us, secret and hidden away on the outskirts of the city like we were. Also the tumbleweeds had this special concealing magic. The last thing they had left of their Wizard Father.
Aaron told me, Our Wizard Father was a great man. He granted us intelligence and the freedom we so cherish. But the concealing magic’s fading. We can’t stay hidden from the Queen forever.
I was like, okay, you’re fine, the older girls know everything. They’ve designed this whole thing and know everything there is to know. That’s probably why our uniforms were pink and sparkly, and why our flags carried pictures of Justin Bieber and Lady Gaga, and why even though the cutoff age was fourteen, you could tell they were serious and skilled and were girls on a mission, girls ready to kill.
I missed my mom. I’m not going to lie about that. I missed her so bad it didn’t matter to me she didn’t listen anymore when I talked to her about school, or that I always saw her crying first thing in the morning, or that everything Dad made her promise when he was in the hospital sort of, well, just went forgotten and we didn’t talk about it. I was in that army for four weeks, then we had the big battle, but I never forgot Mom, and I guess she never forgot me, but I couldn’t say goodbye to her just in case I might die, because the tumbleweeds were real, real strict about enemy code breakers and antelope misinformation squads.


One night as I was laying down to sleep in my tent, Jade came and undid the tent flap and she and a few girls brought in a little white cupcake with a single candle flickering and hopping kind of like a tumbleweed.
“What’s this?” I said sleepily.
“It’s your birthday, Masterson,” said Jade.
“My birthday?”
She nodded and said, “Make a wish.”
I wished to kiss a boy, but knew it probably wouldn’t come true because there were no boys for miles and miles. Me and the girls shared the cupcake, but the cupcake was made out of mashed potatoes, because the tumbleweed galley only had potatoes because Aaron told us all you eat is potatoes in the army and we didn’t argue.
“Jade,” I said, choking down my last bite. “Do you think things will go back to normal after this? I mean, after we kill the Prairie Queen and all? Do you think all us girls can go back to how we were?”
Jade thought about this. She nodded. “Yes, I think we can. At least I hope we can. Wizards and Queens and Dumb-Dust, all that stuff shouldn’t exist. I think it only exists because the world needs stuff to make you wonder. You know what I mean? My Dad always says, ‘Boy it really makes you wonder’. I think that sort of thing is really important.”
“Why?” I said.
One of the other girls chimed in. “Because everything would be so boring otherwise.”
“Boring’s not bad,” said Jade. “Boring’s only bad if you get used to it. There’s always people stepping on other people. Trying to take things that don’t belong to them, you know? Because people get used to that, too. Like that spot where our city and their world meet up….”


So there was this spot where our city and their world met up. For miles and miles, our buildings rose high, and interstates ran, and traffic lights blinked red, yellow, green, red, yellow, green.
But on this spot, there were a few loose suburban fingers of little houses that looked nice but that also all looked the same, and those fingers kind of stretched out, and then they ended, and their world was beyond, the prairie world, high grass and rolling hills, pretty wildflowers and peaceful vistas.
The wind could rustle through, and it could carry a dry, dusty scent, and maybe there’d be pollen on the wind, but there were no honking car horns or televisions blaring. People didn’t shout at each other. There were no people. The city wasn’t there yet. Maybe it would be someday. Of course it would be. The city just kept growing and growing and growing, and nobody bothered to ask the Queen if it was okay. Nobody stopped to think it might be a bad thing if the prairie world got swallowed up, got paved over, with houses and restaurants and, you know, post offices and stuff built all over it.
We had the battle on that spot. It was time. No more hiding. Me and all the girls—thousands of girls—we lined up at the fence line of that last wandering suburban finger. The hot mid-afternoon sun beat down on us. Smell in the air like columbines. We came in our pink sparkly uniforms, with our flags waving. The grenade girls all had purple caps. Girls with rifles had big red badges on their chests. There were also film-crew girls, who’d appointed themselves to the rank, who held up smartphones and snapped selfies with the battlefield-to-be in the background.
I was light infantry, just like Jade, and that meant we had no weapons, only pig-tails and three-ring binders, because the tumbleweeds had chosen girls for a reason, and we all figured we’d be even scarier all dressed up for school.
Prairie Queen’s afraid of school girls. Prairie Queen’s afraid of school girls.
We kind of told each other that over and over again, sort of like a, what do you call it? A mantra?
Prairie Queen’s afraid of school girls.
Prairie Queen’s afraid of school girls.
And we said it again and again, and it made us less afraid, even though we knew we might die that day.
The ground beneath our feet trembled. Far off across the field, over the rise and fall of grassy hills, we saw the first ranks of animals and their flamethrowers. The coyotes were the fastest and lightest, and they ran ahead of the herd, belching fire, scorching earth, I guess to scare us. They howled and yipped at the antelope and deer. You kind of figure antelope and deer don’t make noises, but they do. This strained, desperate, sharp kind of screaming noise. And when there are thousands of them—and there were thousands—it comes off like a banshee wail, like a great roaring throat sound loud as jet engines.
I don’t know why, but the sound made us cry. It was so loud. The screaming, the yipping, the flames and flames and flames. I cried like I knew a soldier should never cry. But it was okay, because Jade cried, too. Maybe I felt like running home to my mom, and maybe Jade did also, but she didn’t, she stood there like she was the bravest crying girl in the world, and she called back to us through her tears, “Steady, now! Wait until you see the whites of their eyes!”
And I didn’t know what that meant, because animals don’t have white eyes, but I stood my ground all the same, even though my legs trembled, even though the tears drenched my uniform and my tongue felt stuck to the roof of my mouth.
The tumbleweed commanders came rolling out to marshal our forces. I saw Aaron there with Commander Johnston Salsola Kali.
Commander Johnston waved a scraggly little twig-limb and said through the Dumb-Dust, Today you do your species proud! Today you are not girls, but women! Human women of distinction, finery, and absolute quality. We have no idea how it is you came to defend us, but be not afraid, dear human beings! For though you may die—yes, you may die, yes, yes!—for though that may be so, remember, one and all, that the Queen may take your lives, but she shall never take your Sweden!
In unison, the thousands-girl army said, “Huh?”
Commander Johnston said, Bother! Freedom! Freedom! Freeeeeeedom!
The army roared. Girls fired rifles in the air. They said, “Freeeeeeedom!” Even though freedom wasn’t really the thing, but getting trampled and burned up, but a cry of freedom was enough, and I said it, too.
Jade told us to stand at the ready. We did. She told us to march ahead at the quick step. We did that, too. I think the older girls had watched old war movies before the battle, so everything they were telling us to do was really smart and accurate for what soldiers are supposed to do in battle.
We marched at the quick step. The rifle girls and grenade girls were right behind us. The rifle girls fired rounds over our heads. This was smart because the animals kind of flinched and froze at the noise.
Bang! Bang! Bang, bang, bang!
And anyway, it wasn’t the animals we were after, but the Queen, who, tumbleweed intelligence told us, would be in the middle of her formations, in the mobile command station made of dead tumbleweed bodies all stuck together.
“Double-time, march!” said Jade.
We picked up the pace.
Coyotes snapped and howled at us. The deer and the antelope shot steady burning jets of fire. We began our dodging maneuvers, still in ranks, still in line, but dodging that fire like crazy.
A girl beside me—Kirsten—went down screaming. Our standard bearer went up in flames, but the next girl in line—a film-crew girl—picked up the smoldering flag and soldiered on, still bravely snapping selfies and snagging footage of the whole bloody mess.
And it occurred to me that the world was a crazy place. It made you wonder. Really made you wonder, you know? Girls weren’t supposed to be soldiers. Were they? Were girls supposed to be soldiers? I bent over Kirsten. Girls weren’t supposed to be soldiers, were they? Little girls? Kids and teenagers? I froze to the spot. I tried to touch her. Girls weren’t supposed to be soldiers. She was too hot, too bubbling, too much melted Kirsten. Girls weren’t supposed to be soldiers. They weren’t, were—
Jade slapped me.
“Snap out of it, Masterson!” she said. “The command station! Look, it’s right there!”
And it was right there. It looked like a castle on wheels. Made of tumbleweeds. Thousands upon thousands of poor dead tumbleweeds.
Burn the world! Burn it all!
Nobody else would die! Nobody!
Jade and I and the remnants of our unit—all told, seven girls—we darted in and out of flames and animals. Grenades exploded all around us. Dying things, dying from bullet wounds, dying from the burn.
We mounted the ramp of that mobile command station. We tried to punch through the tumbleweed walls, but the Queen had cast a spell, and the walls were solid as steel.
Jade told us to begin the chant, the mantra. We began it.
“Prairie Queen’s afraid of school girls! Prairie Queen’s afraid of school girls! Prairie Queen’s afraid of school girls!”
The mobile command station rolled to a stop.
“Prairie Queen’s afraid! Prairie Queen’s afraid!”
The animals stopped. Their roaring streams and jets and flames. They stopped their screaming. The coyotes stopped howling and yipping and yapping.
“Prairie Queen’s afraid of school girls!”
And our army stopped, too. Nobody told them what to do if the animals quit fighting. Nobody expected that. The battlefield went silent, all but the wind, and the flickering and popping of little grass fires here and there, and us seven girls, and our chanting, our mantra.
“Prairie Queen’s afraid of school girls! Prairie Queen’s afraid—”
“The Prairie Queen fears nothing!”
The voice boomed and echoed across the field. It was low, brassy, not human at all.
The command station exploded.
I went flying. I hit the ground. The air rushed from my lungs.
Tumbleweed shrapnel bit at me, scratched me up. I felt the pain of it, but I couldn’t breathe, couldn’t breathe at all.
The voice came again. With a kind of wispy whipcrack to each syllable.
“The Prairie Queen fears nothing! Nothing!”
Like the blast of a shotgun, my breath came back to me. I sucked in air like it was a thick milkshake, like the best chocolate milkshake I’d ever tasted.
Hands took hold of me, lifted me, jerked me up. My feet didn’t touch the ground.
“You, girl! Do you think I fear you?”
It wasn’t hands that had a hold of me. And it wasn’t a nasty old Queen hovering inches from my face. I expected a scary old lady. The Prairie Queen was a blade of wild grass. Just a single, tall, stout blade of wild grass, with no face, no mouth, no eyes. Split from her body, willowy grass arms, with little willowy grass hands. She shook me. She said, “What stupidity! What inane musings! To think I could fear this dull creature! This girl. You people. You take so much. I will take from you!”
And then she threw me to the ground and started whipping me with her green grassy hands.
It stung. It slivered and sliced. I started bleeding. The girls just watched. The animals watched. Stunned.
“Help!” I said. “Help!”
“You will not take from me,” screeched the Queen. “You will not take from me.”
She whipped me. Welts and cuts and lacerations and ripping, tearing skin. I curled into a ball, like the older girls had taught us, but the whipping kept coming and kept coming and kept coming.
A little ball of fire started circling her wild grass head. The Queen said, “Burn the wizard. Burn the weeds. Burn your city to the ground!”
The ball grew and grew, and it circled faster and faster and—
Movement in the field.
A tumbleweed rolled and hopped over me and smashed into the Queen. The ball of fire circling her head exploded. The tumbleweed ignited. The Queen ignited, too.
“Masterson!” Jade was moving now. She tossed me a grenade. I pulled the pin and flicked it at the Queen.
The burning tumbleweed was in the way. I rolled behind an antelope carcass.


Mom found me bleeding on the sofa the next morning. There was a collection of wine bottles in our living room. And also a bunch of notebooks and pens and candy wrappers. And also pizza boxes because adults like whole pizzas and whole bottles of wine. That’s something I learned.
Mom was drinking from a fresh bottle, sort of stumbling down the hall. She spotted me and said, “Oh my God, Amie?”
“Hi, Mom.”
She dropped the bottle. Wine splashed our white carpet. She flung herself at me and started kissing me all over and crushing me.
“Ow!” I said. “Ow, Mom! I’m hurt. I’m bleeding.”
“Jesus Christ, you’re bleeding!”
“I know.”
“Band-Aids! Hydrogen Peroxide!”
Mom patched me up as best she could. We both agreed I should go to the hospital, though. War’s like that I guess. Sometimes people die. Sometimes they have to go to the hospital.
I watched the television as she fawned over me and poured peroxide over all my wounds. It bubbled and itched and burned. I still watched TV.
The Plains and Wildlife Service guy translated for Tumbleweed Commander Johnston. I didn’t need him to, though.
Commander Johnston said, This day, this VQ day, this victory over the Queen, we shall remember it always, just as we shall remember and honor anew a bond of brotherhood between weed kind and humankind. Let it never be said your people backed down when all free folk everywhere fell under the flaming, fiery yoke of prairie oppression.
“It’s absolutely crazy,” said my mom. “It’s crazy you girls had to do this.”
Commander Johnston said, Your girls are our heroes. We don’t know why you sent them to us. All we know is we’re glad you did.
At this, Plains and Wildlife Guy paused, and, loud enough for the studio microphones to pick him up, he said, “What do you mean? You specifically said girls. Precious girls. You took them from us before we even—”
Commander Johnston quivered. No, the girls were your idea. You’re the ones who kept saying girls, girls. We asked for pearls. Thousands of precious pearls. As a means of currency. You know, to buy the aid of Southeast Asian mercenaries.
Plains and Wildlife Service Guy looked into the camera. He shook his head. He sighed and rubbed his temples.
Regardless, said Commander Johnston, it was the bravery of two—one weed, one girl—who gave us our victory, who stopped the wicked Queen and her lust for death and destruction. Aaron Sisymbrium Altissimum. Amie Masterson.
My mom paused.
We owe our lives to you.
And then they showed the moment. The moment I don’t think I’ll ever forget. Aaron went rolling and hopping. It was Aaron. It was his death all over again. He smashed into the Queen. They both ignited. Jade threw me the grenade. I flicked it, rolled away. The screen went white for a moment. Big boom. And that was the end of the war.
“Dear God, Amie.” My mom’s voice was soft, barely above a whisper. “You did that?”
I nodded, staring at the screen, watching the replay, feeling all those grassy whip lashes again and again, feeling that impact, the way it hit the antelope carcass. Smell of gunpowder. Shrapnel in my leg. Antelope meat in my hair and in my mouth.
“You did that?” my mom said again.
“I did. I did do that.”
“But you’re just a little girl.”
I put my hand on hers. Squeezed it.
“Mom?” I said.
“Yeah?”
“Too many wine bottles. Less wine, okay Mom?”
Mom hesitated. She nodded and said, “Okay, less wine.”
“And Mom?”
“Yes, honey?”
“It was my birthday last week.”
“I know.”
“Can I have a cake? A real cake? Not a potato cake.”
“What’s a potato cake?”
“It’s what you eat on your birthday when you’re in the army. Don’t you know anything about the army?”
Mom stared at me. She glanced at the TV, the footage, the whipping, the fire, the explosion. She shook her head.
“No,” she said, “I guess I haven’t the slightest clue.”

THE END


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


The Many Faces of Poetry: My Credo

My Credo

Art Rosch

There is no truth but your own experience.

There is no method other than what you have, by trial and error,

found best enables you to survive.

There is no psychological health, because we are always deluded.

There is no physical health because we are always dying.

There is no teacher other than personal experience;

all other teachers are more like friends from whom one gleans

important information.

The quality of information one possesses translates to the quality of the life one lives.

Bad parents transmit bad information.  This information has far reaching negative consequences, and one must struggle all one’s life to minimize the harm wrought by these consequences.

Consciousness is an experiment with different forms of information,

sifting through those that denigrate the self, selecting those

that optimize the self.

With the above in mind, it behooves one to act with the best judgment possible

under the circumstances, always bearing in mind that one’s compulsions, i.e.

the results of bad information, are always undermining good judgment.

It is useless to create inner tension between some mythical ideal of health

and what one actually is.  Being what one is always takes precedence over

myths and ideals of competence, good judgment, wholeness, wellness

and enlightenment.  Enlightenment (or the total apprehension of Truth) is possible at any moment, but the more

it becomes a goal, the more elusive it will be to attain.

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Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

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Dark Origins – African myths and legends: The San (previously Bushmen) Part 2

Last month, I introduced you to the San (previously Bushmen) of southern Africa and shared about their rock art. You can read the post here: https://writingtoberead.com/2022/01/26/dark-origins-african-myths-and-legends-the-san-previously-bushmen-part-1/.

Today, I am going to share a poem from the extinct IXam tribe and a little more about the San.

San hunting methods

The San are excellent hunters. They do some trapping of animals but hunting with a bow and arrows is their preferred method. The San arrows are smeared with a deadly poison that kills the animal slowly. As the animal takes a long time to die, the hunters have to track it sometimes for a few days.

The San make their poison from a caterpillar called ka or ngwa or from the larvae of a small beetle. Sometimes they use poison made from plants or snake venom. San poisons are highly toxic. In order to prevent accidental contamination, they reverse their arrow points and keep them inside the reed collar of their arrows. They also smear the arrows with the poison just below the tips.

The San use every part of the animals they hunt. Hides are tanned for blankets and the bones are cracked and the marrow eaten.

Water is scarce in the areas inhabited by the bushmen. During the dry season, moisture is collected by scraping and squeezing roots. They also dig holes in the sand to find water and also carry water in the shells of ostrich eggs.

Myths of the IXam

One of the myths of the IXam is about how the Milky Way was formed. They have a poem/story called The Girl Who Made Stars which tells this story.

You can listen to me reading this story here:

This story demonstrates the San belief that feminine energy is dominant in the creation of the cosmos.

In this story, a girl who is menstruating for the first time throws wood ash and edible roots into the sky. The ashes and roots become stars and light the people’s path as they walk by at night. This myth depicts the creator of the Milky Way and all the stars in the dawning womanhood of a pubescent girl.

The girl in this story is confined to a small hut during this time. She may not eat the young men’s game as her doing so would destroy their abilities as hunters. A look from her can turn a springbok wild. She is a fragile girl but she is powerful and to be feared at this time. She is also kind and benevolent, creating the stars so that people can see at night.

The Bushman Heritage Museum in Nieu Bethesda

During our road trip earlier this year, we were fortunate enough to visit The Bushmen Heritage Museum in Nieu Bethesda and see the beautiful wall hangings that have been created by the descendants of the now extinct IXam tribe to celebrate their mythology and to help remember it.

This short video shares a bit about the creation of this museum and what it stands for. The story of the bushmen is a tragic one and this video will give you gooseflesh.

The picture above is of the restaurant at the museum which also has some wonderful local art made by the descendants of the IXam tribe available for purchase.

If you would like to learn more about the Bushman Heritage Museum, you can do so here: https://bushmanheritagemuseum.org/

Next month, I will share the last post in this short series about the San or Bushmen of southern Africa.

About Roberta Eaton Cheadle

Roberta Eaton Cheadle is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.

Roberta has short stories and poems in several anthologies and has 2 published novels, Through the Nethergate, a historical supernatural fantasy, and A Ghost and His Gold, a historical paranormal novel set in South Africa.

Roberta has 9 children’s books published under the name Robbie Cheadle.

Roberta was educated at the University of South Africa where she achieved a Bachelor of Accounting Science in 1996 and a Honours Bachelor of Accounting Science in 1997. She was admitted as a member of The South African Institute of Chartered Accountants in 2000.

Roberta has worked in corporate finance from 2001 until the present date and has written 7 publications relating to investing in Africa. She has won several awards over her 20-year career in the category of Transactional Support Services.

Find Roberta Eaton Cheadle

Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com

Twitter: https://twitter.com/RobertaEaton17

Facebook: https://www.facebook.com/robertawrites

Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5

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Writer’s Corner: Researching down a rabbit hole

I just took a short trip to Glenwood Springs, Colorado; one of many that I have taken in search of the truth about Doc Holliday; a curiosity that began while doing research for Delilah back in 2016. At the time, I found evidence connecting Doc Holliday with the mining camp of Leadville, where that story ends up, and I used that in my story line to give it authenticity. I learned a lot about John Henry (Doc) Holliday, but I also found a lot of facts which are conflicting, and those conflicts have tickled at my brain ever since.

Many of the facts which are not to be disputed are John Henry Holliday’s birthplace and date: Griffin, Georgia on August 14, 1851. In addition it is known that he attended the Pennsylvania College of Dental Surgery, but before he could get his practice well established, he was diagnosed with consumption, what we know of today as tuberculosis, ruining a promising career when no one wanted to be treated by “a lunger”, so headed out west to be a gambler, which was considered a legitimate way to earn a living in those days, similar to that of a professional poker player today, as differentiated from a gambler.

But it wasn’t until the 1881 events in Tombstone Arizona and the “shoot-out at the O.K. Corral”, involving Doc Holliday and the infamous Earp brothers that his noteriaty grew into legendary proportions. months to seek relief from the reported health benefits of the natural mineral hot springs and vapor caves located there. In those days there were close to fifty hot springs running up and down the banks of the Grand River (now known as the Colorado River), as this was before Walter Devereaux purchased the townsite of Glenwood Springs and secured funding to build The Hotel Colorado and The Hot Springs Pool, as well as the city’s first power plant in 1892.

Glenwood Springs is where Doc died in 1887. It is there that he was supposedly buried, although there are claims that the hillside cemetary was flooded and several graves were washed out into the streets below and bodies scattered, so that no one really knew whose bodies were reburied where, leaving the exact location of Doc’s final resting place a bit of a mystery. A more recent addition to the cemetary is a sign suggesting that because he was destitute and could no longer hold a job as a dealer in one of the saloons, that he may have been buried further up the hillside in the pauper’s graveyard where many were buried with no headstone. I find this assertion to be highly unlikely, and assume this sign was made in an attempt to deter vandalism.

Sign at the bottom of the trailhead to the hillside Linwood Cemetary in Glenwood Springs, Colorado.

When talking to the locals, I learned that vandalism has been a problem for the cemetary and particularly for the grave of the infamous dentist, gambler and gunman, and the headstone which currently marks Holliday’s alleged gravesite in the Linwood Cemetary is the third headstone to mark the spot. The one prior to this one is displayed in Bullock’s Store, where the basement houses The Doc Holliday Museum with an interesting collection said to be connected to the man, as well as the only surviving pieces of the original building, which was destroyed in a fire in a 1945 fire. The building is in the loction where The Hotel Glenwood stood, Doc spent the last six months of his life, in a room on the third floor, destitute and dying of consumption. It is rumored that, broke and unable to work due to his failing health, and according to Bill Kight of the Glenwood Springs Historical Society, it is rumored that a friend, Walter Devereaux and his longtime companion, Mary Katherine Horony-Cummings, also known as Big Nose Kate, cared for him during his last days and were at his side when he died. (Glenwood Springs: The Official Insider’s Guide 2021-22, “Get to Know Doc Holliday”, by Bill Kight)

These are pictures of the older headstones that have since been removed from the Linwood Pioneer Cemetary. You can tell how old they are because of the grainy quality of the photos. The one on the right is now on display at Bullock’s Store. There was too much snow to make the trek up to the hillside cemetary on this trip, so I wasn’t able to get a picture of the current headstone.

A few doors down on the block from Bullock’s is Doc Holliday’s Saloon. I couldn’t find any evidence that there was any real connection to Doc here, but they serve good food and historical atmosphere make it a favorite of mine whenever I visit Glenwood Springs. It’s a great place to relax and enjoy a rib-eye sandwich and a game or two of billiards. Nobody said a research trip has to be all work and no play.

It seems a little bit ironic that Glenwood plays up the association with Doc and Leadville doesn’t, knowing that he spent much more time in Leadville than Glenwood Springs, where Doc visited in hopes of improving his health to make his last days a bit more comfortable. Another irony of this move was that the moisture of the waters and the steam, as well as the altitude, would have actually been detrimental to his failing health, which is why Doc did better in the desert atmosphere of Arizona, but he was forced to flee and seek sanctuary in Colorado, due to being wanted for murder after the Tombstone affair. (Gary L. Roberts, True West Magazine, “Doc Holliday’s Lost Colorado Years”, June 2013)

Delilah

The story of Delilah takes place during the time when Doc would have been in Arizona, but Doc had visited Leadville prior to that and so he received a mention in my book, although he wasn’t present in the story. Delilah takes place in a very small time in Colorado’s vast history which I used bits and pieces of in my story, but there is much more history that the story didn’t cover, so don’t be surprised if Doc Holliday shows up in person in one of the books in the Women of the West Adventure Series, which Delilah may soon become a part of, now that I’ve spent all this time down a research rabbit hole.


Treasuring Poetry – Meet poet and artist, Smitha Vishwanath

Which of your own poems is your favorite?

There are quite a few poems I like – some for the flow, some for the imagery and some for the memories they bring back with them, there’s one poem that has stood the test of time. It’s a poem I penned when my girls were one and three respectively. Seventeen years later, the girls have grown – each into young ladies with a distinct personality, but it’s beautiful how the description of them in the poem still holds true. It’s special because this poem is one thing that the girls agree about.

Tender Moments

I sneak silently into the room
A quick peak I take of my budding blooms
Their breathing soft – rises and falls, a melodious rhapsody
To the soothing sound of a Spanish symphony

Their countenance silken smooth; serene
Tugs my heart, an enticing scene
Each distinctly different, yet subtly the same
Contrasting as night and day; asleep, they look- Oh! So tame


Their striking silhouette, in the mellow moonlit night
Slightly stirring, they curl; enraptured I gaze at the sight
One’s creamy-white skin peeps from the warm woollen quilt above
And the other’s little chocolaty toe pushes its way from below


One, strong and athletic; the other, dainty and petite
Poles apart in every way; a miracle I behold, a divine treat

The window slightly ajar, lets in the wintry wind
Blowing their untied tresses over their satiny skin; I lean


O’er their tender frames, and sweep the bouncy, brown curls away 
And the silk-smooth strands of the other, as in deep slumber they lay

Both unique, both special, both a part of me
Peas in a Pod, they are and shall forever be

What inspired you to write this poem?

I had walked into the children’s room one night, sometime in 2008; the girls were asleep. The curtains were drawn, and the moonlight cast a soft glow on them. I looked at them and I scribbled a version of the poem in my diary. However, it was only later, in 2017, that I reworked on the poem and published it on my blog for the NaPoWriMo prompt, ‘Write a poem that explicitly incorporates alliteration,’ on 12th April.

What are your plans for your poetry going forward?

I co-authored a poetry book ‘Roads- A Journey with Verses’ which was published in 2018. My poems have been published in various journals since then, but I haven’t got to publishing a solo book as yet. I’d like to do that, but I have a lot of starting trouble, and so, it’s taken me longer than I expected, to do it. Hopefully, I can do it this year.

What is your favorite poem?

It’s difficult to choose a favorite. I have quite a few that never fail to speak to me. However, if I have to choose it will be Emily Dickinson’s ‘Hope is a thing with feathers’ (copied from the poetry foundation)

“Hope” is the thing with feathers by Emily Dickinson

“Hope” is the thing with feathers –

That perches in the soul –

And sings the tune without the words –

And never stops – at all –

And sweetest – in the Gale – is heard –

And sore must be the storm –

That could abash the little Bird

That kept so many warm –

I’ve heard it in the chillest land –

And on the strangest Sea –

Yet – never – in Extremity,

It asked a crumb – of me.

Why do you like this poem?

No matter how many times I read it I can not help being in awe of the choice of words, the simplicity and most importantly, how easily and perfectly ‘hope’ is described. Every line in the poem is a gem and anyone who has ever experienced ‘hope’ will vouch for it.

Roads: A journey with verses

ROADS : A Journey with Verses by [Vandana Bhasin, Smitha Vishwanath]

What Amazon says

“Roads” is a poetic rendezvous that takes the reader on a panoramic journey, making one pause, ponder and celebrate life.

The book is a light, alluring read that instantly strikes a chord and elevates one’s spirits. A trove of 60 poems, it is quilled with beads of nine virtues: Courage, Wisdom, Serenity, Love, Hope, Strength, Joy, Compassion and Gratitude. The verses encapsulate life’s ebbs and flows while prompting the reader to enjoy its simple pleasures.

“Roads” is a book that you would want to keep on your bedside, for a quiet read before retiring for the night or for the morning wisdom to seize the day. With poems revolving around emotions that each of us experiences, “Roads” very easily develops a personal connect with the reader that is defiantly refreshing.

“Roads” is a journey with verses. Take it on yours.

My review

Roads: A Journey With Verses is a beautiful book of mainly freestyle poetry written by Smitha Vishwanath and Vandana Bhasin. I have read and enjoyed a lot of poetry on Smitha’s blog in the past, but this was my first introduction to Vandana’s poetry.

I thought this was a wonderful combination of work by two talented poets and I enjoyed the different styles of writing by the two contributors. Smitha writes delicately beautiful poems in which her messages are subtly shrouded as if within a loving cocoon of words. Vandana’s writing is more strident and forthright, but I enjoyed her style equally and her strong messages for women’s rights moved me greatly.

This book is divided into sections as follows: Courage, Wisdom, Serenity; Love, Strength, Compassion and Joy, Hope, Gratitude. Each section is divided into subsections setting out an arrange of delightful poems in each subcategory. Each subsection is introduced with a short introductory verse which conveys its meaning for the poets and each poem is introduced with a paragraph setting out the the meaning and purpose of the specific poem to the writer. I really enjoyed reading about the inspiration and meaning behind each poem.

A selection of my favourite verses from this book are as follows:

From the sub-section Strength –

Believe in yourself by Vandana Bhasin

“They’ll laugh at you, and even ridicule you

They’ll even endeavor to enervate your spirits

But let the force of their dissuasion empower your faith

and the sound of their derision echo your beliefs

Believe in yourself, even when none believes in you.”

From the sub-section Compassion –

Help! She’s calling by Smitha Vishwanath

“Her eyes shone a tear, her lips quivered with

fear; down her face ran a scar, like a spear.

Her leg bruised, her hand bleeding, she felt a

shooting pain.”

From the sub-section Joy –

Tender moments by Smitha Vishwanath

“Their countenance silken smooth; serene

Tugs my heart, an enticing scene

Distinctly different, yet subtly the same –

Contrasting as night and day; asleep, they look

– Oh! So tame

Their striking silhouette, in the mellow moonlit night

Slightly stirring, they curl; enraptured, I gaze at the sight

One’s creamy-white skin peeps form the warm woolen quilt above

And the other’s little chocolaty toe pushes its way from below

One, strong and athletic; the other, dainty and petite

Pole apart in every way; a miracle I behold, a divine treat.

From the sub-section Hope –

Wings of freedom by Vandana Bhasin

“Wings of freedom are all I need

I want to live and not just breathe

I want to fly high like a bird

I want to dream big, not chase the world”

Purchase Roads: A Journey with verse

Amazon US

About Smitha Vishwanath

Smitha Vishwanath is your quintessential ‘bored banker’ turned writer. After a rewarding career in Banking in the Middle East where she worked for leading banks in senior positions, she quit and moved to India in July 2018 with her husband who had been transferred to the country on an International assignment. Therein began her writing journey.

‘Roads’ is the first book she has co-authored. Having lived and studied in different countries and different states within India and worked with different cultures, Smitha understands that ‘change’ and ‘ups and downs’ are very much a part of life. It is this experience that reflects in her poems and her writing which are filled with positivity, acceptance and willingness to change for the better.

She also writes regularly through her blog : https://lifeateacher.wordpress.com

Smitha’s art

Smitha is also a wonderful painter. I wrote a blog post about one of her painting that I have hanging in my bedroom here: https://robbiesinspiration.wordpress.com/2021/07/10/a-new-painting/

You can find more of Smitha’s artwork here: https://www.spacesbysmithav.com/

About Robbie Cheadle

IMG_9902

Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 2 poetry books.

The 7 Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.

Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.

Robbie has 2 adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories in the horror and paranormal genre and poems included in several anthologies.

Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.

Robbie has a blog, https://robbiesinspiration.wordpress.com/ where she shares book reviews, recipes, author interviews, and poetry.

Find Robbie Cheadle

Blog: https://www.robbiecheadle.co.za/

Blog: robbiesinspiration.wordpress.com

Twitter: BakeandWrite

Instagram: Robbie Cheadle – Instagram

Facebook: Sir Chocolate Books

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Review in Practice: “Mastering Amazon Descriptions” & “How to Write Fiction Sales Copy”

Mastering Amazon Descriptions

It’s not enough to just write the book.

Today’s author must be both writer and marketer. Authors in the the world of digital media and the rise of independent publishing are responsible for not only writing the book, but selling it, too. Even authors who are traditionally published are often responsible for a good portion of the promotional efforts.

These days, everyone knows that people can and do judge books by their covers. Most authors emphasize the importance of a a good book cover in selling books, but they’re talking about more than just the image and text on the front. Perhaps as important as that front cover, is the book’s description or blurb, found on the back cover for print books, or in your ebook’s meta-data.

A good book description’s job is to capture reader interest and make them want to know more,. Whether we’re talking about the hook of the first line, which must make you read on to the next sentence and then the next, or about the description as a whole, which must hook the reader, making them want to buy the book to learn the rest of the story, the book description is one of the most powerful tools we have at our disposal to sell books. According to Brian D. Meeks, a good book description has three elements: a powerful hook, engaging copy, and visually appealing formatting.

Mastering Amazon Descriptions

In Mastering Amazon Descriptions, Brian D. Meeks offers a formulaic plan for writing book descriptions that will sell books, including examples of description re-writes for books in varied genres. Although these descriptions are specified as Amazon descriptions, I’m sure this technique will work equally well with Kobo, or Barnes & Nobel, or even the Apple Store. By the time you’ve read through this book, you’ll be writing back cover copy like a pro, because Meeks’ method is simple enough that almost anyone can do it.

To prove it, I’ll share with you the re-write I did of the description for Delilah, which I am preparing for its re-release in the coming year.

Here is the original description:

“Brutally raped and left for dead, her fourteen-year-old ward abducted, Delilah’s homecoming from prison quickly turns into a quest for vengeance. Tough and gritty, sheer will and determination take her to the Colorado mining town of Leadville in her hunt for her attackers and the girl, Sarah. Somehow along the way, the colorful inhabitants of Leadville work their way into Delilah’s heart, giving her a chance for a future she thought she’d lost along with her innocence.”

Here is the description I wrote for the re-release before I read Mastering Amazon Descriptions:

Delilah is a woman haunted by her past. Her homecoming from prison quickly turns into a quest for vengeance when she is brutally raped and left for dead, and her fourteen-year-old ward is abducted. Sheer will and determination take this tough and gritty heroine up against wild beasts of the forest, Indians and outlaws to the Colorado mining town of Leadville, where the colorful inhabitants work their way into Delilah’s heart, offering a chance for a future she thought she’d lost along with her innocence.

Now, here is the description I wrote using Brian D. Meeks’ method:

Haunted by her past.

Raped and left for dead; her fourteen-year-old ward abducted.

Sheer will and determination take this tough and gritty heroine up against wild beasts of the forest, Indians and outlaws.

Can the colorful inhabitants of Leadville work their way into Delilah’s heart, offering a chance for a future she thought she’d lost along with her innocence?

I don’t think anyone would argue that this last description is an improvement. It has a better hook, shorter sentences, and leaves the potential reader with a question to make them want to learn more and read the book.

How to Write Fiction Sales Copy

How to Write Fictin Sales Copy, by Dean Wesley Smith offers three different formulas for writing back cover blurbs and sales copy, which are aimed toward a wide distribution, and several different approaches. Smith is an old pro in this writing game and he’s good at what he does, (which is write). While his methods are not as formulaic and are not specific to Amazon, they are never-the-less effective in posing unspoken questions about the book and making readers want to know more. Smith also offers 32 actual story blurbs as examples in multiple genres.

To experiment with one of Dean Wesley Smith’s techniques, I thought I’d try to rewrite the blurb for my paranormal mystery novella, which is riddled with what Smith calls “The Author Problem”, which results from too many passive verbs and too much focus on the plot. My description doesn’t have a lot of passive voice, but it does focus on the plot too much, revealing more than necessary, which is a common author error. The idea behind the blurb is to give potential readers just enough to pique their interest and make them want to purchase the book. If you reveal too much of the plot, there’s no reason to buy.

Cassie is nervous about her return to her ancestral lands with her boyfriend Tony for more reasons than one. She hasn’t been up in these mountains since the unexplained drowning of her parents. And her parents aren’t the only ones who have died or mysteriously disappeared in the area. Cassie doesn’t really believe the old legends passed down from her Native American ancestors, but she harbors no desire to become the keeper of her tribal legacy or the protector of the gold that goes with it. In fact, she plans to tell her Grandmother to pass the legacy to someone else, perhaps her cousin Miranda, who has been searching for the treasure for years. Cassie wants nothing to do with it now that she carries Tony’s baby in her womb. When Cassie forces herself to go out on the lake that took the lives of her parents and she discovers a cave which holds the treasure of her people, she must admit that the legacy is real, which means the curse that guards the treasure and threatens the males of her tribe must also be real. When Miranda’s boyfriend, Jake disappears on the lake, Cassie must find a way to stop the curse, before Tony becomes the next victim.

So here is my attempt at a rewrite, using Smith’s basic blurb pattern, beginning with a character summary that “nails the genre if possible”.

Cassie wants nothing to do with the legacy her grandmother wants to hand down to her. She doesn’t believe in all those Native American legends anyway.

She and Tony plan to be married and start a family. They’re only returning to her ancestral lands now to tell her grandmother to pass the tribal legacy on to someone else, along with the cursed gold that goes with it.

When she forces herself to go out on the lake where her parents drowned, she discovers the cave which holds the tribal treasure and the lake takes another life. Now Cassie must rethink all that she believes. If the treasure is real, could the curse be real, too?

Can Cassie find a way to stop it before Tony becomes the next victim?

If you love paranormal mysteries, pick up a copy of “Hidden Secrets”.

Which one of these descriptions would make you more likely to buy the book? You can see what a difference a few simple changes can make.

Authors must be able to write sales copy, as well as fiction or nonfiction, because stories don’t sell themselves. On The 6 Figure Authors podcast suggest that if a book isn’t selling well, the first things to look at are cover art and blurb. We see here with the examples I provided, what a difference changing up the blurb can make. I recommend both Mastering Amazon Descriptions, and How to Write Fiction Sales Copy to any author who wants to polish their blurb writing skills and improve their sales copy.


Growing Bookworms – Letting Go!

I’m going to start today’s post with a short, hopefully amusing, story about my taking my oldest son to get his university access card last week. By way of background, the relevant entrance for this task is on a busy street with no parking. The area is also not a good one, so hanging about on the street in front of the entrance is not particularly appealing. Another thing to note is there have been a spate of kidnappings of older teens and young men recently in South Africa.

“I think that Greg should go on his own to fetch his University card,” I say to Terence. “He won’t want his mother with him. I will embarrass him.”

“No,” Terence says with authority, “Parents go with.”

Hmmm, I think. You attended this university thirty years ago, things might have changed.

There is no arguing with this man who is over the moon that his son has achieved a scholarship to study a BSc Computer Science at “his” university. Thirty years has disappeared in a trice and Terence is back in full University mode. You’d think he was going and not Greg.

At 8.30am on the appointed morning, a determined Terence drops Greg and I off on the street in front of the entrance, waves cheerfully, and heads off to work, which is fortunately close by.

We go to security. Greg calls a number and is granted access. I call the same number and am not allowed in. I notice a few other parents outside the security gate.

“You just go on your own,” I say. “I’ll wait for you here.”

Off Greg goes and I am stuck standing on the street in this undesirable area. There are two security guards and a few other waiting mom’s so I don’t panic. One lady is very nice and makes conversation while we wait.

Ten minutes later, Greg texts me: I don’t know where to go.

I message back: Come back to the gate and the security guard will tell you where to go. I saw her telling another boy.

Greg does not come back to the gate. There is complete cyber silence

Another ten minutes pass and he texts: I’ve found it and I’m waiting in the queue.

Happiness! He’s doing this on his own [as he should] and I’m confident we’ve come early and he won’t take long. I feel an idiot waiting outside the barred gate like an unwelcome guest. Other arriving students stare at me suspiciously.

The time drags. One hour passes and my back is aching. I don’t like standing here on the street. I feel agitated. I text Greg: How much longer?

He replies: I’m getting on a bus and going somewhere else.

I text him: where are you going?

He replies: I don’t know.

Complete cyber silence.

I text him – no reply.

I call him – no reply.

I decide he has been enticed into a bus by kidnappers and is on his way to Nigeria to be forced into male prostitution.

I have a panic attack and call him six times.

No reply.

I phone Terence at work and tell him our son has potentially been kidnapped.

Terence knows me. He doesn’t say anything. He gets into his white car and charges to the rescue.

Terence arrives and I jump into the car and burst into tears.

Greg sends a text: I’m getting my card.

I tell Terence that the kidnappers are responding to messages on Greg’s phone so they can throw us off the scent and cross the border.

Terence is undecided: Should he take me to the closest mental institution or try to find Greg.

Greg texts: I’m finished. Can you fetch me from Alpha Campus.

***

It was very funny. Afterwards. Of course, I broke a major rule of “letting your child go.” Stay in the moment rather than imagining the worse-case scenario. Catch yourself if you are catastrophizing a situation.

Letting go is more about letting go of our own fears and anxieties as parents. It is adjusting to the idea that you are no longer in control of your child and they are now making their own choices and decisions. It also means they are responsible for any fallout from those decisions.

I blame my anxiety about my children on their collective 32 operations, chronic health problems, and the two home invasions I have been involved in. I have trust and anxiety issues, but I still need to get a grip and accept that my son is now an adult. Even Michael, needs some freedom and to be given wings.

Some other advice to parents who struggle to let go is as follows:

  1. Stop trying to raise a “happy” child. Accept that making decisions and choices is going to result in mistakes and the resultant misery these bring. People need these experiences to grow and learn.
  2. Empower your child over time by giving them some power of less important decisions as they get older. If they refuse to study for an important test, let them fail. You can’t shelter your child from all the difficulties in life and they need to learn to prioritize.
  3. Set boundaries and follow through on punishments if your child fails to comply. If you tell him/her to be home by 10pm and he gets home at 11pm, ground him. He needs to learn about consequences for actions.
  4. Have respect for your child and his/her ability to handle situations as they grow up. Have faith in the values and ethics you have instilled in them.

Did you struggle to let go when it come to your children? Let me know in the comments.

To round this post off, I am sharing a poem I wrote about letting go. It is included in my book, Behind Closed Doors.

He walks away by Robbie Cheadle

From the first day

he took a tentative step

on uncertain chubby legs

attached to adventurous feet

he moved away from her

embracing with enthusiasm

the mysterious outside world

She watched over him tenderly

as he learned about life

discovered the joy of friendship

and the heartbreak of loss

embarked on his academic journey

exploiting his strengths and

overcoming his weaknesses

and during all this time

mom was always enough

her smile healed all wounds

her kiss cured all pain

but she knew in her heart

that this investment of hers

was ultimately for another

a nameless faceless other

who would eventually take her place

she was preparing him to leave

and find his place in this world

His independence draws ever closer

her smile no longer enough

as he jostles for position

in the heartless world of men

her kiss no longer wanted

as he seeks the lips of the other

It’s heart wrenching to let go

knowing he must suffer pain

before he finds his enduring love

encounter setbacks and loss

before success and satisfaction

but it’s the duty of a mother

to set her son loose

to fly alone

About Robbie Cheadle

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Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 2 poetry books.

The 7 Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.

Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.

Robbie has 2 adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories in the horror and paranormal genre and poems included in several anthologies.

Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.

Robbie has a blog, https://robbiesinspiration.wordpress.com/ where she shares book reviews, recipes, author interviews, and poetry.

Find Robbie Cheadle

Blog: https://www.robbiecheadle.co.za/

Blog: robbiesinspiration.wordpress.com

Twitter: BakeandWrite

Instagram: Robbie Cheadle – Instagram

Facebook: Sir Chocolate Books

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Mind Fields – Cannabis Can And Sometimes It Can’t

Mind Fields

I started smoking marijuana at fifteen. At that time, marijuana was simply Pot. Weed. It was Reefer, Dope, Ganja. Sometimes it was just Shit. It was so hard to obtain that we went to dangerous housing projects like Jefferson Barracks or East St. Louis.. These are rough ghetto neighborhoods. Here’s the classic scenario: drive to East St. Louis, to a certain intersection. A man will be there at nine p.m. taking orders. Give the man your money.  Pull around the corner and wait in the car. Half hour goes by and everyone who passes gives you the skank eye. Wait in the car. Another twenty minutes pass. Shit, did the fucker burn us and bail? There’s more skank eye from the locals. A nondescript Ford rounds the corner, driven by a white man in a fedora. “Get down, that’s a narc!” We hunch down over the drive shaft. The man could be anybody. Probably not an officer of the law. We laugh nervously: maybe he’s scoring weed, too. Haha.

I’m about to call it a night, write it off to misery when the connection shows up, rapping quietly on the steamed-up window. He’s palming a baggie. Whew, Groovy. Thanks, man. There are more side-eye looks than a herd of horses as the connection sneaks off. 

Cannabis Bud

Now it’s called Cannabis. From old habit when I talk to myself I call it Weed. But…hey… It’s the majestic Cannabis. It’s not a weed. I won’t call it that any more.

I could write about cannabis all day. One thing that stuns me (aside from the THC) is the post-legalization culture that has arisen in a few short years. The explosion of new ways to consume cannabis is one aspect of this cultural eruption. Would you have dreamed, twenty years ago, that you would go to the “pot store” to get your cannabis? THAT IS CORRECT! I go to the POT STORE! WARNING: it can get expensive. Some of the marketing is clever and ‘scammy’. The research for this article has cost me a couple hundred bucks. Pot is getting the late-capitalist treatment and is being commodified in ways inventive beyond the craziest dreams of any baby boomer. There are vape pens full of THC. There are Resins, waxes, elixirs, inhalers, collectors, nectar tubes, dab nails, glass in a thousand exotic shapes: this stuff Is appearing at breakneck speed, overwhelming in its complexity if not hilarity. 

Oh…cannabis…wonderful cannabis, the jazz musician’s vitamin. I have smoked in many cars of vintage breed. They were not, at the time, vintage. Back in the day we called our vehicles “shorts” i.e. Where’s your short, man? I parked it around the corner: Continentals. Thunderbirds. Gran Prix, Impalas. Our shorts loom large in our fantasies of past reefer madness because they were often the only places we could smoke pot. My dopey memories of the 60s occur in some car or other, some parking lot or street in some disreputable part of town.

I never thought I would be able to light up on the street in broad daylight. Now we have cannabis named for every kind of wacky idea that marketers can devise. Here are a few brand names: OG Skunk Cult, Canna Candy, Fumero, Caldera, Purple Phase, Errl’s Oil. Here’s one: Guava Fig X Face Mintz Extract.

In 1965 ten bucks got me a matchbox of Mexican grass. The name brands were Michoacan and Panama Red. There were Thai Sticks. Sometimes I could get hash from Nepal. An ounce of grass was called a “lid”. Three and a half lids are an eight ball.  Back in the matchbox days it was either a nickel bag or dime bag. This is sixties stuff, I’m jamming with Jimi, not Fats Waller.

Legal weed is a fucking explosion! The pot store looks like a bank! Maybe it was a bank before it became the Pot Store. Yeah, that’s it. The packaging for the inventory is on display in cases against two walls while the cashiers occupy windows at waist-high counters around the other two walls. The merchandise is offered in all its colorful boxes, jars, droppers, cartridges and spliffs. Twenty-five-year-old cannabis experts talk to customers about the products. This strain of cannabis, the cashier explains, has such and such a percentage of THC ratio to CBD. This one has 88.5% THCV. This one’s good for pain, this one’s good for sleep, this one won’t increase your appetite, this one will. We get new terpenes every six months.

Now we have designer dope for the elite. Ninety bucks for a one gram jar about the size of a quarter. Shee-it! Weed should not be expensive! Never never. Stop it! 

I get my dope from a dude named Steve who lives in an RV at the corner of Colegio and Runyon. It comes in baggies. No boxes no jars. Ten bucks for a big bag of buds. That’s more than a lid.

That’s Old School.

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Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

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