Buddy and Holly came bouncing up to Egbert, ready with any number of humorous things to say to tease him. Teasing Egbert was one of their favorite pass times. Buddy liked to say that Egbert wasn’t one of the brightest bulbs in the batch, and Holly usually commented on the squirrelly round glasses that magnified his eyes and made them appear to be popping out of his head, or the way that he stuttered when he talked. When they ran out of jibs on those subjects, they could always make fun of his name, telling him that his mother must not like him at all to give him a name like that; obviously, she didn’t love him or she would have given him a better name than Egbert, uh! Usually long before they got that far the tears were running down Egbert’s face. Sometimes he started tearing up as soon as he saw them coming.
That wasn’t the case today. Today, Egbert was actually happy to see them. He had something wonderful to show them and it was so special that once they saw it, they wouldn’t make fun of him anymore. “Hi Buddy! Hi Holly!” he said, heading over to meet them with a huge grin on his face.
“What are you so happy about, Egg Head?” Buddy asked.
“Yeah. You look ridiculous. That grin is almost bigger than your face. Close your mouth, so I can see you.” Holly said with a giggle.
“Wait until you see what I found!” Egbert said. “You guys aren’t going to believe this.” “Oh, right,” Holly replied. “What could you possibly have that would even interest us?”
Egbert grinned even bigger as he looked from Buddy to Holly, and back to Buddy again. He was absolutely beaming with excitement.
Holly looked over at Buddy uneasily. When he glanced back at her, the uncertainty showed in his eyes.
Finally, Buddy broke the silence. “Well, are you just going to stand there with that silly grin on your face or are you going to show us whatever it is that you found?”
Egbert came out of his reverie. “What? Oh, yes of course. Just wait until you see!” He turned, running back toward his house, leaving the two of them standing there in puzzlement.
They looked at one another. “What do you think has him so excited?” Holly asked through the side of her mouth in a hushed voice, but Egbert could still hear her.
“Probably some old seashell from the beach or something,” Buddy replied.
“I don’t think so. He wouldn’t show us something like that anyway because he knows we’d just take it from him if it was cool or smash it if it wasn’t.” Holly said. “Besides, don’t you think it’s weird that he hasn’t stuttered at all?”
Before Buddy could answer, Egbert came racing around the side of the house with a jar which glowed from within.
“A firefly?” Holly said in disbelief. “We’re supposed to be impressed by a firefly?”
Egbert shook his head. “It’s not a firefly.”
“Then what is it?” Buddy asked. “It sure looks like a firefly to me.”
“Does it look like a firefly?” Egbert said, holding the jar up higher, so that they could see better. They squinted as the light coming from the jar seemed to get brighter, much too bright to be produced by a little firefly. Finally, they turned away, unable to look directly at it.
“Actually, that doesn’t look like any firefly I ever saw.” Buddy admitted.
“I told you, it’s not a firefly,” Egbert said.
“So, what is it? What did you find?” Holly asked. Egbert now had their full attention.
Egbert beamed and grinned once more. “I found enlightenment! I was playing down at the beach, when I saw it sitting, half buried in the sand. I scooped it up and carried it home and put it in this baggie for safe keeping.”
Buddy was skeptical. “Enlightenment? How do you know that’s what it is?”
“Because I can feel it.” Egbert replied. “I know things now that I didn’t know before.”
“Like what?” asked Holly.
“Like I know that you guys aren’t really bad people. You only do all of those mean things to me because you don’t feel very good about yourselves.” Egbert replied.
Buddy and Holly looked at each other nervously. Then they looked back at Egbert.
“It’s okay. Don’t be afraid,” Egbert said. “I also know now that all the things that I dreamed about doing to get back at you came from petty feelings. I want you guys to be my friends, just like I always wanted, only now I know that I don’t have to change who I am to do that.”
Buddy shuffled from foot to foot nervously. Usually ready with a smart comeback to anything, it seemed he suddenly had nothing to say.
Holly eyed Egbert distrustfully. “What do you mean?”
“Here,” Egbert said, holding the bag up closer to them. “If you just feel it, you’ll understand everything.”
“That’s okay,” said Buddy, backing into Holly.
“What are you afraid of?” Egbert asked.
“I-it’s nothing.” Holly said, stumbling over her own feet to get out of Buddy’s path. “I-it’s just that, well…, w-what if you’re wrong?”
Suddenly, Buddy found his voice. “Yeah, that might not even be enlightenment at all. Even if it is, how do we know that that is something that we would want to have any part of?” He spoke bravely, but he kept backing away.
“Doesn’t everyone want enlightenment?” Egbert asked, truly puzzled by their strange behavior.
“I’m not sure that I d-do.” Holly said, stammering the words. “L-look at y-you. L-look at the ch-changes that it has m-made in you already. And l-look at m-me, too. I d-don’t know w-why I’m st-st-stuttering all of a s-sudden!” Tears streamed down Holly’s face. She turned, rushing out of the yard and down the street.
“Hey wait, Holly!” Egbert called after her. “I know a good speech therapist. I’ll give you her card.”
“I uh, I think I should go and see if she’s okay.” Buddy said, running out of the yard, as well.
As he watched him go, Egbert got another grin on his face, this one however, had a sly cast to it. “Tsk. Tsk.” he said, shaking his head. “My speech therapy finally paid off. I really thought that they would be more impressed.” He opened the jar and lay it down in the grass where two small winged beetles crawled out and seperated from one another before flying away into the night. “Imagine getting so upset over two little glowbugs.” Egbert chuckled to himself all the way back into his house.
Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribing to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award.
Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016. His other works include his memoir, The Road Has Eyes, and his science fantasy novel, The Gods of Gift. Arthur’s lates release is a poetry and photography collection Feral Tenderness.
Want to be sure not to miss any of Arthur’s “The Many Faces of Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
In Watching Glass Shatter, by James J. Cudney, secrets threaten to destroy a family and a legacy with the solidest of foundations. Olivia is a staunch matriarch who controls with an iron fist, or so some have said. When her husband Ben dies in a car crash, she is forced to take a close look at herself as she struggles to deal with the huge secret that he kept from her in what she thought was an open and honest marraige. Once it is dropped in her lap, she must decide how to handle this new knowledge that has the potential to rip apart the life of one of her five sons and change their familial relationships forever.
Olivia decides to spend some time with each of them before making her final decision, but the closer she gets to her sons the more secrets she learns that her family is harboring from one another, each with the potential to destroy family bonds and crumble all they have worked for. This family drama would be worthy of a television soap-opera series, such as Dynasty or Dallas.
The Glass family is well off, having built up a successful law firm which was to be the family business. Although the story is well-written, it seemed to me that things seemed to resolve a little too easily to be fully believable to me. It is a very different world in which I live, but maybe money does bring with it the solutions to many of life’s difficulties more easily. I give Watching Glass Shatter four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
For Eddie Reyes and his friend Maryellen, dreams are much more than that. Dreams are an avenue for learning. Dreams are a means of breaking through to parallel worlds and making connections with their friends, Africa Lee and Rafferty. Dreams are a way to control people and a weapon which causes madness. To those who don’t know, it sounds like a cool superpower, but it’s one that carries a heavy price.
For Eddie, it’s the only way to hunt down the Jaguar to save their friends and the rest of the Roam from the persecution of the jaguar priests. But the Jaguar has reached Maryellen’s father through his dreams in this world and he’s intent on keeping she and Eddie apart at all costs.
Can Maryellen and Eddie escape her father and the other traps set on this side by the Jaguar long enough to hunt the him down in his own dreams before he destroys the Roam, and both worlds in the bargain?
My Review
Although Bill Ransom’s Jaguar unfolds the story slowly and it takes a little while to put the puzzle pieces together to form an idea of how the characters are connected and how they fit within the full picture of the story, it is just odd enough to keep your curiosity raised and keep you reading long enough to see it all come together. And by then, you’re hooked. You have to keep reading to find out how it all turns out. You can’t put it down. And it’s a good thing, because if you don’t read through to the end, you will miss the big reveal that changes the game and raises the stake even higher for Eddie.
A well-crafted psychological thriller that will keep you riveted to your seat. I give Jaguar four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Today, I am delighted to host poet and author Miriam Hurdle for the July edition of Treasuring Poetry.
Welcome Miriam Hurdle
Hi Robbie,
I’m delighted to be your guest on Writing to be Read to talk about poetry.
Which of your own poems is your favourite
Among the published poems in Songs of Heartstrings: Poems of Gratitude and Beatitude, several poems are my favorites in equal measure for different reasons. One is in the section of Songs of Marriage, one in Songs of Tribute, and one in Songs of Inspiration.
The time I wrote this post, my heart turns to the poem “Healthy Grieving” in the section of Songs of Tribute.
Healthy Grieving
Randy and my husband were true friends.
No appointment needed for
a barbeque, a movie or a game, just
knocked on each other’s door.
The conversation could go anywhere,
no worry about apologies.
When one needed a helping hand,
the other one is always there.
Twelve years was a long time,
such true friendship rarely came by.
People say, “Big boys don’t cry.”
I don’t know why.
Boys have emotion, as we all do.
My husband had never cried,
not until after Randy died.
What inspired you to write this particular poem?
There is a narrative precedes the poem. I wrote the poem to pay tribute to our neighbor, my husband’s best friend who died of a mountain bike accident. Here is the excerpt.
I remember on January 3, 2016. Randy joined us to celebrate my husband’s birthday. We had lunch and saw Star Wars at Irvine Spectrum. It was on Saturday.
The following Sunday, eight days later, his relative came over to tell us that Randy had a mountain bike accident. He and a gym buddy ventured on a long mountain bike ride. The bike hit a vast gap and made a somersault flip. He got thrown off the bike, fell forward and hit the ground, and smashed his head and face.
They rushed him to the close by emergency room but pronounced him dead as soon as the ambulance reached the hospital.
Randy was our neighbor who lived two doors down the street. He was my husband’s best friend for twelve years, ever since he came back to live with his parents. They worked out at the gym together. They enjoyed the Friday movie and pizza day for a while.
After my husband got a mountain bike, he also got one. They biked on the trails in the city. On special occasions, a barbecue dinner was in order. He came over to our house for game nights regularly. A year before he passed away, they switched to another restaurant to hang out in the bar, and I became their designated driver.
Randy was a lighthearted guy, a wonderful friend, a caring son. We missed him very much.
Which genre of poetry do you enjoy writing the most and why?
Whereas a “form” defines the way a poem arranges sounds, rhythms, or its appearance on the page, “genre” is something like the poem’s style. Many poetic genres have a long history, and new poems almost always seek to explore a new aspect of the traditional style and thus to redefine the genre.
Traditionally, there are nine genres of poetry. Three of them remain in the newer inclusion of poetry genres. They are narrative poetry which tells a story, lyric poetry which is musical in tone, and dramatic poetry which is a long dramatic monologue or persona poem.
I would say I enjoy writing narrative poetry genre. Regardless of the poetry forms, I like to write poems that tell the stories. The poem I included above is a good example in which I shared the story of the friendship between my husband and Randy.
As far as poetry form, I enjoy writing free verse which is free of rules and regulations. It doesn’t follow a consistent rhyme scheme, meter or musical structure. For the fun of learning, I also write blank verse which follows a stricter structure with precise meter. In addition to Haiku, Tanka, I have written a Shakespearean Sonnet, a Pantoum, several acrostic poems, two Villanelle, and one one-syllable poem (all the words used in the entire poem are single syllable words).
Which genre of poetry do you enjoy reading the most?
I enjoy reading narrative and lyric poetry including poetic song lyric. One example of narrative poetry is a poem by the American Poet Linda Pastan in which she tells a story about her daughter.
To a daughter leaving home
When I taught you
at eight to ride
a bicycle, loping along
beside you
as you wobbled away
on two round wheels,
my own mouth rounding
in surprise when you pulled
ahead down the curved
path of the park,
I kept waiting
for the thud
of your crash as I
sprinted to catch up,
while you grew
smaller, more breakable
with distance,
pumping, pumping
for your life, screaming
with laughter,
the hair flapping
behind you like a
handkerchief waving
goodbye.
This poem is about the poet teaching her daughter to ride a bicycle. The title suggests that her daughter is now old enough to leave home. Pastan cleverly extends the metaphor of the bike as part of life’s journey. When I read this poem, I identify with the poet the joy of parenthood, with the sentiment of missing my daughter when she grew up and has gone on to her own journey.
I can’t talk about poetry without talking about music. I’m a singer of classical, traditional, and some older pop music and memorized many song lyrics for solo performances. The poetic song lyrics influence the flow of my poetry writing.
Examples of poetic song lyrics are, “Yesterday” by the Beatles, “Memory” from the Musical Cats written by Trevor Nunn, and “Killing Me Softly” written by Norman Gimbel & Charles Fox.
What is your favourite poem?
My favorite poem is a popular one by Robert Frost. Its signature phrases have become so ubiquitous, so much a part of the individual life and business alike. I like it because of its message applicable in my life.
I have come to crossroads many points in my journey. As reflected by Frost, I couldn’t take “both,” tried to look down both paths “as far as I could.” Many times, they both were “equally” “fair” but no guarantee. Ultimately, it was my decision that “made all the difference.” Knowing that I would never “come back,”, I willingly took the responsibility for the road I chose to travel with no regret.
The Road Not Taken
Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth;
Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same,
And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back.
I shall be telling this with a sigh Somewhere ages and ages hence:Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference.
I would like to include the trailer for Songs of Heartstring created by Diana W. Peach at https://mythsofthemirror.com
Miriam Hurdle is a member of the Society of Children’s Book Writers and Illustrators (SCBWI). She published four children’s books at twenty-six years old. Her poetry collection received the Solo “Medalist Winner” for the New Apple Summer eBook Award and achieved bestseller status on Amazon.
Miriam writes poetry, short stories, memoir, and children’s books. She earned a Doctor of Education from the University of La Verne in California. After two years of rehabilitation counseling, fifteen years of public-school teaching and ten years in school district administration, she retired and enjoys life with her husband in southern California, and the visits to her daughter, son-in-law, and granddaughters in Oregon. When not writing, she engages in blogging, gardening, photography, and traveling.
My review of Songs of Heartstrings: Poems of Gratitude and Beatitude
Songs of Heartstrings is a collection of poems and essays featuring the vast array of life experiences by the author. Miriam Hurdle has encountered both the best and the worst of life through the death of her husband’s close friend, her own treatment for cancer, the birth of her daughter and the close relationship of her parents. Her wonderful joy in life and strong faith in her religion shine through in her poetry and give a lot of insight into her strong spirit and ability to stay positive despite the curve balls life has thrown her way.
This book also demonstrates Miriam’s love of nature and features poems about her garden, a hummingbird and even a spider. Her photographs and pictures are lovely and compliment the prose.
My review of Tina Lost in a Crowd
Tina Lost in a Crowd is a charming book for children about two young school friends who attend a busy concert with Tina’s parents and get lost on their way to the restroom.
I enjoyed the character of Tina, a lovely and friendly girl who demonstrated politeness and respect towards both her teacher and her parents as well as consideration towards her friend. She has sufficient presence of mind not to panic in the scary situation of being lost in a big crowd.
The depiction of Tina’s family life and her mother’s interest in her and eagerness to plan some fun family outings for the summer vacation are heart warming and lovely to see in a children’s book. I liked the fact that Tina’s mother made a picnic for her family and Tina’s friend, Erica, to enjoy at the concert with good, wholesome food.
The illustrations in this book are a real treat and every page is a visual delight. I would recommend this book to parents and caregivers who like books that encourage good family values and level headedness by children in difficult situations.
About Robbie Cheadle
Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 1 poetry book.
The 7 Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.
Robbie has 2 adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories in the horror and paranormal genre and poems included in several anthologies.
Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.
Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
Listen. A month ago I saw one of my bank statements and I saw that Adobe had been paid $119 in February. They’ve been getting the same $119 for five years. Uh? For what? Apparently I had signed on to an app for a one-time signing of a PDF contract. That was how Adobe got me. I’ve been paying 119 a year for that one-time signing. I should have seen it. I didn’t.
Software did it to me. Adobe. Photoshop and its minions, Lightroom and Lightroom Classic. Adobe has such a tight grip on the photo image market, it’s like an octopus with twenty four tentacles. I’ve been on fair terms with the awesome app for a long time. I’ve been using Photoshop CS5, which is about fifteen years old.
I figured that as long as I’ve paid Adobe through the years, I may as well install all the photo apps to which I am entitled. The latest Photoshop. The latest Lightroom, the latest Lightroom Classic.
Here’s where the confusion starts. There’s a guy on Youtube who looks like a Hindu version of Peter Lorre. His face is motionless, frozen into an amused smirk. He’s so good with Photoshop he just riffs with heavy duty stuff like “eliminating the background”. And he does it with a few clicks and brushes. Isn’t that fundamental with a thousand images you’ve taken? Wouldn’t it be great to have a tool that automatically erases the background?
That’s what’s happening now in Photoshop. It can do that! The Revolution has come! Not for me, not yet: I’m following Frozenface’s instructions and it’s not happening. That’s one aspect of Photoshop. There are hundreds of ways of doing the same thing. I follow FlatFace’s steps and I’m not erasing any background. I’m erasing the foreground. I WILL figure it out.
So I’m running two versions of Photoshop, I also have Lighroom, Lightroom Classic and Canon’s Digital Photo Pro. And all the Windows photo apps, all the Microsoft photo appos, all these image apps jumping in my face and saying “Use me! Use ME!” All these programs are supposed to run harmoniously together and shepherd my precious images towards their apotheosis.
I’m not comfortable with this stuff. I’m especially confused by the shift in terminology and the way “Save As” has become “Exports As” and now there are Collections instead of Folders. Folders had to give up their guts and ride the Adobe Train.
I’m lost and confused. I don’t know where my photos are any more. I don’t know how much duplication has happened and how much drive space these previews and previews of previews and preview previews for comparison photos, before and after, showing how many iterations of the same image exist.. Over and over again. Where they are. They’re on my computer. I can click and make an image appear. In fifteen different programs. Everyone loves photography. The internet is all about photography. And video, don’t forget video.
I think it must be okay. The people at Adobe are experts. They must have deep insight into the process of editing and transforming images or they wouldn’t be able to anticipate what photographers and graphic artists will need in the future. Even with the latest mega Terabyte solid state drives, space will always be a major consideration.
Hell yes I need a tool that can erase a background from an impromptu portrait snapshot. Hell yes. I just have to figure out the procedure. Right now I’m erasing the faces that I’m hoping to preserve. Maybe I need a better Youtube teacher than Mister SmirkFace.
It’s okay to be confused. Don’t let it alarm you. Ever since Walt Disney took control of this culture’s imagination things haven’t looked right. You never know when a set of whiskers will appear on the side of a woman’s face. Or dogs are fitted out as astronauts and interstellar explorers. Dogs, pigs, mice. Disney was a major zoophile. Things haven’t looked right for the last sixty years.
Where do archetypes end and stereotypes begin? Ask Walt Disney. Ask his ghost, I don’t care. He has a lot of ‘splainin’ to do.
I’m still confused. I expect to be less confused as I get familiar with this new software. OR…I’ll toss this shit and go back to Canon DP Pro, because it’s just easier.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind.
In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award.
Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
Today, I am going to focus on strategies to improve handwriting.
The age of the child determines the best strategies for improving handwriting.
For a beginner writer in the early grades, the following strategies are useful to help children practice their handwriting and gain confidence with writing:
Make handwriting fun
There are a few ways you can make practicing handwriting more fun. You can give your child a fun or special pencil to use to practice writing. A stripped one or a pencil covered in flowers or cars. You can also play simple games that involve writing like hangman, word puzzles and anagrams.
I started writing the Sir Chocolate series of books with Michael to help him improve his handwriting. He used to write out the stories as we made them up. He tried very hard to write nicely in these little books we created.
Develop fine motor skills
Developing your child’s fine motor skills by drawing and painting, playing with play dough, cutting, threading, sand play, lego and building blocks are all great ways of encouraging children to manipulate small objects.
My two sons painting T-shirts at Greg’s 8th birthday party which was a Percy Jackson party
Correct pencil grip
Make sure your child is holding the pencil in a pincer grip and also using both hands to control the paper.
Here is a fun video song to help children with the correct pencil grip:
The correct equipment
Some children struggle to hold a regular pencil and do better with a shorter, smaller, or kid-sized pencil. Give your child an eraser so that s/he is confident and not afraid of making mistakes.
Use writing everywhere
You can practice handwriting in lots of fun places. You can write in the sand on the beach or on a foggy window or mirror. You can write in chalk on the driveway and you can even write on fondant with an edible ink pen.
About Robbie Cheadle
Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 1 poetry book.
The 7 Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.
Robbie has 2 adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories in the horror and paranormal genre and poems included in several anthologies.
Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.
Want to be sure not to miss any of Robbie’s “Growing Bookworms” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award.
Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “The Many Faces of Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
I have eighty two websites open on my computer. Right now. It’s a lot of info, and I barely know where to go next. All of it is Image. The text is merely relish on the photos and digital constructions. Every day that I sit at my computer or use my phone I am assailed by an overwhelming deluge of images. Who can discriminate within a field of overlapping network pages? There are so many things to look at!
Let me go from left to right at the top of my computer’s browser. I’ll read them off to you:
Lisa Witt’s Piano Lessons/Fredmiranda photography forum/dpReview camera review/.goodreads, literary opinion/Photoshop lessons/Ebay Tamron portrait lens for sale/two more Ebay pages/Youtube, archeology video/Smashwords, my book sales site/I have two pages of Inbox in the email pages that I use/ four windows open on Artsy, a wonderful auction site for artists/the Wiki page of photographer Diane Arbus. If you don’t know who she was, check her out, immediately!/National Geographic, always urging me to subscribe…I’ll stop there. You get the idea. You probably have your own plethora of open websites in front of you. What are your plans for today? It’s Sunday. My plans involve a lot of sitting in front of my computer looking at these open websites. At intervals I will swing my chair a hundred eighty degrees and practice piano scales. I usually check my email first but I haven’t done that today. I’m more curious about the reviews of a Canon camera that I want to buy. I sold my old camera using Facebook.
If I click on the little arrow at the top of my browser bar, I see yet another forty or fifty open pages. It’s insane! Everything is so interesting! Much of it isn’t worth the pixel density it’s projected upon. It may be interesting but it’s still Junk. That’s not my problem. I know how to avoid junk. I don’t use my phone for internet. I’m not a phone person. I’m a Desktop person. I like the size and resolution of my computer monitors. One of the monitors sits behind my digital piano where I can read music from its display.
It has occurred to me that much of what I do from day to day is incredibly cool and none of it existed ten years ago. That’s how fast the pace of change happens beneath our feet. It’s like living in a constant earthquake. The mental agility required to navigate the current epoch is intense. Do we have mental health issues? I wonder why. Every human being must now be a juggler, a dancer and respond to life as if riding a surf board. And you wonder why you’re so crazy.
You’ve heard the Chinese curse: “May you live in interesting times.” It’s a riff on the historical knowledge that “interesting times” are times of trouble and turbulence. I view our own times as interesting beyond credulity. These are INCREDIBLE times and it’s a privilege, albeit a demanding privilege, to be alive in this cauldron of possibilities. China just landed its own Mars Rover on the red planet. Holy shit! What’s next? Where is the dividing line between science fiction and science fact? It keeps moving. I guess that’s my point in this rambling essay: living requires several kinds of agility. If you don’t move with skill you’ll be lost in the undertow of this great wave of information that keeps rushing onto the shores of our consciousness like a digital tsunami. It will take agility to survive. It has always been this way. It’s likely to be this way for the indefinite future.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award.
Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
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Do you know the nursery rhyme Here We Go Round the Mulberry Bush?
I remember it from when I was a girl. The girls used to hold hands and dance in a circle singing the lyrics and doing the actions.
These are the first two stanzas of the most modern version:
Here we go round the mulberry bush, The mulberry bush, The mulberry bush. Here we go round the mulberry bush On a cold and frosty morning.
This is the way we wash our face, Wash our face, Wash our face. This is the way we wash our face On a cold and frosty morning.
The rhyme was first recorded by James Orchard Halliwell, an English Shakespearean scholar, antiquarian, and a collection of English nursery rhymes and fairy tales, as an English children’s game in the mid-nineteenth century.
The song and associated game are traditional in England and different versions are found in Scandinavia and the Netherlands.
R.S. Duncan, a prison governor at HM Prison Wakefield in Wakefield, West Yorkshire, England suggested that the nursery rhyme was about female Victorian prisoners exercising in the yard at Wakefield. A mulberry tree grew in the yard and women inmates would dance around the tree with their children and sing the song. The tree died in May 2019.
About the Victorian prison system
The Victorian prison system was created by men for men. Accommodation for women was usually an after thought and the penal system designed for them as generally a modified version of the men’s prison.
Women convicts were considered to need saving twice, firstly from their criminality and secondly from their deviance from expected female behaviour.
To this end, instead of being subjected to hard labour, women progressed through several disciplinary stages intended to put them on the path to reform. The stages were separate confinement for four months (men had to endure nine months of separate confinement), associated labour and, finally, a transfer to a female-only institution.
Prison authorities had to deal with pregnant and postpartum women. Lying-in wards and nurseries had to be created and the regulations relating to exercise, communication, and dietary provision had to be modified for such women.
Another possible interpretation of the rhyme is that it references Britain’s struggle to produce silk. Silkworms eat mulberry leaves and during the eighteenth and nineteenth centuries, Britain tried to emulate the success of the Chinese silk production industry. Britain’s cold winters with frost proved to be to harsh for the mulberry trees to thrive and this hampered the development of a successful silk production industry.
The lyrics: “Here we go round the mulberry bush / On a cold and frosty morning” are thought to be a joke about the difficulties experienced by the industry.
About Roberta Eaton Cheadle
I am a South African writer specialising in historical, paranormal and horror novels and short stories. I am an avid reader in these genres and my writing has been influenced by famous authors including Bram Stoker, the Bronte sisters, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.
I was educated at the University of South Africa where I achieved a Bachelor of Accounting Science in 1996 and a Honours Bachelor of Accounting Science in 1997. I was admitted as a member of The South African Institute of Chartered Accountants in 2000.
I have worked in corporate finance from 2001 until the present date and have written seven publications relating to investing in Africa. I have won several awards over my twenty year career in the category of Transactional Support Services.
I have been published a number of anthologies and have two published YA books, While the Bombs Fell and Through the Nethergate. I have recently published my first adult novel called A Ghost and His Gold which is partly set in South Africa during the Second Anglo Boer War.
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Mind Fields: I’m Confused
Posted: July 16, 2021 | Author: artrosch | Filed under: Commentary, Mind Fields | Tags: Arthur Rosch, Commentary, Internet, Mind Fields, Photography, Writing to be Read | 4 CommentsListen. A month ago I saw one of my bank statements and I saw that Adobe had been paid $119 in February. They’ve been getting the same $119 for five years. Uh? For what? Apparently I had signed on to an app for a one-time signing of a PDF contract. That was how Adobe got me. I’ve been paying 119 a year for that one-time signing. I should have seen it. I didn’t.
Software did it to me. Adobe. Photoshop and its minions, Lightroom and Lightroom Classic. Adobe has such a tight grip on the photo image market, it’s like an octopus with twenty four tentacles. I’ve been on fair terms with the awesome app for a long time. I’ve been using Photoshop CS5, which is about fifteen years old.
I figured that as long as I’ve paid Adobe through the years, I may as well install all the photo apps to which I am entitled. The latest Photoshop. The latest Lightroom, the latest Lightroom Classic.
Here’s where the confusion starts. There’s a guy on Youtube who looks like a Hindu version of Peter Lorre. His face is motionless, frozen into an amused smirk. He’s so good with Photoshop he just riffs with heavy duty stuff like “eliminating the background”. And he does it with a few clicks and brushes. Isn’t that fundamental with a thousand images you’ve taken? Wouldn’t it be great to have a tool that automatically erases the background?
That’s what’s happening now in Photoshop. It can do that! The Revolution has come! Not for me, not yet: I’m following Frozenface’s instructions and it’s not happening. That’s one aspect of Photoshop. There are hundreds of ways of doing the same thing. I follow FlatFace’s steps and I’m not erasing any background. I’m erasing the foreground. I WILL figure it out.
So I’m running two versions of Photoshop, I also have Lighroom, Lightroom Classic and Canon’s Digital Photo Pro. And all the Windows photo apps, all the Microsoft photo appos, all these image apps jumping in my face and saying “Use me! Use ME!” All these programs are supposed to run harmoniously together and shepherd my precious images towards their apotheosis.
I’m not comfortable with this stuff. I’m especially confused by the shift in terminology and the way “Save As” has become “Exports As” and now there are Collections instead of Folders. Folders had to give up their guts and ride the Adobe Train.
I’m lost and confused. I don’t know where my photos are any more. I don’t know how much duplication has happened and how much drive space these previews and previews of previews and preview previews for comparison photos, before and after, showing how many iterations of the same image exist.. Over and over again. Where they are. They’re on my computer. I can click and make an image appear. In fifteen different programs. Everyone loves photography. The internet is all about photography. And video, don’t forget video.
I think it must be okay. The people at Adobe are experts. They must have deep insight into the process of editing and transforming images or they wouldn’t be able to anticipate what photographers and graphic artists will need in the future. Even with the latest mega Terabyte solid state drives, space will always be a major consideration.
Hell yes I need a tool that can erase a background from an impromptu portrait snapshot. Hell yes. I just have to figure out the procedure. Right now I’m erasing the faces that I’m hoping to preserve. Maybe I need a better Youtube teacher than Mister SmirkFace.
It’s okay to be confused. Don’t let it alarm you. Ever since Walt Disney took control of this culture’s imagination things haven’t looked right. You never know when a set of whiskers will appear on the side of a woman’s face. Or dogs are fitted out as astronauts and interstellar explorers. Dogs, pigs, mice. Disney was a major zoophile. Things haven’t looked right for the last sixty years.
Where do archetypes end and stereotypes begin? Ask Walt Disney. Ask his ghost, I don’t care. He has a lot of ‘splainin’ to do.
I’m still confused. I expect to be less confused as I get familiar with this new software. OR…I’ll toss this shit and go back to Canon DP Pro, because it’s just easier.
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Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind.
In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award.
Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
More of his work can be found at www.artrosch.com
Photos at https://500px.com/p/artsdigiphoto?view=photos
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