Interview with author Alan Dean Foster

 

Alan Dean Foster with Mayotte brown lemur. M’bouzi island, French Comoros. Photo credit to Michael Medford.

Alan Dean Foster with Mayotte brown lemur. M’bouzi island, French Comoros. Photo credit to Michael Medford.

Today my author guest is a multi-genre author who dips into the western and weird western genres on occasion. He’s published over 100 books, including novelizations of several well-known science fiction films, such as Star Wars, Alien, and The Chronicles of Riddick. He’s also credited with the first ever book adaption of an original video game in his novel, Shadowkeep. He’s a New York Times bestselling author and he’s joining me here to share a few tidbits about the weird western genre, writing a novelization of a movie, and his latest book, Mad Amos Malone and other weird western works. Please welcome author Alan Dean Foster to Writing to be Read.

Kaye: The majority of what you write is science fiction or fantasy, so obviously these are your preferred genres, but you have western tales thrown into the mix here and there. What is it that draws you to the western genre?

Alan: For one thing, I have lived the past 40 years in a famous western town: Prescott, Arizona. Virgil Earp was the marshal here. Doc Holiday’s mistress, Big Nose Kate, is buried in one of the local cemeteries. The Palace Saloon, the oldest operating saloon in Arizona (since 1877) is here. And much more. You cannot live in such a place without soaking up some of the historic atmosphere. Also, like most kids of my generation, I grew up watching TV westerns in the ‘50’s. Hop-along Cassiday, The Lone Ranger, and more.  My favorites were the Cisco Kid (“Hey Pancho!…Hey Ceesco!) and Disney’s Zorro.

Mad Amos MaloneKaye: You have a collection of short western stories out that have a strange twist. What is so different about Mad Amos Malone?

Alan: Folks are fascinated by the mountain men who explored the American west. I thought it would be interesting to develop one who acts and lives like your typical mountain man, but who is considerably More Than He Seems. When you like a character but are never sure how he will react in a given situation it adds tension to a story. Think the character of Mike in “Breaking Bad”. Not quite what he seems. Also, in the end, thoroughly bad ass.

Kaye: In 1985 you wrote a novelization of the movie Pale Rider, with Clint Eastwood. How did that come about? Did you get to meet any actors from the movie? Did you consult with the screenwriters during the writing? What was the most difficult thing about doing a novelization?

Pale RiderAlan: Authors of film adaptations rarely get anywhere near a movie set (though I have, on occasion). Certainly I never met or consulted with anyone attached to the movie.

For me, the most difficult thing in doing a novelization is to expand on the characters without contradicting the characterizations in the film itself. That, and remaining true to the spirit and style of the filmmakers while simultaneously injecting a little bit of myself here and there. You always have to be aware.

Straight Outta TombstoneKaye: You have a story in Straight Outta Tombstone. The anthology is listed as fantasy, but its stories have kind of a western twist. Would you talk a little about that book?

Alan: The stories are fantasy with, generally, settings in what is called the American West. I think it would be more accurate to called them westerns with a fantasy twist.  Fantasy or science-fictional takes on actual history are a lot of fun to do, and can often be thought-provoking. Call it the “What if the South had won the Civil War”? trope, only often with more recognizable fantasy elements.

Kaye: What’s the most fun part of writing a western novel or short story? What’s the least fun part?

Alan: Working with actual western history. Many of the Mad Amos stories take place in actual western settings and involve real folks from history. Just with the occasional witch, dragon, Chinese demon, visiting gnomes, etc.

Kaye: What time of day do you prefer to do your writing? Why?

Alan: Mornings, because I’m fresh, and also because I prefer to go to gym in the afternoon. But I will work late if and when necessary. And if an idea hits me, I’ll head for the study no matter what time it is.

Kaye: What is the biggest challenge of being a writer?

Alan: Not getting bored with your own work. And persisting even when you are.

Kaye: What is the one thing in your writing career that is the most unusual or unique thing you’ve done so far?

Alan: I think my historical novel MAORI, which takes place in 19th-century New Zealand. That’s a long way from writing science-fiction or fantasy. Very hard to research such a subject from Prescott in pre-internet days. Might also consider SHADOWKEEP, which was the very first novelization of an original computer game.

Kaye: What do you think is the single most important element in a story?

Alan: Character. If your characters aren’t interesting, then you’ve lost the reader no matter what kind of language, special effects, settings, or action you employ. True of any kind of writing, be it theater, film, prose, even commercials.

Kaye: When did you know you wanted to be an author?

Alan: When I made my first two short story sales, to August Derleth and John W. Campbell. I figured if two giants in the field thought my words worth buying, I might have a shot at doing it full-time.

Kaye: What’s the best piece of advice you were ever given?

Alan: Don’t make your heroes too powerful (Campbell). You can be interested in Superman, but it’s hard to empathize with him. Hence the need to invent kryptonite.

Kaye: Which is your favorite type of writing? Short fiction or novels?

Alan: I enjoy them both, but if pressed I’d have to say short stories. Get the idea down and out fast and dirty. I also very much enjoy writing non-fiction. Essays, movie reviews, history, etc.

Kaye: What is next for Alan Dean Foster? What are you working on now? Any more weird westerns in the future?

Alan: No weird westerns at the moment. Putting together The Complete Mad Amos Malone was a bit of a project in itself.

Forthcoming: April – The Unsettling Stars – original Star Trek novel set in the Kelvin universe.  Later this year: Madrenga – original fantasy novel from Wordfire PressThe Director Should’ve Shot You – non-fiction; a history of my involvement with film novelizations from Centipede Press.

Hopefully next year: Mid-Death and other tales of the Commonwealth – a collection of all the short stories set in the Commonwealth, featuring the never before reprinted Midworld novella “Mid-Death”, from Haffner Press.  Short story “The Treasure of the Lugar Morto” – Analog; no date yet.

Forthcoming at a future date: the completed Commonwealth novel Secretions and the stand-alone SF novel Prodigals.


I want to thank Alan Dean Foster for sharing with us here as we delve into the weird western. It looks like his work is cut out for him for the next couple of years. Obviously, many writing tips and tricks are not restricted to a single genre, but can be applied across them all. You can learn more about Alan and his books on his website or his Amazon Author page.


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“Death Wind”: The ghosts of the West do not rest easy

Death Wind

Death Wind, by Travis Heerman and Jim Pinto is a paranormal western, also known as weird western, that makes the reader believe in legends, if only for a short time. In a time of war between the white man and the Indians, there comes a foe of unspeakable power and cruelty only known through the stories of the native American people.

There is a great evil on the horizon, bearing down upon White Pine and the Lakota Souix reservation following the Wounded Knee Creek Massacre in 1891. The evil is hungry and it feasts on anyone in its path, threatening to consume them all, no matter the color of their skin. The only hope of survival lies in the ancient legends of the native peoples of the land and will unite white and Indian in a common goal.

Carefully crafted to produce graphic imagery and a captivating story line, Death Wind kept me reading until the last page. I give it five quills.

Five Quills

Amazon Buy Link: https://www.amazon.com/Death-Wind-Travis-Heermann-ebook/dp/B01L2EYKK8/ref=sr_1_1?keywords=Death+Wind+Pinto&qid=1583962493&s=books&sr=1-1


Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Chatting with the Pros: Interview with western author Cherokee Parks

Chatting with the Pros

My author guest today on “Chatting with the Pros” is a seasoned western author who has written many, many western novels and been quite successful. He lives and write by the western creed that he grew up with. He’s a cheerful guy with a good sense of humor. Please welcome Cherokee Parks.

me_book covers


Kaye: You believe in and stand behind some good old fashioned values and live by the code of the west. How do these things come through in your writing?

Cherokee: In every story, the main character does the right thing in every single circumstance. Even when characters like Colton Raines (the Colt’s Justice series) or any of the Creed family (the Creed Novels) are forced to kill large numbers of opponents, it’s done to save others, or to protect they and their family or possessions. They respect women, the law, the nation and all it represents – even in spite of possibly having been on opposite sides during the Civil War. They expect the same from everyone else, and accept no compromise. They always speak the truth, and if they can’t, they keep their mouths shut. They are never afraid to speak their mind, short of intentionally hurting a friend, unless that friend needs a wake-up call. They give both compliments and criticism sparingly, and only when necessary. They never give their word if they can’t keep it. They know that they can’t get along with everyone, so they don’t even try. And they all know how to laugh, mostly at themselves.

Kaye: You have co-authored several books along with other western authors, such as Scott Harris, whom I interviewed last year. What is the most difficult thing about co-authoring a story?

Cherokee: Actually, there have not been any truly co-authored books, only those where credits are given for inserting a foreword. Only once have I ever attempted to co-write a book, but things just didn’t work out. We envisioned completely different events and character development, and never got past the first chapter together. I have, however, had the distinct pleasure of co-writing a good number of songs, and found it very gratifying being able to feed off another person’s input. So would I work with another author to create a book? Honestly, probably not, as I already have a basket full of story ideas, as well as several books already in the works. I don’t know how I’d squeeze in the time to work with another author, although I think the creative juices might get a real boost, depending on how I got along with the co-writer from the beginning.

Kaye: What draws you to the western genre?

Cherokee: Growing up cowboy and around the western lifestyle, it was a natural changeover for me, and what I had always wanted to write. Unfortunately, I was very good at writing mysteries and suspense, and got pigeonholed by my publishers at the time – both saying “Westerns don’t sell.” Well, Westerns DO sell, and I’m enjoying a very happy resurgence of my writing career. It’s easier and far more enjoyable to write about things one knows and loves than to create things someone else wants an author to fantasize about on paper.

Kaye: What time of day do you prefer to do your writing? Why?

Cherokee: Mid-morning until mid-afternoon, while the two grandchildren we’re raising are in school, but I can write just about anytime, anywhere, when the inspiration strikes.

Kaye: Which author, dead or alive, would you love to have lunch with?

Cherokee: I’d love to once again have lunch with Louis L’Amour, as I learned more about my craft from him in a day than I did squirming in a seat during all those college class hours. Although I did study under James A. Michener, and enjoyed his classes, what I learned from him was about styles and research, but little about actually being creative. Michener taught strict adherence to storylines, only diverting if research showed it was necessary, while L’Amour had no idea where a story would go until after it was written, like myself.

Kaye: What’s the most fun part of writing a western novel? What’s the least fun part?

Cherokee: Wow! There are just so many fun parts to creating a western. Finding out where the story goes, and how it ends is a blast, as I never really know when I start out. Imagining how different characters react to situations is also a lot of fun. What’s not fun is having one of your books just sit on the market, not moving, not selling, just sitting there gathering dust. Although really poor reviews are also a knock, often a real punch to the gut… But I’ve learned from those knocks too, as the old commercial told us, “never let ‘em see you sweat…”

Kaye: How do you decide the titles for your books? Where does the title come in the process for you?

Cherokee: That’s difficult to say, really, as sometimes a book is created based on the title, while other titles are taken from a place or event that emerges in the book itself. And there have been times when a title needs to be changed, even after the work is published. Titles are among the hardest parts to creating a story, as a good story can die without a good title to launch and carry it. On the other hand, sometimes a story is soooo good, it doesn’t really matter what it’s called.

Kaye: Would you share the story of your own publishing journey?

Cherokee: How much time do you have? Seriously, I started out my career as an author of mystery and suspense, trying to fit into the most popular publishing mold of the time, mostly as a result of my publishers at the time insisting on my creating such stories. Eventually, I tired of writing what they wanted, and then having stories sell well while the publishers made all the money using “creative bookkeeping” while I received a mere pittance – not even enough to live on.

I stopped having any work published for over fifteen years, giving up completely on the honesty of the publishing business, though I still wrote stories. The difference was, I wrote to please me, not the publisher. One day, while I was writing a particularly interesting story, a friend stopped by, and insisted on reading what I had written up to that point. Now normally, I pretty much discount what family and friends say about something I’ve written, as I believe them to be absolutely biased. But that particular friend was very critical, and if he liked it, well… Not wanting to go the publisher route, I self-published. Epic fail. I’m an author, not a publisher.

So when a small publishing house opened near me, I presented the story to them. They jumped on it, and I became their third signed author. Over the next year, they published four more of my stories, but their management absolutely sucked. Given an opportunity to guide them, I was appointed Executive Director, lasting nearly five years at the job before they were forced to shut down due to IRS problems unrelated to the publishing side of things.

In a way, it was the best thing in the world for me, because I once again had time to write, something I had all but given up on while working with the books of many other authors and wannabes. But now, I had the writing bug again, and needed to find a publisher. After a couple of mistakes, I finally landed with a really good publisher specializing in the western genre (Dusty Saddle Productions), who had a great publicist (Nick Wale at Novel Ideas) under contract. I couldn’t be happier!

Kaye: When did you know you wanted to be an author?

Cherokee: I guess I was about thirteen, when I wrote a short story for an English class assignment. I had a lot of fun writing the story, and when our teacher had me read it to the rest of the class, I was embarrassed, but hooked. That teacher was a friend and understudy to James A. Michener, and gave it to Michener to grade. Michener drew a big star on it, penned a message, “Keep up the good work”, and signed it. Had I not been hooked on writing before that, I was after. I’ve been writing since then, with the two aforementioned lapses, continuing to try to perfect the craft.

Kaye: Do you travel to the places that end up in your books?

Wyoming Cowboys and girls.Cherokee: Yes, absolutely. In fact, I took a clue from L’Amour about knowing the geography and climate I include in my books. As a result, I only write about places I have been, doing my best to remain true to the area. But I also use a bit of artistic license in my stories. For example, in Hard Ride to Cora, set in the Green River basin of Wyoming, I slipped in a cave that doesn’t exist. Sometimes one has to enhance the story with little details that may or may not exist, but I do my best to “keep it real,” even though all I write is fiction.

Kaye: What advice do you have for aspiring authors?

Cherokee: Never depend on what family and friends say about what you create, as they are completely biased, and 99% of the time they don’t wish to hurt your feelings, or already believe anything you do is great just because you did it. Get outside opinions as your guide. Study the craft of writing, trying to make yourself the best you can be at it. ALWAYS give your work to an editor, as even the very best English teachers make mistakes when they write. But don’t allow the editor to change your style, only to correct your English (except dialogue), your punctuation, and all too often your sentence structure. Just make sure you improve with every attempt, and learn to accept honest criticism for what it is, not for what you want it to be. But above all, NEVER stop writing!

Kaye: Is there anything unique or unusual about your writing process?

Cherokee: Hmmm… Other than I don’t have a clue where a story will go, or where it will end up when it’s finished? I don’t think so, but then again I suppose we each have our little idiosyncrasies when we write, but we’re far too close to the source to know what is “unique” or “unusual” about our process. That’s my story, and I’m sticking to it!

Kaye: What do you like to do when you’re not writing?

Cherokee: Sleep… eat… Actually, in my younger and healthier years, I enjoyed hunting and fishing, exploring new areas, being around horses and dogs, just generally living the Western lifestyle. But now I’m old and half crippled up, suffering from the ravages of time, so I’ll go with my first two answers. Sleep… eat… But I will add that staying alive is real big on my list of things to do everyday now…

Kaye: As a western writer, what kind of research do you find yourself doing for your stories?

Cherokee: Mostly digging back into my memory banks and photo journals, though I do use a great deal of online research to confirm what I know already or think I know about history, clothing and weapons in use during the era I’m writing in. I have no choice, as my memory isn’t quite what it used to be. Additionally, finding historical documents, maps or writings that detail certain places and events, be they weather events or something of a physical/historical nature, always serve me well, and at times even help with my creativity.

Kaye: If one of your books was made into a film, who would you like to play the lead?

Cherokee: I suppose that would have to depend on which of my books was chosen… I think they’d all make great movies, but that’s the writer in me thinking I’m that good… For example, it would have to be a middle-aged man to play Jake Laughlin, while it would require a man in his twenties to play Mick Swinney from Hard Ride to Cora, and a very tall man to play Thomas “Tree” Bell in The Trader… Now, if I could chose which book was made into a movie, I would say Hard Ride to Cora, as it was my first full-length western, although the Colt’s Justice series ranks right up there, as does the Creed series and the brand new series, The Trader. But to pick an actor to play the lead in any particular book? I don’t think I’m capable. I’d leave that to the casting people, as that’s their job, and I’ve got my hands full just writing.

Kaye: Would you like to talk briefly about your latest books? (Those you sent covers for.)

Cherokee: Hard Ride to Cora was my first published Western, and will likely always be my favorite as a result. Besides, it’s a really good story involving a host of characters from many different backgrounds, and if I ever get time I’ll be able to write at least another half dozen stories based on those characters.

No_Town_for_OutlawsNo Town for Outlaws actually prompted a prequel (Silver, Gold and Blood in Arizona), and both books have sold consistently – and well – featuring a family of fast guns, including the women, bent on making certain the law is upheld, and good people are given a chance to live free.

Trader_cover_10_14_19My biggest Western hit so far is really a mountain man tale, The Trader, with the second book in the series due out early in March. The Trader sat in the #1 spot on Kindle in the Old West History of the U.S. category for over three weeks, and as of this writing is still at #3.

Kaye: How did you chose your pen name, Cherokee Parks?

Cherokee: I guess the easy answer would be—sentimentality. When I was a young teen, my father and I used to deer hunt in an area of Northern Colorado called Cherokee Park. They were some of the best times I had as a young man, and some of the best times spent with my father before he lost his health. So when it came time to create a new pseudonym for my western stories, Cherokee Parks was one of five I started out with. I kept narrowing the list down until only Cherokee Parks remained, mostly to honor the wonderful memories I shared with my father, and of him.

Kaye: Why did you choose to take a pen name?

Cherokee: It was a simple thing. In order to keep the genres separate, as well as multiple publishers back in the day, I used pseudonyms. I decided to continue using pseudonyms when I started writing again for some very personal reasons, primarily using Cherokee Parks to honor my father’s memory.

Kaye: Do you think it helps you sell books?

Cherokee: Yes, frankly, I think a good author’s name can help, depending on whether or not it fits the genre.

Kaye: What are you working on next?

Cherokee: Currently, I’m working on a sequel to No Town for Outlaws, called Death at Devils River, featuring the Creed brothers on a mission to help out an old friend facing disaster from a gang of Mexican banditos. I’m really enjoying it, and hope my readers will as well. Death at Devils River should be out by the end of March or early April.

Kaye: What do your readers have to look forward to in the near future?

Cherokee: Within the next ten days, I should have the second book in The Trader series back from the editor, meaning it will be released within a week of that. The first book in the series is subtitled West to the Stony Mountains, the second book subtitled Of New Life, War and Peace, and a third book already in the planning stages (as much as I ever plan a story!). I stay busy, and have at least a dozen story concepts floating around in my mind at any given time, as well as having anywhere from two to half a dozen at various stages of development or publication.

I have to say, Kaye, this was one of the more fun interviews I’ve had, and I appreciate not being buttonholed with my answers by your providing open-ended questions. Honesty is always the best policy, though not every writer has had the pleasure of enjoying life as much as I have. I’ve lived a hard life at times, but always a good life, even though there were times when I had no idea where my next meal would come from, or where I might be sleeping that night. But by the grace of God and the aid of friends, I made it through the hardest of times, making my current success all the sweeter. Thank you!


I want to thank Cherokee Parks for sharing here on “Chatting with the Pros”. He really came up with some great answers which are somewhat enlightening. It has been wonderful chatting with a seasoned western author, and it instills confidence to know that we share the same publisher. Nick Wale and Dusty Saddle have been great to work with. You can learn more about Cherokee and his books on his Amazon Author page or his Goodreads Author page. Join me next month on “Chatting with the Pros”, when the theme will be fantasy, and my author guest will be L. Deni Colter.


You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress. Please share content you find interesting or useful.


Are You Up To The WordCrafter Challenge?

Ghost Miner

I wanted the 2020 WordCrafter Short Fiction Contest to be a challenge, to motivate authors and writers to reach outside their comfort zones and write a short story in a genre they maybe hadn’t tried yet. But, from the low number of entries received thus far, I’m wondering if I didn’t scare a lot of writers off when I named the genre as paranormal western.

It’s one of those combination genres that have risen up in recent times, also called weird westerns, that has both elements of western and elements of paranormal. I presented it as western ghost stories, because the old west has plenty of potential for ghosts. (Mark and Kym Todd’s Wild West Ghosts is filled with the stories of many real life characters whose ghosts are said to haunt the west today, if you’re looking for inspiration.)  However, I fear our friends abroad may be shying away because they just don’t know a whole lot about the American western frontiers.

While westerns usually take place in the American west, they don’t have to. The movie Quiggly Down Under, with Tom Sellak comes to mind, taking place in the Australian Outback, but with plenty of western elements. Every country has its own frontier history that helped to shape it, some may be still developing their frontiers. So, let me re-itterate, a western does not need to be set on the American frontier, but it does need to have some of the elements of the western genre. Man (or woman) against the elements, man (or woman) fighting for justice in an untamed landscape where the only law may be what he (or she) can manage to dole out. Western characters lead nomadic lifestyles, carry guns, ride horses, drink whiskey and face their own mortality, sometimes on a daily basis.

Weird westerns tend to use these elements, but they add elements of the paranormal or speculative fiction. I’ve reviewed a few and found their authors to be quite creative in combining the two genres. Chris Barili’s Hell’s Butcher series features a gun toting Marshall who is tasked with keeping all the outlaws in hell and tracking down any who happen to escape into the realm of the living. In DeAnna Knippling’s Chance Damnation is a paranormal western fantasy, where hell breaks through and wreaks havoc on the western frontier. And a book that I’m reviewing this month is Death Wind, by Travis Heerman and Jim Pinto, tells a tale of ancient Indian legends come to life. (You can catch my review of this book on Friday, March 20th).

So, with this in mind, I’m asking each of you to re-consider entering your own paranormal western short in the 2020 WordCrafter Short Fiction Contest. It’s only $5 to enter, and the winner will be featured in the resulting anthology and receive a $25 Amazon gift card. Other entries may also be included in the anthology by invitation, so get those entries in to me by April 30. There’s still time, and you can find the complete submission guidelines here: https://wp.me/pVw40-49e


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“Old One Eye Pete”: A western short fiction collection

Old One Eye Pete

Old One Eye Pete, by Loretta Miles Tollefson is a western short story collection, with individual stories that fit together loosely to form a part of a bigger story that takes place within the Old New Mexico territory. As always, Tollefson’s tales are based on historical events, people and places and are historically accurate, featuring interesting and memorable characters.

Most of these stories feature Old One Eye Pete, an old trapper who wanders the New Mexico mountains with his horse and pack mule, and knows more about the people, the area and the goings on there than near anyone in the territory. These stories are brief, and great reads when you just have a short wait or a few minutes to kill.

A light, easy read that made me chuckle from time to time. True western short fiction. I give Old One Eye Pete four quills.

Four Quills

Amazon Buy Link: https://www.amazon.com/Old-One-Eye-Pete-Stories-ebook/dp/B07H1R1L5B/ref=sr_1_1?keywords=Old+one+eye+Pete&qid=1583605164&s=books&sr=1-1 

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Riding the Landscape of Westerns in March

Westerns

The western genre has always been about man against the elements, man against man, and man against nature. Western heroes are tough and rugged, and ready to face outlaws, Indians, wild animals, and any inclement of bad weather to uphold right and see justice done. In the western genre that I grew up with the good guys wore white hats and the bad guys wore black, and there was no question as to who was who. Cowboys were rough and rowdy, but they were gentleman when a lady was present, tipping their hats and addressing her as Ma’am. There was a clear sense of right and wrong in westerns written by Louis L’Amore and Zane Grey, and right always won out in the end.

Today’s westerns are different. Although you can still find the classic western with authors such as my “Chatting with the Pros” author guest, Cherokee Parks, or the guest for my supporting interview, Alan Dean Foster. But, the western of today isn’t as clear cut. Today’s westerns look past lawmen and outlaws to the less known factions of western society, with protagonists such as soiled doves, Indians, Negroes, and immigrants from many different countries, who may be looked down upon by some as less desirable, so they must work harder to convince the reader that they are the good guy. They portray segments of the western populations which have been previously overlooked or devalued. Although members of near invisible populations, they were a part of the western culture and western fiction is now giving them voice. The tales may be fiction, but the portrayal of life in the western landscape is not romanticized as much as it once may have been. It may be more stark and brutal in many ways, but they are true to the places and times of their settings.

In the western genre market, there are more female authors than ever before, and that means more female protagonists. A woman as main character can’t be a delicate flower who cowers behind her man as in westerns of old. The women of the west were tough, because they had to be. It was often a matter of survival. Even in western romance, the women are strong willed and determined, and they play many different roles on the western frontier. We all know that many women made a living in the parlor houses, bordellos, and saloons, but women played many other roles on the western frontier, and today’s western authors are capitalizing on that.

Delilah 3 ed.My own western, Delilah, features a tough and gritty female protagonist who, at the age of nineteen, is already hardened against life’s trials. Although not actually a romance, it does have that romance element, but she must learn to love again before that story line can come to completion. Delilah is being re-released this month with a great new cover, (designed by WordCrafter), and new front materials, including forewords by western authors Robert Hanlon and C. Emerson Law. I’m looking for feedback, so please let me know what you think of the new cover in the comments.

The historical westerns of Loretta Miles Tollefson, such as her short fiction collection, Old One Eye Pete, which I’ll be reviewing, are embedded in New Mexico territory in the 1800s. Many of Tollefson’s books feature tough female protagonists who do what they must to survive the harsh landscape and harsher men of the times, who rise above the traditional female role through strength and courage. I think an author must work harder to sell to women characters in non-traditional roles to the reader, but if written well, they make interesting and, often colorful characters that enhance their stories. readers don’t want to put down. Western romance is in abundance. At the end of March, Writing to be Read will feature a special post about my experience as a judge of the western romance category, including reviews of some of my favorite entries.

But in contemporary times, space westerns venture into the science fiction genre, and there are even western fantasy stories, such as the steampunk western romance series of Jordan Elizabeth. Westerns have branched out to combine with the paranormal, creating the weird western sub-genre, such as Death Wind, by Travis Heerman and Jim Pinto, which I will be reviewing this month. This sub-genre is growing in popularity as authors realize the potential for supernatural tales from the old west. The western frontier leaves behind many ghosts and contemporary authors are realizing their story potential.

Ghost MinerParanormal western is the genre for the 2020 WordCrafter Short Fiction Contest, but there have only been a few entries. I think maybe authors shy away from the western genre, especially those outside the U.S. that are not so familiar with the history of the American frontier. But the American frontier is not the only possible setting for a western story. Think Quiggly Down Under, for a western story set in the Australian Outback. Every country has western style stories in their history. As long as there is a western element and a paranormal element of some type in your story, it qualifies as an entry. It can be about zombies rambling over the western prairie, on vampires nesting in the Rockies. It can be a haunted hotel or saloon in a frontier town, or a restless spirit that refuses to pass on until the hombre that pulled the trigger on them pays for what he done. If you are a creative writer, then step up and take the challenge to write a paranormal western and send it to me. The deadline is April 30th, so there’s still plenty of time. Don’t forget, the author of the winning story will receive a $25 Amazon gift card. You can find the complete submission guidelines here.

Join us on Writing to be Read as we ride the landscape of the western genre and explore the possibilities. The western genre is alive and well today, although it may look different than expected. I love to hear from readers, so be sure to leave a comment to let me know you’ve visited. Also feel free to like and share.

Reviews of westerns by Loretta Miles Tollefson:

The Pain and the Sorrow

Not Just Any Man

 Not My Father’s House

Reviews of steampunk western romances by Jordan Elizabeth:

Treasure Darkly

Wicked Treasure

Reviews of weird westerns:

 Hell’s Butcher series, by Chris Barili

Chance Damnation, by DeAnna Knippling

2019 interviews with western authors:

Scott Harris – classic western

 Juliette Douglas  – western romance

Patricia PacJac Carroll – Christian western romance

Loretta Miles Tollefson – historical western


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Announcing the 2020 WordCrafter Short Fiction Contest!

Whispers of the Past Promo

The 2019 WordCrafter Paranormal Short Fiction Contest was a success. We had several entries and most are now featured in “Whispers of the Past”, the first anthology to be published by WordCrafter, along with the winning story, “A Peaceful Life I’ve Never Known” by Jeff Bowles. I anticipate seeing entries from some of these same authors for the 2020 WordCrafter Short Fiction Contest and I hope you all will enter as well.

You can buy Whispers of the Past here: https://books2read.com/u/38EGEL

With that in mind, I’m excited to tell you about next year’s contest. The theme for The 2020 WordCrafter Short Fiction Contest is paranormal western. That’s right. WordCrafter Press is looking for western ghost stories! This is going to be a fun contest, so get writing. Each entry must contain elements of the western genre and elements of the paranormal genre, but beyond that, your imaginations are the only limits. All submissions must be original works which cannot be found online for free. (Amazon is quite a stickler on this one.) Like last year, there will be a $5 entry fee. In addition to publication the 2020 anthology, the winner will receive a $25 Amazon gift card.

Ghost Miner

Guidelines:

  • Submit paranormal, speculative fiction, or horror with a western flare. I want to read your story!
  • Stories should be less than 10,000 words and have paranormal and western elements.
  • Flash fiction is accepted as long as it is a complete story, with beginning, middle and end.
  • Submit stories in a word doc, double spaced with legible 12 pt font, in standard manuscript format.
  • Submit stories to kayebooth@yahoo.com with Submission: [Your Title] in the subject line. You will receive instructions to submit your $5 entry fee with confirmation of receipt.
  • If you receive an invitation for the anthology, you will also be asked to submit a short author bio and photo.
  • No simultaneous submissions. You should receive a reply within 45 – 60 days.
  • Multiple submissions are accepted with appropriate entry fee for each individual story.

I’m hoping to release the anthology around Halloween again, so get your submissions in by April 30th. Above is the draft for the cover, title yet to be announced and suggestions are welcomed. I was pleased with the results of last year’s contest and the resulting anthology, and I’m anticipating the one for 2020 will be even better. So, send me your stories and let the contest begin!


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“Not My Father’s House”:A work of historical fiction true to western genre

Not My Father's House

Historical fiction has almost as many flavors as there are time periods to write about. Not My Father’s House, by Loretta Miles Tollefson is an historical novel with a western flavor that leaves the reader smacking their lips for more. A true frontier wilderness tale, Tollefson takes true events and places from the annals of the wild backwoods of old New Mexico territory and crafts a tale of the struggles and hardships of frontier life in the untamed mountain wilderness.

Suzanna is a young bride of mixed blood, soon to be a mother when she moves from her father’s home in the village of Don Fernando de Taos, venturing into the backwoods of New Mexico territory to make a home of her own and raise her family with her husband Gerald and their friend Ramon. She knew she’d have to battle the elements and critters in the untamed mountain valley, but she never expected to have to battle with herself when cabin fever sets in each winter. Nor did she ever imagine that her biggest threat in the wilds would come from a predator that stalks her on two legs instead of four.

A story of female strength and courage in a time when the lands were still wild. Not My Father’s House is a finely crafted story in the western tradition. I give it five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Seeking out Christian fiction in September

Christian Fiction

In his 2012 Relevant article, “Where Did Good Christian Fiction Go?“, Micah Levi Conkling claims that Christian fiction has been marred by the Left Behind series and Amish fiction, and is very difficult to find. So, in September, we’ve been seeking out Christian fiction to see if Conklin’s claims are true. Is there really no good Christian fiction out there anymore?

To start off, I want to define what Christian fiction really is. It’s not really a genre. Not really, because as you’ve seen if you have joined me in my search, Christian fiction comes in many genres. The two books I reviewed from the Thanksgiving Books & Blessings collection, Texas Tears and Mail-Order Misfire, are both western romances, and I also had the pleasure of interviewing the author of each, Caryl McAdoo and Davalynn Spencer respectively. My “Chatting with the Pros” author guest, Angela Hunt writes historical fiction, historical romance, heart-warming tales of love and friendship, and children’s books that can all be classified as Christian fiction.

Christian fiction is really a category that other genres fall under. The aforementioned Left Behind series might fall under the science fantasy genre, given it’s futuristic, alternative universe setting. As Christian novels can be so varied, let’s take a look at what they have on common like the portrayal of Christian lifestyles, and an underlying message of a loving God. A book in virtually any genre could be considered Christian fiction if it has these two components, even if the message is subtle and remains in the background of the story. According to the Christy Awards website, the award is “designed to nurture and encourage creativity and quality in the writing and publishing of fiction written from a Christian worldview and showcase the diversity of genres.”

In spite of Conklin’s claims, not all Christian stories boldly shove the message of God down the readers throat. (Many children, and adults as well, turn tail and run from a story that give a hard push to moralistic messages, as is discussed in this month’s “Growing Bookworms” post.) I think the message in good Christian fiction is delivered subtly, in small doses, giving the reader the option to take it or leave it while still being able to enjoy the story.)

Christian fiction really has a bad rep in some circles, where any story  with no sex, no violence, no cursing, and no vice, it is believed that the reading of which might be comparable to eating white rice with no seasonings. Christian fiction, from my view, is a tale which portrays Christian beliefs and values in its character’s lifestyles. I think the historical may even be flavored a little more heavily with this, because in days of past Christian lifestyles were more prominent. That could explain why historicals and westerns, like those we’ve looked at here lend themselves so readily to the Christian aspects. I’m guessing that it would more difficult, although not impossible, to work Christian aspects into a futuristic work of science fiction or fantasy, but I have seen them worked into thrillers and mysteries, and they are easily worked into contemporary romance.

Most Christian fiction stories that I’ve read are heart-warming and inspirational, and I’ve walked away with a warm feeling at the story’s end, as if there might actually be hope left for this world, or for love, or humanity, depending on the individual story. In short, Christian fiction works are stories which are written for Christian readers. But you don’t have to be searching for something with Christian undertones to enjoy one if you come across one. A good, well-written Christian story lets the characters carry the reader through without being preachy and moralistic. The power of God shines through in the character’s lives.


“Texas Tears”: Christian fiction from the 2019 “Thanksgiving Books & Blessings” collection

Texas Tears

Caryl McAdoo is the founder and creator Thanksgiving Books & Blessings collection two, which was just released this past week. Her Christian western romance, Texas Tears, is book three in that collection and its my pleasure to review it here today on Writing to be Read for this month’s Christian fiction theme. (You can also catch my review of book four from this collection, Mail-Order Misfire, by Davalynn Spencer here.)

Some of the transitions in Texas Tears were abrupt and unclear, and I found myself having to reread to determine who was speaking at times, or what setting we were in, but nothing some well placed dialog tags wouldn’t fix. The historical details are accurate to time and setting, and the story itself is heartwarming, with a delightful Southern twang.

Texas Tears is the story of two young girls, childhood friends and cousins, Miss Arlene Van Zandt and Miss Charity O’Neal, both hoping for their perfect dream man, with their sites set on one in particular. The same one, Hart de Vecchi. Hart seems content to be the wedge driven between the two friends while he tries to make up his mind, but by playing with the hearts of both women, he risks ending up alone.

A story of love, faith, and endurance. Texas Tears is everything a Christian western romance should be. I give it four quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.