Treasuring Poetry: Meet poet, Selma Martin, and a review of her poetry book, In The Shadow of Rainbows: A Collection of Songs of Presence
Posted: September 20, 2023 Filed under: Book Review, Books, Collection, Interview, Poetry, Review, Treasuring Poetry | Tags: Book Review, Books, In The Shadow of Rainbows, Interview, Poetry, Robbie Cheadle, Selma Martin, Writing to be Read 70 Comments
Today I am delighted to introduce poet, Selma Martin, who has just published a beautiful book of poetry entitled In The Shadow of Rainbows.
Selma has started her interview with a quote and a truly lovely commentary about my book, Lion Scream. I have included it because it is so kind of Selma to have written it, and I appreciate her comments and review a great deal, but please remember that this post is about Selma and her poetry and gorgeous book.
Poems are made by fools like me
But without support, I’ve nowise to be
Robbie, you’ve no idea how much my enthusiasm level has risen just at the thought of being here with you for this interview. I’m truly honored. And I wish to begin by telling you that I respect you all the more after completing your lovely poetry collection, Lion Scream which I read from start to finish several times. What a lovely book you blessed the world with, Robbie. May we all continue to find grace and compassion in books that enlighten our optimistic approach to everything our world is experiencing at the moment. As someone once wrote, the solutions are there when the problems are recognized. I think that collectively we’ve come to recognize that we have a big problem. So it’s my sincere hope that in this lifetime we figure out where we should put our collective efforts. Your book provides a venue to initiate constructive markers of where we need to start. And together work to narrow the gap between our two realities. Yes, there are two realities:
- Objective reality – “the world out there.” The world of your senses
- Subjective reality – “the world in here.” The world of our minds; the world of emotions and feelings–composed of thoughts, opinions and judgments, and emotions.
I stand by what I wrote on Amazon: Your book is a must-read!
Now onto the questions that I’m ever so happy to respond to:
You have recently released your first poetry collection, In the Shadow of Rainbows. What inspired the poetry in this book? Does it have a particular theme?
SELMA: Inspiration waits for us at every corner, and one is always hoping that it will pat us on the shoulder and remain with us for the duration of the journey. For me, it got a nudge after I completed my 60th trip around the sun. Nothing is more inspiring than realizing that I have lived more life than I have left to live. This is the truth. And the only gauge I went by with my collection was to amass sixty poems. Well, I wrote more than sixty, thinking that a few wouldn’t make the cut but my editor, Ingrid Wilson of Experiments in Fiction allowed me a little more than sixty; sixty-four resulted. I am grateful.
As I mentioned in the book, I set sail without a strict theme but kept the faith that one would appear. That of shadows was so strong that at one point I fancied naming the collection Shadows, Whispers, and Echoes. But then, as I mention in the book, an old memory of finding rainbows on my eyelashes acted as my rudder and so there you have it: In The Shadow of Rainbows. I think the title fits the theme so well. Deep bow to my editor. Deep bow to my cover photographer.

Do you do a lot of editing of your poetry or does the poem manifest itself fully formed?
SELMA: Oh my, let me quote from a haiku from Tachibana Genjiro(1665-1718): I write, erase write, erase again, and then a poppy blooms.
It’s a lot of writing, deleting, and rewriting indeed. And even after my poppy blooms I still find incidents where I wish to start over. So, yes, I do lots of editing; and no, so far no poem has ever manifested itself fully formed for me.
What do you find to be the most effective way of sharing your poetry with fellow poetry lovers?
SELMA: Writing and sharing my work here on WordPress is the only way I know and feel comfortable sharing my work with other poetry lovers. I’m fully aware that there are other online magazines where I can share my work, but for some reason, I hold back from going the distance because sometimes I don’t feel deserving enough. Or perhaps it is that I need to feel a connection to my readers like I’ve begun to feel with my readers here on WordPress?
Also, there is the issue of time and timing. I never want to overdo it; I think we need variety, and so I refrain from posting even on my website at times.
At the moment, I’ve created a beautiful respectful relationship with the Editor of Masticadores USA, Barbara Leonhard, and so I sometimes submit my work there. I’m so grateful that Barbara helps me to reach other audiences and I’m working hard to jump on the bandwagon the next time someone calls for submissions to an anthology that fits my writing.
Do you think poetry is still a relevant form of expressing ideas in our modern world? If yes, why?
Poetry is not new–we know this. It’s the oldest, or at least one of the oldest forms of intimate expressions we humans have had. In today’s fast-paced society, the extraordinary value of the word hasn’t diminished. (Take that, emojis) and we humans will never be irreverent to this art form. Poetry will always rank high in relevance as long as there exist people like you and me. Me think so.
Which of your own poems is your favorite and why?
Oh, no no no. I don’t have a favorite; I like them all, really I do! But I will share one and honestly hope you find it to your taste.
Slice of Life
Flanked between two wanings, I live you,
planting the light hours with loving acts,
for you, for us, for our ménage,
and when I meet the dusk, filled,
ready for our mingling at the table,
where we swap slices of lived moments
of the same day, hearts swell replete.
I chose one of the shortest poems in the collection to share with you. It’s strategically placed as the penultimate poem in the book, and I’m happy to elucidate on this poetry form that touched me.
In its true form, it’s a Kwansaba poem, an African-American verse form of praise: a praise poem that celebrates family. The Kwansaba (Swahili kwan -first fruit/saba -principle) was created in 1995 by Eugene B. Redmond, East St. Louis Poet Laureate and professor of English at Southern Illinois University-East St. Louis. The form was developed in honor of the celebration of Kwanzaa. The poetic form adopts the number 7 from Kwanzaa’s Nguzo Saba (7 principles) as well as embraces its roots in the South African tradition of the Praise Poem.
The 7 principles of Kwanzaa are unity, self-determination, collective work and responsibility, cooperative economics, purpose, creativity, and faith. Each day of the celebration focuses on one of the principles. Isn’t this just such a beautiful principle? I think it is, as all the principles take off at unity which starts at the family level.
I wrote it originally for a dVerse prompt in December 2021–then, I abbreviated some words to meet the exact count of sevens but changed it a bit for clarity to include in the book. It’s about family, and I hope you like it.
Which poem by any other poet that you’ve read, do you relate to the most and why?
SELMA: Oh, you got me on this question again, Robbie. There are so many poems to choose from. And I relate to them when I read them. Indeed it’s like asking which is your favorite color today or your favorite sunset… but I will share one of the poems I like. As to why this poem, I dare say it’s because I love it when we enter this season. Also, I adore the poet’s style and the vernacular he uses in this gorgeous poem. I found it on Poetry Foundation to share here with you. Take a look:
When the Frost is on the Punkin
BY JAMES WHITCOMB RILEY (1849–1916) When the frost is on the punkin and the fodder’s in the shock,
And you hear the kyouck and gobble of the struttin’ turkey-cock,
And the clackin’ of the guineys, and the cluckin’ of the hens,
And the rooster’s hallylooyer as he tiptoes on the fence;
O, it’s then’s the times a feller is a-feelin’ at his best,
With the risin’ sun to greet him from a night of peaceful rest,
As he leaves the house, bareheaded, and goes out to feed the stock,
When the frost is on the punkin and the fodder’s in the shock.
They’s something kindo’ harty-like about the atmusfere
When the heat of summer’s over and the coolin’ fall is here—
Of course we miss the flowers, and the blossums on the trees,
And the mumble of the hummin’-birds and buzzin’ of the bees;
But the air’s so appetizin’; and the landscape through the haze
Of a crisp and sunny morning of the airly autumn days
Is a pictur’ that no painter has the colorin’ to mock—
When the frost is on the punkin and the fodder’s in the shock.
The husky, rusty russel of the tossels of the corn,
And the raspin’ of the tangled leaves, as golden as the morn;
The stubble in the furries—kindo’ lonesome-like, but still
A-preachin’ sermuns to us of the barns they growed to fill;
The strawstack in the medder, and the reaper in the shed;
The hosses in theyr stalls below—the clover over-head!—
O, it sets my hart a-clickin’ like the tickin’ of a clock,
When the frost is on the punkin and the fodder’s in the shock!
Then your apples all is gethered, and the ones a feller keeps
Is poured around the celler-floor in red and yeller heaps;
And your cider-makin’ ’s over, and your wimmern-folks is through
With their mince and apple-butter, and theyr souse and saussage, too! …
I don’t know how to tell it—but ef sich a thing could be
As the Angels wantin’ boardin’, and they’d call around on me—
I’d want to ’commodate ’em—all the whole-indurin’ flock—
When the frost is on the punkin and the fodder’s in the shock!
***
I love love love this poem. Golly, Robbie, I hope you liked it too.
My review of In The Shadow of Rainbows by Selma Martin
A most enjoyable collection of poems that seeks to find the upliftment, or silver lining, in the ordinary and everyday experiences of people, including the poet herself. The poems acknowledge human failings and short comings but attempt (successfully I thought) to put them into perspective and find the happiness and joy in life despite the imperfections humans, as a species, tend to exhibit when faced with challenges and dealing with experiences, both good and bad.
A few short quotations from some of my favourite poems in the collection are as follows:
“perfect specimens
of imperfection
you and I” from Give Back
“When death comes
I want to be led into eternity
curious, full of joy” from When Death Comes
“One fine day, I recognized the smell of summer,
the languid air of the somnolent noon,
so I rose and walked away from the wheelchair
hands outstretched, to the hollycocks there.” from Angel August
All of us experience ups and downs in life. Anything that can help us find perspective thereby gaining understanding and solace, is worth embracing. This book does that and is an inspired and inspiring read.
About Selma Martin

Selma Martin is a retired English teacher with 20 years of teaching children ESL. She believes in people’s goodness and in finding balance in simple living. She lives in Japan with her husband of thirty-three years. In 2018, Selma participated in a networking course whose final lesson was to publish a story on Amazon. After many failed attempts, she completed the course and self-published her short story, Wanted: Husband/Handyman, in 2019. Later, collaborating with peers from that course, she published Wanted: Husband/Handyman in an anthology, Once Upon A Story: A Short Fiction Anthology. Selma has published stories on Medium for many years, in MasticadoresUSA, The Poetorium At Starlight, Short Fiction Break, and Spillwords. After her first NaPoWriMo 2021, Selma writes poetry on her website, selmamartin.com, and in July 2023, published a debut poetry collection on Amazon.
You can find Selma, selmawrites, on Twitter, Instagram, and Facebook. But if you wish to engage and create a meaningful interaction with Selma: add value, nurture trust, and share engaging content from the ordinary perspective of someone navigating life in today’s fast-paced culture, you may join her once-a-month pen pal newsletter.
Other ways of contacting Selma
EMAIL: selma@selmamartin . com OR selmagogowrites@gmail .
INSTAGRAM: https://www.instagram.com/selmawrites/
TWITTER/X: https://twitter.com/SelmaWrites
About Robbie Cheadle

Award-winning, bestselling author, Robbie Cheadle, has published thirteen children’s book and three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
The ten Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie’s blog includes recipes, fondant and cake artwork, poetry, and book reviews. https://robbiesinspiration.wordpress.com/
Treasuring Poetry – Meet poet and author, D.L. Finn and a book review #TreasuringPoetry #bookreview #poetry
Posted: June 21, 2023 Filed under: Blog Tour, Book Release, Book Review, Books, Collection, Interview, Poetry, Treasuring Poetry | Tags: D.L. Finn, Just Her Poetry, Robbie Cheadle, Treasuring Poetry, Writing to be Read 93 Comments
My June Treasuring Poetry guest is the talented poet and author, D.L. Finn. Welcome Denise.
Why do you write poetry?
I write poetry for many reasons but the most important one is that I can describe what I’m seeing or feeling in ways I am unable to when I speak. Poetry also expresses or records the world as I see it or want it to be. I can use poetry to convey the pure awe of nature, share my thoughts, or vent frustrations. Writing poetry is not only a wonderful vehicle to communicate my emotions but I like that my perspective can be interpreted differently by the readers.
Do you think poetry is still a relevant form of expressing ideas in our modern world? If yes, why?
I do think poetry is still relevant. It is a beautiful art form that allows us to glimpse the world in new ways like any good painting would but through words.
Which poem by any other poet that you’ve read, do you relate to the most and why?
The first poem that captured me was A Road Less Traveled. I have the poem framed on my wall so I can enjoy it every day and appreciate that it can have a more layered meaning, and interpretations.
The Road Not Taken
BY ROBERT FROST
https://www.poetryfoundation.org/poems/44272/the-road-not-taken
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Which of your own poems is your favourite and why?
I have two from when I first started writing poetry. So, these poems have a special place in my heart.
The Bearded Old Man
The bearded old man
Walks across the quiet desert,
His hooded white robe
Protecting and sheltering him
From the burning sky.
His feet are silent against the sand.
He walks day and night,
Going to a place that he knows exists.
He beckons strangers to join him
As he keeps walking toward…
That place he calls home.
Fingers of the Sea
The weightless world of the beach engulfs me
As the long, extended fingers of the sea
Gently
Stroke me—welcome me,
Enticing with its salty breath,
Satisfying my deep, hidden hunger.
Slowly
The fingers curl back
An invitation,
Beckoning toward the heart of the sea.
Beneath my gaze on the cold, wet world
Its subjects are sent out to tempt,
Screeching and scurrying
Above and below me,
All in a frenzied orchestrated rhythm.
The sea’s haunting song
Urgently
Seduces my soul.
All of my resistance floats away
Like the curling waves,
As I blissfully clutch
The fingers of the sea.
Is writing poetry easy for you compared to prose or do you do a lot of editing and revision of your poems?
Poetry does seem to come easily to me. I will usually write the poem by hand and then later put it on the computer. Editing comes later when I use the poem for my blog, a challenge, or a book. Each poem is different but when it feels and sounds right to me—it’s done. It is a different process for free verse over symbolic. In free verse I let the words flow naturally, while in symbolic poetry I need to make my words fit a pattern. I do enjoy writing both types of poetry and challenge myself to pen poetry in many different places. This includes the back of a Harley, underwater, or on a crowded plane. In writing prose, I need a quiet space and an idea to get me writing so it’s very different process from poetry.
What mode (blog, books, YouTube, podcasts) do you find the most effective for sharing your poems with poetry lovers and readers?
I share my poetry on my blogs, newsletters, and challenges. I also have a book, Just Her Poetry, and working on another one right now. I least like to read my poetry but will still do it.
My review of Just Her Poetry Seasons of a Soul (Poetry)

This book, packed with exquisite poems, is divided into two main sections, namely, Just her poetry about nature and the author’s experiences investigating sites of natural beauty from her seat behind the driver of a Harley and Seasons of a soul which includes a variety of passionate and evocative poems about the author’s emotional state during various experiences and circumstances she has faced during her life.
I was attracted particularly to the second section of poems and was captivated by the author’s depictions and descriptions of the states and stages of life. I selection of my favourite lines are as follows:
“I am alone
Yet the voices from my past sit with me.
They can haunt me – or comfort me.”
From Now
“It’s time to let go of the things I’ve collected.
Leaving room for my heart to shine through my smile.
Then my peace will be complete within my soul.”
From Simply Gone
And this extract from my favourite poem:
“I’m figuring out why I keep repeating the same issue over and over,
Like walking by a shoe in the middle of the room, tripping over it daily,
But not moving it or even taking another route so I don’t fall over that shoe.
Then it became guilt for me, always been there, while I kept tripping on it.”
From The Shoe.
This particular poem really spoke to me and I could relate to it completely. That, for me an avid reader of poetry, is a rare and wonderful thing.
Purchase link: https://www.amazon.com/gp/product/B07NVZ7FPF
My review of In the Tree’s Shadow (short story collection)

In the tree’s shadow is an entertaining collection of horror, paranormal and sci-fi short stories that is well worth reading. The stories all revolve around themes of self worth, love and relationships and use dark twists and turns to demonstrate the strength of love and its ability to overcome impossible seeming odds. The stories are of different lengths with some being quite long and detailed and others being 99-word flash fiction.
My favourite story was the first in the book called ‘End of the road’. The main character’s dismal life was well described and the reach of her grandmother’s love from beyond the grave was welcome and heart warming.
‘The Playdate’ and ‘A Man on the pier’ were both unexpectedly dark with most interesting twists that gave me quite a shock.
Another tale that I found particularly pleasing was ‘The Dolphin’. It was not dark, rather heart warming and unique.
All the stories are well written and the characters are nicely drawn.
Purchase Link: https://www.amazon.com/Trees-Shadow-collection-stories-nightmares-ebook/dp/B0BWL7LX9K
About D.L. Finn

D.L. Finn is an independent California local who encourages everyone to embrace their inner child. She was born and raised in the foggy Bay Area, but in 1990 relocated with her husband, kids, dogs, and cats to the Sierra foothills in Nevada City, CA. She immersed herself in reading all types of books, but especially loved romance, horror, and fantasy. She always treasured creating her own reality on paper. Finally, being surrounded by towering pines, oaks, and cedars, her creativity was nurtured until it bloomed. Her creations vary from children’s books, young adult fantasy, and adult paranormal romance to an autobiography with poetry. She continues on her adventures with an open invitation for her readers to join her.
About Robbie Cheadle

Award-winning, bestselling author, Robbie Cheadle, has published thirteen children’s book and two poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
The ten Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie’s blog includes recipes, fondant and cake artwork, poetry, and book reviews. https://robbiesinspiration.wordpress.com/
Treasuring Poetry – Meet poet and blogger, Luanne Castle, and a review #poetry #poetrycommunity #bookreview
Posted: May 17, 2023 Filed under: Book Review, Books, Interview, Poetry, Review, Treasuring Poetry | Tags: "Writing to be Read, Luanne Castle, Our Wolves, Robbie Cheadle, Rooted and Winged, Treasuring Poetry 56 Comments
Today, I am thrilled to introduce poet and blogger, Luanne Castle, as my May Treasuring Poetry Guest. Luanne has written four poetry books and had her work included in some anthologies too. I have read two of her four books and found her poetry to be unique and fascinating.
Welcome Luanne!
Why do you write poetry?
My connection to poetry feels as if it’s deeper than thought and precedes story. Until I was eight years old, I was an only child and spent time entertaining myself. Even before I could read, I listened to records of nursery rhymes and folk songs repeatedly, loving the rhythms and the magical way the words sounded. I started writing poetry when I was a child as it seemed a natural form of expression to me, possibly because of this nursery rhyme background. I still feel this same connection to poetry that I did as a child.
Do you think poetry is still a relevant form of expressing ideas in our modern world? If yes, why?
Poetry is very relevant because it can perform much of the same communication that prose does, but more besides! The music and delight in words found in poetry are memorable, even mnemonic. Poetry also tends to express on many levels, leaving gaps (ambiguity) where readers and listeners supply responses, emotions, and thoughts, thus making poetry the most active and interactive form. We need this activity as a guard against the increasing passivity of our culture.
Which poem by any other poet that you’ve read, do you relate to the most and why?
This is such a difficult question. In April I posted a favorite poem a day on Instagram, but being a favorite doesn’t mean the same thing as relating. Today’s choice for a poem I can really relate to is by Jane Kenyon. The beauty of the natural world, the shift of mood, and the comfort at the end are all very appealing to me.
Let Evening Come
Let the light of late afternoon
shine through chinks in the barn, moving
up the bales as the sun moves down.
***
Let the cricket take up chafing
as a woman takes up her needles
and her yarn. Let evening come.
***
Let dew collect on the hoe abandoned
in long grass. Let the stars appear
and the moon disclose her silver horn.
***
Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.
***
To the bottle in the ditch, to the scoop
in the oats, to air in the lung
let evening come.
***
Let it come, as it will, and don’t
be afraid. God does not leave us
comfortless, so let evening come.
Which of your own poems is your favourite and why?
I have a few favorites from each book, but today’s favorite is this one from Rooted and Winged about my maternal grandfather. He and my grandmother (a big part of my roots) show in several poems throughout the collection. This one is a prose poem and although the majority of poems I write are lyrical, I do enjoy prose poems for the mix of storytelling and poetic language and imagery.
How to Create a Family Myth
My grandfather built a city with his tongue. Houses and little shops, celery fields and sand lots all connected to each other without roads or sidewalks. Once or twice he showed me a map of sewer lines running like Arcadia Creek underneath the cobblestones and packed dirt. We stood outside and found tall buildings in the clouds overhead. His hands gestured how his grandfather placed the bricks and taught his men to shape upwards, each building higher than the one before. Out there on the stoop, he pointed out where his mother, the one he said I looked like, had witnessed a man beating his horse. I saw her calico skirt billow out behind her, her hands wiping across her apron stomach even as she ran. When she reached the man, she snatched the whip from his hand, his surprise at her actions slowing him, rendering him stupid. When she cracked the whip down on his back time did not go on for her as it did for the rest of the world. Not until a week later, when she went to the market, did she realize that the story ran, too. It kept running until it reached all of us, each child and grandchild and great grandchild taking just what is needed from the tale. In my case, I plucked a heart from the clouds and tucked it safely inside a brick house in the city where it keeps the city alive to this day.
Is writing poetry easy for you compared to prose or do you do a lot of editing and revision of your poems?
I do edit and revise my poetry, but I can more quickly get to a finished poem than I used to be able to do. Practice really does improve speed. However, sometimes the fullest meaning doesn’t emerge for weeks after a poem is “finished,” so the best scenario is to put poem aside and look at it again later. As far as prose goes, I find prose fairly easy to write. Where I feel I would be out of my element would be in writing a novel. The plot intricacies and overall structure would drive me mad.
What mode (blog, books, YouTube, podcasts) do you find the most effective for sharing your poems with poetry lovers and readers?
Ah, that is such a good question. I think my blog is very effective for sharing poetry. I love interacting with blog readers and other bloggers about poetry. My books, of course, present a cohesive project to readers. I have a podcast hosted by Rebecca Budd coming up but have not done too much in that area to date. And I haven’t worked with YouTube yet other than some readings I have done have been posted by others. I would love to work more with YouTube and an audio format like Soundcloud in the future.
My review of Rooted and Winged by Luanne Castle

This is the second book of poetry and flash fiction by Luanne Castle I’ve read and I really like her style of writing.
Each piece is a reflection on a specific aspect of life and depicts the author’s thoughts and ideas about that particular aspect. It felt like a poetic journal of experiences and interpretations which I really appreciated. The poems are all freestyle and are written as a stream of consciousness without the restrictions imposed by strict sentence formation and punctuation. It flows well and suits the theme of the poetry.
An example of the thoughts and ideas expressed is this stanza from Gravity:
“Why are we only of the earth, Grandpa?
See your knees sunken in muck,
the sun sketching very plane of you.”
The imagery is rich and descriptive. An example of the language is as follows (extracted from Finding the House on Trimble Street):
“The house, once white and raw, has matured into gold. Ripened maples in October red temptingly frame the remembrance. The garage neatly unfolds from the side, the lawn edged in definition.”
My favourite piece is a slightly longer one entitled Today and Today and Today. It is about caregivers and is very poignant. The writer’s observations are so genuine and relatable.
“… She either ignores you or says mean things or praises you endlessly. Each response makes you sad.”
“He can wear only that one sweater. The others are too thin, too thick, too warm, too prickly, or pull over the head.”
Having recently had the experience of a close family member in intensive care in hospital for a period, completely dependent on the nurses who provide the medication and care, I felt as if this description had been pulled from my heart and mind:
“But you feel she knows you are at her side, joking with the staff, making sure that aides and nurses alike care for her as they would their mothers because her submissive form has been brushed with the glow of your personality.”
An extraordinary book of insightful poetry and prose.
Purchase Rooted and Winged: https://www.amazon.com/Rooted-Winged-Luanne-Castle/dp/1646628632
My review of Our Wolves by Luanne Castle

This book is an original and unique collection of poems that expose the wolves that appear in the lives of females during their formative years and through to maturity. The poet has linked many, but not all, of her poetic thoughts and interpretations of human predators to the wolf in the famous story Little Red Riding Hood or Le Petit Chaperon Rouge in the original French (which I have listed to with an English interpretation in my hand).
An example of this connection to the wolf is this extract from Our Old Wolves:
“But you will know how frightened they are
of the dark, shadowed forest and the abstruse mind.
Of human-like wolves concealed behind spruce and fir,
their shadows stretching out tentacles to grasp them
as they tremble past on their way to the locked river.”
Some of the poems turn the readers traditional idea of the hero and the predator on its head and force consideration of how misleading looks, perceptions of beauty and strength, and inbred prejudices can be. It highlights how frequently girls and young women walk right into trouble because of the messages drummed into them by their mothers and society. Women are not taught to accurately identify predators or ‘the wolf’.
Thanks for meeting me for coffee is a good example of this concept:
“I searched for the beginning
of your story and discovered you
were lost when you believed him.
All gone, One a milk carton missing.”
The poems in the book are mainly written in freestyle poetry and are filled with subtle meanings and innuendoes for the reader to consider. This book must be read with an alert and fresh mind in order to appreciate its full meaning and intrigue.
For me, the summary of the meaning and power of this book is set out in the following words from Your Sonnet:
“My mother taught me to be kind, to be helpful,
not to ignore the slow or less than able, the ones
who are different, the needy so I asked what
he needed from me and he misunderstood.
My story is not so very different from yours
and yours and yours and yours and yours.”
If you like interesting and thought provoking poetry, you will love Our Wolves.
Purchase Our Wolves: https://www.amazon.com/Our-Wolves-Luanne-Castle/dp/B0BTKNP31D
About Luanne Castle

Luanne Castle lives in Arizona, next to a wash that wildlife use as a thoroughfare. She has published two full-length poetry collections, Rooted and Winged (Finishing Line 2022), a Book Excellence Award Winner, and Doll God (Kelsay 2015), which won the New Mexico-Arizona Book Award for Poetry. Her chapbooks are Our Wolves (Alien Buddha 2023) and Kin Types (Finishing Line 2017), a finalist for the Eric Hoffer Award. Luanne’s Pushcart and Best of the Net-nominated poetry and prose have appeared in Copper Nickel, American Journal of Poetry, Pleiades, River Teeth, TAB, Verse Daily, Saranac Review, and other journals.
Find Luanne Castle
Blog: https://writersite.org/
Website: https://www.luannecastle.com/
Twitter: https://twitter.com/writersitetweet
Luanne Castle Amazon Author Page
About Robbie Cheadle

Award-winning, bestselling author, Robbie Cheadle, has published thirteen children’s book and two poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
The ten Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie’s blog includes recipes, fondant and cake artwork, poetry, and book reviews. https://robbiesinspiration.wordpress.com/
WordCrafter News: Announcing Giveaway Winners, Approaching Deadline, and Preparations for Small Wonders
Posted: April 24, 2023 Filed under: Anthology, Blog Tour, Books, Collection, Giveaways, Poetry, Treasuring Poetry, WordCrafter Book Blog Tours, WordCrafter News, WordCrafter Press | Tags: Giveaway, Kaye Lynne Booth, Poetry Treasures 3: Passions, Small Wonders, WordCrafter Book Blog Tours, WordCrafter News, WordCrafter Press 13 CommentsPoetry Treasures Giveaway Winners
GiveAway Winners
We’ve just had a great book blog tour to send off Poetry Treasures 3: Passions and this is where we announce the winners for the Giveaway for that tour. I always love doing this post and then notifying the winners individually, because I get to make somone’s day with this announcement. Hopefully three someones.
I want to thank everyone who followed the tour or just dropped in to a stop or two, and of course my wonderful hosts. The hosts for this tour were Patty Fletcher and Patty’s Worlds, Miriam Hurdle and The Showers of Blessings, Carla Johnson-Hicks and Carla Loves to Read, Robbie Cheadle and Robbie’s Inspiration, and of course, Writing to be Read. And before I tell you who will be the recipients of the three digital copies of Poetry Treasures 3: Passions, I also want to give a big shout out to all of the contributing authors for this anthology, who all were great about doing their parts and helping to make the tour as fabulous as it was, with their audio/video poetry readings and guest posts. Every author participated and we couldn’t have had such a great tour without them.
And now, without further ado…
(Drumroll please)
The winners are…
Gwen M. Plano, John W. Howell, and Jacqui Murray!
Congratulations to all of you and thanks so much for following the tour. Please contact me at KLBWordCrafter@gmail.com, so I can send you a link for your digital copies of Poetry Treasures 3: Passions. I look forward to hearing from each of you.
Poetry Treasures 3: Passions

Passions treasures within.
Open the cover
and you will discover
the Poetry Treasures
of guests on
Roberta Eaton Cheadle’s
2022 “Treasuring Poetry” blog series
on Writing to be Read.
Included are treasures from:
Patty Fletcher, D. Wallace Peach, Yvette Prior,
Penny Wilson, Colleen M. Chesebro, Abbie Taylor,
Yvette Calliero, , Smitha Vishwaneth,
Chris Hall, Willow Willers, Rosemerry Wahtola Trommer,
and Roberta Eaton Cheadle
You can get your copy of Poetry Treasures 3: Passions from your favorite book distributor through Books2Read:
https://books2read.com/u/b5qnBR
The Clock is Ticking

Just a quick reminder. The submission deadline for the 2023 WordCrafter Short Fiction Contest is April 30. So, if you haven’t turned in your scary story submission yet, you need to do it soon. Come on. Scare me. I dare you.
You can find full submission giudelines and submission instructions here: https://wp.me/pVw40-6VU
Assembling a Poetry Collection
I have been busy compiling my poetry collection, Small Wonders for a June release. I have a lifetime of poetry to go through, so this has been no small task. Never-the-less, I look on it as a bit of a breather from all the heavy promoting I’ve done so far this year for Delilah, and then for Poetry Treasures 3. May is the first month this year that I haven’t been actively promoting a book, so it gives me a chance to shift gears as I make the final preparations for the release of this collection, and move in to the final stretch on the writing of The Rock Star & The Outlaw. But let’s finish up the poetry first before I move back onto fiction.
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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
Treasuring Poetry – Meet author and poet, Marcia Meara, and a book review #poetry #readingcommunity #TreasuringPoetry
Posted: April 19, 2023 Filed under: Book Review, Books, Interview, Poetry, Review, Treasuring Poetry | Tags: A Boy Named Rabbit, Marcia Meara, Poetry, Robbie Cheadle, Summer Magic, Treasuring Poetry, Writing to be Read 90 Comments
Today, I am delighted to welcome poet and author, Marcia Meara, as my April Treasuring Poetry guest. Marcia is sharing some of her thoughts about poetry and poems and I am sharing my reviews of A Boy Named Rabbit: Wake-Robin Ridge Book 2 and
Why do you write poetry?
I’ve written poetry since I was 5-years old, when I filled legal tablets with page after page of verses about cowboys and horses. (As imagined by a little girl who’d seen a few movies.) I really can’t remember when I didn’t love writing, and poems were what got me started. The rhythm and musicality of poetry is what I love most, and the main reason I still write poems today.
Do you think poetry is still a relevant form of expressing ideas in our modern world? If yes, why?
I think poems are very relevant, indeed. Poetry speaks of beauty and love and hate and danger and betrayal and every other human emotion, need, or failing. Do I think it’s as popular as it once was? No. Nor does it sell as well as novels and other works of fiction. But neither of those has any bearing on the actual relevance of poetry, and the more readers we poets manage to attract, the more likely folks are to understand exactly that.
Which poem by any other poet that you’ve read do you relate to the most and why?
That’s difficult to say, since I’ve been reading poetry for 75 years or so, including most of the greatest ones from poets like Edgar Allan Poe, Emily Dickinson, William Wordsworth, Amy Lowell, Elizabeth Barrett Browning, Robert Browning, Edna St. Vincent Millay, John Keats, Alfred Lord Tennyson, Henry Wadsworth Longfellow, Percy Bysshe Shelley, Walt Whitman, Dylan Thomas, Carl Sandberg, T. S. Eliot, Sara Teasdale, Ogden Nash, and on and on. You get my drift, I’m sure. It’s very hard for me to choose a favorite, but one poem I have always loved and never tire of is Poe’s The Raven. It’s long, I know, but the rhythm is so perfect, and the painful sadness of the subject, so very, very POE.
The Raven
Edgar Allan Poe – 1809-1849
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of someone gently rapping, rapping at my chamber door—
“Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”
Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
“‘Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
This it is and nothing more.”
Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
‘Tis the wind and nothing more!”
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven “Nevermore.”
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before.”
Then the bird said “Nevermore.”
Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
Of ‘Never—nevermore.'”
But the Raven still beguiling my sad fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking “Nevermore.”
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe, from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
Quoth the Raven “Nevermore.”
“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
Quoth the Raven “Nevermore.”
“Prophet!” said I, “thing of evil—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven “Nevermore.”
“Be that word our sign in parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven “Nevermore.”
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!
Which of your own poems is your favourite and why?
I could say whichever one I’m writing at the time, but that wouldn’t be fair. Nor likely true, either, though I do think each one is a favorite at least during the moments of creation. However, instead of going that route, I’m going to choose the poem which most depicts large portions of my own life, spent canoeing on the wild and scenic rivers and creeks of Central Florida. Fittingly, it’s called On the River, and is included in my book, Summer Magic: Poems of Life & Love.
An extract from On The River by Marcia Meara
“Crystal green flows beneath me,
Leafy arches rise above,
Dip, glide.
Dip, glide.
Slide.
Duckweed parts as I float by.
I wonder where they went,
Those ducks?
Gone overnight, it seems.
Another parting, another loss,
And I slide by,
Under all that green.
Dip, glide.
Dip, glide.
Just there, in deepest shade,
Sleeping emeralds cling.
Tree frogs rest in their
Smooth, damp skins,
Waiting for the sliver moon.
They’ll open their eyes for the silver moon.
Sleeping now,
I pass him, too.
And on I go.
Dip, glide.
Dip, glide.”
Is writing poetry easy for you compared to prose or do you do a lot of editing and revision of your poems?
Oddly enough, I seldom do much, if any, editing on my poetry. When I’m “in the zone” the words I want seem to come to me, sometimes surprising me by fitting together exactly the way I like. This is definitely not true when I’m writing prose. Then, I spend a lot of time cleaning up, tweaking, and cutting before sending it off to an editor for more of the same. With poetry, if I’m in the mood, the words seem to flow much more smoothly and easily.
What mode (blog, books, YouTube, podcasts) do you find the most effective for sharing your poems with poetry lovers and readers?
I’ve actually never done any real marketing with my work, be it poetry or prose, and that’s something I do hope to change soon. But all I did with my book of poetry was publish it on Amazon and share poems now and then on my blog, The Write Stuff. NOTE: This is NOT how I would recommend new writers get the word out, no matter what their genre or style might be!
My review of Summer Magic: Poems of Life and Love by Marcia Meara

This book comprises the most beautiful freestyle poetry by Marcia Meara. The poetry is divided into two sections, the first is about the magic of life as experienced by a ten year old boy and the second is about love.
I loved both sections of the book but the poems about the joys and experiences of a ten year old boy were particularly poignant and meaningful for me as I have two sons who were ten years old in the not that distant past.
The two poems in this section that I enjoyed the most are, firstly, The Rope Swing which depicts the freedom and joy of swinging on a hot summer day. The depiction of a young boy of ten is very accurate and brings back lovely memories for me.
My second favourite poem is entitled Moccasins and describes the lovely and understanding relationship moms have with their sons.
The Rope Swing
The first stanza goes as follows:
“Sailing up, up into
Blue summer sky,
Hot rope rough against his hands,
He shouts with joy, and lets go.
For a crystal moment,
He hangs suspended,
Frozen in time
Like a fly in amber.”
Moccasins
“His dad smiles.
Moms are like that, Mac.
Moms always know what
Their children want most.
And Moms always want
Their children to have their
Heart’s desires.”
The poem I enjoyed the most in part two of the book describes the beauty of young love and the joy of watching small children play and develop.
The Sound of Dreams Coming True
“Listen, she says,
Kissing his fingers,
As a little girl laughs,
Chasing butterflies
With her big brother.”
Purchase Summer Magic: Poems of Life and Love by Marcia Meara here: https://www.amazon.com/Summer-Magic-Poems-Life-Love-ebook/dp/B00FNBLIPC
My review of A Boy Named Rabbit: Wake-Robin Ridge Book 2 by Marcia Meara

Sarah Gray and MacKenzie Cole from book 1, Wake-Robin Ridge, are now married and living in Mac’s lovely home built near the top of the mountain. Sarah is pregnant with their first child and Mac is happy and managing to keep his deep anxiety following the deaths of his ex-wife and son, Ben, under control. Mac’s emotional state is still delicate and he is desperately determined to keep his wife and their baby safe.
Ten-year old Rabbit has grown up in the mountains under the guidance and care of his grandparents who have taught him survival skills. The trios lifestyle is rough and ready with Gran living in a makeshift tent and the young boy and his grandpa generally sleeping outdoors in all weathers. At Grandpa’s insistence, the family has nothing to do with any people who are all designated as ‘bad people’ by Grandpa.
Gran has a progressive lung illness and Grandpa leaves his wife and Rabbit on their own one morning to travel into town and purchase medicine for her. He never returns. Gran continues to decline and, knowing she is dying, tells Rabbit that all people are not bad. She explains that contrary to Grandpa’s comments, there are also good people and Rabbit needs to find the good people, in particular, a man with winter blue eyes and hair like a crow’s wing. Gran dies and Rabbit is left on his own in the wilderness. With no other option, Rabbit packs up his belongings and sets off to find the man with the winter blue eyes.
Rabbit is well depicted as an old soul with a high intelligence despite his lack of book learning. His upbringing has provided him with survival tools and also the ability to assess situations and react in a clear headed and calm way. He is very endearing to the reader with his interesting way of looking at situations while still retaining the need for love and emotional immaturity of a young boy. He is very loving and giving and the reader can’t help routing for a good outcome for Rabbit.
Mac’s character continues to grow in this second book as he is faced with having to face up to his fears and deal with unexpected and unplanned events and circumstances despite his fears and anxieties. It is an intriguing journey to watch Mac struggling internally to move forward despite his anxiety and it is impossible not to be delighted by his progress and small victories.
Sarah is even more generous and loving than I remembered from book 1, and is the perfect wife to Mac. It is obvious she has a huge heart which is big enough for Mac, her unborn child, and Rabbit.
As with all lives, especially in fiction, the trio are faced with adversity and obstacles which they need to try to overcome. The storyline is engaging and entertaining and brings out the best in the various characters.
Purchase A Boy Named Rabbit here: https://www.amazon.com/Boy-Named-Rabbit-Wake-Robin-Ridge-ebook/dp/B00SQ4PID6
About Marcia Meara

Marcia Meara lives in central Florida, just north of Orlando, with her husband of over thirty years and four big cats.
When not writing or blogging, she spends her time gardening, and enjoying the surprising amount of wildlife that manages to make a home in her suburban yard. She enjoys nature. Really, really enjoys it. All of it! Well, almost all of it, anyway. From birds, to furry critters, to her very favorites, snakes. The exception would be spiders, which she truly loathes, convinced that anything with eight hairy legs is surely up to no good. She does not, however, kill spiders anymore, since she knows they have their place in the world. Besides, her husband now handles her Arachnid Catch and Release Program, and she’s good with that.
Spiders aside, the one thing Marcia would like to tell each of her readers is that it’s never too late to make your dreams come true. If, at the age of 69, she could write and publish a book (and thus fulfill 64 years of longing to do that very thing), you can make your own dreams a reality, too. Go for it! What have you got to lose?
Purchase Marcia Meara’s books
Novels
Wake-Robin Ridge: Book 1
A Boy Named Rabbit: Wake-Robin Ridge Book 2
Harbinger: Wake-Robin Ridge Book 3
The Light: Wake-Robin Ridge Book 4
Swamp Ghosts: Riverbend Book 1
Finding Hunter: Riverbend Book 2
That Darkest Place: Riverbend Book 3
Riverbend Spinoff Novellas
The Emissary 1
The Emissary 2 – To Love Somebody
The Emissary 3 – Love Hurts
Poetry
Summer Magic: Poems of Life and Love
Reach Marcia on Social Media Here:
Blog: The Write Stuff
Facebook
Email: marciameara16[at]gmail[dot]com
About Robbie Cheadle

Award-winning, bestselling author, Robbie Cheadle, has published thirteen children’s book and two poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
The ten Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie’s blog includes recipes, fondant and cake artwork, poetry, and book reviews. https://robbiesinspiration.wordpress.com/
Treasuring Poetry – A tribute to poet and author, Sue Vincent, plus some reviews #SueVincent #Poetrycommunity
Posted: December 14, 2022 Filed under: Books, Poetry, Treasuring Poetry | Tags: Poetry, SueVincent, Treasuring Poetry, Tribute, Writing to be Read 53 Comments
I am using this last Treasuring Poetry post for 2022 to celebrate the writing talent of Sue Vincent who passed in March 2021. Sue was an incredible blogger who did a huge amount to support her fellow bloggers, authors, and poets. Her poetry, books, and blog are still close to many of our hearts which is an incredible tribute to her talent and personal charisma.
I am sharing Sue’s responses to a Poetry Readathon I ran on Robbie’s Inspiration in December 2018, two years after I first met Sue.

Tell us a bit about yourself
I am a Yorkshire lass with two grown sons and two granddaughters. I live with the notorious Small Dog, in a village in rural Buckinghamshire, England. I write daily for my own blog, the Daily Echo, which is an eclectic mix of personal reflections, poetry, history and folklore. I help run the Silent Eye, an international organisation that helps people realise their potential through awareness, and write for our website too. As a writer, I have several books published, including one written with G. Michael Vasey, but most of the time I write in partnership with Stuart France, exploring ancient sites, myths and symbolism in a semi-fictional way.
When ever I think of Yorkshire it reminds me of the book, The Secret Garden by Frances Hodgson Burnett. Sue and Stuart’s separate and combined blog posts also remind me of this book with their amazing and wonder inducing sights and ideas.
Sue’s blog is still available to readers who share her love of poetry and fascinating places in the United Kingdom.
Who is your favourite poet?
That has to be an unfair question! It all depends on the moment and the mood. If I had to choose, I would say Omar Khayyam, whose poetry I have carried in my handbag and re-read for many years.
On the other hand, and completely at the other end of the literary scale, there is Marriot Edgar, whose rhyming monologues, written and recited in the vernacular, were so much a part of my childhood that even now, when I write humorous verse, it is to his rhythm.
As I lived in France for many years and learned the language as well as my own, I learned to love French poetry too, and while I could say my favourite is Alfred de Musset or Victor Hugo, I will be honest and say that the poet that moves me the most is the Belgian singer/songwriter, Jacques Brel. The lyrics of his songs are poems in their own right and have a good deal to say and to teach.
The idea of the book of poetry you carry in your handbag, Sue, is completely wonderful to me. It has quite captured my imagination and I think I may start a tradition like this with my son, Gregory.
What is your favourite poem?
Omar Khayyam is easy… Fitzgerald translated his work from the original Farsi, and the quatrains are all in one book, the Rubaiyat…
“The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit.
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.”
But then, there is Marriot Edgar to consider… and although The Lion and Albert is probably his best-known work, which I can still recite by heart, I do have a fondness for his take on various events in British history. Particular favourites are The Battle of Hastings, where King Harold confronted William of Normandy:
King ‘Arold came up as they landed –
His face full of venom and ‘ate –
He said ‘lf you’ve come for t’Regatta
You’ve got here just six weeks too late.’
At this William rose, cool but ‘aughty,
And said ‘Give us none of your cheek;
You’d best have your throne re-upholstered,
I’ll be wanting to use it next week.’
Though if I had to pick one, it would be Magna Charter, which recounts how King John was forced to sign the Magna Carta, even if he did dip his pen in the jam…
“And it’s through that there Magna Charter,
As were made by the Barons of old,
That in England today we can do what we like,
So long as we do what we’re told.”
Thank you for introducing me and my readers to these poems, Sue. They are lovely and memorable.
What do you appreciate most in a poem?
The first word that sprang to mind in answer to this question was ‘integrity’, and that, I think, can be applied to all forms of poetry. With humorous verses, I want to laugh. With narrative poems, I want a story that has a beginning, middle and end. With short forms, like the haiku and tanka that are now so popular, I want the capture of a moment and layers of possible interpretation that make me think. With classic poetry, I want to feel what the writer felt, understand the elusive thought or emotion that made them write.
Whether it is free verse, rhyme or one of the many recognised forms, it is not enough to simply string words and phrases together across the lines and beats, arranging it to look like a poem. A poem has to flow; it should sing its own music as it is read, even free verse should have its own rhythm and inner shape. And, whether it is humorous, romantic, spiritual or dramatic, it should have something to say that will leave the reader the richer for having read.
You have summed up beautifully what I also think, Sue. A poem should be meaningful and leave a lasting impression upon the reader.
Why do you write poetry?
I grew up around poetry. My mother’s notebooks introduced me early to how odd incidents and fleeting emotions could be captured in verse. There were the monologues shared with my great-grandparents, and always books… even my first Sunday School Prize was written in verse, and I have loved Dr Seuss ever since.
Things that amuse me tend to be written in my head, as they happen, in Edgar-esque verses, but there are other, deeper things that seem as if they can only be conveyed by poetry. You cannot capture them in everyday words… transient realisations, fleeting emotions, inspiration half-understood. Thoughts and feelings too wide to condense into speech find a home in poetry, where the unspeakable can be spoken and the uncontainable contained in such a way that others might share and glimpse an elusive idea. That is why I read and write poetry.
Would you see Eden in a withered bough?
Sunlight in shadows, or flowers bloom in frost?
Beauty in sorrow, or gifts in the dark?
Ask the Earth and the song of wild water
To whisper their secrets.
Follow the moon-path to the horizon
And look within.
I feel you have written your reasons like a true poet, Sue. Writing poetry is something we are compelled to do as part of the communication of our deepest feelings and thoughts. It is really the only way some things can be said for some people.
Sue Vincent’s poetry books
My review of Notes from a Small Dog: Four Legs on Two

Where to start with a review of Notes from a Small Dog: Four Legs on Two by Sue Vincent? I loved this books so much and so did Michael. It became a bit of a contentious book between Mike and I as I sneakily read ahead and Michael realised that I wasn’t starting where I had finished reading to him and made me go back. He was very determined not to miss a single word. I love this type of story, told mainly through the eyes of a small and very cute dog called Ani. Sue depicts day to day life in such a humorous and fun filled way and I found it a wonderful way to end each stress filled day to sit down and read a few chapters of Ani’s antics to Michael [and to myself of course thereby sparking Mike’s intense displeasure as mentioned above]. Sue writes beautiful descriptions of the natural environment where she lives and her depictions of some of Ani’s learning experiences are very funny. I can just picture the surprise of a small dog taking a flying leap into a pond that has frozen overnight. Sue describes Ani’s anxiety and attention when she is ill and her concern and caring when Ani is ill. This book is altogether completely delightful and tells a beautiful story of the special relationship that can develop between man and his best friend. There are also a few of Sue’s humorous and clever Ani poems thrown in for good measure. This genre of book is just up my street and I rated this book five out of five on Goodreads and Amazon.
Purchase Notes from a Small Dog: Four Legs on Two from Amazon here: https://www.amazon.com/Notes-Small-Dog-Four-Legs-ebook/dp/B00GNHTIAW
Laughter Lines, Life from the Tail End

Michael and I are firm Ani addicts so another whole book about Ani’s antics is a real treat. The goings on of Ani’s two legs, sets Michael off into gales of laughter so we are really happy to read about the trials and tribulations of “Her” too.
The book is written in rhyming verse and tells all sorts of tales. To coin a phrase, Ani says:
“The time has come,” the doglet said,
“to talk of many things;
Of tennis balls and squeaky ducks,
and sneaky bees with stings; …”
In this book, Laughter Lines, Life from the Tail End, you will meet some of Ani’s friends, OR NOT:
The cat likes to sit on the roof of the shed
While the dog views this as an intrusion,
It’s all fur and teeth
As the dog growls beneath
And the birds flutter round in confusion.
We get some insights into Ani’s diet:
Its cream cheese and crackers for me and the dog,
While I’m more the epicure… she’s just a hog…
AND
Me and the dog had a sandwich for brunch
(Well, for me it was breakfast, for her it was lunch.)
NOT TO MENTION
The ham disappeared without leaving a trace
Except for the grin upon one small dog’s face.
So if you like to enjoy life and have a good giggle, pick up this delightful book of light-hearted poems and jump right in. There are also some lovely photographs in the book for the reader to enjoy.
You can purchase Laughter Lines, Life from the Tail End here: https://www.amazon.com/Laughter-Lines-Life-Tail-End-ebook/dp/B00USCYJ20
Doggerel: Life with the Small Dog

Ani, or the Small Dog, as she is referred to in this delightful collection of poetry, is a rescue dog whose mother and father were found living together in an Irish field, awaiting the birth of their litter of puppies. Ani’s two legs is named Sue Vincent and she is a Yorkshire born writer, a teacher and a director of The Silent Eye. Both Ani and Sue write highly entertaining blogs.
So what is life like for a Small Dog who blogs and writes poetry, living with another writer who is obsessed with bathing her? Ani tells us all about her life with Sue in a collection of hilarious and poignant poems, largely written in rhyming verse
Well, to start of with, Ani makes it quite clear she does not enjoy being tricked into bathing:
“I got them back on exit
When I shook my dripping fur…
(I didn’t get my boy too much,
But aimed it all at her.)”
“To add insult to injury…
All guilt upon her head…
When I went off to sulk a bit
I found she’d washed my bed!”
Both from Touche.
Ani also does not like having to diet:
“Now this works a treat, if you’ll pardon the pun,
‘Cause she either forgets, gives me treats or a bun
Or more likely she will not go in there at all
‘Cause, “You’ve put on a pound or two, girlie, since fall…”
from In hiding…
Of course, Ani is the first to worry if her Two-Legs gets sick:
“My two-legs has broken down again,
Or maybe she’s still broke,
I think she’s cute with hamster cheeks…
She says it’s not a joke.”
from Karma
Ani is also the first to admit that when she is sick, her Two-Legs nurses her with devoted care:
“Being poorly does have compensations;
‘Cause she’s worried to death, I can tell.
But now she is just so attentive…
I’m not in a rush to get well.”
from Sleeping Dogs Lie…?
This is a thoroughly enjoyable book of poetry about the antics and life experiences of the Small Dog. I would recommend it to anyone who loves dogs and who enjoys having a good giggle about life in general.
You can purchase Doggerel: Life with the Small Dog here: https://www.amazon.com/Doggerel-Life-Small-Sue-Vincent-ebook/dp/B081B8BSFC
Pass the Turkey: The Small Dog’s Christmas

Pass the Turkey: The Small Dog’s Christmas is a delightful book full of Christmas cheer. Ani, the small dog, is reflecting on Christmas’ past, present and future through a combination of letters to Santa and poems. The perplexities of ‘fake’ Santas, the ‘theft’ of a favourite sofa, and gifts of tennis balls and a chicken flavoured biscuit, all require Ani’s consideration. Her naughty secrets are also revealed such as the time she ate all the left over turkey and salmon and fell through the ice in the pond [it was shallow]. The indignities of baths and having to wear reindeer antlers are also shared.
Join Ani and her two legs, Sue Vincent, for a glorious romp through advent and Christmas Day.
A few of my favourite verses:
“I’ve tried to help with household chores,
I’ve laundered all my balls,
I’ve chased the pigeons form the shed
And spiders from the walls.” from Request
“She’s like a puppy when it snows
We just go out to play…
And if she wraps up warm enough
We might stay out all day.” from Wishing for the White Stuff
“The windows are all closed at night
The keyhole seems to small
To wriggle through with turkey
And a brand new tennis ball.” from Chimneys.
Purchase Pass the Turkey: The Small Dog’s Christmas here: https://www.amazon.com/Pass-Turkey-Small-Dogs-Christmas-ebook/dp/B081ZBR2GZ
Life Lines: Poems from a Reflection

I love poetry and I read a lot of poems and poetry books and I found the poems in this amazing little book to be quite profound. Sue Vincent touches on all aspects of life, including the sadder and more emotionally difficult aspects such as loss of a loved one, in a beautifully poignant and yet positive and uplifting way which make them satisfying and wonderfully uplifting.
Most of these poems are written in freestyle form with a couple in rhyming verse. The poet has matched the style well to the content of the poem and the rhyming verse poems present the more light hearted and upbeat toned poems.
A few short extracts that I found particularly impactful are as follows:
“The pen paints the souls longing
In jewel tones.” from Purpose
“There were flowers,
Three red roses,
Red as life,
Placed in a cold hand,
One for each heart
Saying a final farewell.
When the tears fall,
There are always flowers.” from Flowers
“Two ravens whisper in my ear,
As Thought and Memory begin.
Within the darkness of their wings
Stir images, both dark and bright,
That dance within the secret heart
And quiet hours of the night.” from Odin’s Ravens [my favourite poem in this collection]
“My pillow held the hollow where you lay,
With love glazed eyes that held me,
Watching as the wildness took me,
Smiling up at me.” from Memory [intensely poignant poem]
Purchase Life Lines: Poems from a Reflection here: https://www.amazon.com/Life-Lines-Reflection-Sue-Vincent-ebook/dp/B00PJSPLI4
Midnight Haiku: A Year in Contemplation

Sue Vincent is well know for her poetry. Some is poignant and sad, some is humorous, some is incredibly beautiful, and all is emotional, insightful, and meaningful. Sue has mastered many forms of poetry, including freestyle, rhyming verse, tankas, and haikus.
Her haikus, only 17 syllables long, are among the most powerful of her many poems. This book is a collection of 365 days of haikus and loosely follows the seasons.
The best way of demonstrating the beauty and power of these haikus is by sharing a few of my favourites:
“earth captures heaven
holding stars in tender hands
that the blind may see”
***
“a flaming chalice
raising itself to the sun
accepting the light”
***
“beyond the roses
colouring a summer sky
a smiling god paints”
***
“defiant colour
sparking through the fading days
celebrating joys”
***
“memory’s pictures
neatly framed in timeless rolls
colouring the day”
These five haiku are the ones that moved me the most and I hope they have illustrated the magnificence of this beautiful book.
Purchase Midnight Haiku: A Year in Contemplation here: https://www.amazon.com/Midnight-Haiku-Contemplation-Sue-Vincent-ebook/dp/B08YM9KBNJ
Poetry Treasures
Sue Vincent was also a contributor to Poetry Treasures, a WordCrafter anthology of poetry.

A review of Poetry Treasures
A sweet short read and a collaboration of a variety of poems written in various forms of poetry by some talented poets. I feel like this book was an introduction to the poets as well as a sampling of their creativity in poetry. I especially enjoyed the poetry of Colleen Chesebro and a delicious sampling of intrinsic poetry by the talented and missed, the late, Sue Vincent.
You can purchase Poetry Treasures here: https://www.amazon.com/Poetry-Treasures-Sue-Vincent-ebook/product-reviews/B0933KSJR9
More about Sue Vincent
You can read my Treasuring Poetry interview with Sue Vincent here: https://writingtoberead.com/2020/04/25/sue-vincent-shares-her-thoughts-on-poetry-and-a-review/
Diana Peach shared a most beautiful poem by the late Sue Vincent as a tribute to her mother who sadly passed from our Earthly world in late November 2022. You can read it here: https://mythsofthemirror.com/2022/11/13/go-gently-into-that-good-night-2/
Colleen Chesebro shared a lovely poem in celebration of the late Sue Vincent in her latest poetry book, which I reviewed here: https://robbiesinspiration.wordpress.com/2022/12/11/robbies-inspiration-book-blog-tour-fairies-myths-magic-ii-by-colleen-m-chesebro-and-a-review-poetry-shortstories-readingcommunity/
You can find out more about Colleen Chesebro’s book here: https://colleenmchesebro.com/category/colleens-books/
Find Sue Vincent’s books and poetry
Amazon: https://www.amazon.co.uk/Sue-Vincent/e/B00F2L730W/ref=dp_byline_cont_book_1
Goodreads: https://www.goodreads.com/author/show/6551588.Sue_Vincent
Blog: https://scvincent.com/about/
About Robbie Cheadle

Robbie Cheadle is a South African children’s author and poet with eleven children’s books and two poetry books.
The eight Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie and Michael have also written Haunted Halloween Holiday, a delightful fantasy story for children aged 5 to 9 about Count Sugular and his family who hire a caravan to attend a Halloween party at the Haunted House in Ghost Valley. This story is beautifully illustrated with Robbie’s fondant and cake art creations.
Robbie has published two books for older children which incorporate recipes that are relevant to the storylines.
Robbie has two adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories, in the horror and paranormal genre, and poems included in several anthologies.
Robbie Cheadle contributes two monthly posts to https://writingtoberead.com, namely, Growing Bookworms, a series providing advice to caregivers on how to encourage children to read and write, and Treasuring Poetry, a series aimed at introducing poetry lovers to new poets and poetry books.
In addition, Roberta Eaton Cheadle contributes one monthly post to https://writingtoberead.com called Dark Origins: African Myths and Legends which shares information about the cultures, myths and legends of the indigenous people of southern Africa.
Robbie has a blog, https://robbiesinspiration.wordpress.com. where she shares book reviews, recipes, author interviews, and poetry.
Find Robbie Cheadle
Blog: https://www.robbiecheadle.co.za/
Blog: robbiesinspiration.wordpress.com
Twitter: BakeandWrite
YouTube: https://www.youtube.com/channel/UCVyFo_OJLPqFa9ZhHnCfHUA
Facebook: Sir Chocolate Books
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