Today, I am delighted to host blogger and hostess of Story Chat about which she says the following: “Story Chat is more than a writing challenge. It is a unique and proven online program that encourages interaction between authors and readers. It’s part writers group, part beta readers, part fun fiction, and pure enjoyment.”
Robbie, thank you so much for inviting me to be on your blog. It is such an honor. I’ve spent a lot of time reading and researching poetry since you sent these questions to me, so it’s taken me a long time to come up with the answers.
What is your favourite style of poetry to read i.e. haiku, ballad, epic, freestyle, etc.?
I adore reading tankas, but my favorite style to read is freestyle, words that are natural without the constraints of order.
What is your favourite poem in your favourite style to read?
Mary Oliver is a new author to me, but well-known to many. I picked her because I have so many favorites among our friends, and I don’t want to choose. Mary Oliver published poetry from 1963 to 2015 before she passed in 2019. She was well known for her observations of the natural world, tying them to deep emotions or emotional events, as you can see in the following poem.
Gethsemane
By Mary Oliver
The grass never sleeps.
Or the roses.
Nor does the lily have a secret eye that shuts until morning.
Jesus said, wait with me. But the disciples slept.
The cricket has such splendid fringe on its feet,
and it sings, have you noticed, with its whole body,
and heaven knows if it ever sleeps.
Jesus said, wait with me. And maybe the stars did, maybe the wind wound itself into a silver tree, and didn’t move,
maybe
The lake far away, where once he walked as on
a blue pavement,
lay still and waited, wild awake.
Oh the dear bodies, slumped and eye-shut, that could not
What I loved about this poem is that it takes a familiar biblical event way outside the box. When you saw the title, Gethsemene, did you think about the grass sleeping or the wind winding itself into a silver tree? I didn’t, until her poem suggested that I think about it.
How can I train myself to think past and around the outer edges of my topic? That is my goal this year.
What is your favourite style of poetry to write?
I like free style, acrostic, limericks, and tankas best. But I also enjoy other syllabic poems and some of the French form poetry when I want a challenge. What I want to improve this year are some of the nuances that I’ve missed in writing syllabic poetry as well as thinking outside the box with freestyle poems.
What is your favourite of your own poems?
Messages From the Cat (free verse)
Poems, no longer innocent kittens,
Intentionally sneak up on you at night,
Concise imagery padding silently across the carpet,
Weaving its way into your dreams.
Rhyming couplets stealthily leap onto your bed,
Pretending they would curl at your feet for a long nap,
Or lie warm against the curve of your spine,
But instead, they pounce on your head, tearing it open.
If you cry out, call for help,
Precise verses slip away, leaving only an open gash.
Life’s language drips from the wound.
You jump to consciousness, capture each phrase
As it percolates from your throbbing skull
Like slush melting away from Frosty on a sunny day.
At sunrise, linguistic gems gleaming,
Iambic felines sun themselves
In a streaming hot shower of midmorning light,
Licking their forms to glistening perfection,
For all to stroke with admiration,
While you trod off to work,
Exhausted from your sleepless scratch with immortality.
Please tell us about your poetry book, Embracing the Power to Live. How did this book come about? What would you like readers to take away from this collection?
You’ve asked several important questions, Robbie. I hope I’ll answer the first question as I answer the second and third ones.
I’ve written (and kept) poems since the 1980s when my first husband and I moved to Visalia, California, to pastor a tiny church in the rural community of Ivanhoe, California. At that time, I experimented with different styles of poetry, most of which were out of date, but writing them challenged me.
After I retired in 2012, I wanted to write a book, but my blog led me in a different direction. Arcadia Books contacted me because of some of my posts about Woodlake, California. Five months later, they published my book, Images of America Woodlake.
Then I tried fiction, and struggled for years trying to write a bestseller that would become the next Netflix series. That didn’t happen.
I loved blogging, and that’s what I did best, so I gave up my dream of publishing a book of my own work until I met Colleen Chesebro and had a year of writing Haiku and other syllabic poetry under my belt. Meanwhile, several of my blogging friends started publishing poetry books. I was intrigued. Normally, I struggled to read a whole book of poetry. However, Robbie, when I read your book, Lion Scream, that changed for me. I was not ready for this poem. I had to put the book aside and wait for my heart to calm down. I had never read such moving poetry in my life.
As I read the poem aloud to a friend, while I prepared for this interview, it brought tears to my eyes and made my stomach churn. I wanted my poems to matter, but I didn’t have an agenda. So, I fell back on what I do naturally, which is to encourage people to do what they do best.
When I picked my word of the year for this year, the title fell into place. I wanted to create something that would be uplifting to others and would help them fulfill their own dreams. So, somehow, I had to go from the poems I had written about random topics and pull them together with new poems that would minister to people’s souls and encourage them to find their own creativity.
I drew a lot from Sunflower Tanka and Cindy Georgakas’s book Celebrating Poetry. As I read her book, I fell in love with certain poems and the titles of poems. For example, isn’t her title “Messages from the Moon” a great title? The idea of the moon sending me messages set my imagination on fire. It became “Messages from the Cat” in Embracing the Power to Live. There were no similarities in the poetry or the subject, but I loved the title.
I have already started to realize the joy that comes from reaching the goal of helping others. I’ve shared on social media and my blog about my neighbor Dan Daniels. Dan started writing poetry at age 11 when he was a rough and tumble New York City kid in a large family. He started working at about age seven.
As he handed me an aged sheet of paper with a typewritten poem, he told me I was only the second person he had ever shared his poem with. I was blown away. He is now in his 80s, and he and his wife inspired one of the poems in my book, “Aging Gracefully.” This is his poem, and I am proud to announce that you are now collectively the third person he is sharing it with.
Stand Amongst the Flowers Gentle
By Dan Daniels
Stand amongst the flowers gentle
Look and smell and feel their power
How they light the day with beauty
Not long enough to stay an hour.
Stand amongst the flowers gentle
Let them fill your soul inspired
Touch them all with love and kindness
Nothing more of you required.
Nature all around us speaks
We, who hear, must answer strongly
Love all that nature has to give
Stand amongst the flowers gentle.
Robbie, I can’t wait to read what your readers say about Dan’s poem. When I called to ask permission to use his poem, he and his wife were sitting in their living room reading Embracing the Power to Live and talking about where he might have hidden the other poems he wrote through the years. Dan has Parkinson’s Disease, so I am going to help him publish them in a small book that he can give to his family as part of his legacy to them.
Another friend called me the week the book came out to tell me she was ordering it for a couple of relatives of hers who had stopped communicating with each other and with her. She thought somehow my book might encourage them to start talking. Helping Dan come out of his poetry shell and helping people find ways to communicate their feelings exemplifies the reasons I wrote the book, Embracing the Power to Live.
Thank you again for inspiring and encouraging me, and for inviting me to take part in this project. It means so much to me.
Thank you, Marsha, for this wonderful interview. It is truly amazing how much you have gained from being part of this on-line poetry community. I am deeply honoured that my poem resonated with you and thank you for the contribution of Dan’s gorgeous poem as well as detailing how Sunflower Tanka and Celebrating Poetry inspired and guided you.
My review of Embracing the Power to Live
Picture caption: Cover of Embracing the Power to Live featuring a painting of a teenage girl stepping through a door
What Amazon says
Embracing the Power to Live is a poetic journey of a woman’s perseverance despite life’s hard knocks. This collection taps into the true spirit of poetry—reaching ordinary people with the message that they are enough. Some poems hold profound meaning. Others are included simply for the fun of playing with words – a joy reborn when she stepped into the world of syllabic poetry. Told by different authority figures in her life that she would never marry or achieve her dreams, the author defied the discouraging voices. Her poetry shatters shame uplifts the spirit, and encourages readers to embrace the strength to do the same. This collection isn’t a self-help guidebook—it’s an invitation to laugh, weep, grow, and live together, connecting hearts through poetry. Embracing the Power to Live is for anyone who seeks to rise above a spinning world to gain strength, perspective, and a new beginning.
My review
This is a most unusual and enjoyable collection of poems, photographs, memories, and religious quotes that collectively tell the story of the poet’s life. A most interesting memoir, the poet has not shied away from sharing her human experience in all its marvelous highs and compelling lows. The short paragraphs embellishing the poems with additional colour and memories are enlightening and the photographs make the whole experience more visual and vivid.
This book is presented in different chapters, each focusing on different aspects of life and living to highlight and reveal in. While the poems are all encompassing and share moments of sadness and discomfort, the collective package is a positive experience of finding contentedness and peace to support the poet on her journey through life in all its manifestations. Religion, the poet’s guiding light, is threaded throughout the book as a common thread of hope and support.
I am sharing one poem, It’s hard being semi smart (pantoum) which I feel embodies the spirit of this book and its relatability to us all.
It’s hard being semi-smart because, It’s so hard to choose. I have many skills with several flaws And activities that enthuse.
It’s so hard to choose Because I’m sort of good. And activities that enthuse Make me think I should.
Because I’m sort of good, I try to do too much. Makes me think I should, But nothing has the master’s touch.
I try to do too much. I have many skills with several flaws. But nothing has the master’s touch. It’s hard being semi-smart because.
In closing, I must mention the cover of this book which I think is gorgeous.
Picture caption: Marsha Ingrao’s author photograph featuring her in a blue top with her dog against a setting sun background.
Marsha’s newest book, Embracing the Power to Live, a poetry anthology and memoir, is set to come out in late May or early June. She is the contributing editor for Story Chat Volumes I and II. Previous works include a chapter in This Is How We Grow (2023) by Yvette Prior, contributions to Sunflower Tanka, a Poetry Anthology by Colleen Chesebro and Robbie Cheadle (2024), and Images of America: Woodlake – Arcadia Publishing (August 13, 2015), available on Amazon. In addition, Ingrao published numerous poems and articles. She has blogged since 2012.
She earned a Bachelor of Arts, Teaching, and Administrative Credentials from Fresno State University. As a bilingual teacher, she earned a CLAD Certificate. While employed at Tulare County Office of Education, she earned her Master’s in Curriculum and Instruction from Fresno Pacific University. At the county office, she developed curriculum for Migrant Education and later served as a History Consultant for the county’s Educational Resource Services.
Ingrao believes in lifelong learning. Today, she remains active as a blogger, writer, photographer, and history buff.
She grew up in Indiana and Oregon, moved as an adult to Colorado, then near the Giant Sequoias. After living in Arizona for four years, she and her husband, Vince, her dog, Goldie, and her cat, Moji, have recently returned to the land of the big trees in California.
About Robbie Cheadle
Picture caption: Robbie Cheadle author picture
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
Picture Caption: WordCrafter Poetry Treasures 5: Small Pleasures Tour Banner
We’re wrapping up the WordCrafter Poetry Treasures 5: Small Pleasures Book Blog Tour. We’ve had a great tour this past week and I hope you all visited each stop and left a comment for a chance to win one of three digital copies of Poetry Treasures 5 in our giveaway. If you missed a stop or joined us late, you can still go back and meet more poets featured in the anthology, but the giveaway ends tonight, so get your comments in now.
I want to thank contributors Michelle Ayon Navajas, Dawn Pisturino, Barbara Harris Leonard, Ivor Steven, and DL Mullen for their participation in the tour. And thanks also goes out to the hosts for this tour: Colleen Chesebro of ColleenWrites & Publishes, Patty Fletcher of Patty’s Worlds, Carla Johnson-Hicks of Carla Loves to Read, Michelle Navajas of Poetry by Mich, Kay Castenada of Book Places, and DL Mullen of Un dawnted. I feel everyone did a great job and it is appreciated.
I’d like to.make this stop a celebration of the author/poets who contributed to the anthology-those who shared their work on the tour and those who weren’t able to join us. They are all talented poets, and I feel fortunate to feature their lovely works in a WordCrafter poetry anthology.
Tour Schedule
April 21-28 – Poetry Treasures 5: Small Pleasures, by Kaye Lynne Booth, et.al.
Today we have a double stop. Along with the final stop here, we have DL Mullen interviewing Dawn Pisturino over at Un dawnted. You can’t comment on that site, but you can leave your comments for DL and Dawn here. And here on Writing to be Read, I’ll be introducing you to the contributing poets who did not provide content for the tour. Their valuable contributions to the anthology are not to be overlooked, for it was a group effort that made this anthology such an exceptional collection of poetry.
About Poetry Treasures 5: Simple Pleasures
Open the cover
and you will discover
Poetry Treasures
from the guests on
Robbie Cheadle’s 2024
“Treasuring Poetry”
blog series
on Writing to be Read.
Join poets DL Mullan, Barbara Harris Leonhard, Jude Itakali, Ivor Steven, Robbie Cheadle, Michelle Ayon Navajas, Gwen M. Plano, Elizabeth Gauffreau, David Bogomolny, Dawn Pasturino, Maggie Watson, and Colleen Chesebro share their own small pleasures in poetic verse.
This tour we’re giving away digital copies of Poetry Treasures 5: Small Pleasures to three lucky winners. Follow the tour and comment at each stop, so we’ll know you were there. You’ll be entered for another chance in the giveaway at each stop. Winners are chosen through a random drawing by WordCrafter Press. Winners will be announce in tomorrow’s “WordCrafter News”.
That’s it for today’s stop on Writing to be Read. Be sure to visit the second part of this double stop over at Un dawnted, where DL Mullan is interviewing author/contributor Dawn Pisturino. I hope you enjoyed the tour and the poetry samples shared enough to get you to buy the book. By using the Books2Read UBL, above, you can purchase from your favorite distributor around the world. Be sure to drop by and catch tomorrow’s “WordCrafter News”, here on Writing to be Read, to find out who the winners in the giveaway are.
Picture Caption: WordCrafter Poetry Treasures 5: Small Pleasures Tour Banner
Welcome to the WordCrafter Poetry Treasures 5: Small Pleasures Book Blog Tour. We have a great tour planned, and I hope you all will stick with us and visit each stop, because comments at each stop enters you for another chance to win one of three digital copies of Poetry Treasures 5 in our giveaway. We’ve got guest posts from from contributors Michelle Ayon Navajas and Dawn Pisturino, readings from Barbara Harris Leonhard, Ivor Steven, and DL Mullen, and a special interview with Dawn Pisturino. Plus you may find a couple of early reviews from our wonderful tour hosts. So please join us and follow along on the schedule below to learn more about this outstanding poetry anthology and enjoy a few Small Pleasures.
Tour Schedule
April 21-28 – Poetry Treasures 5: Small Pleasures, by Kaye Lynne Booth, et.al.
Mon. 4/21 – Opening Day- Writing to be Read – (Intro. post & Book Trailer)
Join poets DL Mullan, Barbara Harris Leonhard, Jude Itakali, Ivor Steven, Robbie Cheadle, Michelle Ayon Navajas, Gwen M. Plano, Elizabeth Gauffreau, David Bogomolny, Dawn Pasturino, Maggie Watson, and Colleen Chesebro share their own small pleasures in poetic verse.
This tour we’re giving away digital copies of Poetry Treasures 5: Small Pleasures to three lucky winners. Follow the tour and comment at each stop, so we’ll know you were there. You’ll be entered for another chance in the giveaway at each stop. Winners are chosen through a random drawing by WordCrafter Press. We’ll be watching for your name.
Book Trailer
A special thanks goes out to Teagan Genevieve for our lovely book trailer. Thank you so much Teagan.
About the Editors
You will meet some of the contributors along the way on this tour, but in this opening day post, I’d like ton tell you a little about the editors who put this project together and made it happen. I also thought it might be interesting to share a brief glimpse of what goes on behind the scenes when putting together a poetry anthology, which I hope you’ll find of interest.
Kaye Lynne Booth
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw,as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
My job is to edit the final manuscript, format and publish it. I find poetry to be a personal endeavor, so I do very little editing of the actual poems for fear of changing the poet’s meaning, since poetry often does not follow the rules of grammar and punctuation which apply to the English language. In addition, we have poets from all over the globe included in the anthology, which makes for variation in style and differences in spellings, so I pretty much leave the poetry as is unless it is something I know is a typo or mistaken word.
But the person who truly makes this anthology possible is my co-editor, Robbie Cheadle, who finds and schedules poets to be interviewed on the “Treasuring Poetry” blog series on Writing to be Read. It is Robbie who selects and interviews each poet, and she usually reviews their latest release, as well. Then, at the end of the year, Robbie sends out invitations to the anthology and collects and compiles all the materials into a manuscript before turning it over to me. Without Robbie to do all of the preliminary work, there would not be any Poetry Treasures Anthologies. I couldn’t do it without her.
Robbie Cheadle
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
That’s it for today’s stop. I hope I gave you enough of a taste of this delectable poetry anthology to make you want to sample more. There are several more tasty morsels from then contributing authors along the way. Join us tomorrow, on Colleen Writes & Publishes, where author/poet Dawn Pisturino will share a guest post and poetry from Poetry Treasures 5: Small Pleasures.
Today, I am delighted to Welcome V.M. Sang, author and poet, as my April Treasuring Poetry guest.
Welcome Viv!
Thank you, Robbie, for inviting me to come and chat about poetry. I am honoured that you asked me.
What is your favourite style of poetry to read?
I enjoy Haiku and Tanka. I appreciate the structure and the work that goes in to make the syllables fit. But I also enjoy sonnets.
What is your favourite poem in your favourite style to read?
I struggled with this. There are so many I enjoy. I like the 1st World War poets and their take on the war. Particularly poignant are the two lines from Yeates An Irish Airman Forsees His Death.
Those that I fight I do not hate
Those that I guard I do not love.
But one poem I’ve loved since studying it at College is the sonnet, Ozymandias, by Percy Bysshe Shelley. It is a warning to all who strive to get above themselves. I think it is particularly pertinent at this time.
Ozymandias
by Percy Bysshe Shelley
I met a traveller from an antique land, Who said, “Two vast and trunkless legs of stone Stand in the desert. Near them, on the sand, Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed; And on the pedestal these words appear: ‘My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!’ Nothing beside remains. Round the decay Of that Colossal Wreck, boundless and bare, The lone and level sands stretch far away.”
What is your favourite style of poetry to write?
I enjoy writing most forms, but particularly those with a strict form, like the sonnet and the Japanese forms, but I especially like to write rhyming poetry. I know it’s not fashionable at the moment, but I find the discipline a challenge. Discovering words with the right sound and number of syllables can be quite a challenge.
What is your favourite of your own poems?
I have to admit that there are two, both related. ‘I Am Earth’ appears in my first poetry book, Miscellaneous Thoughts, and the second one ‘I Am Earth 2’ is in From January to June, February 7th.
I Am Earth
I am Earth.
I am your mother.
I gave you birth.
I gave you a nest.
A wonderful home
On which you can rest.
I gave you food .
Plenty to eat.
You waste all that’s good.
I gave you the seas
And forests and hills,
But you chop down the trees.
You think you’re so cool,
But you pollute the air
By the burning of fuel.
You heat up the air
And care not a jot
For the poor polar bear.
Animals die
Because of your greed.
You hear not their cry.
I teemed with life,
Both great and small,
Yet extinction is rife.
Like a cancer you spread
Throughout the whole world.
It won’t end till you’re dead.
But I’ll make you pay
For all you have done.
You’ll be sorry one day.
I’ll shiver my skin.
Your buildings will fall
And bury your kin.
The land I will flood
By raising the seas
And drown all in mud.
My mountains so high
Will belch forth their flames
And you will all die.
I am Earth.
I am your mother.
I gave you birth.
BUT I WILL DESTROY YOU.
I Am Earth (2)
I am Earth.
I am your mother
I gave you birth.
I told you
What will occur.
And now you will rue.
You ignore me
And take little heed
Of my anxious plea.
So I send you rain
To flood all your homes
And give you pain.
I send the drought
So no crops will grow.
There’s famine, no doubt.
I heat the world
And many will die
From the heat I have hurled.
Winds I will send
In hurricanes now.
Your lands they will rend.
Yet you will not learn.
To me you are deaf
So the world I will burn.
Fires in the summer;
Deep snow in the cold.
You get dumber and dumber.
My skin I do shiver
And make buildings fall
As the ground it does quiver.
I will belch forth fire
From deep in my heart.
Make Earth like a pyre.
Will you now learn?
Don’t exploit my wealth.
Or you I will burn.
I AM DESTROYING YOU.
Please tell us about your poetry books, One Poem A Day Series? How did this book come about? It is a big commitment to write a poem a day.
My daughter, when she was little, had a bedtime story book with a very short story or a little poem for each day of the year. It was amazing because when she asked for more, as children will, I could say that the next poem or story was tomorrow’s.
For some reason I found myself thinking about this book one day. I’ve no idea why. It was decades ago when she was so small.
Then I thought, “Why not try to write one poem each day for a year, just like that book.” So that’s how it began.
It was quite difficult. Some days I had no inspiration and had to search for it. Other days I just didn’t feel like writing.
The discipline was good for me. I tend to be a procrastinator. There were some days when I couldn’t write due to circumstances, but I caught up by writing two poems until I was back on track.
My review of From January to June (One Poem A Day Series Book 1)
Picture caption: Cover of From January to June (One Poem A Day Series Book 1)
I enjoyed this collection of poetry very much. It is very British in its content and language and the poems reminded me of the stories of my mother has told me of her childhood growing up in a small town in Suffolk, UK. The references and descriptions are all familiar to me and reading this book was like putting on a comfortable dressing gown.
The style of the poems is varied from freestyle, to rhyming verse, to syllabic poetry and I enjoyed this aspect. There were also several limericks to make the reader smile. The content is also wide ranging from nature, to a Roman gods theme, to friends and family. The poems are grouped by month and tell a story of the poet’s daily experiences during that month in terms of the environment, the holidays, and entertainment.
A few of my favourite poems with a short synopsis: Grown Up – a fun poem asking about why the poet should do certain expected things in order to be deemed grown up; The Peacock – a delightful descriptive poem of a male peacock; Destruction – a sad commentary of the damage humans have, and continue to, inflict on the planet; The Fishmonger’s – a delicious commentary on the yummy seafood enjoyed by the poet; Robin – a gorgeous depiction of a robin in the poet’s garden; Starlings – a tanka about a murmuration of starlings going to roost; Tea – a poem about English tea; Blackpool – a comparative poem between the Blackpool of the poet’s childhood memories and the modern Blackpool; Mum – a very special tribute to the poet’s mother; Boudicca – a poem about this famous historical queen. I was interested to note that the name of this woman has been changed from Boudicea which is the name my mom always calls her. It cleared up a confusion for me; Son – a delightful poem about the poet’s son; Rainbow – an interesting and unique take on the colours of the rainbow; Spring cleaning – an entertaining take on spring cleaning which is very familiar to me; I am a Writer – a poem about why the poet writes. I always enjoy peeks into why poets and authors write; True Love – a romantic poem about a lost love; Teddy – a delightful poem about the poet’s teddy bear from childhood. I also had mine until recently; Fickle Muse – a commentary about when the words don’t come; Gardens, I’ll quote this short poem: “Gardens are bits of heaven Fallen from above. Gardeners are angels Tending them with love.” Ode to Beer – an amusing poem about the historical and modern joys of beer; The Village Green – my personal favourite in this collection. A poem about British communal life;
This is a delightful collection that really warmed my heart.
V.M. Sang was born and lived her early life in Cheshire in the north west of England. She has always loved books and reading and learned to read before she went to school.
During her teenage years she wrote some poetry, one of which was published in Tecknowledge,the magazine of the University of Manchester Institute of Science and Technology (UMIST). Unfortunately, that is the only one that is still around.
V.M. Sang became a teacher and taught English and Science at her first school.
She did little writing until starting to teach in Croydon, Greater London. Here she started a Dungeons and Dragons club in the school where she was teaching. She decided to write her own scenario. The idea of turning it into a novel formed but she did nothing about it until she took early retirement. Then she began to write The Wolves of Vimar Series.
Walking has always been one of V.M. Sang’s favourite pastimes, having gone on walking holidays in her teens. She met her husband walking with the University Hiking Club, and they still enjoy walking on the South Downs.
V.M.Sang also enjoys a variety of crafts, such as card making, tatting, crochet, knitting etc. She also draws and paints.
V.M.Sang is married with two children, a girl and a boy. Her daughter has three children and she loves to spend time with them.
All the books are available in many formats, including audio for several of them.
About Robbie Cheadle
Picture caption: Robbie Cheadle author picture
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
I am very excited to welcome talented artist, poet, and author, Dave Williams to “Treasuring Poetry”. Dave is discussing his thoughts on poetry and I’ve reviewed his unique poetry book Gasp! Poetry!
What is your favourite style of poetry to read i.e. haiku, ballad, epic, freestyle, etc?
Freestyle. I like playful poetry, and poetry that causes me to think of stuff in different ways than my status quo. Also, I’m a big fan of short poetry about nature. Doesn’t have to be haiku. Poems that focus on one aspect of nature, be that a particular animal or plant or season. This kind of poetry is like a seed for me to meditate over that aspect of nature.
What is your favourite poem in your favourite style to read?
My favorite poem by another writer is “maggie and milly and molly and may” by E. E. Cummings. I love it because it’s lively and frisky and profound. And because it reminds me of growing up near the Atlantic Ocean. And because one of my daughters is named Molly (with a capital M, not lowercase like in the poem — although she’s welcome to be creative with the capitalization of her name if she likes).
What is your favourite style of poetry to write? Why?
I enjoy writing freestyle the most. Limericks and haiku can be fun to write by following their rules. But I typically go with freestyle because I don’t have to worry about rhymes or syllables or meter.
What is your favourite of your own poems?
A tough question, Robbie! One poem of mine doesn’t jump out as a favorite. I looked through Gasp! Poetry! to find one to include here. I chuckled over several poems, but the poem that clicks with me right now isn’t aimed at humor. Rather, it feels hopeful:
Chickadee
Seeing an eagle,
the chickadee
aspired to greatness:
soaring high in the
Great Blue
Yet he could not
transform into that epic bird
In her son’s sullenness,
mama chickadee asked
the elders to offer wisdom
They told him
there’s a quiet dignity
in being a chickadee
and that
warmed his heart.
Your poetry collection Gasp! Poetry! has a most unusual name and blurb. Please tell us a bit about this book, what the poems are about, and what your intentions were will the collection.
The cover tries to warn people who have no interest in poetry. The title and cover illustration pretend what such a person’s reaction might be to a poetry book. They might throw up their hands and shriek, “Gasp! Poetry!” Then they’d run for the safety of a Non-Poetry Zone. Where, after catching their breath, they might tell other people how close they got to a poetry book and how terrifying it was. The cover uses drama for humor (hopefully).
Some poems in the book aim for silliness, while others are serious. The topics are assorted. One short poem is about a monkey taking a bath. One long poem is about how Scheherazade told a thousand tales to avoid being murdered. If you’ve followed my blog for a while, chances are good that you’ve read poems from this collection.
My intention was to package a bunch of poems on my blog, and ones that haven’t been published there yet. I hoped to entertain readers who like playfulness and absurdity in poems.
You write both novels and poetry. Which do you prefer?
Novels. Even when short, they’re more immersive than poems — which are like sketches to me (since I don’t write epic poems). I enjoy pondering possible plot paths of novels, as well as possible backgrounds of characters. It’s akin to reading a book and being immersed in the story. But with novel writing, the story can unfurl in various, potential directions. Joy is in exploring and shaping the story. So is frustration. But it’s worth the frustration when the book is finished.
My review of Gasp! Poetry!
Picture caption: Cover of Gasp! Poetry! featuring a hand drawn circle man with his arms thrown upwards in anguish.
The amusing title of this poetry collection by Dave Williams is indicative of the nature of the poetry. All of the poems are clever, slightly dark, and poke fun at humans and humanity in general. In other words, these poems are brilliant and hugely entertaining.
Is a Poem about Grains of Sand on a Beach Too Pretentious? “I wondered that question, lying on a floral beach towel, a speck in a crowd of swimsuited people – all of us were lumps of cookie dough glazed with sunscreen and coconut oil baking in this oven.” The short extract above is a great example of Dave dark humour in relation to human behaviours and his engaging descriptions.
Valor is a great example of the poet’s quick and clever mind and attitudes towards adversity: “”You’re not sharp enough?” “Get some sides!”
Yells were hurled from the crowd of octagons at the little circle. “You look ridiculous!”
The circle puffed up with valor, said “I am what I am,” refused to conform, then rolled defiantly towards home.”
This was my favourite poem in the book. I really enjoyed the personification of shapes and it reminded me of Flatland by Edward Abbott Abbott.
There is some wonderful life wisdom encased in these freestyle poems. A short extract from Ocean Inside which captivated my mind: “Meanwhile I work against the urge to liquefy myself and pour myself into the container others have sculpted for me”
Having gone through my own teenage years and watched three sisters and two sons go through theirs, I am acutely aware of how very real this pack mentality is with young people. Sometimes, people never manage to escape its grip and find their own path in life.
If you enjoy dark humour, excellent poetry, and life truths, you will love this engaging and entertaining collection.
Picture caption: Author photograph of Dave Williams
Surely many people are named “Dave Williams” and this particular Dave is a redheaded one who enjoys writing speculative fiction, drawing, and reading. He lives in Maryland with his wonderful wife, two inspirational daughters, and two cats (a lazy one and a playful one).
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
The theme for this collection, “Into the Light,” was influenced by how a young sunflower bud always faces the sun. This sun tracking is called heliotropism.
It is believed that sunflowers participate in heliotropism because they possess an internal clock similar to humans. This internal clock enables the plant to maximize its growth and absorb optimal energy.
The buds are heliotropic until the end of the bud stage. Upon reaching maturity, the sunflower ceases to follow the sun.
The combination of sunflowers as an emblem, and “Into the Light” as a theme is intended to throw shards of brightness out into the world. By actively seeking out happiness and sharing love and light, we can make this planet a better place for all its people and creatures.
golden sunflowers
watch Apollo’s chariot
move across the sky
from dawn’s first light to sunset
forever seeking the light
by Colleen M. Chesebro
Picture caption: Cover of Sunflower Tanka featuring a sunflower turned towards the sun on a pale pink background. Shards of light spill across the cover.
Blurb
Sunflower Tanka, edited by Robbie Cheadle & Colleen M. Chesebro, is an annual anthology of contemporary tanka, tanka prose, & experimental tanka from a broad mix of new and established poetic voices from across the world.
Our theme, “Into the Light,” draws inspiration from the way a young sunflower bud constantly turns to face the sun. Poets delved into the realms of death, love, and the natural world, capturing their human experiences in the timeless form of syllabic poetry.
Contributors to the first edition of the Sunflower Tanka: Suzanne Brace, Yvette Calleiro, Kay Castenada, Luanne Castle, Robbie Cheadle, Colleen M. Chesebro, E.A. Colquitt, Melissa Davilio, Destiny, Tamiko Dooley, Lisa Fox, Cindy Georgakas, Chris Hall, Franci Hoffman, Marsha Ingrao, Jude Itakali, JulesPaige, Kenneth, MJ Mallon, Brenda Marie, Selma Martin, Michelle Ayon Navajas, Lisa Nelson, D. Wallace Peach, Freya Pickard, Dawn Pisturino, Gwen M. Plano, Jennifer Russo, Aishwarya Saby, Reena Saxena, Merril D. Smith, Nicole Smith, Ivor Steven, Ben Tonkin, Trilce Marsh Vazquez, Cheryl Wood.
A few examples of the poetry in this book
All the poems in this book are gorgeous, so I have just randomly selected three pieces to share here:
echoes of despair
hushed as tears fail haunted eyes
silence expresses
a quiet faiths’ grip on hope
firm through darkened horizons
Tanka By Destiny
***
ash and dust reclaim
from flames of passion or shame
born this, raised as that
do butterflies from cocoons
ditch all that was, for petals?
Extract from Intertwined Essence (garland tanka) by Jude Itakali
***
within the forest there’s a glen where children play under a white light where mystical faeries flit around, happy and free
Tanka by Ivor Steven
Jacaranda Blue
As a photographer and painter, I am always trying to capture light in my work. This series of three photographs of my painting, Jacaranda Blue, was intended to demonstrate how this painting captures light in different ways.
This painting is dedicated to my amazingly artistic blogging friend, Resa McConaghy, who recently shared a most extraordinary series of articles about The Painted House. You can find the last article, with links to all the rest, here: https://graffitiluxandmurals.com/2024/11/24/exterior/. In addition to her amazing photography, Resa creates the most incredible art gowns out of recycled materials. Click on Resa’s name to discover more about her gowns.
This is a short extract from my poem Jacaranda Blue, a rensaku, inspired by this painting and included in Sunflower Tanka:
dressed for a spring ball
frocks of filmy organza
Jacaranda blue
delicate forms gently swaying in softly flowing fabric
Sunflower Tanka Video
Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
About Robbie Cheadle
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
Today, I am delighted to welcome talented poet, Dawn Pisturino, as my October Treasuring Poetry guest. Dawn has a Halloween collection of micro poems which I’ve reviewed below.
What is your favourite style of poetry to read i.e. haiku, ballad, epic, freestyle, etc?
I like any style of poetry to read, but my favorite is the sonnet. William Shakespeare and Elizabeth Barrett Browning excelled in this art form that elevates the mind and captures the soul.
What is your favourite poem in your favourite style to read?
My favorite sonnet is the classic love poem by Elizabeth Barrett Browning from her collection, Sonnets from the Portuguese. “Portuguese” was Robert Browning’s pet name for his wife. Her sonnets are so expertly written and articulate such deep love and passion! They are delightful to read and reflect the nature of true romantic love between two people—the abiding love that most people dream about but rarely find.
Sonnet XLIII
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints, – I love thee with the breath,
Smiles, tears, of all my life! – and, if God choose, 2
I shall but love thee better after death.
What is your favourite style of poetry to write? Why?
It’s easier to write in free verse and let the words and emotions flow. Writing in a tight form, like a sonnet or haiku, requires discipline, creativity, and a more extensive vocabulary.
What is your favourite of your own poems?
“Ariel’s Song” is my favorite poem because it was written for my daughter when she was quite small. It reflects our life when we lived in the San Francisco Bay Area.
Ariel’s Song
Ariel sings a lusty song
Of ships upon the sea,
And ere the night is very long,
Her spell is cast on me.
She spins a web of intrigue,
She tells a tale of woe;
And when the sun is waxing big,
I do not want to go, –
No, I do not want to go.
But she folds her wings together
And whispers my release;
For her stories last forever
And her songs will never cease.
Then, she rises from the window,
Winging high into the light,
And I’m left alone in shadow
As she disappears from sight.
Tell us a bit about your latest collection of haiku, Haiku for the Midnight Hour. What inspired you to write this collection? Is Halloween a favourite celebration of yours?
Halloween is one of my favorite holidays. I have fond childhood memories of picking fresh pumpkins from the garden, buying cider from the local apple stand, bobbing for apples at my best friend’s house, and going trick-or-treating with my little brother. Early in the year, I thought about writing a dark haiku collection and decided to finish it in time for Halloween. It was a fun project. I wrote twisted, dark limericks for Underneath the Juniper Tree that were quite popular with readers of all ages. I thought it would be fun to do the same with haiku. Purists may not like non-traditional haiku about monsters, aliens, demons, voodoo gods, and other dark themes, but I’m hoping it will be an interesting introduction to haiku for adults, teens, and young adults.
My review of Haiku for the Midnight Hour
Picture caption: Cover of Haiku for the Midnight Hour featuring a raven in a graveyard perched on a human skull
This is an entertaining collection of micro poems that revolve around the themes of Halloween and ghostly happenings. The micro poems are collected under common themes with headings, for example, Wee Folk and Crystal Balls.
While most of the micro poems deal with the paranormal, there are several that deal with Family and dark events in the home. On such example is Aunt Jane, as follows:
“aunt jane – locked away in the attic for years – rocks back and forth in chains”
The poems are clever and darkly humorous. Two of my favourites are as follows:
Jack and the Giant “jack climbed the beanstalk with curious intention a giant backlash”
Purgatory “purgatory and punishment clean souls tarnished by sinful doings”
If you enjoy clever and dark theme micro poems, this is the book for you.
Picture caption: Author photograph of Dawn Pisturino from Amazon.com
Dawn Pisturino is a retired nurse in Arizona whose international publishing credits include poems, short stories, and articles. Her first poetry book, Ariel’s Song: Published Poems, 1987 – 2023, debuted with five-star reviews. Her short chapbook, Lunar Gazing Haiku, became a #1 Amazon New Release in six categories. Her newest release, Haiku for the Midnight Hour, achieved #1 Amazon New Release status in three categories. She is a member of Mystery Writers of America, PEN America, and the Arizona Authors Association.
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
Today, I am delighted to welcome David from The Skeptic’s Kaddish blog and mastermind of the W3 poetry prompts as my September Treasuring Poetry guest.
What is your favourite style of poetry to read?
This is a tough question because I enjoy reading a wide range of poetry. However, I find myself most often moved by elegantly crafted free verse. When free verse is written in a way that feels truly poetic and draws me in, I’m deeply impressed. This isn’t always the case with free verse; anyone can break a series of words into lines, but not everyone can do so in a way that captivates.
What is your favourite poem in your favourite style to read?
These are fantastic questions, Robbie! Do most people actually have an answer for this one? It’s difficult to choose!
If I may, I’d like to share a poem I deeply enjoy, although I wouldn’t call it my absolute favorite. Honestly, I’m not sure I have a single favorite poem.
‘The Performers’
by Robert Hayden
Easily, almost matter-of-factly they step,
two minor Wallendas, with pail and squeegee along
the wintery ledge, hook their harness to the wall
and leaning back into a seven-story angle of space
begin washing the office windows. I
am up there too until straps break
and iron paper apple of iron I fall
through plate glass wind onto stalagmites below.
***
But I am safely at my desk again by the time
the hairline walkers, high-edge
balancers end their center-ring routine
and crawl inside. A rough day, I remark,
for such a risky business. Many thanks.
Thank you, sir, one of the men replies.
***
What I love most about this poem is how Hayden imagines himself as one of the window washers and then returns from his reverie in the second stanza. I find it incredibly relatable—both the relationship between the office worker and the cleaners, and the act of daydreaming. I also admire how Hayden captures the interaction between himself and the workers, imbuing them with both respect and dignity.
What is your favourite style of poetry to write? Why?
I’ve experimented with many different forms of poetry, but over the past few years, I’ve gravitated towards the sijo. Two reasons stand out:
First, I prefer writing shorter verses. I’m wary of longer poems because each additional word risks derailing my intent. Second, while the Korean sijo is technically a syllabic form, it also offers flexibility since the syllable count is ranged, not fixed.
What is your favourite of your own poems?
Oy vey!
My nine-year-old daughter often asks me what my favorite food or book is, and she gets frustrated when I tell her I like different things in different ways. That’s exactly how I feel about my own poems!
Given today’s political climate, I’ll share one that resonates with how I’ve been feeling recently. It’s a garland shadorma, a form created by Sylvia Cognac on WordPress. It consists of seven shadorma stanzas, with each of the first six stanzas borrowing one line from the final verse. Here it is:
Ancient homeland, or: Each hoary stone
it’s the flag, I know. that’s okay. I prefer to remain true to my identity despite the haters.
I know them. they’d prefer that I surrender my people’s claim to our ancient homeland to assuage their guilt.
our roots here predate all others… reject it if you will, but the truth speaks for itself through each hoary stone.
some fancy us colonizers, wish we’d leave… ‘see?’ they’d gloat, ‘their connection to this land was not authentic.’
our prayers for home never ceased. so, no. no- I won’t be another Jew who forsakes his forebears’ story.
our foes have convinced themselves that we can be scared away, but we’ve had just One Land in Jewish history.
it’s the flag- they’d prefer that I reject it; ‘see?’ they’d gloat, ‘another Jew who forsakes Jewish history.’
Tell us a bit about the posts you wrote after your father’s death. What inspired you to write them? What do they mean to you?
Looking back, as much as I dislike clichés, I realize I had no choice but to write those posts.
From the outset, I knew I would recite the Kaddish daily for my father after his unexpected death. No one else in my family was able or willing to take on that responsibility. Yet, after a few weeks, I began to feel that I was simply going through the motions. It felt empty, especially considering that I was performing a ritual in honor of a man who had no respect for rote religious practice.
It’s been over five years since I wrote the final post in that series, where I grappled with this very question. Everything I wrote back then remains true, but now I see that the act of writing those posts was also the beginning of my coming to terms with the truth about my faith. It marked the start of my acceptance that I don’t believe in a traditional concept of God, nor in the inherently enduring relevance of religious doctrine and ritual.
Although I finished the Kaddish series that year, I’ve never stopped contemplating its philosophical implications. They continue to challenge me daily. I once thought that returning to synagogue to recite the Kaddish would bring me closer to my religious community. Instead, it distanced me further because I didn’t simply perform the ritual—I transformed it into a journey of deep self-reflection.
This process ultimately led me to start writing poetry. Revisiting my love of creative writing—something I hadn’t engaged in since high school—reconnected me to my own critically thinking inner voice, a voice I hadn’t fully acknowledged before… And that’s the voice that now flows through my poetry.
My Kaddish Year
David has written a fascinating memoir in the form of 51 blog posts about his year of mourning following the passing of his father. This year is called Kaddish or The Mourner’s Kaddish in Judaism and involves saying a hymn of praises about God for your deceased parent. I know a bit about the Jewish faith because one of my good friends is Jewish. I have attended hair cutting ceremonies and bar mitsvahs as well as some other celebrations. I have not experienced anything to do with the passing of a family member so the Kaddish was new to me.
I am still busy reading David’s thought provoking posts about this period of his life but what I have read to date is very interesting. It has opened my eyes and understanding to a lot of Jewish traditions and religious rituals that I had no idea about and which I think are very worthwhile. The concept of worshipping for a whole year after the passing of a parent in the company of other community members who are experiencing exactly the same grief and anguish seems like a very helpful and supportive idea to me. My experience of death has been a lot of support for the griever up until the funeral and then very little. The griever is left along to manage as best he/she can at the worst time which is after the funeral is over and the permanency of the new circumstances sink in.
David’s post are not limited to the Kaddish, they expand into a lot of thought about life, death, religion, individuality in worship and believes and many other topics. It is worth reading and considering. Follow the link below to read the 51 post comprising David’s My Kaddish Year.
Picture caption: Author photograph of David Bogomolny
David Bogomolny was born in Jerusalem to parents who made Aliyah from the USSR in the mid-70’s. He grew up in America and returned to Israel as an adult. He works as a grant writer for the Jewish Agency for Israel. He and his wife and daughter live in Jerusalem.
He began writing the ‘Skeptic’s Kaddish for the Atheist’ in Jerusalem, Israel, 30 days after burying his father in South Brunswick, New Jersey, USA. His series was originally published on the Times of Israel blogs.
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
______________________________________
This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
Today, I am delighted to welcome talented poet and author, Elizabeth Gauffreau, as my Treasuring Poetry guest.
What is your favourite style of poetry to read i.e. haiku, ballad, epic, freestyle, etc?
My favorite style of poetry to read is free verse, although recently I’ve become quite taken with the duplex and the pantoum. I also enjoy reading persona poems, such as T.S. Eliot’s “The Love Song of J. Alfred Prufrock,” which has been a long-time favorite of mine. In addition, I enjoy narrative poems such as George Franklin’s Angel of Sorrow poems. (Travels of the Angel of Sorrow and What the Angel Saw, What the Saint Refused)
What is your favourite poem in your favourite style to read?
Because I’ve been reading more poetry collections in the past several years than I ever have before, it’s hard to pick just one favorite poem. I’m going to go with Patricia Smith’s “Now He’s an Etching.”
The poem is written in iambic pentameter, which is definitely not my favorite poetry form. However, Smith uses it so skillfully, I didn’t even notice the meter until someone pointed it out to me.
I strongly encourage readers to listen to Smith read the poem herself to get the full experience of it. https://poets.org/poem/now-hes-etching (Click on the blue speaker icon on the right side of the screen.)
Now He’s an Etching
of the sluggish, coolly vengeful way
a southern body falters. Muscles whine
with toiling, browning teeth go tilt and splay,
then tremulous and gone. The serpentine
and slapdash landscape of his mouth is maze
for blue until the heart—so sparsely blessed,
lethargic in its fatty cloak—OKs
that surge of Tallahatchie through his chest,
and Lordy, hear that awful moan unlatch?
Behind the mic, he’s drowning in that great
migration uniform of sharkskin patched
with prayer and dust. His cramped feet palpitate
in alligator kickers, needle-toed,
so tight he feels the thudding blood, so tight
they make it way too easy to unload
his woe. The drunken drummer misses right
on time, the speakers sputter static, but
our bluesman gravels anyhow—The moon
won’t even rise for me tonight / now what’s
a brokedown man gon’ do? That wretched croon
delights the urban wanderers, intent
on loving on this perfect underwhelm
of Negro, jinxed and catastrophic, bent
into his hurting halves. Inside the realm
of pain as pageant, woozy revelers raise
their plastic cups of fizz and watered rye
to toast the warbler of decay, whose dazed
and dwindling lyric craves its moonlit sky.
“Now He’s an Etching” made such an impression on me that I actually sent a “fan girl” message to Patricia Smith (to which she responded graciously with “thank you”). Then I wrote a puente in response to her poem. (I’ve sent it out to literary magazines in hopes of getting it published.)
I would be remiss if I didn’t include Smith’s commentary on her poem:
About this Poem
“I mourn the elders. I mourn the black bluesmen and women who could only move sanely through their hours with the help of heartbreak. I miss their stout southern stature, bodies resolute with a recollected woe. I ache for the gut gravel of lyric, the knowledge that my crooner is truly suffering, and that she or he has decided to allow us to suffer too. But many of the elders still with us have become millennial playthings, one of the many ‘woke’ things to sample and add to the cultural resume. Hopefully, this poem springs from that space.”
—Patricia Smith
Your new poetry book, Simple Pleasures, comprises of haiku. Is that your favourite form of poetry? Why?
No, it isn’t. My go-to is free verse. In this instance, though, haiku was the best form to convey the experiences I wanted to share with readers.
What is your favourite of your poems in Simple Pleasures?
I’m going to go with this one because it was inspired by the Green Mountains of Vermont, which is where my heart is.
back in the valley
peeling fence to lean on
Green Mountains steadfast
Tell us a bit about Simple Pleasures. What inspired the book? How did you choose the title and cover?
My husband and I were on a scenic drive to escape the awful mess the world is in, and a haiku just popped into my head. So I wrote it down (fiddled with it, of course) and took a picture of the scene which inspired it. My husband and I had fun going on the hunt for the wild haiku together, so we kept at it for a year, until I had enough poems and photographs for a collection and had covered all four seasons. Now that the book is finished, I miss those hunts!
The title Simple Pleasures refers to the simple pleasures of life, which never fail to restore my equilibrium in difficult times. The subtitle, Haiku from the Place Just Right, refers to the Shaker hymn “Simple Gifts,” which was part of my childhood, probably from church camp. Simple pleasures and simple gifts are synonymous to me, so the title and the subtitle seemed just right!
As far as the cover went, I wanted something that would show up clearly in an online thumbnail, which is why I went with a saturated color for the background. The branch of flowering crabapple spoke to me as having a haiku feel to it in its simplicity.
My review of Simple Pleasures: Haiku from the Place Just Right
Picture caption: Cover of Simple Pleasures featuring a spray of pink blossoms against a dark blue background
Simple Pleasures is a collection of delightful haiku written about a variety of different places that have moved the poet to write due to their beauty, family connection, or historical meaning. Each poem is accompanied by a gorgeous colour photograph (I read the ebook). As a South African, I found this book to be a wonderful visual and literary tour of Vermont, New Hampshire, and Maine.
One of my favourite poems in the collection is as follows: “grey heavens, grey sea goldenrod out of context lighthouse bears witness”
This short collection of 53 poems will fill your heart with joy.
Picture caption: Elizabeth Gauffreau author photograph
Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. Her work has been widely published in literary magazines, as well as several themed anthologies. Her short story “Henrietta’s Saving Grace” was awarded the 2022 Ben Nyberg prize for fiction by Choeofpleirn Press.
Liz has published a novel, TELLING SONNY: THE STORY OF A GIRL WHO LOVED THE VAUDEVILLE SHOW, and a collection of photopoetry, GRIEF SONGS: POEMS OF LOVE & REMEMBRANCE. Her latest release is also photopoetry: SIMPLE PLEASURES:HAIKU FROM THE PLACE JUST RIGHT. She is currently working on a novel, THE WEIGHT OF SNOW AND REGRET, based on the closing of the last poor farm in Vermont in 1968.
Liz’s professional background is in nontraditional higher education, including academic advising, classroom and online teaching, curriculum development, and program administration. She received the Granite State College Distinguished Faculty Award for Excellence in Teaching in 2018.
Liz lives in Nottingham, New Hampshire with her husband.
About Robbie Cheadle
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
This month, I am delighted to introduced talented author and poet, Gwen M. Plano, as my Treasuring Poetry guest.
What is your favourite style of poetry to read, i.e. haiku, ballad, epic, freestyle, etc?
I enjoy all forms of poetry. If a poem gives me pause by how it transforms the ordinary into the extraordinary, or if it illuminates a mystery, then I’m captivated. Pablo Neruda and Maya Angelou are two of my favorites, and they both write freestyle. But I also love syllabic poetry. Matsuo Basho’s The Old Pond is breathtaking:
An old silent pond
A frog jumps into the pond
Splash! Silence again.
What is your favourite poem in your favourite style to read?
In the 1980s, I discovered T.S. Eliot and his Four Quartets. Written in freestyle, the lengthy poems address the deep questions of life. I’ve probably read the poems a dozen times. The last quartet, Little Gidding, is my favorite. It’s too long to include in this post, but Section IV offers a glimpse of Eliot’s spiritual depth:
The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one discharge from sin and error.
The only hope, or else despair
Lies in the choice of pyre or pyre—
To be redeemed from fire by fire.
Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
We only live, only suspire
Consumed by either fire or fire.
What is your favourite style of poetry to write? Why?
When I write spontaneously and from my heart, the poetry is freestyle. I don’t think about the structure of the poem; rather, I’m focused on the story it tells. If I were to choose a favorite style, it would be freestyle.
Every week, though, I participate in poet Colleen Chesebro’s syllabic poetry prompts. I’ve learned tremendously through her example and instruction. Importantly, I’ve come to love syllabic poetry.
What is your favourite of your own poems in your favourite style?
I’ve two poems that I particularly like, and I can’t decide which one is my favorite. One reflects on grief, and the other focuses on writers. Both are written in freestyle, and the first includes rhyme.
The Old Pier
Picture caption: The Old Pier by Gwen M. Plano
The Old Pier
Remember when we danced in the moonlight? I was your princess, and you were my knight. Remember the star you said was mine alone? Brilliant and pulsing, it was our secret cosmic stone.
Now I hold your ashes and not your embrace, and I weep with every memory trace. I walk the old pier and hope I will see you standing there, waiting for me.
But ashes to ashes is as day is to night a harsh, inevitable part of life’s hike. My tears are lost in the water below. Maybe they’ll find you if I can just let go.
The Author
Picture caption: The author by Gwen M. Plano
The Author
I search for you,
writer unknown,
each page a port of departure.
Through hurdles, fears, and
the dreams you disclose,
I wander.
A word laid bare,
a phrase that lingers,
a plot that captures or awakens,
your footsteps stealth on paper trails,
the scent of you,
I savor.
The web you spin,
entraps and cradles,
while entangled characters wrestle.
Through the give and take of life and love,
the glimpses of you,
I follow.
At last, I see,
my muse, my tease,
behind the hes and shes you’ve crafted,
a warrior or tender lover – the storyteller,
YOU, now revealed, I honor.
Tell us a bit about your fiction writing and your latest book, The Soul Whisperers Decision. What is the book about? What inspired the book?
Picture caption: the cover of The Soul Whisperer’s Decision by Gwen M. Plano
Much like my poetry, writing fiction is a journey. I write when something gnaws at my soul. It often begins with scenes and questions, and just as often, I don’t know where the story will take me. I am both the writer and the reader.
The Soul Whisperer’s Decision begins with a tragedy. A father loses his little children in a car accident that almost kills his wife as well. The young man is a veteran, and he is pulled back into his struggle with Post-Traumatic Stress Disorder. The story follows this veteran through the pain of loss to the eventual rediscovery of hope.
What inspired this story? For a decade, I worked with Marines and soldiers from all service branches, returning from Iraq and Afghanistan. I was an administrator at a college located near military bases. I soon discovered that most of those who were boots-on-the-ground suffered from PTSD in addition to physical injuries. By choice, my work shifted to serving those who had served all of us.
Over the years, I’ve heard people scoff at PTSD as though it is a sign of weakness. These individuals never served and have no idea what these brave men and women experienced. In my novel and my WIP, I attempt to illuminate that experience.
The Soul Whisperer’s Decision also includes a nurse who has a Near Death Experience. Her choice of remaining in the heavenly realm or returning to her life shapes the story’s direction. Since the 1980s, I’ve studied NDEs and have spoken with some who have medically died. It is an experience that is personal and close to my heart.
My review of The Soul Whisperer’s Decision
This beautifully written and emotional book is ultimately about making choices when life presents us with devastating obstacles on our path. For various reasons, this topic is close to my heart and I related heavily to the main character, Sarah, who, following a devastating car accident, needed to make the ultimate decision about whether to fight for life or let go. To make this decision harder, Sarah lost both her small children in the accident. I have watched loved ones making this choice and the decision to live is a hard one when months of rehabilitation and pain lie ahead.
While Sarah is fighting for her life in hospital, her husband, Jack, a Vietnam veteran, faces mental collapse when his post traumatic stress disorder rears its ugly head. Jack is devastated by the loss of his little ones and flawed by the uncertainty as to his wife’s recovery. Jack must also make a choice about whether to face the pain and try to rebuild his life or whether to end his suffering.
The sensitive and yet realistic manner in which the author deals with the trauma and the emotional and mental reactions of her two central characters demonstrates a deep understanding of people and the human condition. This relatively short novel will have you examining your own life and considering how you would react in the same circumstances. There is a lot of subtle guidance woven throughout this book and it is essentially, a very uplifting read. I strongly recommend this excellent book.
Gwen M. Plano, aka Gwendolyn M. Plano, grew up in Southern California and spent most of her professional life in higher education. She taught and served as an administrator in colleges in Japan, New York, Connecticut, and California. Gwen’s academic background is in theology and counseling. Recently retired, she now lives in the high desert of Arizona, where she writes, gardens, and travels with her husband.
Gwen’s first book is an acclaimed memoir, Letting Go into Perfect Love. Her second book, The Contract between heaven and earth, is a thriller fiction novel, co-authored by John W. Howell. It has received multiple awards and is an Amazon Best Seller. The Choice, the unexpected heroes is the sequel to The Contract. It is also a thriller, involving the attempt of an unfriendly nation to take over the world. The third book in the series, The Culmination, a new beginning is an action-packed military thriller that spans the globe and involves multiple Heads of State and the threat of World War III. Only love can change the fate of humanity.
When Gwen is not writing, she’s often in the beautiful Red Rocks of Sedona, where she finds inspiration.
About Robbie Cheadle
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
_____________________________________________
Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
_______________________________________________
This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
