“Freedom’s Song”: A Well-Crafted Romantic Thriller

Freedom's Song

Freedom’s Song, by A.K. Lawrence has all the elements of a good romance wrapped up in the plot of a top notch thriller. It is obvious that this is book 2 of the continuing saga of Baldwin series, (novels set in the small town setting of Baldwin, Michigan), but Lawrence offers just enough background to keep me from being in the dark on the first one, without actually reading it, yet doesn’t bog you down with backstory. The characters feel realistic enough to make me care about what happens next, and that’s a good thing.

Hunter and Anna found each other last summer, during the life or death events in the first book, when he became the knight in shining armor for both Anna, who was kidnapped and Nancy, who was married to Anna’s kidnapper, an all-around louse of a guy, named Dock. Now Nancy’s divorce is almost final, and Colby has plans to make his move for Nancy once she is a free agent once more. But, all is not as it seems and a blast from his puts the brakes on his anticipated romance, when his college stalker girlfriend reappears on the scene to claim her man.

The only complaint I had with this story was I felt the dwarf subplot and the proposal pool were left unresolved, and we really didn’t get to see them through to the end. If you read the book, you’ll see what I mean. The romantic elements carry the story as we get to know the characters and sets things up, but when the thriller elements join the party things start hopping with good tension and suspense. I give Freedom’s Song five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Albatrose: An Odd Bird Indeed

Albatross

When I started Albatrose, by R.A. Macavoy and Nancy L. Palmer, I was reminded of the 1993 film, The Fugitive, starring Harrison Ford and Tommy Lee Jones. Indeed, there are some similarities. Certainly it can be seen why I would associate Dr. Rob MacAuley of Albatross, with Dr. Richard Kimble of The Fugitive. Both men hold the title of doctor although Dr. MacAuley is a physicist, rather than a medical doctor, and both are fugitives from justice, framed for murders they didn’t commit. But that is where the similarities stop. Albatross is such a refreshingly different tale, filled with mystery and intrigue, that I hate to say too much here.

Albatross takes us to a future world where the government is confused, or corrupt, or maybe just crazy, and Dr. Rob MacAuley is on the run for crimes he did not commit. He’s on the run until the government elects to legalize slavery for conficted criminals. Then, Thomas Hiediman, an independently wealthy American, uses the new law against those who made it, when he convinces McAuley to turn himself in and become his slave. To say more here would require a spoiler alert. As I said, a very different type of story, where it’s hard to tell who to trust, for characters as well as readers.

Even with the mild head hopping, (my pet peeve), which occurred, I found myself compelled to learn what happens next. I found myself thinking about the story when I wasn’t reading it, which are all the hallmarks of a truly good tale. I give Albatross four quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Interview with “The Best Seller”author Dina Rae

dins

Today, we have with us, the science fiction author of the conspiracy thriller, The Best Seller, Dina Rae. She’s tried both the traditional publishing and self-publishing routes, and her latest novel, The Best Seller, was recently released by Solstice Publishing. With this interview, we kick off her book blog tour with Full Moon Bites author promotions.

Kaye: Your latest science fiction conspiracy thriller, The Best Seller: Book 1 of 2 was recently released. It is the tale of a writer’s dream come true, turned nightmare. Would you like to talk about that? Tell us what it’s all about.

Dina: I thought it would be interesting to write about a Stephen King-like author who doesn’t write his work, but records it from extraterrestrials.  I once listened to a podcast that talked about automatic writing that comes from the Akashic record and thought it would play well in a novel.  Of course, the author doesn’t live happily ever after.  That would make for a short, boring book.  There’s a reason for it as you read on.  My next novel, The Sequel, gets more into it.

Kaye: You’re a wife and mother in addition to being a writer. What are your secrets for juggling writing with family?

Dina: I also work full-time as a teacher and coach, so yes, it’s a lot to juggle!  I bring a notebook with me at all times.  When I am waiting at the dentist, it’s time to write; when I am waiting for noodles to boil, it’s time to write; when I am at a choir concert or softball game; it’s time to write…  You can always find time to do the things you love to do.  I wish I was that determined when it comes to working out!  I have found that the most productive people on the planet are the ones who have no time.  Ask the busiest person you know to do something and it’s done!

Kaye: What is the one thing you hope to teach your children?

Dina: Great question!  I want them to be good people, but also know that it is okay to mess up.  It’s okay to take a risk and fail.  Learning from mistakes is not just a lesson, but a way to live your life.  I want them to understand the value of a dollar.  So many young people start out their lives in massive debt from college.  Life’s expenses cause more debt.  My college-aged daughters decided to attend junior college and work as a way to keep expenses down.  They might just graduate debt free.  They both have friends who already are in massive debt and have yet to graduate.

bestseller (1)

Kaye: Your books are filled with conspiracies and intrigue. A lot of your books don’t fit neatly into a genre category or subcategory. How do you describe your books?

Dina: I love a good conspiracy-left-wing, right-wing, alien, HAARP, contrails, 911, apocalypse, bring it on!  All of my books take kernels of popular conspiracies and then build stories around them.  The Best Seller delves into how the government not only knows about extraterrestrials, but partners up with them to maintain power.  Of course, a humongous conspiracy always has a few that go rogue which messes up the plan.  I also take the Roswell incident and fill in the blanks about how our government found a spaceship and aliens in New Mexico back in 1947.  In The Sequel, The Best Seller’s second volume, there is a great deal of conspiracy about Hitler and his Nazis.

Kaye: You do a lot of research in order to write about things you haven’t ever seen and places you’ve never been? What are some of the strangest things you’ve ever had to research for your books?

Dina: In The Sequel, I spent a great deal of time researching races of aliens.  David Icke’s name popped a few million times.  Very, very strange.  He believes a Reptillian race lives on earth among us.  They shapeshift into key figures of the elite circle.  These Reptillians prepare for New World Order.  I loved it!  He is very sincere in his beliefs as are the many who follow him.

Kaye: Are you a plotter or a pantser? Why?

Dina: I am a total pantser for the first half of the book.  I start plotting later on, and then go back to change everything!  I tend to work better without an outline.

Kaye: You’ve made some pretty awesome book trailers, which do a good job of capturing readers’ attention, but how effective have they been as far as selling books goes?

Dina: Thanks so much!  The truth is the trailers do not generate a lot of hits.  They are something that I will keep doing anyway.  I think that I get most of my sales from interviews of bloggers and radio hosts.  I also will have selling spurts after a great review from a review blog.

Kaye: If writing suddenly made you rich and famous, what would you do?

Dina:  I would love to find out!  I have everything that I want in a middle-class capacity.  Extra money would mean lots of traveling.

Kaye: What’s the most fun part of writing a novel? What’s the least fun part?

Dina: Most fun-I oddly love to research.  I also love putting the pieces together for the story-it’s like a puzzle.  Yes, I am a geek!  Least fun-editing and constantly promoting.

Kaye: What did your road to publication look like? How did you get to where you are today?

Dina: My first book was The Last Degree.  My publisher was not entirely on the up and up.  I didn’t know any better.  I pulled the manuscript and canceled the contract.  The book is now up on Amazon as self-published.  My second book and third books, Halo of the Damned and Halo of the Nephilim, had much smoother rides.  They were published by Damnation Books.  They recently sold the business to another publisher, Caliburn Books.  The Best Seller was picked up by Solstice Publishing and they have been great.  The got back to me right away after my query.  I signed and then they gave me a cover.  While it was being edited, I started promoting the book.

My advice to new writers is this-check out Preditors and Editors.  They keep tabs on the publishing world.  Also know that not everyone is legit.

Kaye: Is there anything unique or unusual about your writing process?

Dina: Not really, but I do like to write longhand.  I like to buy cool looking journals to write in.

Kaye: What is the strangest inspiration for a story you’ve ever had?

Dina: It’s certainly not an original idea, but genetic modifications, cloning, CRISP-R, and gene therapy scare the hell out of me.  Fear of the future inspires me.  I don’t see the progress, I see the pitfalls.

Kaye: What do you like to do when you’re not writing?

Dina: I love to play tennis and walk my two dogs.  My husband and I also love to go to flea markets for fun.

Kaye: What is the biggest challenge of being a writer for you?

Dina: There are so many challenges.  Advertising is so expensive.  Authors have to be more creative in their promotions.  There is a lot of trial and error.

Kaye: If you could have lunch with any author, alive or dead, who would it be?  Why?

Dina: Jesus Christ/God because I believe they wrote the Bible.  Meeting them would mean I made it into Heaven.  On a less divine note, I would love to talk to Shakespeare (or Queen Elizabeth as some conspiracy theories claim is the real author of all of those plays).  I want to know how it feels to have so many of your phrases used in today’s language.  I would want to know how he feels about modern literature.

Thanks so much for interviewing me!  Great questions!

I want to thank you, Dina, for sharing with myself and my readers a small glimpse into your life and your writing. I’m sure The Best Seller will be… a best seller, and I’m pleased to be able to help kick off your tour.

You can follow Dina here:

@haloofthedamned
Blog: http://www.dinaraeswritestuff.blogspot.com/

Goodreads: https://www.goodreads.com/book/show/30286767-the-best-seller

Facebook

 

See Her Book Trailers Here:

The Best Seller: https://www.youtube.com/watch?v=JQER8wJmaf8
The Last Degree: http://www.youtube.com/watch?v=nkbg6Yy8UKU
Halo of the Damned: http://www.youtube.com/watch?v=4p89LXZNxOs

 

Dina is also hosting a give away for 2 signed paperbacks of The Best Seller, and 2 Amazon $10.00 gift cards. You can enter the give away here:

http://www.rafflecopter.com/rafl/display/873c06d2357/?

 

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“Unpredictable Webs” Keeps Readers Guessing

Unpredictable Webs

Unpredictable Webs by international award winning author, Darlene Quinn, is an intricately plotted and tightly woven story of mystery and intrigue. A vivid cast of characters, who all think they know what’s best keep the pages turning. Although the book is a single piece in a much larger tapestry, it easily works as a stand alone for those who have not read other books in Quinn’s Web series.

As moguls of a major department store chain, Conrad and Ashleigh Taylor are open targets for attacks from all directions. Whether from protesters, who don’t want the iconic name of John Stewart’s to be swallowed whole by their Jordan’s conglomerate, or predators who see only dollar signs when they consider the wealthy couple, the threats are always near. When one predator goes after one of their twin teenage girls in a kidnapping gone awry, there is no telling what will happen next, and the Taylors will stop at nothing to get their daughter back.

Unpredictable Webs is a complex tale of suspense, which keeps readers on their toes with skilled crafting and well developed plot. I give it four quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Weekly Writing Memo: Horror Inspiration

Weekly Writing MemoOne question I hear asked a lot to writers is, “where do you find your stories?” This question is sort of silly to me because stories are everywhere around you if you look. Every item you come across in your day has a story for how it became what it is, and got where it is. If you ask enough questions, eventually you’ll find some interesting element that you can turn into a compelling story if you try. I could go on for a long time about ways to find a story, so instead I decide, in honor of Halloween, to narrow the focus this week and discuss where to find inspiration for horror stories in particular.

For me, I really think horror stories have to either start with the protagonist or the “monster.” By monster, I mean whatever villain is in your story, be it a literal monster, a ghost, a serial killer, a psychological monster, a location, etc. I say this because the core of most horror stories is the conflict between these two entities — the protagonist and the monster — and I think starting with one of them can be the easiest way to start a horror story. If you start with the monster, you can ask yourself who would it go after and find your protagonist. If you start with the protagonist, you can ask yourself what type of monster would they encounter and go from there. Immediately either one can give you your story, but where do you find the protagonist or the monster?

Protagonists

If you want to start your horror story by coming up with your protagonist and you have no ideas in mind, you can go several directions:

  • Pick someone you know and turn them into a character by changing some of their traits to make them slightly different.
  • Pick a stranger on the street and create a character from them based on what you can infer from their appearance and behavior.
  • Pick a stereotype character and then do a free write or character sheet to turn them into something more and give them depth.
  • Pick an occupation and then create a character that fills that job role.

There are a ton of other ways to come up with a character, but these are a few of my favorite simple ones. Once you have a character in mind you can find your monster by asking yourself where would this character go to find trouble? Does it find them, or do they seek it out by going somewhere they shouldn’t? Do they have a friend that takes them to a haunted forest? Do they live near a mental asylum where a killer can escape? Do they work in a hospital where people die every day and ghosts may linger? Do they go swimming or camping in a secluded area where monsters could lurk in the shadows?

Think about all the places your character may go on a daily or weekly basis and think about what kinds of monsters they could encounter there. If none of these places is suitable, then think about what kind of friends your character has, and what kind of trouble those characters could get the protagonist into. Do they have a reckless friend who likes going into abandoned buildings? A crazy friend who sees things? A friend who picks up shady drifters and brings them home? Once you have the monster your character would most likely meet, you can start creating the plot between the monster and the protagonist and find your story.

Monsters

As I said earlier, when I use the term “monster” I don’t necessarily mean a literal monster, but rather I mean any type of antagonist your character will come up against in the story. Monsters can be anywhere, and if you’re prone to writing horror it’s a good idea to keep a list somewhere of various monster ideas whenever you come up with one. A few places that I generally find monster ideas include:

  • Reading about urban legends and mythical creatures. Those cheap tabloid papers have some great ones of these, as do those random lists of legends, myths, and creatures that are all over the internet. Pick one and make it your own, give it a setting, and see where it takes you.
  • Phobias. These are a great source for monster inspiration because once you pick a phobia you can use it to build your monster. Think of phobia that you like, or look up a list and pick one, and then ask yourself if your character has that fear what kind of monster would trigger it? Do they have a fear of being alone? Then how about you forget them in the middle of the ocean after a deep sea diving expedition (Open Water). Do they have a fear of the dark, well how about a monster that only appears in the darkness and can make the lights go out (Lights Out, Darkness Falls)? Whatever phobia you choose, ask yourself where or how your character can be forced to face it, and what kind of monster could cause them to. Sometimes it’s even the monster that has the fear (Lights Out) and it can be used as part of how the protagonist defeats them, so you can also try to create a monster from that angle as well.
  • True unsolved mysteries or famous oddities. These are a great source for horror because they’re true, unexplained, and usually, have just the right amount of creepiness to them that they can be twisted even further for the perfect horror story.

Any of the options above can work for finding a monster to create your horror story around, but they aren’t the only way. At the heart, the monster comes from the twisting of something that is somewhat normal to something threatening. Think about it. Cujo was a dog, a ghost is just a (dead) person, water is just water, etc, but all can be turned and twisted to become a monster. So if you can’t find some kind of monster from the ideas above, then try taking something random and asking how could it be dangerous? How could it be scary?

Once you have the “monster,” then ask yourself what kind of character would they either go after or accidentally encounter? Is the monster in a lake at a teen summer camp? Are they in a house that a nice young family has just moved into? Are they in a school where kids just want to go to prom? Once you know who your monster’s victims are, and where the monster hunts, then you have your story.


“Dark Places” Makes Your Skin Crawl

Dark Places

Dark Places, by Linda Ladd may be an older release, (copyright 2007), but it’s definitely worth the read for those who love a good thriller. This well written tale  combines the elements of a who-done-it, with those of a police procedural thriller to produce a tale that will make your skin crawl.  Ladd masterfully builds suspense as the plot unfolds, alternating between glimpses into the villain’s mind, which are truly disturbing, and the point of view of the lead investigator, Detective Claire Morgan.

There’s a serial killer on the loose who does away with his victims in the most disturbing ways. The things that are found in his favorite dark places will literally give you the creeps. The tension rises as Morgan seems to be closing in on the killer, but the closer she gets to revealing his identity, the more she risks becoming the next victim.

This is not a story for the faint of heart. It may have you checking under the covers before you shut out the lights, and you may even want to call an exterminator before you’re through turning the pages in this creepy, crawly tale that keeps you guessing until the very end.

I give Dark Places four quills.         Four Quills3

 

Kaye Lynne Booth does honest book reviews on Writing to be Read, and she never charges for them. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Only the Killer Knows Who is “Chosen to Die”

Chosen to Die

 In Chosen to Die, by Lisa Jackson, Detective Regan Pescoli has been following every lead in order to reveal the identity of a serial killer who prays on young women traveling through Montana wilderness, disabling them, gaining their trust, and eventually leaving them to die in the deathly cold of winter. The killer leaves a cryptic message, revealed one letter at a time with each victim. Jackson crafts her tale to masterfully mount the suspense as each new piece to the puzzle falls into place until the killer’s identity is finally revealed.

The stakes are raised and the clock is ticking, when Pescoli discovers she’s been chosen to die and the hunter becomes the hunted. She must find a way to save herself and bring the fiend to justice before he chooses to do away with her. Nick Santana, the man she’s been dating, will stop at nothing to find her. Detective Selena Alverez is also determined to figure out who the killer is and find her partner before it’s too late, but the clock is ticking and no one but the killer knows when Pescoli’s time will be up as the body count rises.

I give Chosen to Die four quills.               Four Quills3

 

Kaye Lynne Booth does honest book reviews on Writing to be Read, and she never charges for them. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Weekly Writing Memo: All About the Setup

Weekly Writing MemoOne of the most important elements of a story for it to work is for everything to be set up properly. Your plot, your characters, and your resolution all need to be set up in such a way that your audience can believe them. If the audience doesn’t believe it, or “buy in” as it’s often called, then they won’t enjoy your story and may not even continue it. So how do you properly set up everything in your story so it works?

What does your audience need to know?

Think about your plot, your characters, and your world before you start writing. What does your audience need to know about each of these in order for them to understand your story? If needed, make a list. Add to it anything that needs to happen in order for your plot to unfold, and decide in what order those things need to happen.

The things on this list are the things you need to set up in order for your audience to get into your story. Does your character have a mental problem? Then even if you don’t reveal it right away you need to show signs of it, foreshadowing what is to be revealed so when the reveal happens the audience believes it. Does your world involve superhuman mutants? Then again, this is something that needs to be set up in your story so your audience understands the world. Even if you don’t want to reveal the mutants, you need to reveal that there is the possibility of something supernatural going on. Think of all these sorts of elements that will be in your story before you get writing so you have a clear image in mind of what you need to do. You don’t have to make the elements obvious or spell it out blatantly, but do find ways to at least hint at these details so they don’t throw off your audience when they come into play later.

When do they need to know it?

The second part of setting up a story is know WHEN to reveal things. How much do you need to set up right away, and how much can you hold onto and reveal later? You don’t want all these details to come out in a list when you’re writing. They should come out in small doses as necessary. For example, your audience needs to know right away that your character has an enormous scar if it plays into how people react to him/her throughout the story. However, your audience doesn’t need to know right away how your character got the scar. In fact, the audience may never need to know how the character got the scar unless it plays an important part in the story for some reason.

The common mistake I see when people are setting up a story is mainly not mentioning something until it is needed to move the plot forward. For example, if your character needs to know complex mathematics, but your entire story she never once uses math, it’ll seem awfully convenient if the moment she needs it she busts out some calculus. Anything such as this that is key to moving the plot forward, or key to solving a problem, should be established in advance of when the character needs it. If it is something that is constant, then it should be established right from the beginning. If it’s something minor, then it just needs to be established a few scenes or so before it becomes relevant.

How can I show it?

So how do you show these minor things in your story without them coming off as listing or uninteresting? Something like the mathematics example would be boring if the character just said “I’m good at math.” Instead, you could simply have a short moment where your character does some impressive mental math for some reason, or even have something subtle like a math diploma on the wall someplace. These kinds of small details, or small moments, can be a way to establish important elements without taking too much story time.

For anything minor, the quicker you can establish it and move on, usually the better. Anything that is a key element of the story can be established by doing continual small touches throughout the story as it unfolds. For example, if you want to establish someone has anxiety about something, you can have them behave in increasingly anxious ways until their full anxiety is revealed.

Final Notes

Ultimately, there will be three stages of setting up your story. The first is the things you’ll know right off that you need to establish before you even begin writing. The second will be the things you discover as you are writing. When you come across these things in the second stage, it’s important to remember to not just throw them in when they come up. Take a moment to sit back and think about where that detail could naturally fit into the story. If you just put it in where you think of it, will it seem like something that conveniently pops up to solve the story conflict?

The final stage of setting up your story will come after you get feedback. Whoever you use as your beta reader should be able to tell you what doesn’t make sense, and you can use that as a sounding board for what in your story needs more setting up, and what you can do less on. No matter how obvious you think something is, people will always have different viewpoints so if you can find a subtle way to set it up a tad more, it’s probably a good idea to do so.

Robin Conley offers great writing advice most Wednesdays on Writing to be Read. If you just can’t wait until next week to find out more, you can pop into her blog, Author the World, for more tips, or a weekly writing prompt.