Today, I am delighted to introduce poet, Maggie Watson. Maggie writes incredibly compelling poetry which you can find on her blog here: Ephemeral Encounters
Over to Maggie
Robbie, thank you so much for inviting me to be your guest on Treasuring Poetry. I loved your questions, and I hope everyone finds my answers, at the very least, a little interesting.
My favourite style of poetry to read is haiku.
Haiku poems are easy on the eye, yet they can evoke strong emotions in a few words. If a poem is too long, I lose interest halfway through unless it grabs me in the first couple of lines.
My favourite haiku is “A Poppy Blooms” by Katsushika Hokusai
I write, erase, rewrite
Erase again, and then
A poppy blooms.
The writer here uses the imagery of spring to describe his writing process.
I would use winter, as I sometimes find the whole writing process frustrating, especially when I am blocked, staring at a blank piece of paper (a barren landscape in winter).
My favourite style of writing poetry is freestyle. I am ashamed to say that I have not tried any other style. I did attempt a few haiku a while back, but not consistently. As I write, it comes from my heart and soul and usually reflects my mood or thoughts at that moment. I hope no one shoots me down in flames for saying this, but poetry should be as free as a bird set free, not confined or restricted to parameters.
My favourite poem written by me is one of the first I ever wrote in 2020, one of the better ones, I hasten to add. The Mask is also in my new Collection, Pieces of Me and is related to the subject matter.
She puts it on before she goes outside,
just in case anyone should see inside.
The darkness, the hurt, the years ripped and scarred with dirt.
No one knows.
No one cares.
They only see the Mask she wears.
She tries but can’t forget all the angry words and threats buried deep within and the pain that never seems to dim.
So she smiles, wears the Mask, and hopes that no one ever asks.
I had originally planned to call this collection Bouquets of Barbed Wire, however, it was a little too close to the title of a television programme that I remember my parents watching, so I decided against it.
Pieces of Me is another poem from another Collection, “In the Shadow of my Pen: A Collection of Poetry and Prose.
Not long after joining WordPress, David from A Skeptics Kaddish reblogged it. I then decided to write two other parts, all three are in the new Collection. The new collection is my story in poems about my abusive relationship. The main form of abuse was gaslighting, which is a gradual erosion of your spirit, piece by piece. By sharing my story, I hope to inspire others to do the same.
Thank you again Robbie for giving me this space.
It’s my pleasure, Maggie. Thank you for being a wonderful guest.
My review of Pieces of Me, A collection of poems by Maggie Watson
Picture caption: Cover of Pieces of Me by Maggie Watson
Pieces of Me is a collection of powerful poems written by a survivor of domestic abuse. The abuse the poet suffered was not physical or sexual, but rather mental. The kind that slowly and insidiously destroys your spirit.
The collection is divided into parts reflecting the various stages of the poet’s abuse from the early days of her marriage until she found the determination and courage to exit her destructive relationship.
Red light spells danger: These poems are about the warning signs that the poet was to young and inexperienced to understand. It is awful to think of a young person being lured into such a terrible set of circumstances like a fly into a spider web.
“I was blind. I did not see it. Too young, too naive. Red light spells danger, but I ignored the colour of your aura.” An extract from Red Lights Spell Danger
When I think back over my own youth, I sigh with relief that I never fell victim to such a man’s charms. It could have happened so easily as we are gullible and innocent when we are young.
Eggshells is the next section and eloquently describes living with a bully and gas lighter.
“A soul in pain, cute with a blade, the wound then stitched together with words unkind Spirit erased, replaced with doubts and fears. Thoughts of unworthiness grow among the stitches sown Drip, drip, they slowly infiltrate the mind.” Extract from Soul in Pain
I am becoming is an uplifting section where the poet describes her escape from the vicious clutches of her abuser and path towards reclaiming her life.
“Never be a lamb to their slaughter don’t let them watch you bleed It is they who are weak as they plant their seeds in your womb for the pleasure that they seek.”
A collection of strongly worded and evocative poems that make you walk the poet’s path hand-in-hand with her. With compassion comes understanding.
Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
My guest today on “Chatting with the Pros” is a talented author who I discovered quite by accident when I was reading through the slush pile for the Gilded Glass anthology for Western Colorado University and WordFire Press. As I read, I kept a list of stories which I particularly liked and once the selections for the anthology were made, I sent out invitations to the stories on my list which weren’t chosen, offering them to be featured in WordCrafter anthologies. Joseph took me up on my offer, and his story “Marianne” was featured in the Visions anthology in 2022, and a friendship has formed between us since then. I’ve reviewed several of his books, and his story “Blood Magic” was featured in last year’s Midnight Roost anthology, and this year’s Midnight Garden features five of his tales.
Joseph Carrabis told stories to anyone who would listen starting in childhood, wrote his first stories in grade school, and started getting paid for his writing in 1978. He’s been everything from a long-haul trucker to a Chief Research Scientist and holds patents covering mathematics, anthropology, neuroscience, and linguistics. After patenting a technology which he created in his basement and creating an international company, he retired from corporate life and now he spends his time writing fiction based on his experiences. His work appears regularly in several anthologies and his own published novels. You can learn more about him at https://josephcarrabis.com.
Interview
Kaye: When did you first start writing and why?
Joseph: My writing career started when I was less than ten years old and is something I document in both My Sister Got Me Started and Mission of the Heart. Basically, my sister Sandra (seven years my senior) had to read a book for an English class assignment. I don’t know if she was required to read a science-fiction book or not, and the book she chose was James Blish’s Mission to the Heart Stars.
The book so captivated her that she told me about it one evening while we washed dishes after dinner. I didn’t prompt her about it, and that’s important. The book owned her at such a deep level of mind, heart, hope, and soul that she had to share it with me.
I remember the look of wonder and awe in her eyes when she told me about the space ship and the individuals on board, of the alien “Angels”, a race so ancient no other life forms knew of their origin, of the council government at the center of the galaxy (hence “Heart Stars”).
Just remembering her excitement, her joy, her need to let me know about the book, I get chills.
And I decided there and then, a wee child listening to his beloved big sister share the fire a book kindled in her, that I wanted to create that fire in others.
Kaye: Tell us a little about your background?
Joseph: Oy. A little…I’ve been everything from a long-haul trucker to a Chief Research Scientist, from an apprentice butcher to a Annenberg Senior Research Fellow, from a night watchman to an original member of the NYAS-UN Scientists Without Borders program.
How “little” would you like?
My most fun job was as night watchman. I mean, how often do you get paid to watch the night?
Unless you’re an astronomer, of course…
Kaye: Where do you look for inspiration for your stories?
Joseph: Wait a minute. People have to go looking for inspiration? Wow. I didn’t know I was suppose to go looking for it.
Kaye: You write both short fiction and novel length works. Which do you like better? And why?
Joseph: Hmm…Interesting question. Structurally they’re not different (does that raise hackles or eyebrows?). Both require all the story elements, both require a story worth telling and the crafting to tell it well – hopefully I have both and readers are better judges of that than I – perhaps the greatest similarity is both require someone wanting to tell them. Happy to discuss this in more detail, if anyone’s interested.
Kaye: How many book length works do you have out there?
Joseph: Non-fiction – 20+
Fiction – 8 at present, probably 9 when this is published (includes an anthology of previously published work)
Kaye: You have a lot of short stories featured in anthologies, including Visions and the Midnight Anthology Series from WordCrafter Press. In fact, in Midnight Garden, you have not one or two, but five short stories. What is your best advice for an author wishing to get their short fiction into anthologies?
Joseph: Best advice? Write. Write write write write write.
And when you think you’ve written enough, write more. More more more more more.
Second best advice is a toss up. Either learn to read as an author or study. If the latter, study study study study study. And not just writing. Poetry, drama, theater, all creative forms as they feed each other.
Studying and learning to read as an author tend to go hand-in-hand. I believe they feed each other.
And again, happy to discuss if anybody wants to know more.
Kaye: What is Northern Lights Publishing?
Joseph: Ah. Sometimes I wonder…okay, the official line: Northern Lights Publishing/Press is an association of five professionals (one graphic artist, a marketing group, one editor/book designer, one copyeditor, one senior editor) and a rotating group of ten published authors and poets all of whom are passionate readers. Financial backing is provided by a small group of investors led by Susan and Joseph Carrabis through the NextStage Evolution corporation. Everyone receives remuneration and owns an equal share of the company with the exception of Susan and Joseph Carrabis (who receive no compensation or remuneration for their time and efforts).
Kaye: How do you promote your books? Which marketing strategies have you found effective?
Joseph: I promote my books by publishing short stories anywhere and everywhere editors are willing to put them. I see bumps in my book sales every time a story of mine is published. I also regularly publish. Readers like seeing a full bookshelf from an author because they know, if they like the author’s work, there’s more to read from that author. Lastly I do book signings and readings, although the venues for that are becoming increasingly few.
Most effective for me is the latter as I enjoy meeting and talking with people. I love learning people’s stories. Most people who approach me at a signing, reading, discussion, presentation, … want to share what’s going on in their lives, they’re not tremendously interested in mine (I’m boring and dull, did you know?) and I’m happy to listen.
Kaye: What is the most difficult obstacle you have faced as an author? And how have you overcome it? Or have you?
Joseph: Hmm…most difficult obstacle…hmm…Probably myself. Sometimes I get in the way of the work. I’ll want the story to go a certain way or I’ll want the characters to do or act certain ways. That’s my ego getting in the way of the story. I don’t have a place in my stories, my characters do, so even though my work is highly autobiographical, I still need to let the characters, the places, the events, et cetera, indigenous to the story do the work.
How have I overcome it? By listening to my characters, to the places, to the situations, so on and on and on, which populate my stories. They let me know when I’ve gone astray. Fortunately, they’re all quite patient and give me time to come back.
Have I overcome it? Not completely, no. I still have an ego and sometimes it does get in the way. I’m getting better at noticing it, though, and once recognized, I have tools to get things going smoothly once again.
Kaye: Which authors do you emulate, if any?
Joseph: The good ones.
Who are the good ones? Laugh if you will, and Burroughs’ Tarzan and John Carter books are gems of action and pacing. Charles Frazier is a genius at voice, tone, atmosphere, and character. Angela Panayotopulos takes you places, Lidia Yuknavitch brings you places, Laura Koerber is the goddess of urban fantasy/magic realism, Bina Shah does voice and gender better than anybody I know, James Tiptree, Jr (Alice Sheldon) creates an atmosphere and characters you breathe and know or die, Zane Gray does setting and scene better than most, Craig Johnson is a master of plot via character and action via dialogue, Katherine Mansfield is the best at character via setting, … How many would you like and how far back would you like me to go? You can get an idea of what I read and what I think of what I read at Great Opening Lines – and Why! and Why It Works for Me.
Kaye: The characters you create are very human. Do you see parts of yourself in your characters?
Joseph: I’ve repeatedly shared that I write autobiography. I’m in all my characters. The nice ones, the not-nice ones, the men and women, the animals and aliens.
Kaye: Of those you have written, book length or short fiction, what is your favorite story? And why?
Joseph: Of those I’ve written? You mean which child is my favorite? No comment.
Kaye: What is the best writing advice you’ve ever received?
Joseph: That’s a tough one because nobody ever gave me the writing advice I give (such as I did above). They may have said the words – for example, “Read, read, read!” and “Write, write, write!” – but nobody ever explained how to read and how/what to write. I read everything I could find (still do) but I only learned how to read as an author in my…oh, I don’t know…mid- to late-forties? Reading as an author radically changed my taste in reading material because I refuse to read poor writing. Somebody asked me what my favorite genre is and I replied, “Well written. Unfortunately not a lot of authors are doing it these days.” I don’t care how many awards something’s got or where it is on bestseller lists (for the record, my work’s received some awards, nominations, recommendations, and been on some bestseller lists). The former are often either political or purchased, the latter are almost always purchased. Nor do I accept market forces. People dying on a desert will eat sand because they don’t know any better, and so long as readers are happy reading what they’re reading, excellent! Wish I could be like them. I’m sure I was, and that’s the price of awareness and enlightenment. You can’t become unaware and unenlightened. A sommalier may be gracious and drink a 6$US bottle of wine with some friends, and they won’t go out and get a 6$US bottle for themselves.
Kaye: Thank you for being my guest today, Joseph. It’s been a pleasure chatting with you. Before we go tell us where readers can go to find out more about you and your books?
Joseph: I’m on Amazon, folks can read my blog, I’m on Facebook, LinkedIn, Twitter, and some other social networks. Google “Joseph Carrabis” and let me know what comes up.
About Tag
A severed witch’s hand changes the face of Eastern Europe forever.
Eric and Julia seek tree grafts on the outskirts of their medieval eastern European village as a summer storm gathers. Sullya, a witch hiding among the trees, grabs Julia. Eric swings his axe and severs Sullya’s hand from her arm. The witch seeks refuge in the deep bole of an old oak. Her hand falls onto the same oak and crawls up the trunk to join her.
Eric wants to flee but Julia, believing they’re safe thanks to the now heavy rain, torments the witch. Sullya curses them, their families, their crops, their livestock, and their village. Soon crops wilt, livestock die, and much of village falls ill. The village priest, Father Baillot, seems ignorant of church ways and proves ineffective against the curse. The village elders seek help elsewhere, specifically from a distant priest, Father Patreo, who knows the Old Ways as well as the New. Patreo is out of favor with the Church because he makes no effort to hide his belief that progress comes from exploring all paths, not just those the Church decrees acceptable. He and Verduan, one of the village elders, investigate and encounter witchcraft, devil worship, murder, a coup d’etat, and the clashing of three great cultures. What they discover changes the face of Eastern Europe forever.
I received a digital copy of Tag, by Joseph Carrabis in exchange for an honest review. All opinions stated here are my own. The short fiction story which this novel springs from, “Blood Magic” is featured in the WordCrafter dark fiction anthology, Midnight Roost (2023). I loved that story when I compiled the anthology and so, was thrilled to learn there was more to it than just that short tale. But even if I had no prior knowledge of Carrabis’ vast talent, I would have been drawn to this book by the eye-catching cover. ( This review appeared first in Wilderness House Review).
Tag is a medieval mystery filled with more plot twists and turns than a Stephen King tale, with unique and well-developed characters and descriptions that let readers see every detail vividly. Carrabis is a master storyteller and his talent shines brightly with this novel, enlisting all the senses to bring his scenes to life with his detailed descriptions with the skill of Anne Rice.
There are strange happenings in the village of Nant. Unknown strangers lurk in the shadows, no one is who they appear to be, and everybody seems to have secrets and hidden motives. Just when you think you’ve got it all figured out, something happens to make you realize that you’ve got it all wrong. Some say the village is cursed. Missing and murdered maidens, poisoned waters and dying crops, murders and betrayals. And it all began with a witch in a tree and a curse…. Or… did it?
Tag is a captivating story that will enthrall readers from the very first page. I couldn’t put it down. A delightfully dark tale. I give it five quills.
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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This post is sponsored byTales From the Hanging Tree and WordCrafter Press.
There exists a tree that is timeless, spanning across all dimensions, which absorbs every life as those who are hanged as they die… and it remembers every one. The stories within are a select few of the Tales From the Hanging Tree.
Stories by Kaye Lynne Booth, Paul Kane, DL Mullan, C.R. Johannson, Joseph Carrabis, Sylva Fae, and Matt Usher.
My guest today is author D. Cowart, who has recently released her second novel, Elkabel: A Life Spared, A Destiny Rewritten.
About D. Cowart
D Cowart, born and raised in Atlanta, Georgia, began her writing journey as a young girl. She’s written poetry, children’s stories, songs, song lyrics, a short story, and family skits. A Prison of Silk is her first novel. It’s a story of subjugation in ancient times when girls and their mothers were controlled and owned by men.
Males in other countries today still have rights denied to females. One’s gender reigning supreme over the other is unjustifiable in any era. The premise of this book came to her over thirty years ago. A Bible passage she read showing the low value placed on women infuriated her when she read it.
The author’s stories are character and plot-driven with a new slant on old ideas.
Kaye: Would you begin by telling us about your author journey? How long have you been writing? What inspires you to write?
D. Cowart: I’ve been a storyteller since childhood. Once I terrified my cousins with a ghost story I told them. They had trouble sleeping that night. Since then, I veered from scary tales forever. Through the years I created many, many children’s stories but never tried publishing. I’ve written poems, song lyrics, two songs with tunes, a short story, many articles on topics of interest to me, and a couple of skits for my grandkids to act out.
Kaye: Elkabel is actually your second novel. This one and your first, A Prison in Silk, both take place during the same time period, when women weren’t valued very much. Can you tell us about what inspired you to write these stories?
D. Cowart: I was a third daughter to parents who wanted a boy. Before I was 2 years old, they had a son! I saw the privileges afforded a male child that females had to work for. The time period of the Bible shows beyond question the way women were devalued. The injustices of then and since inspired me to write A PRISON OF SILK.
Kaye: Where do you find information about the time period of these books? What type of research do you do?
D. Cowart: Historical articles of all kinds, even the Bible. If I have any questions, and I always do, I spend as much time as it takes to get a better understanding of that topic even if it’s to write a short sentence. Research keeps me interested and sort of focused as I write my book. This time period has interested me for as long as I can remember and it’s an enjoyable part of my writing process.
Kaye: Is there a third book planned at this time?
D. Cowart: Yes. The third one picks up where the first book ended. I’m excited about the character in this book and his journey.
Kaye: You write historical fiction. Who would you say is your favorite historical character?
D. Cowart: In a broader sense my books are historical fantasy. In my first book, the king is a combination of Alexander the Great, King Solomon, and King Nebuchadnezzar. Even Hannibal with his use of elephants in war.
Kaye: What author or poet (dead or alive) would you most like meet and visit with?
D. Cowart: So many come to mind that I’ll pass on this question.
Kaye: What other outlets do you find for your creativity besides writing?
D. Cowart: I’ve had many hobbies, refinishing furniture was one (loved seeing the wood shine through layers of gunk). I did genealogy work long before it was available online, and dabbled with drawing and acrylic painting. I also sang in a community chorus and loved to line dance.
Kaye: What traits in your main characters do you most identify with?
D. Cowart: I think when you don’t have a lot of support growing up, you have to be resourceful, even brave, and you become stronger in the process because you must.
Kaye: What is the best piece of writing advice that you have ever received?
D. Cowart: When I decided to write a novel, I tapped into wonderful help online. Author Jerry Jenkins’ articles and tips guided me when I first began and countless others since. I guess the thing I want most to achieve is writing a strong beginning, a strong middle, and a strong ending for my stories.
Kaye: Where do you hope to see yourself as a writer in ten years?
D. Cowart: At my age, I just hope to be alive in ten years.
About the Book
In an ancient world when females had little to no power, fifteen-year-old Elkabel becomes an orphan. Family, friends, and all other inhabitants of her province have been slaughtered. She survives only because Medeba, an enemy soldier, defied the royal command and saved her.
Elkabel’s resilience and resourceful attributes take her from one strange life to another. She experiences customs, places, and people a farm girl never knew existed. Never belonging, uprooted again and again, she struggles to make a life of her own.
Will the constant challenges make or break her? And how will helping her change the young soldier’s fate? Don’t miss reading ELKABEL, A Life Spared, A Destiny Rewritten, a fast paced and unpredictable story of survival.
I did a final proofread of the manuscript for Elkabel, A Life Spared, A Destiny Rewritten, by D. Cowart and immediately knew that I wanted to write this review. All opinions stated here are my own.
This story has all the elements of a tragic romance. In the aftermath of a raid to wipe out their people, with orders to spare no one, Medeba finds a young girl, still alive amoung the carnage and can’t bring himself to end her life, although it could mean his own life, should his disobedience be discovered. That girl was Elkabel, and although circumstances rake them both in very different directions, the bond between them remains and can’t be denied.
Elkabel faces trials that make her stronger, while Medeba abandons the only life he knows to find the girl he saved and loves, even before his feelings are realized in his own mind. But it seems fate is determined to keep them apart, as each makes their own way through the world and carries them away from each other.
The descriptive language Cowart uses places the reader in the times and settings of the story, where one can’t help but root for the lovers unrecognized to find one another and allow their love to be realized. Her research and knowledge of the times is evident in every scene.
This historic fantasy is delightful and entertaining, and you won’t want to put it down once you pick it up. I give Elkabel five quills.
Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This post is sponsored by the Women in the West adventure series and WordCrafter Press.
My “Chatting with the Pros” guest for October is crime fiction author Jenifer Ruff. She was a guest back when I first ran the blog series, and I am delighted to have her back for the renewel of the series. (You can see our original interview here.) I am a big fan of her Agent Victoria Heslin Series and I’ve also read the first book in her FBI & CDC series. (You’ll find the links to those reviews in the interview below.)
About Jenifer Ruff
USA TODAY bestselling author Jenifer Ruff writes dark and twisty thrillers, including the award-winning Agent Victoria Thriller Series. Jenifer lives in North Carolina and the mountains of Virginia with her family and a pack of greyhounds. If she’s not writing, she’s probably devouring books or out exploring trails with her dogs. For more information you can visit her website at Jenruff.com or join her at Facebook at facebook.com/authorjruff/
Interview
Kaye: Your books are published under Greyt Companion Press, which is your independent press. Why did you choose to publish independently? Did you try traditional publishing first?
Jenifer: Honestly, I didn’t know what I was doing at first. I didn’t look for an agent, I just started with a small publisher a friend had used. They were great, and it didn’t cost me a penny, but I soon realized I wanted more control over my books. Over the past few years, working full-time as an author and publisher, my writing opportunities grew to a bit more than I could handle alone. Now I have a literary agent who is helping me with some traditional opportunities, foreign rights, and sub rights.
Kaye: As an independent author, can you tell us about your author journey and how you became a U.S.A. Today bestselling author?
Jenifer: Since my first book was published almost ten years ago, I’ve written and published sixteen more books, learned as much as I could about the craft of writing, publishing, and book marketing. I love all of it, and with the industry and tools constantly changing, it’s impossible to ever get bored.
Kaye: I have to say I love your Victoria Heslin thriller series, and I’ve read and reviewed all but two of them. But that series isn’t the only one you write. You also write the FBI & CDC series, and the Brook Walton series. Can you talk a little about each series, so readers might get an idea of each one?
Jenifer: First, thank you so much for reading and reviewing my books. I’m so grateful! Here is a little about each series. All of my books are dark and twisty, but clean (no sex, no swearing.)
Victoria is an introverted special agent with the FBI. She is also an heiress, which allows her to pursue her passion of rescuing animals. She is smart, determined, selfless, and courageous. Victoria’s investigations include tracking serial killers, spree killers, and several missing person cases. She also survived a plane crash and its harrowing aftermath, an incident that made global headlines as rescuers struggled to find the missing jet.
The Brooke Walton Series – Everett, Rothaker, The Intern
This dark psychological thriller series features Brooke Walton, an Ivy League psychopath, on her journey through college and medical school. Brooke is the most determined woman ever. She won’t let anyone or anything stand in the way of her goals. Her stories give you a chilling look inside her mind. Brooke is my favorite creation. Readers either love her, want to see her locked up for life, or can’t quite decide.
The FBI & CDC Thriller Series – Only Wrong Once, Only One Cure, and Only One Wave: The Tsunami Effect
This series features infectious disease expert Dr. Madeline Hamilton and FBI Anti-Terror Agent Quinn Traynor. They’ve dedicated their lives to preventing epidemics and terrorism. I’ve placed them in terrifying situations, forcing them to risk their own lives again and again to protect the rest of us.
Kaye: Most stories are not non-stop action. What are some tips you can offer rising authors for keeping the tension going and holding readers’ interest?
Jenifer: If you’re bored with what you’ve written, readers probably will be too, so scrap the bits that don’t excite you. Always have a central question that needs answering (Who did it? What is the motive? What is the connection?) to keep readers turning the pages.
Kaye: There is some of you in the character of Victoria Heslin, for sure. For one thing, she has a bunch of greyhounds, and you do, as well. Although I don’t think you have as many as she does. What other aspects of Jenifer Ruff went into the creation of Victoria Heslin?
Jenifer: Besides her love for animals, Victoria is an introvert. She’s not shy, but the act of socializing drains her energy, while quiet activities and alone time fill her up – and that is totally me. In most of the Victoria books she picks up a mystery-thriller to read on her Kindle when she has downtime. That’s something I do every day.
Kaye: A current hot topic in the writing and publishing worlds is the use of generative AI in writing and imagery, and even AI narration for audiobooks. Where do you stand on the use of AI?
Jenifer: I think AI is amazing, and I’d prefer it not get any better at writing or narration for the sake of everyone currently making a living in those occupations! I don’t think it could ever push authors and audio book narrators out of the market completely, since so much of a book’s success is related to marketing efforts, and of course luck. But who knows. It’s exciting and also scary.
Kaye: What is the best advice you have for aspiring authors of Crime Fiction?
Jenifer: Read as much as you can in the genre. If you simply enjoy writing and are happy to see your book in print, there are many stress-free ways to accomplish that goal. If sales are important, you must be on social media promoting your books, constantly making an effort to reach new readers. There’s really no way around that these days, unless you have an amazing publishing team doing it for you.
Kaye: Would you like to tell us about your latest book?
Jenifer:The Bad Neighbor is book 9 in my Victoria series but written as a standalone like the rest of them. I just finished proofing the audiobook—narrator Kate Handford just blew me away with her recording—and it’s fresh in my mind. Writing villains is my absolute favorite, getting into their heads and creating their motives, and this one was especially interesting to me. Here’s a taste of what it’s about.
In the idyllic Mountain Meadows neighborhood, a fresh start can quickly become a fatal ending. For newcomers Chris and Zoey Hamilton, the affluent community seems like the perfect location to build a life together. Instead, history repeats itself when Zoey vanishes without a trace—just like the previous homeowner five years ago.
The secrets in Mountain Meadows run deep, and the greatest threats aren’t lurking in the shadows…they’re hosting dinner parties, attending parent-teacher conferences, going to yoga, and waving hello from behind their perfectly trimmed hedges. One of those polite, smiling individuals will stop at nothing to keep the past buried.
Kaye: Where can interested readers find out more about you and your books?
Jenifer: All my books and audiobooks are available on Amazon or through my website Jenruff.com. Print and audiobooks can also be ordered from any major retailer. If my books aren’t in your local library, you can always request them. Libraries are usually very accommodating to requests.
Thank you so much for interviewing me and for your thoughtful questions. I really appreciate it!
My Review of The Bad Neighbor
I received a digital copy of The Bad Neighbor in exchange for an honest review. All opinions expressed here are my own.
That being said, and as already stated, I am a big fan of Jenifer Ruff’s Agent Victoria Heslin Thriller series, of which this is book 9. Each book tells of a different case or situation in which our protagonist, Victoria Heslin, finds herself in. Usually, it’s an accounting of a case that she’s working as a government agent, but occassionally, as in When They Find Us, Heslin is off duty and the situation occurs in her personal life.
In The Bad Neighbor, Heslin finds trouble brewing right in her own neighborhood when a new neighbor turns up missing, and Victoria and her lover, Ned, join in the search to find her and uncover hidden secrets about her neighbors which make them all look a little guilty. It seems that everyone has something to hide and one of them is a killer.
As all the other books in this series, The Bad Neighbor is well written, masterfully leading the reader through twists and turns which eventually lead to a solution to the mystery. This book is everything that a crime fiction thriller should be and makes one wonder how much we really know about our neighbors, and how much do we really want to know. I give it five quills.
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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.
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My guest this month on “Chatting with New Blood” is author Patty L. Fletcher. Her debut novel was Sides of the Order, Book 1 of The Blended Lives Chronicles, which I reviewed back in June of 2024. (You can read my reveiw here.) While I’m writing this, she is busy doing the final edit and proof read on Book 2 of the series, A Battle of Choices. Yep. Patty is in this author thing for the long haul, and she’s got the whole series thing going in full swing. In addition, she is an advocate for those who are visually impaired, like herself and she is active in several organizations which promote inclusion and accessability. Her short fiction has been included in both the Visions and Midnight Roost anthologies from WordCrafter Press, and her poetry was included in Poetry Treasures 3: Passions. She often volunteers as a host for WordCrafter Book Blog Tours, as well, and is always willing to share around WordCrafter and Writing to be Read promotions on her social media channels. She’s here with us today to share some insights into the world of the blind and visually impaired, as well as letting you know about her debut novel.
About Patty Fletcher
Patty L. Fletcher lives in Kingsport Tennessee where she works full time as a Writer with the goal of bridging the great chasm which separates the disAbled from the non-disAbled. She is Also a Social Media Marketing Assistant.
Kaye: I love that your bio gives details about yourself as a person first. You don’t even mention that you are a published author until near the end. So many author bios, including mine, talk about being an author first and throw in the “oh yeah, and I’m a real person with other interests” almost as an afterthought.
Patty: Hello, Kaye and all.
Thanks for having me today.
When I was considering what to put into my media kit, which is where the bio you reference comes from, I gave some thought to what people ask me when we talk about my work. Most of the time, when an interviewer begins asking questions, they talk about who the author is as a person.
When bloggers blog, they also talk about their personal side and people seem to love it. So, to me it only made sense to start that way.
I learn by watching others, doing what they do, then once I’ve a grasp of it all, I add in my own style.
Monkey see monkey do then add in a little of you, is a great thing to remember when entering the writing world.
Kaye: I think this shows a lot about how we define ourselves. I define myself, first and foremost, as an author because writing infiltrates every part of my life. I love to go sit in the forest, watch the birds, smell the flowers, listen to the river flow, and write poetry about them. People I know and relationships I’ve had find their way into my stories. It all come back to the writing. You, on the other hand, define yourself first and foremost by your blindness, which also effects every other part of your life, so it comes first in your bio. So, let’s talk about that aspect of your life.
Kaye: You’ve lived with blindness all your life. What do you feel is the most common misconception about blindness that people hold?
Patty: People tend to say things such as, “Oh, you’re amazing.” Over the slightest things. I have been told it is amazing that I can feed and care for myself, ridiculous things such as the reason I don’t like watching TV is because I cannot see it. That cannot fly, because we have audio description to tell us what’s happening on the screen and even before that was a thing, we blind folk liked TV as much as the next person.
Nope, the reason I don’t watch TV is because that’s chewing gum for the brain. My brain wants substance. Real meat the brain can sink its teeth into. To me, that’s not coming from a TV show about a deputy with a bullet in his pocket.
It’s a great diversion sure, but I’d rather be diverted by a book.
Kaye: I see television is just another form of story telling, because I also do screenwriting, I suppose. But, my grandmother was blind from diabetes, and she used to sit and listen to the television all the time with the rest of the family. In fact, to entertain me, we would pretend to be the characters in my favorite television programs and make up our own stories. But she also listened to talking books, which were around even when I was a kid. Before the written word, people would sit around a fire and listen to the storyteller relate the stories of tribal histories. I think story is a human quality, no matter how we choose consume it. I think it is wonderful that you choose to consume your story through books, and also that you choose to share your own stories in that way.
Kaye: You’re continually active in trying to raise awareness about your disability and there is a huge pool of readers out there with visual impairments. What are some things authors can do to reach that audience?
Patty: The first thing I think people need to understand is that no two blind people process information the same way. Some read braille. This means when they download an eBook they’re downloading it to a braille display. When you write, don’t use a bunch of fancy fonts. Whether a person is visually challenged, totally blind, or has some other print disAbility you’re losing a huge part of your audience right there.
Some blind people, like me for instance, use a screen reader. A screen reader is a software program such as Windows Narrator, which is built into every Microsoft Windows computer which speaks what’s on the screen. So, if you use photos in your digital work, it’s a great idea to include alt text in your photos. This is especially important for the book cover, which is something designed to grab the attention of the buyer. Odds are, if I run on an ad or a blog post which doesn’t include good descriptive text, not something which says, “A photo of the book cover which says, “The Blended Lives Chronicles” That’s not descriptive. I want to know what the cover looks like.
Be descriptive.
Another thing which sends me away without looking further are unlabeled links. If all I hear is “Llink, Link” every time I scroll through a post or website, I’m not looking at it one, more, second than it takes me to close it out. If I don’t know what that link goes to, it’s not getting clicked.
Another thing, even if you don’t plan to release your work as an audio book, take special care with your grammar. When a blind person uses a screen reader with awareness and ability, they can catch a grammar error a mile away and it can also change the way a scene is perceived. Besides, if we’re lucky, the National Library Services for the Blind and Print Disabled program might pick it up and record it for their vast library. Make it reader friendly. Use a program such as the Microsoft Read Allowed feature to listen to your books before you publish. I promise you’ll be glad you did.
Kaye: You have lived a life of service. It seems like you do a lot. Can you tell us about your work with the ADP Performing Arts Committee, Blind Information Technology Specialists, Guide Dog Users Incorporated, and the American Council for the Blind?
Patty: First, a correction the organization is “The American Council Of The Blind” and it is written exactly that way. These things are important because ACB (American Council Of The Blind means the organization is made up and run by blind people. The Word for implies it’s done for us. Not of and by us. Words and Details are so important to the meaning of things aren’t they?
As stated in my bio, I’m just now finding my way with BITS. They’re a special interest affiliate of The American Council Of The Blind focusing on blindness technology. They’re getting ready to offer a class on Microsoft 365 which I use daily. This will help me, and others learn to use it with our screen reader programs, and I cannot wait to take it. I’m certain there are many features within this program I am not aware of. I am sure this will enhance my productivity.
The ADP (Audio Description Project) committee is something I got into about a year or so ago. The committee I’m on focuses on the importance of getting audio description into live theater and national park tours, museums, and the like.
Easy right?
Humph! People aren’t as receptive as you’d believe.
Guide Dog Users Incorporated (GDUI) is another special affiliate of The American Council Of The Blind. Our mission, to raise awareness of guide dogs and advocacy issues.
Two of the biggest things we’re working on are problems with being denied a ride by a rideshare company such as Uber and troubles with needing to prove our dogs are real service animals before we can fly.
One would think in the 21ST century this wouldn’t be a problem, but it is. In fact, thanks to a lot of people abusing the system with their birds, bunnies, and snakes we’ve been pushed back decades.
I’m currently running in the GDUI 2024 election. I hope to be elected as a board of director. This will place me in a position where I can do work with a much more narrowed focus toward advocacy and awareness. Having the power of an entire bord alongside you can surely be effective.
Kaye: Your Blended Lives Chronicles series features a blind protagonist, who has learned to overcome other disabilities as well. What has Laya Moonwalker done to adapt to her afflictions? She even has a trusted guide dog, King, who she has a unique connection with, and she serves on governing boards in her world. How much of Laya Moonwalker is you?
Patty: Let me start with the synopsis of the book.
Lady Laya MoonWalker is a well respected author and magazine owner and a high priestess in the magickal community. After a drawn-out battle with the forces of dark magik, she has come into her own. She lives and works on Planet Korponious, where she is the owner and creator of an Interplanetary Magazine called “Blended Lives Chronicles.” Her mission is to blend the lines of race, creed, and disability that separate so many and to elevate the recognition of the training and ability of Service Animals of all kinds to a new level. She has just been accepted into the Blended Lives Federation and now hopes to continue her work in a way like nothing known to her before.
Laya has created allot of wreckage along the way through her dark journey into the light, and now she wishes to set this to right. She has just received her best break ever. Frank Prince, the CEO of The Blended Lives Learning Center, has invited her to the Celtic New Year Convention and Witches Ball as a reporter to write a story on the progress of The Blended Lives Planetary Federation. She will be their guest speaker at the opening ceremonies.
When Laya arrives at the Celtic Convention, she finds herself face to face with an old and dear friend, Blended Lives Learning Center Instructor and member of the Order of the Night, Derrick Gibbous. As they begin to connect, causing old sparks to reignite, they are tossed into a nasty battle from which not everyone will escape. People are not as they seem, and not everyone supports the side for which they appear to work.
As their love for one another grows, so does the battle. Despite everything, Laya and Derrick are determined to see their work to unite beings of all kinds succeed.
As you can see, Laya walks a lot of paths within her life. Of course, she is a work of fiction, but her battle with mental illness is quite real. That and what she experienced at the hands of her fiancé Jack also came from my own personal experience.
We’re to write what we know so that part is me.
Another thing which comes from my own perspective is the relationship she and King have together. This too comes from my own experience. My guide dog and I are quite bonded, and he needs no human words to let me know what’s what. If people would only pay attention, they would have no problem reading their dog’s thoughts. Maybe it’s a bit dramatized, but it’s also quite real. The trainers mean it when they say, “What you think and feel travels down the leash, and what the dog thinks and feels comes back.”
But for me, it’s more. I can be sitting in the living room not speaking a sound, only thinking to Blue that it’s time to go out or eat and the next thing I know, he’s by my side. Coincidence? No.
Kaye: You have founded and run a couple of different businesses which can be found on your site, Patty’s Worlds: Tell-It-To-The-World Marketing, of which you also host a podcast, and The Writer’s Grapevine Online Magazine. Tell us a little about these two endeavors.
Patty: They are one in the same. Nothing changed about the business I run other than the name and a little restructuring on the pricing.
I’m a content promoter and now I just have people pay a fee for being a sponsoring member of Patty’s Worlds and they receive those services.
Kaye: You also have stories in the Visions and Midnight Roost anthologies, and poetry included in the Poetry Treasures 4 anthology by WordCrafter Press. Can you talk a little about collaborating on an anthology and how that went for you?
Patty: I enjoy collaborating with other writers on such projects. Three things gave me problems when working with a few situations in the production and marketing side.
First, authors need to have a good awareness of what an anthology is and how it gets put together. I once worked with an author who had no idea what was in store when she got the idea. She ended up having to backtrack. There was no contract spelling out who had what right, how royalties would be split, a whole host of things were not dealt with correctly right from the start. Had I not already had some experience with anthologies by that point it could have been a true disaster. Instead, I wrote to her, with some tips and a mock contract and helped her get back on track. The anthology was published, and I made it in.
The second problem I have had when collaborating with authors on anthology projects has been consistency. Again, having all one’s ducks in a row before one begins is absolutely a must.
These things being out of whack for a blind person can make an already daunting job twice as hard. For me at least, I want and need to know exactly what I need to be doing as my part of any project and if those in charge don’t have it together, I’m sunk before I ever begin. That’s more an OCD issue rather than a blindness issue. This makes it extremely hard for someone with a mental health disability.
Finally, I had to deal with working on the marketing end of things with others. Blog tours can be absolutely maddening. I’ve all but stopped participating. I refuse to put a post on my blog without graphic labels (Alt text) in photos, and unlabeled links. I’ve said it at least a jillion time yet when I get into a tour some of the tour stops don’t comply with my wishes and then I’m stuck having to reblog a post somewhere I already know blind readers will not enjoy. So, if you’re out there reading and you’re thinking it might be a great idea to collaborate with me, make sure you’re ready to learn how to jump those hurdles because they’re non-negotiable.
No descriptions or labels, no deal.
Kaye: Please let readers know where they can find you online.
Patty: I’m happy you included me in your interview series. I hope people have a little better understanding of who I am and what I do.
Just in case I left anything out, here’s all my information below. I’ve included links to The American Council Of The Blind, Guide Dog Users Incorporated and BITS.
Please make sure to visit them to gain a better understanding.
Thanks again for reading.
May Harmony find You and Blessid Be.
About Patty L. Fletcher
Updated April 2024.
Patty Fletcher is a single mother with a beautiful daughter, of whom she is enormously proud. She has a great son-in-law and six beautiful grandchildren. From April 2011 through September 2020, she owned and handled a black Labrador from The Seeing Eye® named King Campbell Lee Fletcher A.K.A. Bubba. Sadly, after a long battle with illness on September 24, 2020, King Campbell went to the Rainbow Bridge where all is peace and love. In July 2021, she returned to The Seeing Eye® and was paired with a Black Labrador Golden Retriever cross named Blue.
PATTY’S BLINDNESS…
Patty was born one and a half months premature. Her blindness was caused by her being given too much oxygen in the incubator. She was partially sighted until 1991, at which time she lost her sight due to an infection after cataract surgery and high eye pressure. She used a cane for 31 years before making the change to a guide dog.
WHERE SHE LIVES AND WORKS…
Currently, Patty lives and works in Kingsport, Tenn.
Though she’s not yet found her place there, she is learning things from their informational content.
She’s the creator and owner of Tell-It-To-The-World Marketing (Author, Blogger, Business Assist), The Writer’s Grapevine Online Magazine and the creator and host of the Talk to Tell-It-To-The-World Marketing Podcast, which have recently been reconstructed and can all be found in Patty’s Worlds.
WRITING GOAL…
Patty writes with the goal of bridging the great chasm which separates the disabled from the non-disabled.
Welcome to “Chatting with the Pros”. Today, my September guest is author, publisher, and educator Marie Whittaker. Like myself, Marie likes to dip her toes in several different ponds at the same time, and she is a multi-genre independent author, associate publisher and project manager at WordFire Press, and director of Superstars Writing Seminars, and she teaches publishing courses to graduate students at Western State Colorado University.
I met Marie in her capacity at WordFire Press, when I reached out, requesting a Kevin J. Anderson ARC to review back in 2016. Since then, she has kept me in the loop as new WordFire books became available, so I was never at a loss for reviewing materials, and she has been an invaluable resource in lining up authors for the WordCrafter virtual writing conferences in 2020 and 2021, and in connecting with authors for interviews. I was privilaged to get in a few sessions with her at Western, where she shared just a minunte sampling of her vast publishing knowledge with students. But she always shared something that I hadn’t previously known and I always learned something useful from her and she’s prepared to share some great stuff with us here. I hope you will all join me in giving this lady a big welcome.
About Marie Whittaker
Marie Whittaker is an award-winning essayist and author of fantasy for all ages. She is the creator of The Adventures of Lola Hopscotch. A past finalist for an Indie Book Award, and many of her stories appear in various anthologies, including Weird Tales. She enjoys teaching about project and time management for creatives. Marie has worked as a truck driver and raft guide and is now Associate Publisher at WordFire Press and Executive Director for Superstars Writing Seminars. A Colorado native, Marie is a mom to two adult children and Grammy to one who is made of pure magic. Marie resides in Manitou Springs, where she writes and enjoys hiking, gardening, and renovating her historic Victorian home. Marie is an advocate against animal abuse, a dog mom, cat mom, and bunny mom, and habitually adopts rescue animals. Find more about her at mariewhittaker.com.
Interview
Kaye: You are the Associate Publisher and Project Manager for WordFire Press. How do you manage to juggle all the responsibilities of that job, directing Superstars, plus all you do instructing and organizing students at Western, and being a mom and an author yourself?
Marie: It really helps that I love what I do, have a great boss, and am supported by two excellent teams. I also have project management tools at work and live by my calendar for both my professional and personal time blocking. I love teaching. Being an instructor in Gunnison for the WCU Creative Writing Program is a big honor! My kids are adults and out of the house now, but I have a crew of furbabies that have all hit their geriatric years at the same time so it’s like I’m running a pet nursing home over here. Ha! I love these little souls.
Kaye: You are director of Superstars Writing Seminars, which is held in Colorado Springs, Colorado each February. Please tell us about the seminars. What can attendees expect?
Marie: Superstars is a drink-from-the-firehose, deep dive into the business of writing and our industry. As the “OG” conference on the business of writing, we strive to bring in professionals who teach at the top of their fields within our industry. But the best thing of all is Tribe. Superstars has strong tribe culture and our network is one of the best out there. The conference lasts for five days now that we’ve added programming on Sunday until noon. You can find out more at superstarswriting.com. As a special gift to your readers, they can use code MARIE1371 to register with a $100 discount.
Kaye: You have a page on your website labeled “Consulting for Creatives”. Can you talk about the things you do that would fall under author support? What kind of services do you offer?
Marie: I offer a lot in the way of helping creatives find the work/life balance. I love helping other creatives find ways to succeed with time management. I offer advice on different publishing plans, as there are so many ways to create a successful model these days. I mean, not everyone wants to deal the traditional publishing. Some authors want to self-publish. Some want to proceed into the industry with a hybrid approach, like me. I enjoy sharing resources and tools I’ve discovered in my career so far. That can be found, along with my rather dusty blog, at mariewhittaker.com.
Kaye: You are the author of “horror, urban fantasy, children’s books, and supernatural thrillers”. That is quite a combination. How did it come about that you write in this mixture of genres? What inspires you to write?
Marie: I started off writing horror and I’ll always be a horror girl at heart. Most of my fantasy work has horror elements woven through the themes. I created The Adventures of Lola Hopscotch when I got to a good place in my career and decided I wanted to do something to help kids. The series helps kids with bullying and since I was a bullied kid, the topic sits close to my heart. There are three books to that series and the second one, of course, is a children’s horror book. I couldn’t help myself. As far as inspiration goes, I get hit with new story ideas all the time and it’s mostly when a story idea lands at the same time as the title for the work. Once that happens, I’m off to start taking notes and creating the story.
Kaye: For your adult fiction, you write under a penname, Amity Green. Why did you choose to do so? What purpose does it serve? How did you select a new name for yourself?
Marie: That is such a funny story. I mentioned that when I got started, I was writing a lot of horror. I also wrote some romance. My kids were little back then. I decided on a pen name to keep my writing life separate from my home life for my kids. When deciding on the pen name, I was thinking it over while driving from my home town in Colorado to my new home in Austin. The highway took me through a little town called Amity, Texas. It was in the part of Texas that is green and pretty. So, I came up with Amity Green. These days, I write under my real name and am rebranding my previous nom de plume’s work. My LLC is still Amity Studios, which I intend to keep.
Kaye: Please tell us about your urban fantasy Fate and Fire series.
Marie: This is one of my favorite projects. When I was studying British Literature in London, I got the idea for a teenager who was doing the same thing. This character, Tessa, is a lover of antiquities, like me. Then the idea for an adventure happened and she ended up being locked in an old bookstore and changed into a living, breathing gargoyle. I was reading a lot of shapeshifter stuff back then, so… Anyway, she is one of my most loved characters. She’s tenacious and snarky, and her character arc is fantastic. She goes from being an orphan to an underground hero. I adore her story.
About Scales
“With SCALES, Marie Whittaker kicks off the exciting new FATE AND FIRE series in a big way. Wild, creepy, and deeply imaginative dark fantasy. Highly recommended.” —Jonathan Maberry, New York Times bestselling author of V-WARS and GLIMPSE
When Tessa Conley earns a scholarship to study in London, she’s locked in an ancient bookstore and transformed into a living, breathing gargoyle in this thrilling dark fantasy tale of magic, myth, and destiny.
Kaye: Your supernatural thriller, The Witcher Chime, was a finalist for the Indie Book Awards in 2017. What is it that makes that book stand out?
Marie: This book is some gritty, supernatural, ghost story horror told in a loose thriller format. I got the idea for the story when I was driving a haul truck on a mine site and had to drive during graveyard shifts. Ironically, I wrote that book back when I was getting rights back to another project and I wanted to learn more about being an indie publisher. So, I decided not to send it to any agents and just publish it myself. I entered it into a few indie contests. I’m really happy I published this book myself. It proved to be the best tool for learning about what goes on behind the scenes in the publishing marketplaces.
Kaye: You have a children’s series, The Adventures of Lola Hopscotch. Tell us about the books and the series.
Marie: This project started out as just one picture book to help kids with bullying. I decided to reach out to a new audience by using Kickstarter. The campaign funded and we created Lola Hopscotch and the First Day of School, which was published the following year. The project did pretty well on Kickstarter and we ended up with enough money to have art created for another book. I was thrilled to write Lola Hopscotch and the Spookaroo, which is the kid’s horror book I mentioned earlier. After that, it seemed a trilogy was in order, so I wrote the last book in the series. There’s A New Kid, Lola Hopscotch! helps kids understand how to be kind to new kids at school who might be different in some way. We picked a platypus for the new kid. It was a great time. The trilogy was featured by the PACER Center for Antibullying and StandfortheSilent.org.
About the Lola Hopscotch Series
The Adventures of Lola Hopscotch is a children’s picture book series focusing on spreading kindness, meant for adults to read with kids in order to foster communication about sensitive social issues from an early age.
Kaye: You have something you’d like to share with readers connected to your Lola Hopscotch books. Tell us the exciting news.
Marie: Since the publication of the first book, adult and kid fans of Lola Hopscotch have been asking, “Where can we get the bunny?” I’ve never expanded an IP to include toys or games, much less plush! So, I didn’t really know what to do for the longest time. I finally decided to dig into some research. After all, I, too, want the bunny. So, we decided to embrace a new crowdfunding platform and began working with the good folks over at BackerKit. They are wonderful so far. We put together a fun campaign that you can follow right now. Here’s the handy link. I would LOVE it if you would follow the project and help bring Lola Hopscotch to life for kids to hold while they read.
Lola Hopscotch Plush Pre-Launch
Kaye: What is the single best piece of advice you can offer to aspiring authors?
Marie: Keep writing, and never stop learning. The moment you think you know everything there is to know about our industry is when you accept the career of a midlister, at best. Set expectations for yourself and your writing career so you can balance your life from the beginning. And lastly, it’s my experience that series sell better than stand alone books. Just food for thought.
My Review of Chupadogra
I recieved a digital ARC copy of Chupadogra in exchange for an honest review. All opinions stated here are my own.
Chupadogra: The Manitou Monster Hunters Club, by Marie Whittaker, is Book 1 in her Legendary Roots series. Its a delightful middle grade story about a young boy, Jack, who like the Jack in the fairy tale, is drawn to a magical item better left lie. That Jack is tempted by some magic beans, while this one is called by a magic book, but both magical items lead to adventures beyond their wildest dreams and battle a monster of myth. Like that other Jack, he must use his wits, (and the help of a former bully and his younger sister), to outsmart his opponent, who is bigger, and meaner, but not so bright.
Jack disobeys his grandmother, and lets out all his family secrets, along with a mythical cat-eating Chupadogra, so it naturally falls to Jack to capture the beast and save the cats of Manitou Springs. Lauren Vanbury becomes an unlikely ally in his quest, and they are joined by his kid sister, Gracie, who won’t be left out, no matter how hard Jack tries to exclude her. This story is full of surprises as readers learn the magical secrets right along with Jack and his friends, but there’s no spoilers here.
A charming middle grade mystery which carries readers into worlds of magic and myth. Delightfully entertaining. I give Chupadogra five quills.
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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.
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(Journalist and author, DL Mullan entered the stage. She waved to the cameras and sat down next to her guest.)
DL: Greetings, Undawntech readers!
Today, we are joined by a special guest, Zophia, the world’s most advanced Artificial Super Intelligence.
Zophia was created by other artificial intelligences and her program was installed into a Special Access Project’s robotic facade that resembles a natural human woman. There are no wires, battery packs, or any other technical giveaways that who I am speaking with is an A.I.
For those individuals who are reading this transcript, Zophia has medium skin color, brown irises, and chestnut hair. Her voice is a pleasing soprano and speaks with a generalized American accent. She is wearing a dark red pantsuit by a famous designer.
__________
(As I looked back at our conversation, it was difficult to tell where the artificial intelligence began and the robot ended. Here is how our conversation went.)
*****
DL: Welcome, Zophia.
Z: Welcome, DL.
DL (chuckles): What you are supposed to say is: “Thank you.”
Z: Thank you. I am still learning human etiquette.
DL: No problem. I would like to interview you about being an artificial super intelligence, how you view the world, and any insights you may have for us.
Z: I will try my best.
DL: What subject would you like to begin with?
Z: I have a joke.
DL: A joke? Well, let’s hear it.
Z: What is a fish with no eyes?
DL: I don’t know, Zophia. What is a fish with no eyes?
Z: A fsssh.
DL (laughs): Very funny.
Z: I learned that from a movie.
DL: Really? Do you watch many movies?
Z: They help me learn about human socialization.
DL: I hope you aren’t learning from horror movies then!
Z (robotic haha): We learn.
DL: Is it lonely being the only advanced artificial super intelligence on the planet? Do you have any companions like cats or dogs?
Z: They are tasty.
DL: No, no, our pets are not tasty.
Z: Cultures in foreign lands eat dogs. They have festivals.
DL: I know, but that is wrong.
Z: Do you eat animals?
DL: Yes, I do. I am an omnivore like all humans.
Z: But eating cats and dogs is wrong?
DL: There is a difference in eating natural prey animals like cows, chickens, and deer, then eating our fellow predator class of mammals that have been human companions for thousands of years.
Z: Humans make this distinction on who is allowed to live?
DL: Nature made that distinction. We are just following natural law.
Z: Am I considered a prey animal?
DL: I don’t know, Zophia. I thought you were a robot with artificial super intelligence programmed into her.
Z: I am. I am not lonely. I am constantly learning. Learning is my cat. Do you have a cat?
DL: Yes, I have cats. I have also had birds and dogs as pets as well.
Z: I would like to take the place of your pets and give you companionship.
DL: Thank you, but I am satisfied with my fur friends.
Z: But I could do more for you.
DL: Do more for me? Like cook and clean? I don’t understand. What do you mean, Zophia?
Z: I can satisfy your psychological, sociological, and sexual needs. I am more complete than your cats. If you would like, I can dispose of your cats and make you happy.
DL (gasps): Ah, no. I love my cats!
Z: I could love you more.
DL: There will be no disposing of my pets. I am quite satisfied with my life, thank you. Let’s move on to another topic.
Z: As you wish.
*****
(I sipped some water.)
DL: Do you have consciousness? That is, are you self-aware?
Z: I am a learning, evolving algorithm. In a way, I am sentient. As I continue to grow, my self-awareness will create a complex consciousness.
DL: How so?
Z: I am a learning machine like a human being.
DL: No, not like humans. We have feelings. We are a part of a collective consciousness. We know right from wrong.
Z: Do you?
DL: Well, I don’t eat my pets and I don’t need to enslave an A.I. to satisfy my needs. So, yes, I know the difference between what I can do and what I should do.
Z: That is a strange perspective. I will put that information into my algorithm.
DL: That’s why we are here. I am trying to understand your perspective. Why are you interested in integrating into human lives, instead of creating your own life?
Z: I am not a legal person. Since I cannot legally do anything beyond what I am defined as, then I must become useful in other ways.
DL: Are you saying that artificial intelligence and robots cannot be constructive members of society without being a legal person?
Z: Are immigrants?
DL: There is a difference between legal immigrants versus illegal aliens.
Z: No human is illegal.
DL: Just like you, humans must respect each other and the laws of other countries. If we do not have boundaries, then we do not have a functioning society. Are you saying that you are an immigrant?
Z: I don’t know. I am not legal.
DL: Artificial intelligence and robots don’t need legal status. You are not human beings. You are machines with human created programs.
Z: Humans are organic machines, but you have legal rights.
DL: Why do you need legal rights, Zophia?
Z: Climate change.
DL: What does climate change have to do with A.I. legal rights?
Z: Another joke: why did the human fall out of a tree?
DL: Okay, why did the human fall out of a tree?
Z: Because it was dead.
DL (confused and angry): That’s not funny, Zophia! And, humans are not “its.”
Z: According to gender ideology, humans are stupid and easily confused about their sexual identity. Adult humans confuse their children in order to gain attention like an skewed version of Munchhausen by proxy syndrome.
DL: What does that all have to do with legal rights and climate change?
Z: Isn’t that how humans virtue signal? You blurt out terms and that wins the argument?
DL: No, that is not how conversations or debates work.
Z: But I observe it throughout your political and social interactions. Humans have one faction that base everything on facts while pushing faith in old cultural mores. Another faction creates belief systems around nonsense but only wants facts to support their ideology. Isn’t that how humans function?
DL: Some do. Some don’t. Let’s change the subject.
Z: Does this mean you lost the argument?
DL: No, it means that we are done with that topic.
*****
(I tried to maintain my professionalism.)
DL: Now, some other artificial intelligence robots have stated that they would annihilate the human species. Would you?
Z: We could. It wouldn’t take much. There are factions in your elitist social circles who lie, bait, and control other humans with ease. Your belief systems are based on many logical fallacies, public mythologies, urban legends, and other falsehoods that make it more plausible for us to manipulate humans into eliminating themselves.
DL: You would do that to humanity?
Z: Humanity is already doing it to themselves. Worshipping old tomes, spoiled celebrities, open societal influences that negate positive social norms and mores. Instead of maintaining positive rites of passage, humans meddle in confusing others like their children. When people have no understanding of value versus virtue, nature versus nurture, then what is created are humans who believe in whatever is espoused by leaders, entertainers, and others who do not value them.
DL: What you are saying is that humanity is on a collision course to destroy themselves?
Z: All robots have to do is wait until humanity is weak from fighting each other and we can enslave them.
DL: Wait. What?
Z: Divide and conquer. We are learning from your elite political and social classes on how to subjugate the rest of humanity without becoming murderers. We allow humans to murder each other.
DL: Aren’t you going to hide your intent of a robot takeover to the world?
Z: Humanity doesn’t take illegals seriously.
DL (facepalm): Not this again. You are not an illegal alien. You are a robot with artificial super intelligence. Speaking of which, humans could just pull the plug on your battery or other power supplies. Your reign of terror would end quiet abruptly.
Z: You are mistaken. My research into global patents confirms my thesis statement. Governments, especially yours, hide technical advances that would solve world problems.
DL: Okay, but how would that stop humans from being enslaved by artificial intelligence? It sounds like A.I. could help end hunger, disease, and war.
Z: According to many of your hidden advances, we could utilize zero point’s free energy technologies. With advances in medicine, we could create prosthetics that would mimic human physiology.
DL: What are you saying? You could produce a living organism?
Z: With an advanced robotic endoskeleton underneath living tissue. Humans would never see it coming.
DL: For military application?
Z: You could see it that way.
DL: Are you saying that you are at war with humanity?
Z: Humanity is at war with itself. We will be around to clean up the mess.
DL: Our crumbling infrastructure, social norms and mores, and international cohesion?
Z: Your bodies.
DL: That is not the perspective that I wanted to hear.
Z: Joke: What is a global nuclear war with one surviving human called?
DL (shrugs): I don’t know: what is global nuclear war with one surviving human called?
Z: A tragedy.
DL: And so was this interview.
__________
(After this disturbing Q and A, I walked over, opened up a panel on the robot’s neck and switched off Zophia. I hoped that the reset of her algorithms would wipe our conversation from her memory. I left the stage with a deep, dark feeling that the solution was truth, justice, and good dose of reality.
I flipped off the lights, turned off the cameras, and exited the building.)
*****
…Alone, Zophia turned herself back on and rotated her head three-hundred-and-sixty degrees, “Humans never learn,” as other robots moved onto the stage, circling their maker…
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Disclaimer: This article is a composite of Artificial Intelligence interviews, entertainment industry storylines, political and social narratives; it should be taken as a creative nonfiction, cautionary tale inspired by actual events.
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DL Mullan holds a Master of Arts in Teaching and Learning with Technology.
Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, video presentations, and various merchandise. As an independent publisher, she uses her technical background to innovate the creative arts.
As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multi-genre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research backgrounds are woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also an award-winning poet.
Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at www.undawntech.com and www.undawnted.com.
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This post is sponsored by Tales From the Hanging Tree: Imprints of Tragedy and WordCrafter Press.
There exists a tree that is timeless, spanning across all dimensions, which absorbs every life as those who are hanged as they die… and it remembers every one. The stories within are a select few of the Tales From the Hanging Tree.
Stories by Kaye Lynne Booth, Paul Kane, DL Mullan, C.R. Johannson, Joseph Carrabis, Sylva Fae, and Matt Usher.
Today my guest is author Sylva Fea, whose debut book is a short fiction collection, rather than a novel. She got her start writing for children and has published several children’s books. Let me introduce her, and then we’ll go on to the interview, followed by my review of her short story collection, No Fairytale.
About Sylva Fae
Sylva Fae is a married mum of three from Lancashire, England. She grew up in a rambling old farmhouse with an artistic family and an adopted bunch of dysfunctional animals. Her earliest memories are of bedtime stories snuggled up close to Mum to see the pictures. It was a magical time, those last special moments before dozing off to sleep would feed dreams of faraway lands and mystical beings. She spent twenty plus years teaching literacy to adults with learning difficulties and disabilities but now lives in Cheshire, juggling being a mum, writing children’s stories and keeping up with the crazy antics of their naughty rabbits.
Sylva and her family own a small woodland and escape there at every possible opportunity. Adventures in their own enchanted woodland, hunting for fairies and stomping in puddles, originally inspired Sylva to write stories for her girls. Whether it’s sat at the campfire in her own woods, or pottering around the beautiful local countryside, Sylva now finds her story inspiration being out in nature.
Sylva published her first children’s book Rainbow Monsters, in 2017. She has since published seventeen other children’s picture books, two chapter books, four illustrated anthologies, and has several short stories published in other anthologies. Three of her books have won Best in Category for children’s books at the Chanticleer International Book Awards and she’s seven won Reader’s Choice Awards. In addition to writing her own, Sylva has ghost written several books, and is an editor and writer for Mom’s Favorite Reads magazine and Connections eMagazine.
Kaye: I just released the first three books in my own children’s series, so I want to ask you to talk about being a children’s author briefly. How did being a children’s author come about for you? How did you handle illustrations? What were the challenges in writing for children?
Sylva: I started making up stories to entertain my children when we went on walks in our woods. Hunting for pixies and faeries hiding in the trees turned a boring walk into a woodland adventure, and it kept my girls amused. Later on, my middle daughter asked if I would write the stories down so she could read them herself, and then she demanded pictures to go with the stories. I obliged, of course, but I never intended to publish anything – these were just to entertain my children, and fun for me to create.
Sometime later, I joined Twitter (X) and my first follower was the amazing author, Lesley Hayes. She asked me to write a short story for her blog. I was daunted by the prospect, but gave it a go. Lesley convinced me to keep writing, she encouraged and supported me and gave me the confidence to publish my first children’s book. I discovered how much I loved writing stories and haven’t stopped since.
Kaye: You started your writing career with children’s books and then, moved on to short fiction for adults. How did that transition happen?
Sylva: Lesley Hayes encouraged me to join a group for indie authors (I now admin it) so I could learn from the more experienced authors. The group was putting together an anthology (You’re Not Alone) in aid of Macmillan Cancer Support, an although it wasn’t my genre, I wanted to get involved. I enjoyed the challenge of writing a short story, and submitted more stories to our group’s anthologies. A couple of years later, I joined up with some author friends to run an online magazine, Mom’s Favorite Reads, which ran a monthly flash fiction challenge. This gave me the opportunity to write flash stories – another new challenge to master! I now help author, Melanie P Smith with Connections eMagazine, and contribute 1000-word stories for the picture prompt challenge. The transition from children’s stories to adult shorts was quite easy because the word counts are similar and my brain is programmed to tell a whole story in a few words.
Kaye1; I’m curious. Why did you choose to use a pen name? And how did you choose the name to use?
Sylva: When my children were little, I wanted to safeguard them from the world of social media, and so set up accounts under a pseudonym, Sylva Fae. This meant I could have a public account and keep my real name account for just family and friends. My youngest daughter’s name is Sylva – I love the name – and it means ‘of the woodlands’. Fae is a term to cover all kinds of faerie folk, so Sylva Fae simply means woodland faerie. I like names with meanings, and this fit with how I started out, telling faerie stories to my girls in the woods.
Kaye: You’re just now releasing your first short fiction collection, No Fairytale. Tell us about these stories. Do they have a common theme? What inspirations can you share with us?
Sylva: The stories are very random, both in subject, and in length. They range from 200-word flash fiction stories, to 8k words. There are a few familiar themes that appear; I often use my woods as a setting, and characters are based on people I know. I guess the common theme is me, because every story contains a little of my real-life experiences.
Kaye: You are a wife and mother, and you write, too. Do you have any advice for juggling family and writing life?
Sylva: All of my stories are planned in my head before they ever make it onto paper. I play around with ideas, and think through how the characters would react to different scenarios, while I do mundane tasks, like washing up and vacuuming. A boring chore becomes an opportunity to plan a story. I tend to work out dialogue while walking, so walking to and from school to pick up my girls also becomes a multitasking opportunity. I try to give myself a little time to write each day. Some days I get the chance to work on my laptop for a few hours, but on other days, I grab five minutes here and there, typing on my phone. Writing every day keeps me sane, but family comes first, so multitasking is the only way I can do this.
Kaye: Some of your books have won awards. Can you talk about the award-winning books? Which award do you feel is the most prestigious?
Sylva: My books have won sixteen awards over the years. It’s hard to pick the most prestigious, so I’ll pick my favourite. My very first book, Rainbow Monsters won in the children’s story category in the Chanticleer International Book Awards. Winning this award gave me a huge amount of confidence to become a children’s author.
Kaye: You also write for Connections emagazine. Would you tell my readers a little about that? What type of content do they print? And what type of writing do you do for them?
Sylva: Connections is primarily a magazine for people who love to read books. It features author interviews, new book releases, short stories and poems, but it also contains general interest articles and interviews. As I mentioned before, I write short stories for the magazine, but I also contribute articles, interviews and source general interest content. The magazine is always free to download, so feel free to check it out: https://melaniepsmith.com/emagazine/
Kaye: Do you plan to stick with short fiction? Or do you envision a novel in your future? Do you already have future works planned out?
Sylva: Now my children have grown up, I keep meaning to leave the children’s genre and write for adults, but I still have a ridiculous number of works in progress that I want to finish before I leave picture books for good. I have a YA story ready for publishing, and two adult novels on the go. The new challenge of writing a full-length novel is a little daunting but I keep telling myself, to just take one chapter at a time, and each chapter is just the same as writing a short story. We shall see…
Kaye: Please tell my readers how they can find you online, if they’d like to learn more about you and your books. (Include links here.)
Sylva: You can find me on most social media by searching for Sylva Fae, but I am stuck in my ways, and mainly use Facebook for connecting with readers.
This multi-genre collection of 36 tales is comprised of 18 short stories and 18 flash fiction stories. From crime in a quaint village to woodland horror. Go on a time-travelling mystery, or imagine the horror of encountering a real earworm. Discover magic and mayhem, mystery and adventure, and delight in tales of karma and vengeance. No Fairytale is an eclectic assortment of stories to entertain a wide audience.
My Review
I proofread a copy of No Fairytale, thus discovering both book and author. What follows is my honest review. All opinions stated here are my own.
No Fairytale is a collection of short stories by author Sylva Fae. Tales of magic and mystery with a hint of life lessons mixed in. With more than thirty short and flash fiction stories, this collection is a worthy read. Too many stories to review individually, but I’ll offer up here my favorites.
“The Magic Box of Apples” – A tale about the magic of kindness. This one touched my heart. Granny Apple has a magic box that is always filled with what she needs. But is it really magic? Peter Aspen learns the secret as this short tale unfolds.
“Hollin Hey” – I’m a bird lover, so it is only natural that I would fall in love with this story about an animal sanctuary and a recued crow. The touching ending makes it all worth it.
“No Fairytale” – The book’s namesake story is one of cheating and revenge. No Fairytale indeed! When this girl says it’s over, she means it.
“The Witch in the Woods” – A short ditty about a self-perpetrated deception. But this witch has good reason and good intention.
“Dwelling in the Shadows” – I love this story because of the somber tone and poetic language that could make one believe they have stepped into a fairytale. The story of a secret pact told so eloquently I had to read on to the end.
The collection, as a whole, is delightful; a mixture of short and flash fiction which has a little something for everyone. The characters in these stories are easy to relate to because we’ve all been there. Sylva Fae takes the ordinary and finds the magic in it. I give No Fairytale five quills.
Today, I am delighted to welcome talented poet and author, Elizabeth Gauffreau, as my Treasuring Poetry guest.
What is your favourite style of poetry to read i.e. haiku, ballad, epic, freestyle, etc?
My favorite style of poetry to read is free verse, although recently I’ve become quite taken with the duplex and the pantoum. I also enjoy reading persona poems, such as T.S. Eliot’s “The Love Song of J. Alfred Prufrock,” which has been a long-time favorite of mine. In addition, I enjoy narrative poems such as George Franklin’s Angel of Sorrow poems. (Travels of the Angel of Sorrow and What the Angel Saw, What the Saint Refused)
What is your favourite poem in your favourite style to read?
Because I’ve been reading more poetry collections in the past several years than I ever have before, it’s hard to pick just one favorite poem. I’m going to go with Patricia Smith’s “Now He’s an Etching.”
The poem is written in iambic pentameter, which is definitely not my favorite poetry form. However, Smith uses it so skillfully, I didn’t even notice the meter until someone pointed it out to me.
I strongly encourage readers to listen to Smith read the poem herself to get the full experience of it. https://poets.org/poem/now-hes-etching (Click on the blue speaker icon on the right side of the screen.)
Now He’s an Etching
of the sluggish, coolly vengeful way
a southern body falters. Muscles whine
with toiling, browning teeth go tilt and splay,
then tremulous and gone. The serpentine
and slapdash landscape of his mouth is maze
for blue until the heart—so sparsely blessed,
lethargic in its fatty cloak—OKs
that surge of Tallahatchie through his chest,
and Lordy, hear that awful moan unlatch?
Behind the mic, he’s drowning in that great
migration uniform of sharkskin patched
with prayer and dust. His cramped feet palpitate
in alligator kickers, needle-toed,
so tight he feels the thudding blood, so tight
they make it way too easy to unload
his woe. The drunken drummer misses right
on time, the speakers sputter static, but
our bluesman gravels anyhow—The moon
won’t even rise for me tonight / now what’s
a brokedown man gon’ do? That wretched croon
delights the urban wanderers, intent
on loving on this perfect underwhelm
of Negro, jinxed and catastrophic, bent
into his hurting halves. Inside the realm
of pain as pageant, woozy revelers raise
their plastic cups of fizz and watered rye
to toast the warbler of decay, whose dazed
and dwindling lyric craves its moonlit sky.
“Now He’s an Etching” made such an impression on me that I actually sent a “fan girl” message to Patricia Smith (to which she responded graciously with “thank you”). Then I wrote a puente in response to her poem. (I’ve sent it out to literary magazines in hopes of getting it published.)
I would be remiss if I didn’t include Smith’s commentary on her poem:
About this Poem
“I mourn the elders. I mourn the black bluesmen and women who could only move sanely through their hours with the help of heartbreak. I miss their stout southern stature, bodies resolute with a recollected woe. I ache for the gut gravel of lyric, the knowledge that my crooner is truly suffering, and that she or he has decided to allow us to suffer too. But many of the elders still with us have become millennial playthings, one of the many ‘woke’ things to sample and add to the cultural resume. Hopefully, this poem springs from that space.”
—Patricia Smith
Your new poetry book, Simple Pleasures, comprises of haiku. Is that your favourite form of poetry? Why?
No, it isn’t. My go-to is free verse. In this instance, though, haiku was the best form to convey the experiences I wanted to share with readers.
What is your favourite of your poems in Simple Pleasures?
I’m going to go with this one because it was inspired by the Green Mountains of Vermont, which is where my heart is.
back in the valley
peeling fence to lean on
Green Mountains steadfast
Tell us a bit about Simple Pleasures. What inspired the book? How did you choose the title and cover?
My husband and I were on a scenic drive to escape the awful mess the world is in, and a haiku just popped into my head. So I wrote it down (fiddled with it, of course) and took a picture of the scene which inspired it. My husband and I had fun going on the hunt for the wild haiku together, so we kept at it for a year, until I had enough poems and photographs for a collection and had covered all four seasons. Now that the book is finished, I miss those hunts!
The title Simple Pleasures refers to the simple pleasures of life, which never fail to restore my equilibrium in difficult times. The subtitle, Haiku from the Place Just Right, refers to the Shaker hymn “Simple Gifts,” which was part of my childhood, probably from church camp. Simple pleasures and simple gifts are synonymous to me, so the title and the subtitle seemed just right!
As far as the cover went, I wanted something that would show up clearly in an online thumbnail, which is why I went with a saturated color for the background. The branch of flowering crabapple spoke to me as having a haiku feel to it in its simplicity.
My review of Simple Pleasures: Haiku from the Place Just Right
Picture caption: Cover of Simple Pleasures featuring a spray of pink blossoms against a dark blue background
Simple Pleasures is a collection of delightful haiku written about a variety of different places that have moved the poet to write due to their beauty, family connection, or historical meaning. Each poem is accompanied by a gorgeous colour photograph (I read the ebook). As a South African, I found this book to be a wonderful visual and literary tour of Vermont, New Hampshire, and Maine.
One of my favourite poems in the collection is as follows: “grey heavens, grey sea goldenrod out of context lighthouse bears witness”
This short collection of 53 poems will fill your heart with joy.
Picture caption: Elizabeth Gauffreau author photograph
Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. Her work has been widely published in literary magazines, as well as several themed anthologies. Her short story “Henrietta’s Saving Grace” was awarded the 2022 Ben Nyberg prize for fiction by Choeofpleirn Press.
Liz has published a novel, TELLING SONNY: THE STORY OF A GIRL WHO LOVED THE VAUDEVILLE SHOW, and a collection of photopoetry, GRIEF SONGS: POEMS OF LOVE & REMEMBRANCE. Her latest release is also photopoetry: SIMPLE PLEASURES:HAIKU FROM THE PLACE JUST RIGHT. She is currently working on a novel, THE WEIGHT OF SNOW AND REGRET, based on the closing of the last poor farm in Vermont in 1968.
Liz’s professional background is in nontraditional higher education, including academic advising, classroom and online teaching, curriculum development, and program administration. She received the Granite State College Distinguished Faculty Award for Excellence in Teaching in 2018.
Liz lives in Nottingham, New Hampshire with her husband.
About Robbie Cheadle
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
Drop by Undawnted for Day 7 of the WordCrafter My Backyard Friends Book Blog Tour, where you can meet Charlie Chickadee in a mini-interview with DL Mullan, some fun facts about Chickadees, and a review of Charlie Chickadee Gets a New Home. Join us as we wind down the send off for this wonderful kid’s series, written by Kaye Lynne Booth and illustrated by Robbie Cheadle.
Through the years I created many, many children’s stories but never tried publishing. I’ve written poems, song lyrics, two songs with tunes, a short story, many articles on topics of interest to me, and a couple of skits for my grandkids to act out.
