Chatting with New Blood: Mathew V. Brockmeyer

I’m pleased to introduce horror author, Mathew V. Brockmeyer. Mathew has published a novel and two short fiction collections of his own, and has had a number of short stories featured in various anthologies and horror magazines, both online and in print. His novel, Kind Nepenthe, won the 2018 Maxy award for best suspense thriller. (You can read my review of Kind Nepenthe here.)

About Mathew V. Brockmeyer

Matthew V. Brockmeyer lives in an off-grid cabin, deep in the forest of Northern California, with his wife and two children. He enjoys howling at the moon and drenching his fangs in human blood.

He is the author of the critically-acclaimed novel KIND NEPENTHE: A Savage Tale of Terror Set in the Heart of California’s Marijuana Country.

His short stories have been featured in numerous publications, both in print and online, including, among others, Infernal Ink Magazine, Not One of Us, Timeless Tales Magazine, Body Parts Magazine, Alephi, Pulp Metal Magazine, and the anthologies The Edge: Infinite Darkness, After the Happily Ever After, and One Hundred Voices.

Interview

Kaye: Hello Mathew. I’m pleased to have you as my guest today. Horror is a genre that has always fascinated me. I read horror long before I thought of writing it. Stephen King, Anne Rice, Dean Koontz, John Saul are a few of my favorite horror authors. But its a genre I struggle with writing, so I’m hoping to pick up a few tips from you today.

So, let’s start with the basics. Why horror?

Mathew: Well, first one might ask what even is horror? Like pornography, many say it’s hard to define, but when you see it you know it. I believe there’s elements of horror in all great literature, from Steinbeck to the Grimms Brothers to Dostoevsky. I also tend to classify things as horror that others do not, such as the works of Cormac McCarthy and much of Joyce Carol Oates. I also see many elements of horror in true crime, of which I have a life-long love. In fact much of my time these days is spent working on a true crime podcast called Murder Coaster I put out with Bram Stoker-award-winning author Christa Carmen, an old friend of mine.

But back to your question, why horror? Well, first off there’s the thrill, the roller-coaster-ride rush of adrenaline. It’s highly entertaining. But on a deeper level there’s an existential confrontation with our mortality. Horror forces one to reconcile with death, which is the final destination for all of us. I believe reconciling with death makes us more empathetic and better human beings. Ever notice horror freaks and true crime fans are the nicest people you could ever want to meet?

Finally there is the implied warnings and life lessons. Like fairy tales of old, horror, as well as true crime, teaches us to be aware. Life can be dangerous, can be scary, monsters are out there.

Kaye: Where does inspiration for your stories come from? Is your mind just terribly twisted and dark?

Mathew: Most my inspiration comes from reality, which I find much more terrifying than any vampire or werewolf tale. I’ve led a wild life, seen many crazy things, been in many scary situations, I have a lot of material to pull from there. And true crime has always been an huge inspiration, from the Manson Family to serial killers, cults of all sorts, these are the places I go to seeking inspiration.

I occasionally write about vampires, ghosts and werewolves, but I see them more as metaphors for types of people than actual tropes. Vampires as psychic parasites that feed off of people’s life energy and soul, dead inside and living off of other’s misery, and in doing so creating fellow monsters. Ghosts as elements of the past that haunt us, lurking in our subconscious. And werewolves as folks with an inner beast raging inside them, a monster hiding within waiting for the right moment to show itself.

But, yes, my mind is naturally twisted and dark. I really don’t know why. I find some bizarre comfort in the horrific. Perhaps it makes me feel better about my own situation,

Kaye: Your novel, Kind Nepenthe, won the 2018 Maxy Award for best suspense thriller. Is this something that you sought after or was it a complete surprise?

Mathew: It was entered by my publisher and was a nice little surprise, for sure.

Kaye: Much of your writing career is based on short fiction. You have stories published in numerous anthologies and magazines. It is a good way to get your name out there. Do you have any tips for submitting short fiction that might get an author closer to acceptance?

Mathew: Carefully going over the submission guidelines is probably the most important, making sure it’s the right genre, the right length, whether it should be submitted as a word doc or in the body of the email, whether it’s a blind submission and your name shouldn’t be on the manuscript, all of these simple things are so important and often ignored.

Kaye: What differences do you see in writing short fiction and novel length works? Which do you prefer?

Mathew: Well, they say a novelist is a failed short story writer, take that how you will. The length of a novel obviously leaves a lot of room for character development and world building and a longer narrative arc. The short story has to quickly get to the point. Some say every chapter of a novel should hold the elements of a short story, and many writers have submitted chapters as short stories. When Louise Erdrich was writing her first novel Love Medicine she famously had some chapters published as short stories, which went on to win awards, and helped establish her as a writer. I can’t say I prefer one over the other, though, obviously, it’s much more of a commitment to write a novel than a short story.

Kaye: What advice would you give to an author wanting to break into the horror genre?

Mathew: Read, read, read. Get to know the community. There’s a vibrant horror scene on social media. The extreme horror and splatter punk communities are blowing up right now. It appears to be a great time to be an indie horror writer.

Kaye: Who are your favorite authors? Do you try to emulate them?

Mathew: Off the top of my head my favorite authors are John Steinbeck, Cormac McCarthy, Bret Easton Ellis, Donna Tart, Irvine Welsh, John Irving and Andre Dubus III. Do I try to emulate them? Yes. Absolutely, though I try to always give everything a uniqueness and my own personal style. But when writing a pastoral scene I will stop and think, how would Steinbeck phrase this? Or when trying to be postmodern or meta I’ll think, what would Bret Ellis do to convey how advertising and television has shaped this person’s soul? Of course trying to sound like Cormac McCarthy or Irvine Welsh could be dangerous and absurd, ha ha ha. But in the end, we stand on the shoulders of those before us.

Kaye: What’s the best piece of writing advice you were ever given?

Mathew: Make it harder for your protagonist, make their lives harder, their conflicts more intense. How can the situation be worse? More life and death? Brings us to that point.

Kaye: What’s next for Mathew V. Brockmeyer? Is there another book in the works?

Mathew: I’m trying to sell a finished novel, a prequel to Kind Nepenthe. I’m finishing up a novella. I have a few short stories I’ve recently sold that await publication. But my main focus right now is this podcast Murder Coaster. It’s a fully scripted podcast where we often act out the stories, more like an old-time radio dramatization than a modern podcast, with sound effects and full musical scores. It’s insanely labor intensive. I had no idea what I was getting into when I started it, but I love the process. I really love podcasts, there’s an independent, DIY, almost punk rock element to them. Anyone with a microphone and computer can make one. It’s a very underground thing.

Kaye: Where can readers learn more about you and your works?

Mathew: For my podcast go to murdercoasterpodcast.com and for me go to matthewvbrockmyer.com. As for social media I’m most active on Facebook and have a lot of fun there interacting with people. Thanks so much for having me!

I want to thank Mathew for joining us here today. His tips for submitting short fiction, (or anything, really), are spot on to what I have experienced in both submitting and in receiving submissions. And his take on emulating his favorite authors made a lot of sense.

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This segment of “Chatting with New Blood” is sponsored by The Rock Star & The Outlaw and WordCrafter Press.

A time-traveler oversteps his boundaries in 1887. Things get out of hand quickly, and he is hanged, setting in motion a series of events from which there’s no turning back.

In 1887, LeRoy McAllister is a reluctant outlaw running from a posse with nowhere to go except to the future.

In 2025, Amaryllis Sanchez is a thrill-seeking rock star on the fast track, who killed her dealing boyfriend to save herself. Now, she’s running from the law and his drug stealing flunkies, and nowhere is safe.

LeRoy falls hard for the rock star, thinking he can save her by taking her back with him. But when they arrive in 1887, things turn crazy fast, and soon they’re running from both the outlaws and the posse, in peril once more.

They can’t go back to the future, so it looks like they’re stuck in the past. But either when, they must face forces that would either lock them up or see them dead.

Get your copy today: https://books2read.com/RockStarOutlaw


Book Review: “The Cultist’s Wife”

Box of Books Text: Book Reviews

About The Cultist’s Wife

Book Cover: A sillhouette of a tropical island edged by a leafy border.
Text: Their quest for immortality demands blood, The Cultist's Wife, B.J. Sikes

A gothic horror set in 1908 Bahamas
She loathes him but the cult beckons.
1908, the height of the British Empire. Clara’s autonomy is shattered when her long-absent husband summons her to join him at his eerie sect’s headquarters, insulated on a sparsely inhabited island in the Bahamas.
After a harrowing sea voyage, Clara and her children disembark into an unfamiliar landscape and climate. The children explore the marvels and mysteries of Andros Island and develop friendships with a Bahamian family, while Clara struggles to find her place as a woman within the cult.
But what seems at first to be a spiritual haven for Clara reveals itself to be a monster-worshiping cult intent on draining her family of more than their fortune.
Must Clara give up her quest for independence to protect her children from the cult’s depravity?

With themes of Spiritualism, motherhood, and female empowerment, The Cultist’s Wife will appeal to fans of The Ghost Woods and The Quickening.

Purchase Link: https://www.amazon.com/Cultists-Wife-BJ-Sikes-ebook/dp/B0CW1FKGND

My Review

I recieved a digital copy of The Cultist’s Wife, by B.J. Sikes from Sandra’s Book Club review program in exchange for an honest review. All opinions stated here are my own.

I was attracted to this book by its simple cover design which highlights the title, which caught my eye, so I chose this book from a slew of books Sandra’s Book Club has available for review. It’s a gothic horror novel, which could even fall under the women’s fiction genre. Clara, the female protagonist, is a woman in British society seeking her independence through spiritualism at the beginning of the twentieth century in the absence of her husband, who has been in the Bahamas for the past five years. And later in the story, we meet a second strong female who plays an equally vital role in the story’s plot.

At first, I must admit, I didn’t like Clara very much. I found her to be selfish, worried more about appearances in society than anything else, as she allows a nanny to take responsibility for the care of her children, eight-year-old Elsie and five-year-old Reggie, which was common for the times. When her absent husband summons her to bring the children and join him, she cows to his will as a proper wife should, in spite of her questions as to his motive. Upon their arrival, her choice to seek enlightenment on Andros Island and become a member of the cult her husband is involved, and her almost total disregard for her children and their well-being reinforced my first impression and made me wonder how she could be so blind to what was happening around her. I felt it to be at odds with the self-rightous, independent woman she was struggling to be.

The children are the real heroes in this tale, showing strength and ingenuity in their mother’s absence as she bends to the will of the Order. They are left to their own devices to explore the island, making friends with the indigenous people, and uncovering a murder in the process. Their mother doesn’t believe them and they turn to Aunty Irene, another strong and independent female from the local population, but even she may not be strong enough to stand against the Order.

By the end of the story, we see Clara grow and change into a truly strong and caring woman as her priorities shift and her eyes are opened to the reality of her situation, providing an unsuspected and satisfying ending as every character arc should, but it is little Elsie who I identified with and rooted for. Perhaps it should have been titled, “The Cultist’s Children” instead.

A classic gothic horror story, I give The Cultist’s Wife four quills.

Four circles with the WordCrafter Quill logo inside

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.


Review in Practice: “Wit & Wisdom”, “Romance Character Tropes” & “Steps to Self-Editing”

One of the advantages of being in a Story Bundle, is that you get a free copy of all the books included in the bundle. That means you get to read everyone else’s book. With the 2024 Novel Writing Story Bundle, for me, it, means I get to read a lot of writing reference books and I can discover from them, bits of writing wisdom which I can utilize in my own writing and publishing processes to improve my own work. For this segment of Review in Practice, I chose three books from this Story Bundle, with hopes of a few little nugets of gold that I can mine from them and share with you: Wit & Wisdom, by Craig Martelle, Romance Character Tropes, by Jessica Barber and Tara G. Ericson, and Steps to Self-Editing, by Jana S. Brown.

Wit & Wisdom, by Craig Martelle

Book Cover: Books and paper airplanes 
Text: 1st Edition, Successful Indie Author, Wit & Wisdom. Craig Martelle. Author

An exclusive first release in this StoryBundle— chock full of quips and snippets to help authors stay focused on the right things to accelerate their business.

My Thoughts on Wit & Wisdom

I always wanted to attend the 20 Books to 50K Conference, but I never could make it. So, when I had the opportunity to review a book written by one of the founders, Craig Martelle, you can be sure I jumped at the chance. Wit & Wisdom is packed full of useful tips and advice to help make your writing business successful.

Romance Character Tropes, by Jessica Barber & Tara G. Ericson

In this one-of-a-kind resource, you’ll find more than a list of tropes or broad genre fiction advice.

The Romance Writer’s Encyclopedia Series breaks down our method for categorizing tropes into four types of framework tropes – Character Tropes, Situational Tropes, Setting Tropes, and Relational Tropes.

The Character Tropes Encyclopedia includes detailed entries on favorite romance tropes like Cowboys, Royalty, Law enforcement, and Athletes. And we didn’t forget popular modern tropes like Alpha Male, Cinnamon Roll, or The Grump!

But this is more than a trope list – it’s an encyclopedia!

Each encyclopedia entry includes an introduction to the trope itself, as well as information on why readers love the trope (including examination of what inner desire is being met by the trope), what expectations exist in the stories, common pitfalls that authors need to avoid, common characteristics and potential wounds.

Putting a cowboy hat on the cover of your book isn’t enough to have a Cowboy romance that readers will love – but we’ll tell you what will. And then we’ll do it for Pirates and Rockstars and Firefighters, too.

Book Cover: Silouhettes of a footbal player, a businessman, and a cowboy.
Text: The Inspired Author Presents Romance Character Tropes, Romance Wrter's Encyclopedia, What readers expect from cowboys, billionares, widows and more, Jessica Barber, Tara G. Ericson

Romance Character Tropes is designed to be used at every stage of planning, writing, and publishing your books. If used effectively, it will help you write a romance that readers will love, but also help you market that book to get it into the hands of readers who will devour it.

We’ve studied thousands of books and movies, polled readers and studied the market to understand not just which Character Tropes work – but WHY they work. And knowing why they work means you can put them to work for you.Harness the power of Character Tropes to make your book marketable, multi-dimensional, and satisfying, so readers will come back again and again.

You can purchase this book seperately here: https://www.amazon.com/Romance-Character-Tropes-Billionaires-Encyclopedia-ebook/dp/B0C1HQLW8X/

My Thoughts on Romance Character Tropes

Tropes are something which have always puzzled me. They were touched on in my graduate classes, to say that you should be aware of them and know what they are, but it was left to the individual to figure it out from there, probably because there are so many of them, and they differ from genre to genre. Since then, I’ve learned that there are too many tropes, no matter the genre, that the whole trope thing seemed overwhelming to me, and I got tired of trying to figure it out , choosing instead, to just write.

I wish I’d had a resource such as this one back then, because Barber and Ericson made it so easy to understand. If someone had explained that internal character tropes were based on the archetypes that I studied in graduate school, it would have all made sense so much sooner. They give a clear definition of what tropes are and why we use them.

“Each of the internal character tropes in this chapter is derived from some of the most popular literary archetypes in fiction. They will carry elements of the universal symbolism, themes, and patterns that have transcended both time and history.”

When I was running my “Ask the Authors-” blog series, back in 2018, I inteviewed many authors, and one of the questions was about using tropes. Some said they used them, some said they avoided them, and still others didn’t have a clue as to what a trope was. But the fact is, we all use tropes, whether we do it conciously or not, no matter what genre we write in. Without character tropes, our characters would be flat, with no personality, and readers would have no reason to care whether our characters achieved their goals or not. If you have a character who is a firefighter, then you are writing with a Man in Uniform character trope. And if you do it conciously, which you should, there are certain things you need to be aware of which will make your character bigger than life for your readers.

I haven’t written much romance, so you might find it odd that I would choose to review Romance Character Tropes, by Jessica Barber and Tara G. Ericson. My thinking is that although this book delves into tropes which are specific to the romance genre, many of the character tropes can be found in other genres, as well.

This month, for NaNoWriMo, I’m writing the second book in my Time Travel Adventure series, the sequel to The Rock Star & The Outlaw, which has a strong romance element, and my male protagonist just happens to be a cowboy, which is a popular romance character trope, so I paid particular attention to what the authors had to say about the Cowboy trope.

I discovered that the cowboy hero I created for the first book, and I am now writing into the second isn’t a rodeo cowboy, a lone wolf or off the grid cowboy, or a law enforcement cowboy, but more of a cross between the cowboy and the reformed bad boy tropes. When LeRoy is introduced in the twenty-first century, in the first book, he is all cowboy, manners and all, and that fact is what attracts my heroine, Amaryllis, in the first place. But when he goes back in time, to an actual western setting, we see the reformed bad boy, who has done all the wrong things, but for the right reasons. Over all, I feel like I did a pretty good job on the first book, and I’ve gathered some ideas about where his character arc may lead in the second one, to make him a more well-rounded character.

I learned so much useful information from Romance Character Tropes that I know it will be a resource I turn to again and again. I have a couple of romance stories that have been trunked, and after reading this book, I’m tempted to pull them out and give them another go, so don’t be surprised if I had add romance to my list of genres I write in in the future.

Steps to Self-Editing, by Jana S. Brown

Book Cover: Steps climbing typed manuscript pages with a cartoon person holding a magnifying glass revealing a book.
Text: Steps to Self-Editing, Jana S. Brown

You’ve finished writing your rough draft! Congratulations!

Now what are you going to do?

Before going out into the world, every manuscript needs a little love from its creator in the form of self-editing and revision.

However, that can be a daunting task.

  • Plotlines
  • Character arcs
  • Continuity
  • Grammatical mistakes

Where do you begin?

Join author and editor, Jana S. Brown, at her virtual table and learn the Steps to Self-Editing from setting your structure, to rubbing out wordiness to make your manuscript shine.

You can purchase this book seperately here: https://www.amazon.com/Steps-Self-Editing-Common-Writing-Publishing-ebook/dp/B0CK54T3TC

My Thoughts on Steps to Self-Editing

I chose to read this book because I do self-edit, in spite of all the warnings that I’ve heard not to. I’ve always been told that self-editing is a big no-no, especially if you do it as you are writing, and guess what, I do that, too. But Steps to Self-Editing, by Jana S. Brown doesn’t make that judgement. In it, Brown actually discusses the reasons why you may want to self-edit and talks about the differences in self-editing as you write, and doing an overall self-edit when you’ve finished, (I do both types), and when you may want to do both, as well as when you may not. Brown also makes it clear that self-editing is not recommended to take the place of paying a professional editor. It’s just another step which can be taken to hone your creative child and polish it to look its best.

As I am currently undertaking the NaNoWriMo challenge, and I’m in the process of writing the second book in my Time Travel Series, so I’m already using some of the tips as I self-edit as I go. I am compelled to do this with my writing, as I find and fix plot holes, and go back to add foreshadowing where needed, but Brown has reminded me of other things that can be looked for and fixed early on.

When I have a completed manuscript, hopefully at the end of the month, I’ll be using it again to give my manuscript a complete once over, before sending it off to be scrutinized by another set of eyes. Brown also is a fan of reading your manuscript aloud as a part of self-editing, a step which I always employ, sometimes during the writing process, sometimes after. As she points out, reading your work aloud can help you find logic errors and inconsistencies in your story, as well as helping to smooth the rough edges.

The section that touches on punctuation and grammar rules assures I’ll be turning back to this book again and again, because there are too many rules to remember, making double checking a necessity. This is a quick and easy to use writing resource, which will be a valuable addition to my library.

The 2024 Novel Writing Story Bundle

Fourteen book covers: 
Top row: Dollar by Dollar, Mood & Atmosphere, Booking the Library, Word by Word, Falling to Fly, Romance Character Tropes, Wulf Moon's Super Secrets Illustrated
Bottom row: On Being a Dictator, Steps to Self-Editing. From PAge to Platform. Wit & Wisdom, The D.I.Y. Author, A Writer's Guide to Branding for Success, Indie Author Magazine

Wit & Wisdom, by Craig Martelle, Romance Character Tropes, by Jessica Barber and Tara G. Ericson, and Steps to Self-Editing, by Jana S. Brown, are all offered in the 2024 Novel Writing Story Bundle, along with my own The D.I.Y. Author and nine other valuable writing references that every author should have at their fingertips. This bundle offers valuable writing advice from successful authors such as Kerrie Flanagan, Kevin J. Anderson, Mark Leslie Lefabvre, Wulf Moon, Joshua Essoe, Kerrie Flanagan, Matty Dalrymple and M.L. Ronn, Jessica Brawner, Todd Fahnestock, along with a year’s subscription to Indie Author Magazine. A percentage of every bundle sold goes to the Neil Peart Brain Cancer Research Fund from Cedars Sinai. These digital books are DRM-free and compatable with any digital reading device. And you get a lot of books for one great price.

You can get your 2024 Novel Writing Story Bundle here: https://storybundle.com/writing

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About Kaye Lynne Booth

Author Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw,as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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This post is sponsored by The D.I.Y. Author and WordCrafter Press.

Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.

In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.

Topics Include:

Becoming Prolific

Writing Tools

Outlining

Making Quality a Priority

Publishing Models & Trends

Marketing Your Book

Book Covers & Blurbs

Book Events—In Person & Virtual

And more…

Book Cover: A typewriter with a page coming out the top and a bookshelf in the background.
Text: Write a Book, Format the Story, Publish a Manuscript, Create an Outline, Create a Marketing Plan. Generate Reviews, Hide Under the Covers, The D.I.Y. Author, KAye Lynne Booth

Purchase your copy today: https://books2read.com/The-DIY-Author


Book Review: The Friday Edition

Box of Books Text: Book Reviews

About the Book

Snow isn’t all that’s falling in Denver, Colorado on Christmas Eve.
A beautiful, young district attorney tumbles from her balcony to her death.
Police suspect suicide, but the DA’s sister, newspaper reporter Samantha Church, isn’t buying it.


Samantha discovers evidence linking her sister to a drug smuggling case and quickly learns she has stumbled onto a major news story. She must summon the courage to not only face a cartel of criminals, but her own fears and shortcomings when she is confronted by the inescapable specter of a far greater enemy—her addiction to alcohol. Samantha’s dependency has not only cost her job at a major metropolitan daily, but, worse, custody of her daughter, April.
Samantha pursues her sister’s killers, maneuvering through a minefield of intrigue deliberately set out to divert her from the truth. Despite being betrayed, physically beaten and facing the possibility of sharing her sister’s fate, Samantha refuses to stop her investigation.

However, when the killers threaten to harm April, Samantha realizes that, for her daughter’s sake, she can no longer continue the investigation on her own. She knows she must swallow her pride and turn to her ex-husband and police detective, Jonathan Church, for help.
Can Samantha ultimately prevail—find her sister’s killer, write the story of her career, confront her drinking problem, and finally begin to change her life, or will she and April become the killer’s next victims?

Purchase Link: https://www.amazon.com/Friday-Samantha-Church-Mystery-Book-ebook/dp/B008IIFWYK

My Review

I received a digital copy of The Friday Edition, A Samantha Church Mystery, Book 1, by Betta Ferrendelli through Freebooksie. All opinions stated here are my own.

This tale has all the elements of a well-written mystery and crime thriller: a determined reporter plays detective, and she’s a wonderfully flawed character with plenty of room to grow, a suspicious death, and a lot going on behind closed doors to keep you guessing. Ferrendelli takes us to the depths of the main character and protagonist, Samantha Church, where we learn about the the demons which she battles, and expose her all her weaknesses, and come out likeing her all the more for them. She makes us root for Samantha to solve the case and break the story. When it seems she’s sliding backwards down a dark hole, we hold out breath and we cheer the loudest when she manages to pull through.

Samantha is a mess and she knows it, but her heart is always in the right place, even when her mind takes her down a dark path. Her alcoholism has cost her plenty, including the one thing that matters most to her in the world, her daughter April. Now, fueled by suspicions that her sister’s death was not a suicide, as police say, she sets out to learn the truth, but her failed attempts at earning back April’s trust threaten to plummet her into darkness and prevent her from uncovering a conspiracy the will rock the city of Denver. She is a strong, but flawed female protagonist and we want to see her win.

An enthralling mystery which kept me turning pages. I give The Friday Edition five quills.

Five circles with WordCrafter quill logo in each one.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.


Everyone is a Critic: Things To Do In Denver When You’re Dead

The 1995 crime film, Things to do in Denver When You’re Dead. It’s an older movie, but I found it quite enjoyable to sit down and watch this movie.

A cross between a mobster movie and a tragic romance, this film carries both story lines well. Ex-mobster, Jimmy, The Saint, Tosnia, played by Andy Garcia, and his buddies are drawn back into the fold unwillingly by mob boss, “The Man With The Plan”, played by Christopher Walken, after his son, Bernard, played by Michael Nicolosi, is arrested for child molestation. When the plan goes terribly wrong, it becomes a death sentence for Jimmy and his crew. They are all dead and they know it, stalked by Mr. Shhh, played by Steve Buscerni, the hitman who never fails and shows no mercy. Jimmy is allowed a reprieve if he leaves Denver, but there are a few things to take care of before he goes. Jimmy has met a girl, Dagney, played by Gabrielle Anwar, and he’s trying to win her heart, but now he must walk away to protect her.

You’ve got to love the cast of colorful characters, who are made bigger than life by the actors who play them. Jimmy is making a new life for himself, running a faltering business recording the thoughts and messages of those who are terminally ill. Jimmy’s crew are all ex-mobsters, trying to make new lives for themselves: Pieces, played by Christoper Lloyd, who runs a x-rated movie theater and spends his days with porn running in the background; Easy Wind, played by Bill Nunn, runs a boxing ring; Critical Bill, played by Treat Williams, who has some definite rage issues to work out and finds rather unique and gruesome ways to do that; and Big Bear Franchise, played by William Forsythe, has a wife and kids to worry about.

Not surprisingly, this movie was filmed in Denver, where I grew up, and the familiarity of setting definitely added to my enjoyment of this movie, making it all seem more real to me. In the photo above, the crew is at Crown Hill Cemetery, where I have relatives buried, as do many other Denverites.

This is not your typical mobster movie, and there are no happy endings. The fun lies in seeing how it all plays out, with more than a few surprises. I never knew how many things there are to do in Denver when you’re dead.


Reviews Coming in for Midnight Garden

A great review for Midnight Garden: Where Dark Tales Grow on Carla Reads.


Chatting with the Pros: Joseph Carrabis

Orange and pink fantasy type backgroiund. Two women sitting on a couch with books, coffee and notepad in foreground with dialog balloons stating Q & A above their heads.
Text: Chatting with the pros with host Kaye Lynne Booth

My guest today on “Chatting with the Pros” is a talented author who I discovered quite by accident when I was reading through the slush pile for the Gilded Glass anthology for Western Colorado University and WordFire Press. As I read, I kept a list of stories which I particularly liked and once the selections for the anthology were made, I sent out invitations to the stories on my list which weren’t chosen, offering them to be featured in WordCrafter anthologies. Joseph took me up on my offer, and his story “Marianne” was featured in the Visions anthology in 2022, and a friendship has formed between us since then. I’ve reviewed several of his books, and his story “Blood Magic” was featured in last year’s Midnight Roost anthology, and this year’s Midnight Garden features five of his tales.

Other Books by Joseph which I’ve reviewed: Search, The Shaman, The Inheritors, Tales Told ‘Round the Celestial Campfire, That Th!nk You Do.

About Joseph Carrabis

Joseph Carrabis told stories to anyone who would listen starting in childhood, wrote his first stories in grade school, and started getting paid for his writing in 1978. He’s been everything from a long-haul trucker to a Chief Research Scientist and holds patents covering mathematics, anthropology, neuroscience, and linguistics. After patenting a technology which he created in his basement and creating an international company, he retired from corporate life and now he spends his time writing fiction based on his experiences. His work appears regularly in several anthologies and his own published novels. You can learn more about him at https://josephcarrabis.com.

Author Joseph Carrabis, headshot.

Interview

Kaye: When did you first start writing and why?

Joseph: My writing career started when I was less than ten years old and is something I document in both My Sister Got Me Started and Mission of the Heart. Basically, my sister Sandra (seven years my senior) had to read a book for an English class assignment. I don’t know if she was required to read a science-fiction book or not, and the book she chose was James Blish’s Mission to the Heart Stars.

The book so captivated her that she told me about it one evening while we washed dishes after dinner. I didn’t prompt her about it, and that’s important. The book owned her at such a deep level of mind, heart, hope, and soul that she had to share it with me.

I remember the look of wonder and awe in her eyes when she told me about the space ship and the individuals on board, of the alien “Angels”, a race so ancient no other life forms knew of their origin, of the council government at the center of the galaxy (hence “Heart Stars”).

Just remembering her excitement, her joy, her need to let me know about the book, I get chills.

And I decided there and then, a wee child listening to his beloved big sister share the fire a book kindled in her, that I wanted to create that fire in others.

Kaye: Tell us a little about your background?

Joseph: Oy. A little…I’ve been everything from a long-haul trucker to a Chief Research Scientist, from an apprentice butcher to a Annenberg Senior Research Fellow, from a night watchman to an original member of the NYAS-UN Scientists Without Borders program.

How “little” would you like?

My most fun job was as night watchman. I mean, how often do you get paid to watch the night?

Unless you’re an astronomer, of course…

Kaye: Where do you look for inspiration for your stories?

Joseph: Wait a minute. People have to go looking for inspiration? Wow. I didn’t know I was suppose to go looking for it.

Kaye: You write both short fiction and novel length works. Which do you like better? And why?

Joseph: Hmm…Interesting question. Structurally they’re not different (does that raise hackles or eyebrows?). Both require all the story elements, both require a story worth telling and the crafting to tell it well – hopefully I have both and readers are better judges of that than I – perhaps the greatest similarity is both require someone wanting to tell them. Happy to discuss this in more detail, if anyone’s interested.

Kaye: How many book length works do you have out there?

Joseph: Non-fiction – 20+

Fiction – 8 at present, probably 9 when this is published (includes an anthology of previously published work)

Kaye: You have a lot of short stories featured in anthologies, including Visions and the Midnight Anthology Series from WordCrafter Press. In fact, in Midnight Garden, you have not one or two, but five short stories. What is your best advice for an author wishing to get their short fiction into anthologies?

Joseph: Best advice? Write. Write write write write write.

And when you think you’ve written enough, write more. More more more more more.

Second best advice is a toss up. Either learn to read as an author or study. If the latter, study study study study study. And not just writing. Poetry, drama, theater, all creative forms as they feed each other.

Studying and learning to read as an author tend to go hand-in-hand. I believe they feed each other.

And again, happy to discuss if anybody wants to know more.

Kaye: What is Northern Lights Publishing?

Joseph: Ah. Sometimes I wonder…okay, the official line: Northern Lights Publishing/Press is an association of five professionals (one graphic artist, a marketing group, one editor/book designer, one copyeditor, one senior editor) and a rotating group of ten published authors and poets all of whom are passionate readers. Financial backing is provided by a small group of investors led by Susan and Joseph Carrabis through the NextStage Evolution corporation. Everyone receives remuneration and owns an equal share of the company with the exception of Susan and Joseph Carrabis (who receive no compensation or remuneration for their time and efforts).

Kaye: How do you promote your books? Which marketing strategies have you found effective?

Joseph: I promote my books by publishing short stories anywhere and everywhere editors are willing to put them. I see bumps in my book sales every time a story of mine is published. I also regularly publish. Readers like seeing a full bookshelf from an author because they know, if they like the author’s work, there’s more to read from that author. Lastly I do book signings and readings, although the venues for that are becoming increasingly few.

Most effective for me is the latter as I enjoy meeting and talking with people. I love learning people’s stories. Most people who approach me at a signing, reading, discussion, presentation, … want to share what’s going on in their lives, they’re not tremendously interested in mine (I’m boring and dull, did you know?) and I’m happy to listen.

Kaye: What is the most difficult obstacle you have faced as an author? And how have you overcome it? Or have you?

Joseph: Hmm…most difficult obstacle…hmm…Probably myself. Sometimes I get in the way of the work. I’ll want the story to go a certain way or I’ll want the characters to do or act certain ways. That’s my ego getting in the way of the story. I don’t have a place in my stories, my characters do, so even though my work is highly autobiographical, I still need to let the characters, the places, the events, et cetera, indigenous to the story do the work.

How have I overcome it? By listening to my characters, to the places, to the situations, so on and on and on, which populate my stories. They let me know when I’ve gone astray. Fortunately, they’re all quite patient and give me time to come back.

Have I overcome it? Not completely, no. I still have an ego and sometimes it does get in the way. I’m getting better at noticing it, though, and once recognized, I have tools to get things going smoothly once again.

Kaye: Which authors do you emulate, if any?

Joseph: The good ones.

Who are the good ones? Laugh if you will, and Burroughs’ Tarzan and John Carter books are gems of action and pacing. Charles Frazier is a genius at voice, tone, atmosphere, and character. Angela Panayotopulos takes you places, Lidia Yuknavitch brings you places, Laura Koerber is the goddess of urban fantasy/magic realism, Bina Shah does voice and gender better than anybody I know, James Tiptree, Jr (Alice Sheldon) creates an atmosphere and characters you breathe and know or die, Zane Gray does setting and scene better than most, Craig Johnson is a master of plot via character and action via dialogue, Katherine Mansfield is the best at character via setting, … How many would you like and how far back would you like me to go? You can get an idea of what I read and what I think of what I read at Great Opening Lines – and Why! and Why It Works for Me.

Kaye: The characters you create are very human. Do you see parts of yourself in your characters?

Joseph: I’ve repeatedly shared that I write autobiography. I’m in all my characters. The nice ones, the not-nice ones, the men and women, the animals and aliens.

Kaye: Of those you have written, book length or short fiction, what is your favorite story? And why?

Joseph: Of those I’ve written? You mean which child is my favorite? No comment.

Kaye: What is the best writing advice you’ve ever received?

Joseph: That’s a tough one because nobody ever gave me the writing advice I give (such as I did above). They may have said the words – for example, “Read, read, read!” and “Write, write, write!” – but nobody ever explained how to read and how/what to write. I read everything I could find (still do) but I only learned how to read as an author in my…oh, I don’t know…mid- to late-forties? Reading as an author radically changed my taste in reading material because I refuse to read poor writing. Somebody asked me what my favorite genre is and I replied, “Well written. Unfortunately not a lot of authors are doing it these days.” I don’t care how many awards something’s got or where it is on bestseller lists (for the record, my work’s received some awards, nominations, recommendations, and been on some bestseller lists). The former are often either political or purchased, the latter are almost always purchased. Nor do I accept market forces. People dying on a desert will eat sand because they don’t know any better, and so long as readers are happy reading what they’re reading, excellent! Wish I could be like them. I’m sure I was, and that’s the price of awareness and enlightenment. You can’t become unaware and unenlightened. A sommalier may be gracious and drink a 6$US bottle of wine with some friends, and they won’t go out and get a 6$US bottle for themselves.

Kaye: Thank you for being my guest today, Joseph. It’s been a pleasure chatting with you. Before we go tell us where readers can go to find out more about you and your books?

Joseph: I’m on Amazon, folks can read my blog, I’m on Facebook, LinkedIn, Twitter, and some other social networks. Google “Joseph Carrabis” and let me know what comes up.

About Tag

A severed witch’s hand changes the face of Eastern Europe forever.

Eric and Julia seek tree grafts on the outskirts of their medieval eastern European village as a summer storm gathers. Sullya, a witch hiding among the trees, grabs Julia. Eric swings his axe and severs Sullya’s hand from her arm. The witch seeks refuge in the deep bole of an old oak. Her hand falls onto the same oak and crawls up the trunk to join her.

Book Cover: Photo of a gnarled old tree on a hill, framed in black, with fiery flames rising to give background to the title.
Text: TAG, byb Joseph Carrabis.


Eric wants to flee but Julia, believing they’re safe thanks to the now heavy rain, torments the witch. Sullya curses them, their families, their crops, their livestock, and their village.
Soon crops wilt, livestock die, and much of village falls ill. The village priest, Father Baillot, seems ignorant of church ways and proves ineffective against the curse.
The village elders seek help elsewhere, specifically from a distant priest, Father Patreo, who knows the Old Ways as well as the New. Patreo is out of favor with the Church because he makes no effort to hide his belief that progress comes from exploring all paths, not just those the Church decrees acceptable.
He and Verduan, one of the village elders, investigate and encounter witchcraft, devil worship, murder, a coup d’etat, and the clashing of three great cultures. What they discover changes the face of Eastern Europe forever.

Purchase Link: https://www.amazon.com/Tag-First-Verduan-Patreo-Mystery-ebook/dp/B0D7SRWB81/

My Review of Tag

(This review appeared first in Wilderness House Literary Review: https://www.whlreview.com/no-19.3/review/KayeLynneBooth.pdf)

I received a digital copy of Tag, by Joseph Carrabis in exchange for an honest review. All opinions stated here are my own. The short fiction story which this novel springs from, “Blood Magic” is featured in the WordCrafter dark fiction anthology, Midnight Roost (2023). I loved that story when I compiled the anthology and so, was thrilled to learn there was more to it than just that short tale.  But even if I had no prior knowledge of Carrabis’ vast talent, I would have been drawn to this book by the eye-catching cover. ( This review appeared first in Wilderness House Review).

Tag is a medieval mystery filled with more plot twists and turns than a Stephen King tale, with unique and well-developed characters and descriptions that let readers see every detail vividly. Carrabis is a master storyteller and his talent shines brightly with this novel, enlisting all the senses to bring his scenes to life with his detailed descriptions with the skill of Anne Rice.

There are strange happenings in the village of Nant. Unknown strangers lurk in the shadows, no one is who they appear to be, and everybody seems to have secrets and hidden motives. Just when you think you’ve got it all figured out, something happens to make you realize that you’ve got it all wrong. Some say the village is cursed. Missing and murdered maidens, poisoned waters and dying crops, murders and betrayals. And it all began with a witch in a tree and a curse…. Or… did it?

Tag is a captivating story that will enthrall readers from the very first page. I couldn’t put it down. A delightfully dark tale. I give it five quills.

Five circles with WordCrafter quill logo in each one.

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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

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This post is sponsored by Tales From the Hanging Tree and WordCrafter Press.

There exists a tree that is timeless, spanning across all dimensions, which absorbs every life as those who are hanged as they die… and it remembers every one. The stories within are a select few of the Tales From the Hanging Tree

Stories by Kaye Lynne Booth, Paul Kane, DL Mullan, C.R. Johannson, Joseph Carrabis, Sylva Fae, and Matt Usher.

Book Cover: A gnarled old tree with the sillhouette of two people standing beneath it. Text: Tales From the Hanging Tree: Imprints of Tragedy, A WordCrafter Anthology, Edited by Kaye Lynne Booth

Purchase your copy today: https://books2read.com/Hanging-Tree


Book Review: “The Rebound Effect”

Box of Books Text: Book Reviews

About The Rebound Effect

In the small town of Cougar, struggling single mother and veterinary assistant Teresa Lansing is still bruised from a failed relationship when Frank McAllister sweeps her off her feet.

Frank is a big-city SWAT officer who moved to Cougar only four months ago. He’s handsome, charming, forceful, very sexy, and a bit mysterious. He had his eye on Teresa even before they met and is pushing for a serious relationship right away.

Teresa finds his intense courtship flattering, and the sex is fabulous, but she doesn’t want her deaf six-year-old son to be hurt again. Her former fiancé cheated on her when he got drunk after being unjustly fired, but he loves her and her son, and the whirlwind romance is complicated by his efforts to win Teresa back.

And then there’s the matter of the bodies buried at Big Devil Creek…

Purchase Link: https://www.amazon.com/Audible-The-Rebound-Effect/dp/B0DHLWSYRW

My Review

I received a free audiobook of “The Rebound Effect” from author, Linda Griffin, in exchange for an honest review. All opinions stated here are my own.

Narrated by Catherine Hein Carter, I felt the narration was well done, although I could tell she was reading in some places. This story had a female protagonist, so I didn’t have the same reservations about the female narrator as I did in my review of Love, Death, and the Art of Cooking. With The Rebound Effect, I found the narration went much better from the female protagonist, Theresa’s perspective, and Carter was a much better fit in my opinion.

Theresa is a single mom, divorced from her deaf son’s father, and she’s on the rebound from Bret, who wasn’t faithful in the relationship she had with him, which hurt her deeply. She focuses her life on her son, Aiden, and tries to make herself believe that is all she needs. She’s hesitant to enter into yet another relationship with when Frank comes along, intent on sweeping her off her feet.

I found Frank to not be very likeble. I felt that he is pushy and controlling, and I had a hard time rooting for the two characters to get together because he is so arrogant. It made it hard to think that he would be a good match for Theresa. He keeps telling her that they will go as fast or slow as she wants, but then just keeps coming even when she repeatedly tells him to slow down, and ignores when she says his buying an item is too much and buys the item anyway. That doesn’t show the respect for her which he claims he has. Obviously, this really bothered me with this story. But then, I thought I was reading a romance and this turned out to be so much more.

As it turns out, we have more of a love triangle situation, where Theresa is faced with a choice between two men, Frank and her ex-boyfriend, Bret, who won’t give up after his single indescretionary act of infidelity broke Theresa’s heart. I do wish we could have gotten to know Bret a little better. Most of the focus was on Frank, because Theresa has cut Bret out of her life without giving him a chance to redeem himself until well into the story.

This book has a crime fiction subplot, as the bodies of young girls are found in the opening scene and other girls go missing throughout, with these scenarios playing through Theresa’s head throughout the story, adding a sense of mystery to the story. While I thought all along that eventually the mystery would be solved, I didn’t realize what a vital part it would play in the end. (No spoilers.) Even with all the clues we’re given, the real hero was a surprise to me, and in the end, I was quite satisfied as a reader.

Not what I expected, but it held my interest and wrapped things up nicely in the end. I give The Rebound Effect four quills.

Four circles with the WordCrafter Quill logo inside

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.


Review in Practice: “Word by Word” and “Dollar by Dollar”

One of the advantages of being in a Story Bundle, is that you get a free copy of all the books included in the bundle. That means you get to read everyone else’s book. With the 2024 Novel Writing Story Bundle, for me, it, means I get to read a lot of writing reference books and I can discover from them, bits of writing wisdom which I can utilize in my own writing and publishing processes to improve my own work. Word by Word and Dollar by Dollar, by Kerrie Flanagan, are both exclusive to the 2024 Novel Writing Story Bundle, so that means you can’t get them anywhere else.

About Word by Word

Word by Word by award-winning author Kerrie Flanagan, shows you how to unlock your creativity and transform your writing. This is an essential guide for writers that offers inspiration, genre-specific strategies, and practical tips.

My Thoughts on Word by Word

This is the book I wish that I’d had when I was earning my first M.A. in Creative Writing. Flanagan offers a comprehensive overview of writing in each of the various genres, with interviews and advice from various authors in each one.

When I first entered graduate school, I didn’t know what a trope was, and it would be impossible to cover the tropes of every genre, even in the intensive M.F.A. program which I attended, so these overviews were quite valuable to me because they helped me to understand the genres in which I haven’t yet dabbled, but may consider in the future. I’ve been playing with the idea of writing a mystery recently, and I have a couple of romance stories in with my trunk novels which could be worthy of taking another look at.

I found the section on children’s writing particularly helpful, as this is a genre I have recently tried to break into with the My Backyard Friends kid’s book series. I have a couple of other books written for kids that I’d like to put out there, too, so the section on using humor when writing for children was especially interesting to me and gave me some ideas about how I could incorporate humor into my own stories. (If you’d like to hear more of my thoughts inspired by this section, catch my November “Writer’s Corner” on writing for children.)

About Dollar by Dollar

Dollar by Dollar by Kerrie Flanagan is a comprehensive guide packed with proven strategies to help writers boost book sales, increase income from writing, and succeed in both traditional and self-publishing.

My Thoughts on Dollar by Dollar

Dollar by Dollar, by award winning author and journalist, Kerrie Flanagan covers the ins and outs of the publishing world, including both traditional and independent publishing, with a full section of valuable advice about ways to make your writing pay beyond crafting books.

While I have chosen not to take the slow traditional route to publishing in favor of taking control of my own writing career, I found the section on traditional publishing to be spot on with my understanding of the industry. Flanagan covers areas such as writing a book proposal or query letter, landing an agent and what to expect once you do, and how to navigate the world of small presses.

At first glance, I thought that this book would be in competition with my own book, The D.I.Y. Author, but the section on independent publishing covers more information on publishing through Ingram Spark, while mine focuses on using an aggregator such as Draft2Digital, so they really are complimentary to one another. Flanagan covers things to think about when deciding if self-publishing is the right route for you, tips on making your book stand out in the crowd, and the challenges and independently published author may face.

In addition, I found the section on other paid writing venues to be quite valuable. Flanagan covers magazine and freelance writing, blog writing, travel writing, resume writing, and more. These are avanues which all authors may not have considered as means to make a living from their writing and should be explored.

But what I found to be of the most value were the sections on newletters and email lists, and about building your author tribe. If you’ve followed me for a while, you know that my newsletter is one area where I have not been consistant at all, and Flanagan reminded me of what a valuable marketing tool that email list really is. This is an area on which I really need to work on and I’ve added it to my list of things I need to do for 2025. She also offered tips on what to put in a newsletter which I found thought provoking.

Building an author tribe is another area which I know is a valuable asset, and I’ve found being a part of Kevin J. Anderson’s tribe of authors to be of great value.But every author has their own tribe, even if it is a small one. These are the authors you work with in some capacity on a regular basis; those who support and encourage you; those who inspire you. My tribe is almost exclusively online and includes the members of my blog team, my blog tour hosts, and authors that I’ve worked with in various anthologies, as well as fellow authors which I’ve met through Facebook groups who are open to exchanging services such as beta reading or proofing, interviews, or reviews. But compared to tribes like that of KJA, my own tribe is small and I need to work on growing it in the coming year.

The 2024 Novel Writing Story Bundle

Word by Word and Dollar by Dollar, by award winning author, Kerrie Flanagan are both offered in the 2024 Novel Writing Story Bundle, along with my own The D.I.Y. Author and ten other valuable writing references that every author should have at their fingertips. This bundle offers valuable writing advice from successful authors such as Kevin J. Anderson, Mark Leslie Lefabvre, Wulf Moon, Joshua Essoe, Craig Maretlle, Jessica Brawner, Jana S. Brown, Jessica Barber and Tara G. Ericson, Todd Fahnestock, Matty Dalrymple and M.L. Ronn, and a year’s subscription to Indie Author Magazine. A percentage of every bundle sold goes to the Neil Peart Brain Cancer Research Fund from Cedars Sinai. These digital books are DRM-free and compatable with any digital reading device. And you get a lot of books for one great price.

You can get your 2024 Novel Writing Story Bundle here: https://storybundle.com/writing

About Kaye Lynne Booth

Author KAye Lynne Booth sitting on a rock in an Aspen grove

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw, and her kid’s book series, My Backyard Friends. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

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This post is sponsored by The D.I.Y. Author and WordCrafter Press.

Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.

In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.

Topics Include:

Becoming Prolific

Writing Tools

Outlining

Making Quality a Priority

Publishing Models & Trends

Marketing Your Book

Book Covers & Blurbs

Book Events—In Person & Virtual

And more…

Purchase your copy today: https://books2read.com/The-DIY-Author


Writer’s Corner: Writing for Children

Caracature of a woman typing on a keyboard at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

Language and content

Don’t write down to children: This is the number one piece of advice I heard about writing for children, and of course, it is true. It doesn’t mean to write about adult subjects filled with sex and cuss words, but they’re trying to get through the idea that kid’s are smart and you don’t have to dumb things down for them.

I think this is one of the biggest differences in writing for children. Children’s minds are like sponges that absorb information. While you probably don’t want to use a lot of scientific jargon to explain the workings of the solar system, plain layman’s terms are usually simple enough for kid’s to digest and understand.

In her writer’s refence book, Word By Word, Kerrie Flanagan offers snippets from interviews with three different teen and young adult authors who tackle sensitive issues in their books and have all taken heat for doing so, about handling real life issues in their writing. Jay Asher, author of the young adult novel Thirteen Reasons, which deals with the issue of suicide says,

“Yes, I shaped the story to reveal the things I wanted to say, but it had to be revealed through the words of my characters, not me. I also knew, out of respect for the seriousness of what needed to be written, that I couldn’t hold back any detail that would make the scenes feel however raw they needed to feel. That caused my book to be challenged, but I know it’s also what made it connect to so many readers.”

And New York Times bestselling adult and young adult author, Ellen Hopkins says,

“Every teen is faced with choices, and without understanding possible outcomes, they often rush headlong in the wrong direction. As authors, we can’t tip-toe around hard truths, because those truths, because those truths are part of the human condition, and fearing a challenge is a sure way to make your writing fall flat.”

When asked for advice to new writers dealing with a sensitive topic, Cheryl Rainfield, author of the award-winning novel, Scars, and other teen novels which deal with the issue of abuse and incest says,

“I think using some of your own emotion and honesty in writing is so important; readers will sense if you’re not being honest or you’re holding back or you’re afraid of the topic….”

I believe this advice is true when writing for younger children, as well. In the My Backyard Friends series, which are aimed at four to eight year olds, I deal with issues such as being lost and alone, and situations where you need the help of others, and the possibilities of self-indulgence, but the message comes through through the words and actions of the characters, and all serves the story, and there’s a lesson in each one. For a small child, being lost can be a scary experience, it can be difficult to ask for someone’s help with a problem when a child is struggling to feel grown up, and children may need help to see the consequences of their actions. My hope is that children can learn through my characters, how to cope in similar situations.

Illustrations

Many children’s books are illustrated, where adult books are usually not. This makes every illustrated children’s book a collaboration, and all parties involoved need to be on the same page about the goal. This is extremely important, and finding the right illustrator, one who understands your vision, can be a daunting process. Finding an illustrator you want to work with who has prices that fit your budget is even more challenging.

Back in 2010, I found an illustrator who met both of these criteria to do Heather Hummingbird Makes a New Friend, and the rest of the My Back Yard Friend series. I was thrilled with her cover design and sample illustrations, and the price she gave me was reasonable, as well. She even matched me up with a small independent publisher who was willing to publish my book. I was ecstatic.

But, like traditional publishing for adult literature, publishing children’s books takes time, five years or more, and during that time, things can and do change. My illustrator ran into health issues which made it impossible for her to continue doing the beautiful illustrations by hand, and I was forced to accept first, digital illustrations, and then, a whole different illuistrator who I knew nothing about. When I requested the money I had paid for my illustrations five years previous, since they had never been completed and I would not be able to use them, the illustrator refused my refund and the publisher dumped me, and I found myself back at square one. It was enough to sour me on traditional publishing, and set aside my dreams of having my children’s books published.

This was a tough decision. I shopped around for another illustrator for a short time, I found that illustrations had become quite expensive, far beyond my budget at the time. So, the books of the My Backyard Friends series were shelved, filed away in the archives of my files for many years. You can imagine how excited I became when I learned that the talented Robbie Cheadle had taken up drawing and painting, and was actually illustrating some of her own books. Having written and illustrated her Sir Chocolate books, Robbie also had experience inside the arena of children’s literature, so it seemed to me to be a perfect fit. I was ecstatic when she agreed to my proposal to illustrate the first three books in the series in 2023, to be published through WordCrafter Press. And what a feeling of satisfaction to see them released this past July.

Robbie may live on a different continent, and her hummingbird is a different breed with different coloring than the hummingbirds in my neighborhood, but her Heather is absolutely gorgeous. Readers are not aware of the differences. All of Robbie’s illustrations are wonderful, bringing my characters to life with vivid imagry and brilliant colors. But this lead me to yet, another tough decision.

WordCrafter Press publishes wide, through D2D, and while I enjoy many of the advantages this offers, their print books are not illustration friendly, and they only publish in black and white. I did not feel that black and white would do Robbie’s beautiful illustrations justice, and thus chose not to offer them in print until I could afford to publish through other channels that of color options. Originally, I planned a Kickstarter, but circumstances in my personal life made the Kickstarter platform not a viable option for me, and I tried to do my own fund raiser during the blog tour, but the funds just weren’t there. And so, as disappointing as it may be, the My Backyard Friends Kid’s Book Series is only available in digital format for now.

Marketing Children’s Books

Marketing is the area where some would say children’s and adult literature differ the most. I’ve heard it said, “I just don’t know how to market to children.” But that’s the thing. Children are not your marketing audience, adults are. Kid’s aren’t going to care that the My Backyard Friends series was inspired by the birds and animals that visit my backyard, but their parents might find it interesting enough to buy a book for their childMarketing children’s books really isn’t all that different from marketing adult literature. You just need to look at the value offered from a parent or educator’s point of view, because that’s who you are marketing to.

I haven’t had a lot of success using the same digital marketing strategies I use with my adult books, which blog tours and social media promotion, with the My Backyard Friends Kid’s Book Series. According to Jason Chen, founder of Story Bundle, “We’ve done a children’s bundle once and it did really poorly. Overall parents aren’t looking for digital ebooks for their kids in my experience (yours may be different!)” But, my experience has been similar. I think children’s books fall into an area where print books are still preferable to digital ones. That’s one of the reasons I am so disappointed to be unable to offer my children’s books in print.

With that in mind, I’m thinking maybe in-person selling, which is a bit more personal, might be more effective in selling children’s books. Speaking at your child’s school, or doing a reading and book signing at your local library might just be the way to go. But that’s just my thoughts on the matter. I’d love to hear about what has worked and what hasn’t to sell your children’s books in the comments below.

About Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw, and her kid’s book series, My Backyard Friends. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

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This post is sponsored by the My Backyard Friends Kid’s Book Series and WordCrafter Press.

The My Backyard Friends kid’s book series is inspired by the birds and animals that visit the author Kaye Lynne Booth’s mountain home. Beautiful illustrations by children’s author, poet, and illustrator, Robbie Cheadle, bring the unique voices of the animal characters to life.

Get Your Copy Now.

Heather Hummingbird Makes a New Friend (Ages 3-5): https://books2read.com/MBF-HeatherHummingbird

Timothy Turtle Discovers Jellybeans (Ages 3-5): https://books2read.com/MBF-TimothyTurtle

Charlie Chickadee Gets a New Home (Ages 6-8): https://books2read.com/MBF-CharlieChickadee