Mind Fields: I Tear Apart Marvel Comics With My Grandkids

A sunset on the horizon.
Text: Mind Fileds by Arthur Rosch, Ideas on the Eternal and the Fleeting

When I’m with my grandkids watching movies from the Marvel Comics universe I have to remind myself not to view this material with an adult mind. It’s better to watch with the mind set of my 13 year old grandson and ten year old grand-daughter.

Last night we watched “Ant Man And The Wasp”. My grandkids loved it. I liked it. Well… I endured it. There’s so much filler in Marvel movies. Every “BOP! POW!” or “WHAM!”, every end-over-end toppling of a character whose booties excavate the pavement or crush an office building: all that stuff is so much dross. Such destruction! Miraculously, no one is annihilated by the falling buses or shattered facades. 

It seems to me that great writers are those who go the extra mile. Lazy writers are those who go right up to the mile before the mile before the EXTRA MILE. That’s what’s frustrating about Marvel movies. The producers know that they can inject a liberal amount of fake fighting and harmless destruction into the script. How much? Fifteen minutes? Twenty? Maybe half an hour of combat-without-consequences? IF (and we are) raising children with this stuff it sets a dangerous idea, that is, “THERE ARE NO REAL CONSEQUENCES”. There are just provisional outcomes that can always be changed by using a time machine or some deus ex machina, some easy out. Kids absorb this data hungrily and without critical thinking. They love the bop!bam! stuff and don’t seem to be frustrated by the relative emptiness of the script.

 “Ant Man And The Wasp” deals with some heayy concepts, like the world of Quantum Mechanics, the realm of the minute sub-quark particles. I enjoy the psychedelic visuals to depict these mysterious areas. “Someone” I thought (but did not speak aloud) has been smoking some DMT or ingesting psilocybin. I took a few moments to explain Quantum Mechanics to my grandkids. They’re super-bright little people who are far more powerful than I am. They’re still kids. So I have to tell myself to chill; watch the Marvel Universe with an uninformed mind. They understood my explanation of Quantum Mechanics“ as a continuum, from the mighty sizes of galaxies to the infinitesimal sizes of sub atomic particles. BUT..if you live in any of these places then it all looks normal-sized. To you and your friends”. Right? Right.

My grand-daughter just came into my office and asked “Whatcha doing?” I said that I was writing a review of the movie we saw last night. I explained my point of view and she seemed to grasp that a world in which no one REALLY dies is a bit fatuous. I explained that Marvel’s tactics remove the real terror from their productions. We all know that none of the heroes will die. That there’s some last minute rescue. Or the sequel will resuscitate the seemingly annihilated people.

 Hasn’t the media world always been like this? The soft-peddle American media archives are full of plots with happy endings. The hero always triumphs; the frustrated couple always get their kiss. I think this is true, but now, in 2023, it’s just more so. There’s more technology, more ways to soften the blows of so called REALITY.

Reality has never been less real.

The sound track of “Ant Man And The Wasp” brings a relentless rhythmic figure, a continuous percussive BAH BUH BUMP BUMP that induces an excited state in the viewer. It was so pernicious that my sleep was disturbed until I got up at around three in the morning and quietly played some Joni Mitchell and Leonard Cohen. THAT was the last thing I heard before returning to bed and snoring away the next four hours. It’s important to understand this level of mind hygiene. The last sounds you hear remain in your head until you hear something else. If you want to sleep, you need to ditch the rough stuff in favor of something soothing. At least it works that way for me.

I explained the thrust of this essay to my ten year old granddaughter: that none of the heroes REALLY die and that makes the movies way less scary.  I’m pretty sure she grasped my point. She’s really smart. I don’t know what kind of people god is now manufacturing but they are somethin’ else.

I’m less worried about the future when I see how these kids cope. Quantum Mechanics? They don’t care; its just something people say that means invisibly tiny stuff, like stuff that makes bacteria look HUGE! 

They get it. They know that bacteria are too small to see, so why not even smaller stuff?

Why not? In a world where nothing is impossible; everything that’s going to happen has already happened and continues to happen. The future is giving way to this stuff. And it’s happening again.

About the Author

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com Photos at https://500px.com/p/artsdigiphoto?view=photos

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Mind Fields: The Highwayman Of Failed Dreams

Note: I wrote this piece ten years ago. Things have changed. I’m doing much better than I would have expected when I wrote this essay. Here it is in all its misery.

Lately I’ve been waiting for a heart attack to drop me in my tracks. It isn’t that I have heart disease. I just turned seventy and I’m waiting for my official Hypochondriac’s License to be delivered in the mail. I think that every little twinge in my body is an incipient cancer. I’m waiting for the stroke that will paralyze my speech centers and put me in a wheel chair. I’m old, and I’m terrified. My imagination runs wild as I fantasize every possible affliction. I feel as though something awful is lurking just around the bend. It’ s like a giant boot in a Monty Python skit, it’s waiting for me to walk under it so it can go SPLAT! and squish me to a gooey puddle.

This is called “catastrophizing”. It’s a feature of depression. When I wake up early in the morning I’m churning with anxiety and my mind boils with fears of the worst things that can happen to me. Life is hard and I’m like a child: I can’t reconcile myself to the level of difficulty that life has thrown in my path. I’m inadequate. I’ve been broken since childhood. I want my mommy. I want to feel safe. I feel vulnerable, lonely, unsupported and bereft of family and community.

Now that I’ve introduced you to some of the fun features of depression, I will make an observation. Depression is extremely common. So is despair, but that’s different than depression. Despair is an emotion. Depression is a disease. It can kill you.

When I turned sixty five I was waylaid by the highwayman of failed dreams. It was too late (I felt) to rebuild my life. It was too late to develop an audience for my writing. To say that I was disappointed is too mild. I was heartbroken. I had worked my butt off but the world had changed and suddenly everyone was a writer. Five million self published books were elbowing my fine works into oblivion. I couldn’t gain traction. In spite of great reviews and an award from Writer’s Digest, I couldn’t even give away my books.

I have become almost proud of my obscurity. When I say “I couldn’t give away my books” I feel a weird yet heroic conceit. If my books were shit I would still feel proud, but my books are not shit; they’re damned good. They are compelling. One reviewer called them “important”.

There’s no reason you should care about me. You don’t know me. If you’re still reading it’s because I’ve touched a nerve. You may share some of these feelings and I’ve roused your curiosity. “Oh, does someone else feel overwhelmed the way I do?”

Yes. I would love to hear from you. Leave a comment, respond on Medium and Facebook, talk to me! What we lack is connection and mutual support. I’m looking to connect. I’m not looking for a dialogue about depression. I’m looking for truth. I want to know how you really feel and are maybe too ashamed to admit it.

It’s important to consider the state of the world when we contemplate our emotional pain.

The world is sick. The planet is reeling with toxic conditions. These things affect us personally, they have impact on our health and our moods. Seeing the faces of certain politicians rouses me to anger and nausea.

Every human being comes into the world with a set of parents and a third parent that is the culture in which he or she lives. The information that programs the infant child is transmitted by the parents and the culture. If it’s good information chances are that the human will live a good life. If the information is flawed there may be problems.

Let’s start with the culture, this culture, American culture. Every child born in America inherits an inner blueprint that guides in the construction of a personality. A Self. The weird thing about this blueprint is that it shows a structure that lacks a foundation. There’s no bottom on this diagram. It starts on the first floor.

If I had lived a more fulfilling life I might not be so catastrophic. My life, however, has been one of incredible effort and little reward. I have been endlessly creating works of music, literature, photography…that no one cares about. It’s good that I’m not prone to self pity. (Sound of sardonic laughter in the background.)

I don’t have any significant heart disease. My blood pressure’s running high but that’s because I’m terrified. It’s a vicious circle. Terror increases the BP and the BP increases my chances of stroke and heart disease. You can’t win.

Depression can stop you in your tracks. It is epidemic, it’s the most dangerous disease of the human race. I know you don’t care about my problems. You care about YOUR problems, whatever they are. Health, money, relationships, all the basic stuff that won’t behave and won’t get organized in a sustainable way.

When I’m REALLY depressed I don’t want to live but suicide’s not an option. I have responsibilities to people. I feel like a prisoner in my life, in my body, and that’s a fact. It’s irresistible. I can’t even open my email because none of it is for me, it’s all spam and fills me with ennui. I’m socially isolated. I’m old. My friends and family are scattered and gone. If I had a family I’d probably tell them to get lost. You know how families are: when you have one you loathe most of the people in it, but when you don’t have a family you feel cut adrift from reality.

This is my screed from a moment of dangerous difficulty. I understand that obstacles are necessary to my development. I get that. I accept the fraught process of living. There’s little else I can do other than bow to the will of a higher intelligence within myself. I believe in that higher intelligence. I believe it is not only possible to know God but that God has designed our consciousness so our understanding progresses by increments towards that knowing.

__________________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

______________________________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields: Poetry & Such

Ideas Like Never Before

Boulder breakers and charcoal makers

the poor

wait for something they don’t know what

just breaking rocks to earn a penny,  rocks to pave

gravel roads that go away. Anywhere

is better than poor in Africa, Asia, America, the poor are broken just like the stones they break.

Ending poverty is the work of a civilization. If we can’t end poverty anywhere in the world, we are not a civilization

What to Believe

These days I can’t believe anything. A lie

hovers overhead day and night. All the competing agendas clash

and the books, videos, news,  none remain without a stink

of mendacity. The liars hold the highest offices. They control

information. Their tech is the latest but

their lies are old, ancient, lies told by tyrants to the innocents.

Those who are brave defy their terror and protest. In Iran,

the women are sick with disgust at control by tottering old men wearing white fezzes and large skullcaps. Liars! I can’t

hold enough outrage! I see things daily

I never expected to see, ever. People are murdered by lies. 

It was said, “A lie is both murder and suicide in the world of the spirit.” Mostly these days it’s murder. The suicides will have to wait

to write their notes. The supply of pencils, pens and paper

has been interdicted by the Lie Police.

Will Truth set us free? Perhaps in the Kingdom of God, but here

Truth has been split asunder and reality can’t be recognized by anyone but other liars, and those are so far lost from Truth that they would not know it

IF IT BIT THEM IN THE ASS.

Saving What’s Left

“It’s broken.” My grandson stands over his red fire truck. The wheels have come off. The boy’s lower lip thrusts out and I can see that his heart is broken too. If I tell him that it’s just a toy, he won’t be comforted. This was the only truck in his world and now his grief will carry him to a child’s little hades, for just a minute. What is a minute to a three year old? It may as well be forever. For the duration of that minute all hell breaks loose and his tears and rage fill the room till all the grown-ups flee. Except me. I’m the baby sitter. I know how he feels. 

The world is broken, our world.  And it was we who broke it, stuffed it, neglected it, tore its roots out. Has it come to this? My grief for a broken world carries me to my own hades, my underworld of sorrow where what has been done cannot be undone until we have atoned like ancient Jews on Yom Kippur.? What punishment do we receive if we fail to atone? Regret, more like: oh the regret we have yet to feel as the land sinks and the seas rise. Our earth is frangible, it can be waylaid like the victims of highway robbery. “Hands up, planet!” The men in dark suits are digging holes. “Can’t you see we’re busy here? Go away with your storms. We know how to deal with your kind!”

They’re only doing their jobs, they’re following orders. 

“Take them away”, croaks the man in the suit and tie. “Take them away and hide them in the deepest mines.” ]

It’s broken. Can it be fixed? The next generations are tasked with this inhuman mess. They will have to be strong beyond what we know. They will have to develop themselves in unforeseen ways to have the stamina to work within the broken systems on the derelict highways. Armageddon will be indefinitely postponed. It already happened and we missed it. We were busy fighting. The next apocalypse will hit us before we’re ready. That is the nature of things. We have only the promise in Luke and Mark and John, Christians before Christianity, who learned that the lilies of the field will always be in their raiment, even if it is only in heaven. 

_____________________________________________________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

_______________________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields: Agoraphobia and Astronomy

Mind Fields

I Conquered My Terror Of Open Spaces with Astronomy

Once upon a time I was severely agoraphobic.  For years I had a terror of strange spaces. I was limited to my house, my yard, my car, and my place of work. If I attempted to break this tight little orbit, I got sick. At the time I didn’t know the term “Panic Attack” but I had all the classic symptoms. My stomach churned, my heart raced, and I had to fight for every breath. If I tried going anywhere outside my tiny race track I got so tied into knots that I was completely paralyzed. I had no social life, I did nothing but read, watch TV and observe the animals that visited the hillside behind the house.

One day I was out in the yard in the deepening twilight. I had a pair of binoculars in my hands for watching a herd of deer who came to feed on the ripening pear trees at the top of the hill.  It was almost dark and I had an impulse to turn the binoculars towards the sky.

I was stunned. The binoculars showed thousands more stars than could be seen with the naked eye. It was visually confusing but so beautiful that I instantly fell in love with the night sky.

I spent the next several hours scanning across the heavens, trying to locate familiar stars in familiar constellations. My Sky Vocabulary was pathetic. I knew The Big Dipper (which is only part of a constellation), I knew Orion and I knew Cassiopeia, because of its distinctive sideways “W” shape.

I saw things through the binoculars that I couldn’t name. I saw clusters of stars that looked like back-lit luminous cotton. I was lost, in the topographic sense. If I chose to examine a single star in an obvious constellation I could find it.

I could locate the end star in the Big Dipper. But it was difficult to maneuver to the next star in the line without first taking my eye off the binoculars, locating my target, then carefully measuring my angle of movement. Otherwise the sheer abundance of stars was confusing.

I was lucky to live in a dark suburb sixty miles from San Francisco. There were no streetlights.  In late summer the Milky Way can be seen with its glowing fleece and its lanes of darkness and dust.

It breaks my heart to think of the billions of people who will go from cradle to grave without seeing a dark sky, without seeing The Milky Way in all its majesty. There is a vast population of human beings who will live without giving the night sky a passing thought. To me, a life without awareness of the sky’s beauty is like an amputation of the soul.  It’s as if one is cut off from one’s ancestors, from the thousands of generations who measured their lives by the movements of the heavens.

I’m not a scientific person. I have no math skills, no understanding of chemistry. I slept through those classes when I was in school. Now I became a student. I was determined to give myself some training in astronomy. I raided the library for celestial material. I learned to read sky charts and I subscribed to magazines. I joined a club.

I needed to see a darker sky. It became an insistent organic hunger. I felt compelled to go places more than a hundred miles from a large city. There is a substantial difference in what’s visible from a washed out sky and one that isn’t compromised by light pollution. I HAD to be under that dark sky!

The problem was that I was agoraphobic. The idea of getting into a car and driving to a new place hundreds or even thousands of miles from home made me break into a cold sweat. I have since realized that my agoraphobia was but a subset of phobic responses to a larger meta-phobia that I call Neophobia: Fear Of New Experiences.

This is a common posture for people with PTSD. I consider that almost everyone has some kind of PTSD, that PTSD is another name for the experience called “Life”.

There are, however, people who have more severe life trauma, longer lasting and more intensely painful body memories. I qualify for this troubled group. I’m wandering a bit, here, but that’s all right. This is about reviving in myself the ability to wander. The point of this little article is the way I pitted a powerful passion against an equally powerful terror.

I was corresponding with sky observers who had been to places like Joshua Tree and Anza-Borrego State Park. These are DARK places. On clear moonless nights the sky opens like a new love affair! Stars are rated by magnitude, with the lower numbers indicating greater brightness. 

Let’s describe a star of Magnitude 1 as a star visible even in a well lit city. The star Sirius, the brightest naked eye star in the sky (excepting the sun), is a magnitude -1.4. That is Negative One Point Four. The brighter stars go into negative numbers. A bright full moon is Mag -12.6. The sun is magnitude -26.8. If you stand in the middle of Times Square you might see thirty stars. I could see several thousand stars in my unlit suburb. One way that astronomers describe sky clarity in terms of visible magnitude. I was living under a Magnitude 3 sky. My friends in the Mojave Desert were under a Magnitude 6 sky! In practical terms that would describe a sky so rich in stars that the outlines of well known constellations almost vanish in the profusion of surrounding stars.

I was yearning to experience dark, beautiful skies. At the same time I was terrified to leave my yard.  I could barely cross the street. But I wanted to go to the high desert, down to the Mojave and cross into Arizona, where the cities are distant and the sky is dark and the colors of the stars sort themselves into distinct categories of white, red, yellow, green and blue.

I struggled, I procrastinated, I beheld my fear like a chain and a set of padlocks, and I was angry with myself. Everyone goes places! Millions of people jump into cars, get into airplanes, leap from coast to coast, continent to continent without giving such travel a second thought.

I was barely capable of making the twelve mile drive to my place of work.

I had an acquaintance who spent a lot of time in Yosemite Valley. She was planning a drive from the Bay Area in two weeks. I explained my phobia and asked if I could come along. She was willing to help.

The big terrors that we harbor in our fantasies usually turn out to be less taxing than the grief we’ve given ourselves in anticipation of the event.

On the appointed day, I got into my friend’s Honda, carrying my binoculars, a book of star charts and two changes of clothes.

As we drove up Highway 80 I sat in the front seat, rigid as setting concrete. I was desperately ill for the first sixty miles. An hour-long panic attack savaged me like a hungry wolf. I felt as if I would never be able to get back home. Then I  had the sensation of hitting a giant rubber band. It stretched and stretched, urging me to reverse my direction, to turn back. 

I had deliberately trapped myself by this arrangement. I couldn’t tell my friend to cancel her trip because I was phobic, because I was, basically, a great big scaredy cat.

I knew I had to break through the rubber band. I was so sick with fright that we had to stop on the side of the road three times so I could puke. My friend was beautifully patient and supportive.

Just beyond Sacramento, about eighty miles from home, I puked one last time and the rubber band broke. The pressure vanished.

I was free. I could go. I was still scared but I could go to see the sky from Glacier Point, from an altitude above five thousand feet, from a place where the sky’s clarity is utterly pristine. 

Nobody really wants to face their deepest fears. We would prefer to get through life dodging and weaving, minimizing our risk; but some fears are debilitating. My phobia was preventing me from pursuing a love affair with the sky. My phobia was crushing my life, and if this was the only way to deal with it, pitting terror against passion, then so be it. 

Passion won the contest of psychic forces. Since my breakout to Yosemite, I’ve traveled thousands of miles, lugging telescopes, cameras, attending star parties and living a life of stellar enjoyment. What can I add? Go ahead: elope with your terrors! Go! The things you fear are never as bad as you think they will be. In fact, they seldom happen at all. You’ve wasted years dwelling in a phobia when you could be living a free unfettered life.

________________________________________________________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison.

These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

________________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields: Baby Boomers And Self Hatred

Mind Fields

I’ve noticed that some (as they are called) Baby Boomers are like Jews who are anti-Semitic. My mother was a classic Jewish anti-semite. Hateful rhetoric dropped from her mouth like crap from an owl’s cloaca. “The Jews will trick you every time,” she often said. “You can’t trust them.” Another of her favorites: “Money’s what they’re about. Money money money.  Jews do one thing well, and that’s make money. It’s a shonda that Hitler didn’t succeed in wiping them out!” The word “shonda” is Yiddish for “shame” or “too bad”.

As I got into my early teens I stopped being afraid of my mother. I’d outgrown her. She couldn’t beat me up. “Mom”, I would riposte,  dodging her clumsy right hook and restraining my urge to retaliate with a knockout uppercut. “You’re a Jew, I’m a Jew, dad’s a Jew, Sandy’s a Jew. How can you say this horrible Nazi crap?”

My mom was crazy. I mean truly bat-poo crazy. Her mind ran like the railroad tracks that led to Auschwitz. There were predictable stops at the same stations at the same times. There were no deviations. Is that one definition of crazy? “An extreme rigidity of thought in which facts and nuances cannot be accommodated lest the pathological structure of said rigidity be broken like a bridge without proper support.” 

Let me get back to my original thesis, regarding Baby Boomers. I’m seventy four years old. Demographically I’m a baby boomer. In other cultures I would be a respected Elder but in Amerika I am seen by some as an irrelevant, un-hip old fart who still listens to Sixties pop music. Let me correct this misapprehension. I listened to (and still listen to ) John Coltrane, Charles Mingus and their ilk. I admit to being a huge musical snob.

I enjoyed post-1965 pop music. I bought a limited number of pop records. I bought the second Rolling Stones record. I bought five Bob Dylan records, starting with Bringing It All Back Home and ending with Blonde on Blonde. I hesitated at John Wesley Harding. I had to wait a few years for Dylan’s Multiple Personality Disorder to roll over like slot machine fruit to a configuration I recognized. I never bought a Beatles record. I wasn’t a fan. I am now, but I still don’t buy their records. Who needs to? 

It’s weird when I read articles in which Baby Boomers are generalized into a sociological cluster that resembles a haul of mackerel in a giant net. Our nation has been dominated by some nebulous force called Youth Culture since we were Youth ourselves. Now, if we don’t understand or enjoy Hip Hop we’re relegated to the Outer Limits of cultural discard.

Some of the best music I hear is television tease-music. These are theme songs, fragments or background percussion/guitar riffs. They are sound-memes, identifiers of historic hit series like Sons Of Anarchy or Breaking Bad. My ear tells me, “Hey, that’s pretty good stuff..”.  Fortunately there is a Breaking Bad CD, or several, divided by Seasons. They’re like playlists. Tasty!

The contemporary musical acts to which I am exposed are forgotten as soon I’ve heard them. I give Lady Gaga props for her science fiction wardrobe and catchy tunes. But most of the singers or bands I hear get me to wondering. Can they play at all? Have they spent fourteen hours a day practicing fundamental exercises on their chosen instruments? Can someone explain to me why the musical acts on “So You Think You Can Dance” are so abysmal? We love the dancing and choreography. Love it! I’m convinced that dance is in the midst of a golden revival, the invention of truly new languages. But when each week’s “musical guest” appears we shudder and watch in horrified dismay. Is some paradigm being revealed? Is music being sucked into a rip tide and washed out to sea?

I seriously doubt it. The distinction here is that the music that’s getting “play” is crappy. I have no refuge. If I want to listen to jazz I’m welcome, of course. But there is no more John Coltrane, no more Charles Mingus. Now we have Marsalis Gumbo, that well known New Orleans dish. It’s good stuff, it shows prowess, soul, it’s jazz. It seems, however, that musical innovation is being led by technology. One can buy a machine that makes sounds that seem to emanate from remote corners of the galaxy. It has no difficulty playing in 15/8 time. We can write and play whatever we want! Our imaginations have been unfettered. Where are the people putting these awesome tools to use? There are no musical categories any more. Jazz as a dynamic art form ran out of gas around 1970. It had played itself into a corner called “New Wave” or “New Thing” and hardly anyone could tolerate the caterwauling that emerged from the saxophones of Albert Ayler or John Tchicai. (A confession here: at the time, I loved New Wave. I was taking acid). 

I’m not ashamed of being seventy four years old. The alternative is to be dead. Anyone who has reached such an age has survived a given amount of horrible shit. I’m proud to be a survivor. I know certain things. Shit is a great teacher. 

My mother taught me by negative example not to feel contempt for my own tribe. Her railroad tracks ran out in 1980, when she committed suicide. She rolled up on the terminal station of her mental Auschwitz and it didn’t look very inviting.

I know this isn’t my best-written piece, I know it’s sloppy and barely hangs together. I’m trying to start a conversation. I’m tired of being dismissed by little kiddies half my age who are now taste-makers, trend-setters and power brokers.

I’m trying to make my mark as a writer and I passed Rejection Slip #500 a long time ago for my novel, CONFESSIONS OF AN HONEST MAN. It’s as profound and touching a story as all get-out, it will make you laugh and make you cry but it has no vampires, nor anything with long teeth, it’s just about people and the way they go about healing themselves from having crazy mothers. Seventy pages of this book take place in 1982 Afghanistan! It’s exciting as  hell!

Literary agents, editors,  publishers, taste-makers and other cultural filters and gate-keepers will some day be either seventy four years old or six feet underground. I invite them NOW, (before it’s too late) to get on my train, whose tracks are constantly being built right under the engine and we never know where we might end up.

(Today’s magic word is “Duck on a string”.  Okay, four words.)

_______________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison.

These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

____________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields: Don’t Fall Apart

Mind Fields

You can’t fall apart when things go wrong. And when I say “go wrong” I mean badly wrong, way wrong. The loss of a job, the death of a loved one, a diagnosed illness: that kind of wrong. You can’t fall apart.

 It’s difficult, NOT to fall apart. We don’t have rational control of emotions. Grief, despair, depression, are creatures with wills of their own and they seem to take over the daily habits that normally sustain us. How do I NOT fall apart? How do I fight back and regain my dignity after seemingly chucking it into the trash? Where do I find the “fight” in me, after I’ve curled into a fetal position and gone”waaaah!”

The answer is “ANY WAY YOU CAN!” I thought to do some writing, and I ended up writing this. Which will take about five minutes. I wanted to work on my novel in progress and I sat staring at the page feeling waves of terror streaking through my innards. It’s difficult to write through waves of terror. I’ll make it.

I’ll get there.

Last year a man died suddenly. He was the man who provided me with three quarters of my contracting work. Then I had a major health scare. Things began going to pieces, one little piece at a time. Isn’t that always the way it works? No, it isn’t. It’s never just one big thing; more like a lot of little things until it seems that nothing will ever go right again.

That isn’t true! That’s the voice of depression. As a grizzled veteran of the fight against depression I understand the feeling that a low emotional state is permanent. It isn’t. But you can’t fall apart. You have to fight back. Depression is a force of nature with which we contend. It’s here that we find our own heroism. Here, in the battle against the cognitive darkness that threatens to overwhelm us at any time. This is where we ultimately shine.

If you’ve got any energy, go clean something. That often works well to lighten the mood. Or, better, go help someone else who is in trouble. In the process you will forget your own troubles.

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

________________________________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields: When We Are The Sociopaths

Mind Fields

The Sociopaths

If you vote for a sociopath to serve in public office, you may be acting from your own sociopathic tendencies. Americans have succumbed to a sociopathic culture that is sad and shocking. It isn’t wealth or poverty that counts in the USA. It’s numbness to the suffering of others. It is disturbing that numbness has spread itself wide, that apathy has replaced interest in public discourse. The awful fact is that people are dead inside. How do I know this? I know it from personal experience. I was also dead inside. Now, I have a bit of life within myself. I continue to fight this social and spiritual desolation. I am less dead than in the past. I use every tool I can grasp: therapy, meetings with a group, reading about psychology, learning about Consciousness itself. 

Growing up in a typically dysfunctional family has left me reeling with emotional pain and often engaged in struggles with addiction and other debilitating conditions. I didn’t want this! I wanted to live free and happy but that is neither possible nor even desirable. I have learned patience and the ability to frame my narratives of pain in terms that show their creative importance.

As far as I know, I was not “sent here” by anyone other than another faculty of my very core SELF. We need to understand that possession of a Self is a very high privilege, a vital connection between what is human and what is not of this world but of some inner possibility. Selfness is a condition of consciousness, a unique and important faculty of identity. It isn’t random, it doesn’t come from nowhere. It comes from within the mind and the fact that there IS a mind at all is crucial. Why? Why have a mind? Of what evolutionary use is a mind? All creatures have minds and some of them may be highly organized and developed. We have no idea what goes on in the mind of an animal like a whale or an elephant. It seems clear from observation that they are not automatons. Nor are they entirely conditioned by nature. There is something else, something beyond our grasp, about the minds of other species. We are desperately uninformed. At best, we are guessing, by way of zoologists, veterinarians, communicators and empaths. 

What if a blue whale knows about the cosmos from an entirely different perspective? What if its brain produces some profound psychedelic that eludes human beings? In its own way it may be swimming among the stars. Is there not an inner life within the life we see? Should not a bear possess an inner life? Does not its memory belong to the universe?

It is essential to respect ALL life forms as conscious and sentient. The concept that MAN is above all other life forms is specious and dangerous. We need to get over ourselves.

_______________________________________________________________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

__________________________________________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


The Many Faces of Poetry: Routinely

Routinely

Routinely. We

Drive 3 ton vehicles seventy miles per hour.  We do this in swarms, crowds, jams, at all angles and approaches. Routinely. Somehow it’s unusual to die in traffic on the way home. I don’t understand it.

Routinely. We

Bathe ourselves in electronic light. Hours and hours each day the photons emitted by our gear pass through our bodies. 

Routinely. We Eat food that amounts to tenderized and processed glue.

Routinely. We stay indoors for hours, days, weeks, even months. It’s what we’re SUPPOSED to be doing. Right?

Routinely. We talk to no one for months on end.  We have plenty of chat, little real talk.

Routinely. We expose ourselves to huge clusters of information in the form of digital glop, yet somehow we only go slightly insane.

Routinely. We breathe toxins generated by our culture without being aware of it.

Routinely. We witness horrors on the news and barely shrug because we are numb to horrors in this age of surfeit of  horrors.

Routinely. We vote for callous lying cretins and elect them to public offices they don’t deserve. Routinely we continue allowing venal malicious fools to exploit us without doing a goddam thing. Routinely we accept a political situation that would not be too difficult to change but we don’t change it even though it’s destroying us.

Routinely. We juggle scenes of increasing complexity.

Routinely. We melt down when the complexity is overwhelming. The crazy shit we do depends on who we emulate. Do we shoot up a supermarket or do we binge on ice cream?

Routinely. We are surprised by what happens when we process this degree of overstimulation and make terrible decisions. Routinely our judgment is flawed by the input of mis and dis information.

Trust nothing but your own experience.  Routinely.

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Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com Photos at https://500px.com/p/artsdigiphoto?view=photos

______________________________________________________________________

Want to be sure not to miss any of Arthur’s “The Many Faces of Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields: Two Of My Thoughts

Mind Fields

Two Of My Thoughts

#1

Discernment is the ability to obtain sharp perceptions or to judge well. That’s from Webster’s dictionary. I bring it to your attention because if this nation is suffering from a widespread psychological disorder it is this: a lack of discernment. It is the inability to judge well from the information that’s available. There are millions of casualties to this disease which is more sinister than Covid 19. It is something that has no name. I call it The Plebny or Recalcitrant Flux.  Any force, power or person who spreads this disease is committing crimes against our planet. In this turbulent time we NEED discernment to pick our way through the fields of ignorance and bad information. Listen to me: bad information. There’s no such thing as bad information. I refer to the mis and disinformation filled with distorted content, warped propaganda, mendacity in the service of ego and power. We’re afflicted by people in power who lie automatically, without internal scanning or external censorship. Damage is being done! Without discernment we are easily manipulated, like cattle being led by nose rings. Further, these people without discernment are unaware of their lack. It is impossible to engage in dialogue with people who can’t perceive with precision and conscience. I am willing to consider other points of view. I’m not stuck. It takes a little effort to discern things. It takes honesty, most of all. With whom are we honest? We must be honest with ourselves most of all because human beings have a tendency towards various mental impediments to honesty like Denial, Shame, Depression, Grandiosity, Narcissism, Sociopathy, Psychopathy, Crushed Affect, Sleepwalkers Syndrome, Intentional Psychomyopathy and Heartbane. There are so many wacked out people in the world that the earth is saturated with their craziness.

A few wild names in there? Blame Mad Magazine and my high school pal and class comedian, Jay Grodsky, for that. We made up goofy names together. He had a ducktail in the back of his head and a giant spit curl falling across his forehead and he was the coolest guy in the world. This was WAY before Travolta but about contemporary with Edward “Cookie” Burns. Jay’s divorced mom didn’t care what he did and he had this big house to fool around in. I idolized Jay but I fear that he barely knew I existed. I wasn’t very cool. In those days I absorbed the coolness of others rather than, as I do now, generate coolness from my nature. I am a cool guy. I waft coolness from my pores.

#2

I think poets write for themselves. I never expect anyone to read my poems. And if they did, what would they make of them? I read a few poets. it’s never been the most fascinating literary form for reading. It’s great fun to write it. When a poem occurs for me, I’m in love with the language. I’ve made it do something it’s never done before.  Language exudes emotion. Can I possibly convey how I feel in love?

I’m in love with my therapist. That’s both corny and compelling. A great therapy is one where you and your therapist fall in love,  but have enough sense to stay therapeutic rather than personal. I don’t know my therapist. I don’t have to; not to love her. Believe me, I love her with a deeply lusty feeling. I love her with my body. Other than a few hugs we’ve never touched. But I love her in many ways. I told her that I love her for what she knows about me. I’m already inside of her. By knowing me, she loves me, and that’s the whole story. She gives me definition, the outlines of my bones and organs become visible.

___________________________________________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

______________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields: Why Are Commercials?

Why Are Commercials?

May 2022

I’ve been watching these f..ing things since the beginning of television in the early fifties.

We call them “commercials”, thus making the word a noun. On offer in our affluent culture is a system built upon the marketing of various products. Without marketing there is no Capitalism. In the early days of TV we took for granted that every ten minutes or so the program would pause for a “word from our sponsor”. In most cases that sponsor was one of three things: food, pharmaceuticals or automobiles. 

It hasn’t changed. We still see these interruptions every X number of minutes. Nowadays we mute the volume or we fast-forward but we are forced to waste time on them, one way or another.

When I watch these things I feel a mixture of amused contempt and chagrin. The contempt is for myself and my brethren who have absorbed so many of these messages that the wasted time must amount to… what? Months? Years? I have to wonder. How much of my time has been spent either watching or avoiding these marketing techniques? As much time as I’ve spent sleeping, certainly.

The first commercial that I was aware of was the brand of Twenty Mule Team Borax. It was laundry detergent. It completes the picture of the happy housewife in our capitalist society. She washed clothes in her brand new washer-dryer combo. She fed her children the repulsive junk that was flogged on the Saturday morning cartoon shows. Breakfast cereal. Wonder Bread. Jif peanut butter. Canned peas. I shudder. My insides are permanently made of glue.

The happy housewife model of consumer heaven ruled our lives from the airwaves. Our moms were supposed to be efficient smiling providers of nurture in the form of supermarket comestibles. We had Twinkies. We had cupcakes. So, how come my mom was a raging manic depressive with sadistic tendencies?

I was more likely to get strangled in her apron strings as I was to be poisoned by sugared manna from the delicatessen.

Guess what, people? We have a past. We have history. Our culture has evolved at a rocket pace to keep up with the rate of change. But a lot of us folks came of age in a different world. We don’t understand the stuff our kids and grand kids are consuming. What is this shit? Uh…uh. No Way. 

It’s the same old story updated for modern times. It’s still fast food, pharmaceuticals and Ford pickup trucks. 

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Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

_____________________________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.