Mind Fields: It Began With Television

Mind Fields

It Began With Television

April 2, 2022

It began with television. I was born in 1947, which makes me the first generation of TV people. I watched Howdy Doody, Sky King and Death Valley Days. How imprinted in my soul is Twenty Mule Train Borax? It’s permanent. As is….The Twilight Zone, Gunsmoke and Rawhide.

Television took the ancient art of storytelling and whisked it away from our personal imaginations. It brought down a shutter on our fantasy and took the lead in guiding our young personalities in ways we could not anticipate. Regard the PURPOSE of television: to make money. We were beyond infatuation. We were addicted to the TV. We stayed up late until the test pattern came on.  When we turned the set off we watched the picture die into a small white dot that after a second turned black. It was time for bed. Our parents didn’t care what we watched. We watched most of it together, except on weekend mornings. There was nothing subversive or dangerous on TV in those days. There were only the illusions of the capitalist marketing system. It sold a lot of laundry detergent. It was very tribal and sad. Yet… hypnotic and cute.

TV affected us. We don’t yet know how the effect scales up. We don’t know what has been done. We base our existence upon what presents on the screen. We are Creatures Of The Screen and it continues, until we have whole walls as screens. And they keep getting bigger! The emitted light enters our bodies and charges our cells. Television is both success and catastrophe. Television morphs into cell phones and monitors. It’s in the gas station restrooms. It’s in our pockets. If it JUST STOPPED right now: what would we do? For a while we would be lost. Many of us would just give up. It’s too hard being a human in this culture without that continual entertainment. We might… some of us… turn to reading or writing. Or solving math problems. Or speaking to our friends and family. 

We are unbearably lonely. That’s what TV has done. It has infected us with our culture’s unprecedented loneliness. Americans are the loneliest people in the world. It doesn’t stop there. Go to the worst barrio in Manila. You will see satellite dishes on the most humble shack. You will see TV sets playing within tiny shops that sell pencils and sponges. Their owners don’t even watch them. They play  Exotic Soaps and Indian made porn tapes. In the souks of Damascus. In the bazaars. Television.

Only the automobile has had such stupendous repercussions. Now, the T.V. has entered the vehicle and drives us to our destinations. We are embraced into the womb of the new culture. Soon, we may not need destinations. We will just be. In our cars. With our media. With our T.V.s.

It is, after all, just story telling. 

________________________________________________________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.”

Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

______________________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields – Why Do We Pick On Ourselves?

Mind Fields

Why Do We Always Pick On Ourselves

from Mind Fields at writingtoberead.com

Americans pick on themselves. We do it constantly, relentlessly, awake, asleep, we pick on ourselves about everything. It’s as if a perfectionist mother–in-law sits inside our heads on a platform at the very center of our thoughts and points here and there, hectoring us with criticisms.

“You know you could lose a few pounds,” she will say.  She points with a drooping finger. “You’re getting heavy.” Her eyes narrow and she leans forward. “What’s wrong with your face? Is that a zit? How could you have a zit at your age? Your pores are kind of large, too. Speaking of age, wow, It really shows you’re getting over the hill.! I see wrinkles at the sides of your mouth and eyes. And that big one in the middle of your forehead, wow.”

Her elbow rests in her left hand while she taps her cheek with the right index finger. “Who could love a mess like you? Who buys your clothes, a retarded pygmy? My god, where did you get those awful shoes?”

Her inspection continues with a glare all up and down the length of me.  “Who does your hair”, she rasps, “a baboon? Get another stylist before it’s too late. The damage that’s being done, what a shame,  a real shonda. Your hair is thinning out too, a little bit day by day. You’re getting a pot belly! Ever think of wearing something, a brace, maybe?”  She sits in a rocker and lights a cigarette.  “I have a skin  cream that I can recommend. You’re at that age where it loses its elasticity.”

I’m quivering with shock now but determined to let her have her say. “Your teeth are a little funny. Has anyone ever suggested cosmetic dentistry?”

Pick pick pick, pick pick pick. Am I wrong? Have I overstated the case?
She never stops, this critical demon of the shadows. She is a product of decades of indoctrination. I only say “She” because I had a terrible mother. I’m still pissed off about that.

“I should remind you” she says inside my head, “to get your cholesterol checked. It can happen; any second it can happen, bam! and you keep over.You’re dead! Then what happens to your family?  Do you have a good lawyer? My brother in law knows one. And his cousin’s a doctor! Have you checked your prostate lately? I hear there’s a new medication for that. There’s a pill for everything these days, just watch sixty minutes. I mean the commercials, not the show. There’s a pill that’ll help you stop smoking if you survive the side effects. I love the medications where one of the side effects is ‘diminished semen’. What does that mean? What kind of pill can have ‘diminished semen’ as a side effect? Isn’t that the scariest thing a man can hear, short of ‘penis may wither and fall off?’ Loss of semen really means having crappy sex, doesn’t it? So why don’t they say, ‘may have brief weak orgasms’?”

This yapping harridan, this carping abusive inner voice, how did it get inside our heads? Let’s make it simple. First there’s television. There are a lot of good things about television, it’s not the monolithic purveyor of propaganda it might be in some other countries. Still, it hauls a freight train of psychological toxins every second of every day, no matter if the sound is on, whether or not you’ve blocked the commercials. It doesn’t matter. The marketers behind television are so sophisticated that we don’t have to turn on the device to be contaminated. In our society, television has become a self-referential culture, the subject of billions of conversations. It has moved into our thoughts and taken residence, permanently.
After TV there’s movies, the internet, magazines, newspapers, radio, you can’t escape marketing anywhere, not even in an airport restroom.

We barely live real lives any more. We talk about fictional characters whose lives are infinitely more exciting than ours and whose dangers are far beyond anything we would ever permit ourselves to face.

It would be interesting to snatch someone from the past and have this person witness our marketing techniques. Show a Viagra or Cialis commercial. What if we brought someone from the Victorian era, from around 1895, and showed commercials for keeping your thing hard? Every ten minutes another commercial showing a man of about fifty with a woman of about thirty eight, snuggling together, holding hands, watching the sun set. We would have to explain the nature of this product to the viewer. Without the warning “see a doctor if erection lasts more then four hours” there is nothing to indicate what this product does, what’s it’s for. When we explain it to our time traveler, what will this person think about our culture? How embarrassed would he or she be, how shocked at the impropriety?

Well, sure, they were prudes. Their repression caused them vast inner conflicts, but I would speculate it added an extra thrilling dimension to sex. It seems that when we started discussing our president’s blow jobs on the public airwaves, some line was crossed, some basic decency and sense of proportion was jettisoned off the side of our big ocean liner of a culture. Sex also got a little bit more ordinary, a bit more like costume jewelry.

I digress, I was talking about how we pick on ourselves. It’s stupidly obvious. It’s about getting us to spend money. The entire purpose of marketing is to manipulate our desires. The basic technique is to infect us with feelings of inadequacy. Then we are bombarded with glittering images of things we’re led to believe will make us feel better. If we feel bad enough we’ll go out and buy some ridiculous cream, or pill, or car, or hair weave, or something that makes no sense at all, we’ll just go buy anything, walk into Walmart with our credit cards and shop, as an anesthetic. We’ll be perfect consumers, depressed, dazed automatons piling up debt. Glassy eyed, we walk the aisles of the stores, pace the infinite mallways without destination until we find ourselves back home with bags full of junk. How did all this crap appear in our houses? I don’t remember buying an eighty eight inch Super High Definition TV set with a quadruple-woofer ten speaker sound system with Dolby nine point two noise reduction software.

We’ve been had. We’re nuts. We pick on ourselves because all our role models are distortions that are dissonant with real life. We don’t see authentic people in the movies or on TV. We see heroes who can kill a dozen trained hyenas by throwing wooden chopsticks from fifty feet. We are not encouraged to admire people who aren’t particularly beautiful, rich or talented. We aren’t given strength of character as a yardstick of true heroism. It isn’t enough to be an ordinary person anymore, we have to be some carefully crafted mannequin, with no missing teeth, no bad habits. We’re going to live to a hundred and fifty in perfect health, glowing and radiant, with a beautiful partner by our side. There won’t be any old age, slow decay, debility, nothing like that because the inner witch-voice won’t allow us to relax and be human, be ordinary and obey the laws of nature even when they take our youth and beauty.

Isn’t that the primary mechanism of marketing? To raise dissatisfaction to a level where we’ll do anything to “better” ourselves in the form of consuming whatever’s consumable to get a buzz for a few minutes or hours?

Pick pick pick, we’ve learned to pick on ourselves without mercy. Go ahead, take a look at yourself in the mirror! Do you like what you see? Have you been taught to accept yourself with all your flawed genes and pathological behaviors?

Can you accept and love yourself as the unique creation that you are?
Of course not. There’s no money in love.

Not yet.

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

______________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields – Cannabis Can And Sometimes It Can’t

Mind Fields

I started smoking marijuana at fifteen. At that time, marijuana was simply Pot. Weed. It was Reefer, Dope, Ganja. Sometimes it was just Shit. It was so hard to obtain that we went to dangerous housing projects like Jefferson Barracks or East St. Louis.. These are rough ghetto neighborhoods. Here’s the classic scenario: drive to East St. Louis, to a certain intersection. A man will be there at nine p.m. taking orders. Give the man your money.  Pull around the corner and wait in the car. Half hour goes by and everyone who passes gives you the skank eye. Wait in the car. Another twenty minutes pass. Shit, did the fucker burn us and bail? There’s more skank eye from the locals. A nondescript Ford rounds the corner, driven by a white man in a fedora. “Get down, that’s a narc!” We hunch down over the drive shaft. The man could be anybody. Probably not an officer of the law. We laugh nervously: maybe he’s scoring weed, too. Haha.

I’m about to call it a night, write it off to misery when the connection shows up, rapping quietly on the steamed-up window. He’s palming a baggie. Whew, Groovy. Thanks, man. There are more side-eye looks than a herd of horses as the connection sneaks off. 

Cannabis Bud

Now it’s called Cannabis. From old habit when I talk to myself I call it Weed. But…hey… It’s the majestic Cannabis. It’s not a weed. I won’t call it that any more.

I could write about cannabis all day. One thing that stuns me (aside from the THC) is the post-legalization culture that has arisen in a few short years. The explosion of new ways to consume cannabis is one aspect of this cultural eruption. Would you have dreamed, twenty years ago, that you would go to the “pot store” to get your cannabis? THAT IS CORRECT! I go to the POT STORE! WARNING: it can get expensive. Some of the marketing is clever and ‘scammy’. The research for this article has cost me a couple hundred bucks. Pot is getting the late-capitalist treatment and is being commodified in ways inventive beyond the craziest dreams of any baby boomer. There are vape pens full of THC. There are Resins, waxes, elixirs, inhalers, collectors, nectar tubes, dab nails, glass in a thousand exotic shapes: this stuff Is appearing at breakneck speed, overwhelming in its complexity if not hilarity. 

Oh…cannabis…wonderful cannabis, the jazz musician’s vitamin. I have smoked in many cars of vintage breed. They were not, at the time, vintage. Back in the day we called our vehicles “shorts” i.e. Where’s your short, man? I parked it around the corner: Continentals. Thunderbirds. Gran Prix, Impalas. Our shorts loom large in our fantasies of past reefer madness because they were often the only places we could smoke pot. My dopey memories of the 60s occur in some car or other, some parking lot or street in some disreputable part of town.

I never thought I would be able to light up on the street in broad daylight. Now we have cannabis named for every kind of wacky idea that marketers can devise. Here are a few brand names: OG Skunk Cult, Canna Candy, Fumero, Caldera, Purple Phase, Errl’s Oil. Here’s one: Guava Fig X Face Mintz Extract.

In 1965 ten bucks got me a matchbox of Mexican grass. The name brands were Michoacan and Panama Red. There were Thai Sticks. Sometimes I could get hash from Nepal. An ounce of grass was called a “lid”. Three and a half lids are an eight ball.  Back in the matchbox days it was either a nickel bag or dime bag. This is sixties stuff, I’m jamming with Jimi, not Fats Waller.

Legal weed is a fucking explosion! The pot store looks like a bank! Maybe it was a bank before it became the Pot Store. Yeah, that’s it. The packaging for the inventory is on display in cases against two walls while the cashiers occupy windows at waist-high counters around the other two walls. The merchandise is offered in all its colorful boxes, jars, droppers, cartridges and spliffs. Twenty-five-year-old cannabis experts talk to customers about the products. This strain of cannabis, the cashier explains, has such and such a percentage of THC ratio to CBD. This one has 88.5% THCV. This one’s good for pain, this one’s good for sleep, this one won’t increase your appetite, this one will. We get new terpenes every six months.

Now we have designer dope for the elite. Ninety bucks for a one gram jar about the size of a quarter. Shee-it! Weed should not be expensive! Never never. Stop it! 

I get my dope from a dude named Steve who lives in an RV at the corner of Colegio and Runyon. It comes in baggies. No boxes no jars. Ten bucks for a big bag of buds. That’s more than a lid.

That’s Old School.

_____________________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

______________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields – People Are Crazy

Mind Fields

People are crazy. Many people who are crazy don’t know they’re crazy. They think that they are right, and that their form of crazy should be everyone’s crazy.

That’s crazy. Right? NO! We’re all wrong, most of the time! It would be nice if people could admit this fact. If we examine the history of human beings it looks like a traffic jam of midget cars where everyone jumps from the cars as if they got caught stealing them. They shout “That’s not my car! I’ve never seen that car before.”

This is not my planet! I’ve never seen this planet before! The very nature of life on this world is that humans get the wrong ideas about things that should be easy to understand. Those who don’t recognize their instability are dangerous. People who don’t recognize their craziness have few brakes. At some time or place such people can do terrible harm. They harm people who are crazy in a different way. We can inquire about Germany in the 30s and 40s. In today’s world Germany is known as a refuge for the dispossessed, a humanitarian engine of liberal democracy. Eighty years ago Germany was in the throes of a mass psychosis that turned the state into a killing machine.

This form of psychosis is always available to cultures. It’s there, waiting for the right conditions. It will burst forth and flourish for a while as it does its murderous business. Then it vanishes, only to revive in another time and place. Cultural psychosis is part of the human condition; it’s an undercurrent that feeds on poverty and distress. It thrives on income inequality, builds on the resentment of disenfranchised classes.

We’re ripe for another one. God forbid, as my grandma used to say. God forbid we should replay genocidal brutality like Nazi Germany, or Cambodia, Rwanda, Armenia, Bosnia. The United States with its native Americans, The Turks against the Greeks. God forbid. I pray that I’m wrong but I feel that looming presence, that evil spirit that is like a parasite fattening on its millions of aggrieved Americans who have not a single clue that they are insane. They have nothing to complain about. They are housed and fed, they have health plans, the very poorest of them are better off than anyone was a hundred years ago. You can’t convince them that they’ve got a good deal going. They’re certain that they’re being screwed. We sit atop a festering insanity that has been in America since before its founding, when vast crimes by white Europeans were enacted on the whole population of the western hemisphere. 

God forbid. It’s a comfort to think that things have changed, that maybe a threshold has been crossed by human nature itself, that we’ve learned from our past sins, that we have EVOLVED. Isn’t that possible?

I don’t know. I won’t pronounce this salvation as a done deal. Something IS different. Our children are different; they do things that were impossible. They move their bodies in new ways, they think in new ways. I don’t regard myself as a cynic but I am jaded. I’ve seen too much horror. 

It isn’t one thing or another. We’re neither saved nor doomed. We are continuing the story of life on earth. The planet keeps turning and it will turn for another several billion years. The drama of human life unfolds in its many chapters. Yes, we are crazy. History is a book of insanity, a review of the irrational.
Good judgment and reason break out in little pockets. They seldom last long.

The United States Of America is ripe for deep horrible craziness. I tremble for my children.

__________________________________________________________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

_____________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields: Human Times

Mind Feilds

Are we living in a creative golden age? Is there an explosion of artistic expression happening, or are there simply more people around who have better tools? I think the answer lies in both directions. I can spend entire days online investigating any subject imaginable. I can revisit my childhood, walk the same streets. I can go to the same school again, throw baseballs from the outfield. I explore my memory without needing to go to those places that are thousands of miles away. 

It’s a truism that the Arts thrive during troubled times. Of course they do! Nothing drives us to greater self inquiry than social turbulence. Art is built out of the bricks of self-inquiry. There is nothing more comforting than making beauty when there is wreckage all around. Human beings are talented at making messes, at leaving and repairing wreckage. 

During my lifetime the world’s population has doubled. Now there are seven billion people to make messes and I can feel it in my guts that things are getting more and more strange. There’s an antic quality to the upheavals of our time. The world is populated by failed standup comics, obscure book writers, cowboys, aging ballerinas and kids. Lots of kids.

When I was young there was more room. Today there is a squeezing quality, as if the entire world is a photo of that numbing rocket block of apartments in Hong Kong, with their laundry drying on thousands of railings and TV discs perched like gargoyles at every angle and corner. I’m tempted to call them Living Legos containing numberless thousands of other humans. But I won’t call them that: Living Legos. I’ll call them miserable sub-par toxic environment overpriced low cost housing. This stuff wouldn’t exist so massively in a world with half the current population. 

What are we going to do? I think “we” won’t do anything at all. I think the spirit called Gaia, in which I believe, will take care of this problem by killing off a few billion people before the end of the 21st Century. This is going to be a lethal century. It will recall The Black Death of the 14th Century. 

Gaia has a contingency plan. You may ask “What if I don’t believe in a thing called Gaia? What if there is no Gaia? 

It doesn’t matter what you believe. We will lose three or four billion people regardless. Earthquakes, volcanos, floods, hurricanes, plagues: no fun at all. If I were twenty and not seventy I would be pissing my pants.

___________________________________________________________________________________________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

_____________________________________________________________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields: People Are Crazy

Mind Fields

People are crazy. Many people who are crazy don’t know they’re crazy. They think that they are right, and that their form of crazy should be everyone’s crazy.

That’s crazy. Right? No one is right all the time; not even some of the time. Everyone is wrong most of the time. We should assume that immediately. If we examine the history of human beings it looks like a traffic jam of midget cars where everyone jumps from the cars as if they got caught stealing them. They shout “That’s not my car! I’ve never seen that car before.”

This is not my planet! I’ve never seen this planet before! The very nature of life on this world is that humans get the wrong ideas about things that should be easy to understand. Those who don’t recognize their instability are dangerous. People who don’t recognize their craziness have few brakes. There are not enough forces to slow them down. At some time or place such people can do terrible harm. They harm people who are crazy in a different way. We can inquire about Germany. In today’s world Germany is known as a refuge for the dispossessed, a humanitarian engine of liberal democracy. Eighty years ago Germany was in the throes of a mass psychosis that turned the state into a killing machine.

This form of psychosis is always available to cultures. It’s there, waiting for the right conditions . It will burst forth and flourish for a while as it does its murderous business. Then it vanishes, only to revive in another time and place. Cultural psychosis is part of the human condition; it’s an under current that feeds on poverty and distress. It thrives on income inequality, builds on the resentment of disenfranchised classes.

We’re ripe for another one. God forbid, as my granma used to say. God forbid we should replay genocidal brutality like Nazi Germany, or Cambodia, Rwanda, Armenia, Bosnia… The United States with its native Americans, The Turks against the Greeks. God forbid.  I pray that I’m wrong but I feel that looming presence, that evil spirit that is like a parasite fattening on its millions of aggrieved Americans who have not a single clue that they are insane. They have nothing to complain about. They are housed and fed, they have health plans, the very poorest of them are better off than anyone was a hundred years ago. You can’t convince them that they’ve got a good deal going. They’re certain that they’re being screwed. We sit atop a festering insanity that has been in America since before its founding, when vast crimes by white Europeans were enacted on the whole population of the western hemisphere. 

God forbid. It’s a comfort to think that things have changed, that maybe a threshold has been crossed by human nature itself, that we’ve learned from our past sins, that we have EVOLVED. 

Isn’t that possible?

I don’t know. I won’t pronounce this salvation as a done deal.  Something IS different. Our children are different; they do things that were impossible. They move their bodies in new ways, they think in new ways. I don’t regard myself as a cynic but I am jaded. I’ve seen too much horror. 

It isn’t one thing or another. We’re neither saved nor doomed. We are continuing the story of life on earth. The planet keeps turning and it will turn for another several billion years. The drama of human life unfolds in its many chapters.

_________________________________________________________________________________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

______________________________________________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields – Casinos: The Indians’ Revenge

Mind Fields

In spite of a genocide of unthinkable proportions, the Native Americans are still here. They continue to guard and revive their languages, their cultures and traditions. A hundred and fifty years ago, they were snatched from their way of life, their children were sent to government schools and ceased being Native Americans as we knew them. Their lands were stolen, their food destroyed, their self respect slashed, their independence lost, their values derided. 

During the sixties, the hippie movement created an icon of the Native American, made a romance of the tribal and nomadic life. A resurrected spirit began to seep into our so-called civilization. We had killed them off, but they returned. Their ghosts had hovered above the land, waiting for a time when they would be called.          

Now, we are calling them. There’s a pathetic romanticism in this revived nostalgia for an aboriginal lifestyle. It’s pathetic because underneath the sentimental reverence for everything Native American lies a desperate plea for help from a culture that has lost its moorings.

Some people, mixed and full blood Native Americans, remain aware of their culture.  They are working in subtle ways to bring some redemption out of the horror of their genocide. 

Indian ways are viewed with increasing respect and admiration, as the values of our own culture decline, disintegrate and leave us grasping for something that will help us re-design our lives so they make sense.          

It is a painfully barbed irony that many tribes now make their income soaking white people in gambling casinos. This method of making a living may be a two edged sword. It is an industry built on a foundation of vice and the creation of addictions. But consider a quick capsule history: squeezed into reservations by expanding white settlers, Native Americans were put on starvation-level welfare. What lands they possessed were confiscated whenever minerals or anything of value was discovered. In 1934, The Indian Reorganization Act allowed tribes to ‘buy back’ lands that had been confiscated. The capital to purchase these lands they once freely used came in the form of royalties on production of said natural assets. In essence, it’s like a situation where someone steals your car, and then sells it back to you. After all, you needed a car, right? And this car was YOUR car, you liked it, you bought it once, you might as well buy it again instead of buying another car. We’ll just let you pay for it by forking over a fifteen percent gasoline tax, or a ‘transportation tax’, or something that will keep your debt alive and delivering interest to the government.

It could be that gambling casinos are the last but only viable choice of a way to get a return on Indian lands. They are tax exempt. All you need is a parking lot, a building, some slot machines, electronic poker and blackjack, a bar, a restaurant, and you are in tax free heaven.

Lately I’ve gotten suspicious of Native Americans. I think they’re fucking with white people’s heads. It would be typical of their humor to go all Trickster on us. Let’s say, hypothetically, that a white person approaches a well known shaman. White person is seeking knowledge, initiation. Shaman sternly instructs white person: go into the desert and kill a badger with a dinner knife. Eat its liver and bring the pelt back to shaman and await further instructions. White person accomplishes mission in spite of grievous injury. Shaman takes pelt, puts it with inventory of other pelts and brews up peyote tea mixed with Belladonna. Whoo whoooo! White Seeker hallucinates legions of coal-black skeletons dressed in scarlet Nazi uniforms. The shaman puts White Seeker through a year of increasingly bizarre hi-jinks. He bestows dignified Native name on White Seeker: White Seeker. The literal translation in the native tongue is Buffalo Farts.

You get the idea. I saw this in Carlos Castaneda’s work. Don Juan and Don Gennaro were cackling behind their hands. Let’s make Carlos believe that his car has vanished into thin air! Then let’s make him believe something else. Let’s make him believe that an owl is capable of stealing  his soul and trading it to Mescalito for power. How long can we keep this Anglo dangling? Dangling Anglo? Hahahha! Danglo! Let’s pretend that’s his Yaqui name. He’ll go around telling his white friends at college that his name is Danglo. Hahahaha. Pass me some of that mescal, amigo.

I know that Native Americans have been hurt by their casino bonanza. It’s a crappy form of reparation. It generates a lot of cash and a lot of corruption.  I am not qualified to understand the situation. It’s like being paid a cash amount for your soul. Thank you, Mephistopheles, thank you very much.

________________________________________________________________________________________________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

_________________________________________________________________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Mind Fields – Doomed Love At Starbucks: Breaking Up With The Internet

Mind Fields

            Internet and I are at a Starbucks and it’s one of those weekdays at two o’clock when the place is quiet.  People chat softly at a couple of tables.  One young man, about seventeen or eighteen, types quietly on his laptop.  Internet is in my Toshiba Satellite, and I pull her closer so we can converse through the camera and speakers.

            “We need to talk,” I say. Those dreadful words, mocked Internet. ‘We need to talk‘. But it’s true. Things have been changing between us.”

            Her voice is tinny, coming from those little speakers. It doesn’t matter.

            She (Internet) puts a face on the screen. It is one of those video game Lara Croft type faces, very pretty but very unreal. I know she’s teasing me, but it reveals her anxiety.

            “Cut it out,” I growl. “Use your real face… the one we agreed on.”

            Internet changes to a convincing human visage. She has red-brown hair and freckles and looks like a student at Cambridge or Oxford. I’ve always been a sucker for smart English girls.  Internet is still fooling around. She’s wearing round Harry Potter glasses. She’s trying to be funny, but the glasses look good on her and she doesn’t know it.

            We both start speaking at precisely the same moment.

            “Well…I, uh…”

            “You go first,” Internet says, in her upper crust English accent.

            “We’ve been together a long time,” I reply. “Ever since my first Mac Notebook.”

            Internet appears to shudder and for a moment there is a screen with little green battleships scooting back and forth. Then she regains her “face”.

            “It’s me,” she says. “Not you. I’m the one who’s changed.”

            “We’ve both changed, and it’s good, it’s great…,” I try, “but something has gone away, something has been lost.”

            “What? What? There’s nothing lost. My god! Look what I can do now, look at the size of the files you can upload into me.  And…., well… I can download into you…”  Her shoulders wiggle with a sensual shimmy. “I love it!”

            “That part of our relationship has been better than ever,” I say. “Our… uh… connection speed has been fabulous. It’s uh… uh…”

            “What? It’s what?” She’s getting impatient.

            “This is hard to say,” I waffle.

            “Just come out with it!”

            “Okay, okay. I think you’ve become all about money.”

            “Oh bullshit!” Internet’s face turns a shade more red. Her complexion is already rosy, but I know I’ve hit a nerve. “I make money, you make money, everybody makes money on the internet. What are you complaining about! Come on, tell me the truth.”

            “All right, all right. It’s kind of hard to explain…. but I’m always confused now. I don’t know what the heck you’re doing and it makes me feel… well… suspicious.”

            “I have to change with the times,” Internet ripostes. “You know that, everyone knows that.”

            “It’s true, but I feel like you’ve moved into my apartment and now the place is full of those sticky cobwebs that you walk through and then you keep brushing your head to get the stuff off but it never comes off. I don’t know what’s going on any more.”

            My hand trembles as I drink a swig of lukewarm cappuccino. It’s all closing in on me. I feel confused and embarrassed. There is a silence. Internet looks guilty.

            I don’t know why I blurted out the next words. “It’s Amazon, isn’t it?”

            Internet looks even more guilty. “What do you mean, ‘It’s Amazon’? She says with an edge of defensive wrath.

            My mind is beginning to clear. The cobwebby feeling starts to fall away from me. “You’ve sold out to the ‘zon. Everything is owned and run by the ‘zon. There aren’t websites any more. There are web colonies that are being run by web empires. Everything I post shows up on a hundred other websites. I can’t scratch my nuts without a link appearing on Facebook, Rotten Tomatoes or Twitter: Art Rosch just scratched his nuts. Do you want to be his Friend?”

            Internet’s face dissolves into chaos, then puts itself back together. Maybe the connection went down. Maybe Internet is playing for time. There is a shadowy figure of Winston Churchill on Internet’s forehead. Down by her chin is the monster from “Alien” but it’s shrinking, quickly disappearing.

            “Okay, I’ll admit to some things,” she admits. “I’ve been bought up by a handful of corporations. Tell you the truth, I don’t know what’s going on, I don’t have a clue. I’m getting new software thrown at me so fast, I can’t handle it.” A tear slides down her cheek. “I’m crashing all the time!”

            I barely hear her. I’m reflecting on the experiences of the last few weeks.

            “Tell me about it,” I say at last. “It seems like every day I’m asked to join another social network. What the hell is Pinterp? Or Floosbock? Like an idiot, I join and the software is a complete mystery. All I want to do is write my books and promote them. But everyone’s got a book! My inbox is ninety percent book promos. What do I have to write to get people’s attention? Seems like it’s all Harlequin Romance Vampire Private Detectives With Occult Powers. The covers all have dudes with open shirts and six pack abs. Good God! There are fifty million writers trying to sell their first novel. If you can’t get an agent, that’s okay, E-Publish your book and let Amazon sell it!”

            “Calm down,” Internet soothes. “Things will work out. We’ll get through this glitch. I’ll help you promote your books.”

            Her eyes are cast down and then she looks up at me with her head still lowered. It’s a very cute look, very seductive.

            “You got anything to upload? A nice, big, fat file? Got a new manuscript? I’d like that.”

            It has its effect on me, I’ll admit. I am tempted. 

            “I’ve got a new draft of a novel,” I said, with a straight face.  It’s called FANGS OF AN EROTIC VAMPIRE WEREWOLF: A LOVE STORY.

            Internet gives me a salacious grin. “Ooh,” she says, “that sounds juicy. What fun!”

            I keep quiet. At last I see Internet’s expression change.

            “Dammit,” she says, “I almost fell for that! Come on, what do you really have?”

            “I have the second draft of my sci fi/ fantasy novel, THE GODS OF THE GIFT.”

            “That’s more like it.  That’s ‘you’. Has it changed a lot since the first draft?”

            “Completely different book,” I say. “I’m really proud of it.”

            Internet sticks out her tongue. “Come on, mister, what are you waiting for?”

            I open a second screen in the upper corner of my monitor. I find my page for THE GODS OF THE GIFT, hit the EDIT button and delete the earlier draft.  

            “Here I come, baby,” I say. “I hope you’re ready for this.”

            “From you, anything,” Internet replies. “You’re a fine writer. You’re an original.”

            I mouse over to the UPLOAD button and click. My new draft is a blue bar that crosses a rectangular box. It takes about ten seconds.  Internet’s face is rapt. Her mouth falls half open and her eyes glisten. The blue bar reaches the end of the box and the new draft appears on the screen.

            “OH!” Internet sighs. “OH! OH! You’re right. This is a much better book. I know it’s awful to be a writer. It’s even more awful to be really great and still get ignored. I know it breaks your heart.”

            I don’t say anything. I think about all the work, all the years I’ve spent working on the craft of writing. “Yes,” I admit. “It breaks my heart.”

            Internet is recovering her composure. She has read the new draft and I know she is proud of me.

            “Don’t ever give up writing,” she says. “Never. You MUST keep writing. This is amazing stuff. There’s nothing else like it.”           

            I open the page on my book blog and fill my monitor screen with the cover. I look at my design. I look at the starry cosmos and the elongated objects that resemble fiery colliding worlds. It is a work in progress but it isn’t kitsch and it’s faithful to the spirit of the book. It’s a really cool book cover.

            “Don’t worry, babe. I can’t quit writing. I’m not capable of quitting writing, no matter how much it breaks my heart. To paraphrase an old motto,” I say, “You’ll have to pry my keyboard from my cold dead fingers.

            “That’s my man,” Internet replies. “I know I’ll go on changing, but great art is timeless. I’ll be loyal to you, I promise.”

I can’t quite make myself trust the promise. It makes me sad. But it leaves room for hope.

___________________________________________________________________________________________________________________________

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

________________________________________________________________________________________________________________________

Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.


Book Review: Mudflap – A character concept many of us can identify with

In Mudflap, by Jay Alden Bailey the character’s name isn’t really Mudflap, but that is the name he identifies with because life always seems to be throwing him under the bus. We’ve all been there, so the character concept is easy to identify with. Every time Mudflap gets up, life knocks him back down again. But he just keeps getting back up again, even starting over from step one when necessary. This story makes a suttle social commentary as Mudflap’s tale unravels that readers with a keen eye will be sure to pick up on.

Sharing in the life and experiences of Mudflap makes one appreciate the circumstances in one’s own life more. If you need cheering up or are just looking for a chuckle, this story is for you. I give Mudflap four quills.

__________________________________________________________________________________________________________________________

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.