Don’t write down to children: This is the number one piece of advice I heard about writing for children, and of course, it is true. It doesn’t mean to write about adult subjects filled with sex and cuss words, but they’re trying to get through the idea that kid’s are smart and you don’t have to dumb things down for them.
I think this is one of the biggest differences in writing for children. Children’s minds are like sponges that absorb information. While you probably don’t want to use a lot of scientific jargon to explain the workings of the solar system, plain layman’s terms are usually simple enough for kid’s to digest and understand.
In her writer’s refence book, Word By Word, Kerrie Flanagan offers snippets from interviews with three different teen and young adult authors who tackle sensitive issues in their books and have all taken heat for doing so, about handling real life issues in their writing. Jay Asher, author of the young adult novel Thirteen Reasons, which deals with the issue of suicide says,
“Yes, I shaped the story to reveal the things I wanted to say, but it had to be revealed through the words of my characters, not me. I also knew, out of respect for the seriousness of what needed to be written, that I couldn’t hold back any detail that would make the scenes feel however raw they needed to feel. That caused my book to be challenged, but I know it’s also what made it connect to so many readers.”
And New York Times bestselling adult and young adult author, Ellen Hopkins says,
“Every teen is faced with choices, and without understanding possible outcomes, they often rush headlong in the wrong direction. As authors, we can’t tip-toe around hard truths, because those truths, because those truths are part of the human condition, and fearing a challenge is a sure way to make your writing fall flat.”
When asked for advice to new writers dealing with a sensitive topic, Cheryl Rainfield, author of the award-winning novel, Scars, and other teen novels which deal with the issue of abuse and incest says,
“I think using some of your own emotion and honesty in writing is so important; readers will sense if you’re not being honest or you’re holding back or you’re afraid of the topic….”
I believe this advice is true when writing for younger children, as well. In the My Backyard Friends series, which are aimed at four to eight year olds, I deal with issues such as being lost and alone, and situations where you need the help of others, and the possibilities of self-indulgence, but the message comes through through the words and actions of the characters, and all serves the story, and there’s a lesson in each one. For a small child, being lost can be a scary experience, it can be difficult to ask for someone’s help with a problem when a child is struggling to feel grown up, and children may need help to see the consequences of their actions. My hope is that children can learn through my characters, how to cope in similar situations.
Illustrations
Many children’s books are illustrated, where adult books are usually not. This makes every illustrated children’s book a collaboration, and all parties involoved need to be on the same page about the goal. This is extremely important, and finding the right illustrator, one who understands your vision, can be a daunting process. Finding an illustrator you want to work with who has prices that fit your budget is even more challenging.
Back in 2010, I found an illustrator who met both of these criteria to do Heather Hummingbird Makes a New Friend, and the rest of the My Back Yard Friend series. I was thrilled with her cover design and sample illustrations, and the price she gave me was reasonable, as well. She even matched me up with a small independent publisher who was willing to publish my book. I was ecstatic.
But, like traditional publishing for adult literature, publishing children’s books takes time, five years or more, and during that time, things can and do change. My illustrator ran into health issues which made it impossible for her to continue doing the beautiful illustrations by hand, and I was forced to accept first, digital illustrations, and then, a whole different illuistrator who I knew nothing about. When I requested the money I had paid for my illustrations five years previous, since they had never been completed and I would not be able to use them, the illustrator refused my refund and the publisher dumped me, and I found myself back at square one. It was enough to sour me on traditional publishing, and set aside my dreams of having my children’s books published.
This was a tough decision. I shopped around for another illustrator for a short time, I found that illustrations had become quite expensive, far beyond my budget at the time. So, the books of the My Backyard Friends series were shelved, filed away in the archives of my files for many years. You can imagine how excited I became when I learned that the talented Robbie Cheadle had taken up drawing and painting, and was actually illustrating some of her own books. Having written and illustrated her Sir Chocolate books, Robbie also had experience inside the arena of children’s literature, so it seemed to me to be a perfect fit. I was ecstatic when she agreed to my proposal to illustrate the first three books in the series in 2023, to be published through WordCrafter Press. And what a feeling of satisfaction to see them released this past July.
Robbie may live on a different continent, and her hummingbird is a different breed with different coloring than the hummingbirds in my neighborhood, but her Heather is absolutely gorgeous. Readers are not aware of the differences. All of Robbie’s illustrations are wonderful, bringing my characters to life with vivid imagry and brilliant colors. But this lead me to yet, another tough decision.
WordCrafter Press publishes wide, through D2D, and while I enjoy many of the advantages this offers, their print books are not illustration friendly, and they only publish in black and white. I did not feel that black and white would do Robbie’s beautiful illustrations justice, and thus chose not to offer them in print until I could afford to publish through other channels that of color options. Originally, I planned a Kickstarter, but circumstances in my personal life made the Kickstarter platform not a viable option for me, and I tried to do my own fund raiser during the blog tour, but the funds just weren’t there. And so, as disappointing as it may be, the My Backyard Friends Kid’s Book Series is only available in digital format for now.
Marketing Children’s Books
Marketing is the area where some would say children’s and adult literature differ the most. I’ve heard it said, “I just don’t know how to market to children.” But that’s the thing. Children are not your marketing audience, adults are. Kid’s aren’t going to care that the My Backyard Friends series was inspired by the birds and animals that visit my backyard, but their parents might find it interesting enough to buy a book for their childMarketing children’s books really isn’t all that different from marketing adult literature. You just need to look at the value offered from a parent or educator’s point of view, because that’s who you are marketing to.
I haven’t had a lot of success using the same digital marketing strategies I use with my adult books, which blog tours and social media promotion, with the My Backyard Friends Kid’s Book Series. According to Jason Chen, founder of Story Bundle, “We’ve done a children’s bundle once and it did really poorly. Overall parents aren’t looking for digital ebooks for their kids in my experience (yours may be different!)” But, my experience has been similar. I think children’s books fall into an area where print books are still preferable to digital ones. That’s one of the reasons I am so disappointed to be unable to offer my children’s books in print.
With that in mind, I’m thinking maybe in-person selling, which is a bit more personal, might be more effective in selling children’s books. Speaking at your child’s school, or doing a reading and book signing at your local library might just be the way to go. But that’s just my thoughts on the matter. I’d love to hear about what has worked and what hasn’t to sell your children’s books in the comments below.
About Kaye Lynne Booth
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw, and her kid’s book series, My Backyard Friends. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This post is sponsored by the My Backyard Friends Kid’s Book Series and WordCrafter Press.
The My Backyard Friends kid’s book series is inspired by the birds and animals that visit the author Kaye Lynne Booth’s mountain home. Beautiful illustrations by children’s author, poet, and illustrator, Robbie Cheadle, bring the unique voices of the animal characters to life.
“Alone we can do so little. Together we can do so much.” – Helen Keller
I love collaborations.
They offer me the opportunity to meet and work with many wonderful authors. Collaborations are mutually beneficial to all participants involved, and there are many types of collaborations to choose from.
Co-Authors
There are different ways to handle this type of collaboration.
Some co-authors handle different character’s POV, like Mark Leslie did with his co-author, Julie Strauss with his Canadian Werewolf series book, Lover’s Moon. Mark wrote the chapters that were in the POV of the protagonist, Michael Andrews, while Julie wrote the chapters which were in girlfriend, Gail’s POV. They also narrated the audiobook in the same matter, which worked quite well.
Other co-authors just alternate chapters, or even sections of the book, passing it back and forth, each author beginning writing where the other author left off. I’m sure they begin with some type of outline, so everyone has a general idea of where the story is going.
I’ve never co-written a book in this manner, but I think it would be fun to get several authors together and improvise a story without an outline, with unexpected twists and turns galore, so none of the authors know where the story is going ahead of time. My most recent collaboration of this nature was an author/illustrator collaboration, with my children’s book series, My Backyard Friends. In this type of collaboration, I wrote the stories and Robbie Cheadle did the illustrations. The ways that you can collaborate on a book are endless.
Anthologies
I publish one or more anthologies each year, and they really are a lot of fun, in spite of all the hard work that goes into them. Anthologies are great because they multiply the promotional power of each book and offer extra editing power. They also offer opportunities to work with several talented authors, who also happen to be some pretty cool people.
During the editing process, after I’ve gone over each story, the authors have revised them and they’ve been compiled and edited as a whole, I send the manuscript out to all the authors to get a second, and even a third set of eyes on every story. I have them go over their own story, as well as the story of one or two others, instead of tying up their time editing the whole thing, because we all know authors are busy people.
Anthologies multiply promotional power, too. Each contributing author brings their own fan base with them, increasing the number of potential readers for the work as a whole. How many more readers will see a book promoted by twenty different authors than one promoted by a single author? The reach of the book is increased expotentially.
Blogs and Other Publications
That’s right. I collaborate with my wonderful blog team members, because each one brings something different to the table to help Writing to be Read offer some really great content which I couldn’t produce on my own, making it something of interest which draws traffic and brings in readers. Each one of them brings their own following with them, and over time, some of their readers have become fans of my works as well. Without my team, there would be no “Mind Fields”, “Undawntech”, “Growing Bookworms”, “In Touch with Nature” or “Treasuring Poetry” series, which currently make up the blog’s content.
“Treasuring Poetry” offers antoher collaboration opportunity in the annual themed poetry anthology in the Poetry Treasures series, which Robbie and I co-edit, working with the poets who have been guests on the blog series from the previous year. 2025 will be our fifth year for the anthology. Through this endeavor, I’ve been privaleged to work with so many talented and creative poets.
Other Types of Collaboration
Online magazines, ezines and other publications, podcasts or online talk shows or other interviews, or even online courses are collaborative and mutually beneficial to all collaborators. I’m sure there are others, but these are the ones that come to my mind.
Some types of collaboration benefit many, such as participation in writing events, either online or in person. As a graduate student and intern, I participated in a large public book signing with multiple authors, and WordCrafter hosted and organized two online virtual writing conferences, in 2020 and 2021. It was a lot of work, but it was an opportunity to work with many talented writers when setting up workshops and panel discussions, as well as promotional efforts. It also offered attendees opportunities to learn and make connections.
I’m thinking about doing another conference in 2025, and would welcome feedback from anyone who would be interested, either in attending, (I promise, tickets would be affordable), or collaborating on the program end.
About Kaye Lynne Booth
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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This post is sponsored by The D.I.Y. Author and WordCrafter Press.
Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.
In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.
