Writer’s Corner: Independent Author (Key Word – Independent)

Caracature of a woman typing on a keyboard at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

Author’s Note: This was mistakenly published last Monday, along with the “WordCrafter News” post, so you may have already seen it. I’m re-publishing it on its scheduled day for those who may not have caught it on the earlier date. I’m not sure what happened, but please forgive the misposting.

I studied the craft of writing in the master’s program at Western State Colorado University from 2012-2016. At that time, the term ‘independent author’ left a bad taste in most author’s mouth. Times were rapidly changing in the publishing industry as independent publishing grew in popularity among authors who were tired of waiting to be discovered, which often took many years, and sometimes, not at all. But at that time, the term was associated with poorly written and cheaply manufactured books which were flooding the market by authors who not only wanted to bypass the gatekeepers of traditional publishing but also wanted to use independent publishing as a short cut, skipping over editing, as well, which in most cases, was badly needed.

As I said, things were rapidly changing in the publishing industry, and today, we’ve seen the ‘Big Five’ traditional publishers, dwindle down to the ‘Big Three’, as they struggle to try and keep up with those changes as independent authors take advantage of new technology which make it possible to publish themselves both cheaper and easier. With digital eBooks and aggregates like Draft2Digital, which use P.O.D. (Publish On Demand) for print books, there are no up-front costs to publish your work, and once everything is ready to publish, the whole process can be done in just a few hours. The rise of independent authors has forced traditional publishers to change and adapt, or become extinct.

The key word in ‘Independent Author’ is Independent. Independent authors don’t need to wait for someone to take interest in their work, but we must remember that this also makes us a business and we’re the boss, and we are solely responsible for the quality of the product we put out. Independent publishing should not be used as a short cut to avoid having your book edited, because in most cases, it’s pretty obvious.

That being said, many authors today chose independent publishing because of the control it gives them. Like I said, we are our own bosses. That means we can control the quality of our work, and everything else: title, cover, price, production, and promotion. Certainly, this was one of the main reasons that I chose to become an independent author after gaining a five-year contract for my first novel and finding that having a publisher wasn’t giving me any advantage in selling Delilah. The cover they had given me was not representative of the character or the story, and as far as I could tell, they provided little or no promotion. I began WordCrafter Press and started publishing collaborative projects long before that contract ran out, and when it did, I revised Delilah to be the first in my Women in the West series. I had to learn new skills to provide my own covers, and find people willing to edit my work in an exchange of services due to my limited budget, but when the book was re-released, I sold more copies a month than my publisher had in five years.

With my recent computer issues, I was glad that I had control of my work and the decision-making process. Because I had limited computer time and was writing in longhand and doing most of my publishing and promotional tasks on my phone, I wasn’t able to keep up with my promotion schedule and had to push back the publishing dates on my own work in order to keep my collaborative projects on schedule and as the boss and decision maker, I was able to do that. It was a tough decision. I have the second book in my Time Travel series near ready to publish, and although I’ve outlined the third book in the Women in the West Adventure series, I’ve not yet begun to write it. Both of these books may need to be pushed back so far as to be added to next year’s production schedule, but I’m thankful for the freedom to do so. Had I been working with traditional publishers, my deadlines would have been set in stone, and I would not have been able to make them.

Just as the child who can’t wait to grow up soon learns that growing up means taking responsibility for one’s self, so the independent author is also responsible for creating and presenting their own work to the world. Hopefully, we all want that to be the best work that it can possibly be, and we will take the proper steps to ensure that it is, making the best decisions possible for our work. With freedom, comes responsibility, so use both wisely in your author journey.

Until next month,

Happy Writing!

About Kaye Lynne Booth

Author Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw,as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource.

Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

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This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.


Time is Running Out to Get the 2024 Novel Writing Story Bundle

If you’re an author who wants to improve your craft, publishing expertise and marketing know how, (and who doesn’t?), this Story Bundle is a must have for you. IT’s only available through the end of November, so don’t wait! Get your 2024 Novel Writing Story Bundle today.

You can get your 2024 Novel Writing Story Bundle here: https://storybundle.com/writing

Why Buy the 2024 Novel Writing Story Bundle?

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in .epub format—WORLDWIDE.

  • Romance Character Tropes by Tara Grace Ericson and Jessica Barber
  • Dollar by Dollar by Kerrie Flanagan (Story Bundle Exclusive)
  • Essoe’s Guides to Writing: Mood and Atmosphere by Joshua Essoe
  • Booking the Library by Jessica Brawner

If you pay at least the bonus price of just $20, you get all four of the regular books, plus 9 more books, for a total of 13 (with 5 StoryBundle Exclusives), plus a year’s subscription to Indie Author Magazine!

  • Super Secrets: Illustrated by Wulf Moon
  • Falling to Fly by Todd Fahnestock
  • From Page to Platform: How to Succeed as an Author Speaker by Matty Dalrymple and Michael La Ronn
  • A Writer’s Guide to Branding for Success by Mark Leslie Lefebvre (StoryBundle Exclusive)
  • On Being a Dictator by Kevin J. Anderson (StoryBundle Exclusive)
  • Word by Word by Kerrie Flanagan (Story Bundle Exclusive)
  • The D.I.Y. Author by Kaye Lynne Booth
  • Steps to Self-Editing by Jana S. Brown
  • Wit and Wisdom by Craig Martelle (StoryBundle Exclusive)
  • Indie Author Magazine: One Year Subscription by Indie Author Magazine

This bundle is available only for a limited time via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get a DRM-free .epub for all books!

More About this great Story Bundle

You can find out more about the books in this Story Bundle at the links below.

Writer’s Corner: Using Story Bundle to Sell Books: https://writingtoberead.com/2024/10/21/writers-corner-using-story-bundle-to-sell-books/

Review in Practice: Dollar by Dollar & Word by Word: https://writingtoberead.com/2024/11/06/review-in-practice-word-by-word-and-dollar-by-dollar/

Review in Practice: Wit & Wisdom, Romance Character Tropes, & Steps to Self-Editing: https://writingtoberead.com/2024/11/18/review-in-practice-wit-wisdom-romance-character-tropes-steps-to-self-editing/

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This post is sponsored by The D.I.Y. Author and WordCrafter Press.

Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.

In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.

Topics Include:

Becoming Prolific

Writing Tools

Outlining

Making Quality a Priority

Publishing Models & Trends

Marketing Your Book

Book Covers & Blurbs

Book Events—In Person & Virtual

And more…

Book Cover: A typewriter with a page coming out the top and a bookshelf in the background.
Text: Write a Book, Format the Story, Publish a Manuscript, Create an Outline, Create a Marketing Plan. Generate Reviews, Hide Under the Covers, The D.I.Y. Author, KAye Lynne Booth

Purchase your copy today: https://books2read.com/The-DIY-Author


Writer’s Corner: Being Prolific

Caracature of a woman typing on a keyboard at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

When I hear the word prolific, I think of Kevin J.Anderson, who puts out between 7-9 books per year. He’s one of the most prolific writers that I know of, although veteran bestselling authors, Dean Wesley Smith and Kathryn Christine Rusch, may rival, or even surpass him. But we cannot all be that prolific. But we can learn from authors like these, who have spent their lifetimes writing professionally, and making a decent living at it.

For many years, I did not know how to be prolific. Delilah took me three years to write, and then I worked almost another year revising it to re-release as the first book in the Women in the West Adventure Series. I even wrote a post in about accepting the fact that “We Can’t All be Prolific” because of how not-prolific I was back in 2022. It was something which I didn’t know could be changed or how to go about changing it.

Since then, I’ve learned a few things that have helped me to become more prolific, and I’m now publishing between 5 – 8 books per year. That’s why the first section of The D.I.Y. Author is dedicated to the methods I’ve used to increase my productivity and become a more prolific author; because I wanted to share some of the methods I’ve used to increase my writing productivity. By becoming prolific, I’ve been able to get my name out there where it can be recognized and having more products, in this case, books, to sell. When you publish 5 books per year, that’s 5 different chances to reach new readers, but its also five chances to remind current readers that you’re still around and active.

The following, are tips that I’ve accumulated, from The D.I.Y. Author.

Becoming Prolific

  • Outlining: Creating at least a working outline to help guide the direction of your story. If you have an idea of where you are going before you start, you can get words on the page faster.
  • Doubling Down on Research and Promotional Materials: Research is something that needs to be done for every book, regardless of genre. If you can find other uses for this same research, you can essentially make it do double duty. For example, during the historic research I did for the Women in the West Adventure Series, I uncovered many interesting facts that may or may not have been used in the story, and could also be used to make interesting blog posts for the tours for their releases, thus becoming a marketing tool, as well as a good story inspiration. Or you can use the same inspiration for a second story in some cases.
  • Write the Damned Book: Just sit down and write. It’s a simple piece of advice, but one many authors, or would-be authors, fail to recognize. In The D.I.Y. Author, I offer a couple of methods of achieving the desired results, including Binge Writing, which isn’t always for everyone, and Persistant Determination, which is plugging away at it every chance you get.
  • NaNoWriMo: The principle is to set aside the month of November to work exclusively on your novel at every opportunity and setting a daily wordcount which will allow you to reach a goal of 50,000 words within that timeframe. But you don’t need to wait until Novemeber to do this. Just set aside a 30 day period and dedicate to writing your story. I use NANoWriMo to get a start on one of the two novel length works I write and publish each year. In the book, I offer a couple of strategies for making the most of your time, including Time Blocking, and Tracking Your Word Count.
  • Dictation: This is a strategy for becoming prolific that isn’t right for everyone, but works well for those who are comfortable with it.
  • Networking and Collaborations: It takes longer to write a novel length work than it does to write a short story or two to include in an anthology, and it’s a great way to add more titles to your author pages. Through WordCrafter Press, I publish at least two anthologies per year, and sometimes more.
  • Maximizing Your IP: Intellectual Property are the rights to your creative endeavors, or copyright, and an author needs to understand their copyrights, and take care not to sign away more than absolutely necessary when entering into a contract with a publisher. It is also important to understand when your rights will be returned, because when you hold the copyright, you can use that work in any way which you deem fit, allowing your writings to do double, or even triple duty.
  • Optimizing Your Backlist: Many authors don’t put a lot into their backlist, but there are things you can do to keep your backlist items in front of readers’ eyes and on their minds, such as creating multiple formats, special editions, and price promotions.
  • Taking Care of Mind, Body & Spirit: Keeping yourself healthy is also condusive to being prolific, as we all write better when our minds are sharp and alert, out bodies are well rested and healthy, and we have a place of our own, dedicated to writing.
  • Outsourcing: When there is too much for one person to do it all, and believe me there will be, outsourcing certain tasks can be of great advantage, even to the D.I.Y. author.

Why Become Prolific?

To put it simply, the more prolific you are, the more books you have to sell. The bigger your library of books, the more opportunities for readers to discover you and your writing.

I’ve offered a basic list of the methods I’ve used to become more prolific. Some have worked better than others for me and I talk about them in more depth in The D.I.Y. Author. To learn more, you can get your copy from your favorite retailer here: https://books2read.com/The-DIY-Author.

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About Kaye Lynne Booth

Author Kaye Lynne Booth sitting on a rock in a grove of aspen trees.

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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This post is sponsored by The D.I.Y. Author and WordCrafter Press.

Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.

In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.

Book Cover: The D.I.Y. Author

Topics Include:

And more…

Becoming Prolific

Writing Tools

Outlining

Making Quality a Priority

Publishing Models & Trends

Marketing Your Book

Book Covers & Blurbs

Book Events—In Person & Virtual

Purchase your copy today: https://books2read.com/The-DIY-Author


Interview with author DeAnna Knippling

deannak

This week, I’m interviewing Colorado freelance writer, editor, author and book designer, DeAnna Knippling. I first met DeAnna through the Pike’s Peak Writers when I was still serving as the Southern Colorado Literature Examiner. What struck me about her was her enthusiasm and willingness to help where ever she can. She treats her writing as a business and goes at it with a high degree of professionalism, yet she is personable and willing to share what she’s learned from her own writing experiences.

DeAnna Knippling writes science fiction, fantasy, horror, crime, and mystery for adults under her own name; adventurous and weird fiction for middle-grade (8-12 year old) kids under the pseudonym De Kenyon; and various thriller and suspense fiction for her ghostwriting clients under various and non-disclosable names. Her latest book, Alice’s Adventures in Underland:  The Queen of Stilled Hearts, combines two of her favorite topics–zombies and Lewis Carroll.  It’s the story of a tame zombie who told a little girl named Alice a story that got them both in more trouble than they could handle. Her short fiction has appeared in Black Static, Penumbra, Crossed Genres, Three-Lobed Burning Eye, and more.

Kaye: You created Wonderland Press to get your books out there. What all is involved in creating a press for your work and what are the advantages of doing so? I mean, why would an author do this rather than just throwing their book out on Amazon or Smashwords?

DeAnna: This isn’t one of the fun answers.  It’s stupid easy to make a “press.”  It involves no special equipment.  You look online, make sure nobody else has one of that name in your state, register a business name with your state or county (look up, “How to register a business name in [name of state]”), and Bob’s your uncle.  You might want to get more complex with an LLC or something–but I recommend leaving that for later, unless you already have experience doing that.  I am, of course not a lawyer and can’t give legal advice.  When you want to start looking at an LLC or corporation, I believe, is when you start having to worry about taxes and tax brackets.

I set up my press, “Wonderland Press,” because some publishing sites back in the day didn’t want you to publish books under multiple pen names under the same account without having a publisher name.  Then I realized that I wouldn’t be able to keep up with multiple blogs for my pen names, and moved the names to the same website (for now).  However, things are changing, and I may need to move back to multiple websites, mailing lists, etc.  The thing about business is that everything changes based on the scale of what you’re doing and how much time has passed since you set things up.  It seems like it’s more important to stick to a couple of core principles (bring customers back to a location you can control rather than social media–that kind of thing) and stay flexible in the details than it is to get wrapped up in questions like, “Should I set up a small press?”
Kaye: A lot of your books don’t fit neatly into a genre category or subcategory. How do you describe your books?
DeAnna: I’ve struggled with genre categories since I started publishing.  Part of the reason for that is that my subconscious loves to smash incongruous things together.  For example, I love puns and double entendres–two ways of seeing meaning at the same time–and I love stories that are really two things that don’t really go together being put together (like cowboys in space–Firefly).  The kinds of stories that I tend to write are kind of the opposite of sitting firmly within a genre and therefore being easy to describe.
I’m both looking into ways to get around this (by sneaking more solidly into genres) and finding out what parts of my genres I’m missing out on.  I recently finished up what I call “my cheesy ’80s genre novel.”  When I did the research to try to find out where to put it, I found that…it actually fits pretty solidly into the current Occult subgenre of Horror.  I keep trying to tell myself there’s nothing wrong with writing what feels cheesy (I certainly read it), but sometimes it takes a while for me to learn the obvious.
To actually answer your question?  Since I can’t copy my competitors, I describe my books by putting on the silliest movie announcer voice I can come up with and reading the blurbs out loud.  The more mock-serious the better.  Somehow it works.
Kaye: What’s the most fun part of writing a novel or a story? What’s the least fun part?
DeAnna: Most fun:  The fun parts. Least fun:  The parts that stick the fun parts together.
I get really bored at the least fun parts.  I think that’s where the books I write start getting weird.  If I plan a book, then I plan something at least a little bit more genre-specific than what actually comes out.  But then I get bored and jump the tracks.  I feel like writing a book is a process of going “Ooooh, shiny” over and over until I step into the circle of rope hidden under the leaves in the jungle, and the ending jerks me upside down into the air.
I wish it were that quick to write the end–it’s the slowest part of the book for me as I wrap up all the shinies that I’ve picked up throughout the plot–but that’s what it feels like.
Kaye: If your writing suddenly made you rich and famous, what would you do?
DeAnna: More of the same.  My major goal in life is to allow my wonderful spouse to become a pool boy at our eccentric castle in the mountains.  Travel more.  At least, I say those things.  Probably I’d still just begrudge the time I wasn’t reading or writing.  I’d go to exotic locations and just read a book.
Kaye: Why do you think some writers sell well, and others don’t?
DeAnna: Probably that stuff I mentioned about genre.  A lot of writers will look at a successful writer’s book and go, “What a terrible writer!  Why do they sell?!?”
But here’s my experience (based on ghostwriting so much):
The stuff that I’m forced to write to genre by my clients sells a lot better than the stuff I write for myself.
Granted, you still need to know what you’re doing.  But writing a book isn’t just about pretty sentences–it’s about making the constant readers happy, feeding their addictions.  The answer to why some books are massive successes when others aren’t is often, “Because they can see the forest for the trees–and you can’t.”  Cold but true.
Kaye: Any advice for upcoming authors who are trying to get a foot in the door?

DeAnna: Just keep working.  Everybody’s in a hurry to succeed.  Success!  Millions!  Riches!  Fame! But, in the end, it comes back to the basics.  Did you read?  Did you write?  Did you learn something?  Did you talk to other people in the writing community?

“A foot in the door” is just the feeling that the universe owes you something, or that you can sneak something past somebody.  “How do I cut in line past the people who have been working their asses off for years?” And the only answers are:  Write a good story, network, value your readers, don’t be stupid about genre, work your ass off, don’t fail on purpose.  That last one is pretty significant.  I’ve seen a lot of people give up or just put things off until they’re “ready.”  The hell with waiting for “ready.”  If you’re going to do that, you’ve already failed, because this is a bootstrap industry–nobody gets the magic green light.  Even people who are going traditional start out by hustling for publishers and agents.  Make someone else tell you no.  Make them tell you no a lot.
I want to thank DeAnna for joining us here on Writing to be Read, and for sharing her knowledge with us. If you’d like to learn more about Deanna or her books, her website and blog are at www.WonderlandPress.com.  You can also find her on Facebook and Twitter.

 

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