Scheduled for release in May, The Rock Star & The Outlaw 2: Seeing Doubles is in the final developmental editing stages. I have a beta reader sitting at the ready before a final proofread and formatting of the book. I’m finding solutions to a couple of problems I’ve had from early on with this story because of the multiple time lines it deals with, which may require some extensive rewriting. It has already taken longer than anticipated and I’m behind schedule with it, which is why I’ve pushed back to May. But hey, when you’re dealing with time travel, you have all the time in the world, right? Even if it gets pushed back to a May release, this book will be well worth the wait. I have had tons of fun with the writing of it, and I know readers will have fun reading it.
In 1887, LeRoy is stuck, bringing trouble down on those around him. When Sissy is kidnapped and he’s the only one who can save her.
In 2030, Amaryllis will stop at nothing to find LeRoy fix what she messed up in the past, when she wakes up in a future very different to the one she knows, one in which she may not be born.
She and a version of Monique which is different from the one she grew up with travel back to 1887 to try and make things right.
When they cross the other time loops, already created, things change, but not the way Amaryllis intended.
Add two time travel regulators from the future who are after the time module, and things start to get wild.
2025 WordCrafter Dark Fiction Contest Reminder
Just a reminder: There’s still time to enter your dark fiction story into the 2025 WordCrafter Short Fiction Contest, for a chance to have your story featured in this year’s dark fiction anthology, Midnight Oil: Stories to Fuel Your Nightmares. The submission deadline is April 30, and you can find submission guidelines here.
Preparations for Poetry Treasures 5: Small Pleasures
Robbie and I will both be working on compiling Poetry Treasures 5: Simple Pleasures, which will be scheduled for release in April, during National Poetry Month. This year’s contributors are DL Mullan, Barbara Harris Leonhard, Jude Itakali, Ivor Steven, Robbie Cheadle, Michelle Ayon Navajas, Gwen M. Plano, Elizabeth Gauffreau, David Bogomolny, Dawn Pisturino, Maggie Watson, and Colleen Chesebro.
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During our recent trip of Babanango Game Reserve in KwaZulu-Natal, we had a good sighting of a secretary bird roosting in a tree. That sighting prompted the creation of this poem which tells you all about this fascinating bird.
Ode to a Secretary Bird
My mouth smiles, a grin spreading from ear to ear
When I spy the Secretary Bird perched in a tree
It looks around, hoping its favourite food will appear
A slithering snake its equivalent of scones and tea
An eagle type body perched atop legs like a crane
Giving it a height of up to 1.3 meters; tall for a bird
Crazy feather spikes surround its face – a bad hair day
Or does it think it’s a lion with a shaggy black mane
During a courting ritual, its frog-like call is heard
The rest of the year, a calm silence holds sway
Picture caption: Secretary bird with its black crest up. Picture by Robbie Cheadle
***
Breeding usually takes place once in a year
During spring and summer when food is plentiful
The male helps to incubate the eggs, he’s quite a dear
Mating with one female for life, he’s also faithful
Preferring to stay grounded, it will fly if it must
Legs sticking out behind it in a ridiculous way
Outside of mating or nesting, it does its thing alone
When it needs to run, you only see a cloud of dust
With a wingspan of two metres, it creates a great display
Living out its life within a fifty square kilometre zone
Picture caption: Secretary bird stretching in an acacia tree. Picture by Robbie Cheadle
***
Grey tailcoat and dark knee-length pants its claim
To male secretary status – it even has goose-quill pens
Carried behind its ears, the combined cause of its name
Also called ‘Devil’s horse’ by its traditional African friends
In honour of the great speed at which it hunts its prey
Including reptiles, amphibians, and mammals like rats
And venomous snakes which it beats to death on the ground
Popular due to their diet, people encourage them to stay
At keeping land free of vermin, they’re better than cats
Once they were numerous, but they no longer abound
Picture caption: Secretary bird in an acacia tree. Picture by Robbie Cheadle
***
This bird’s endangered classification mankind’s great shame
Along with its relatives, buzzards, vultures, and harriers
The fault of human greed and selfishness, nothing else to blame
I’m grateful some are protected behind fences and barriers
An important feature in the South African coat of arms
It’s chest a protea, also endangered or vulnerable to extinction
Powerful legs formed by a crossed knobkierie and long spear
Symbolism as the protector of the nation one of its many charms
You’d expect its status to afford it a measure of distinction
The loss of this messenger of the heavens not something people fear
A fascinating YT video featuring a secretary bird (not my video):
About Roberta Eaton Cheadle
Roberta Eaton Cheadle, is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.
Roberta has two published novels and a collection of short stories and has horror, paranormal, and fantasy short stories included in several anthologies. She is also a contributor to the Ask the Authors 2022 (WordCrafter Writing Reference series).
Roberta is also the author and illustrator of sixteen children’s books, illustrator to a further three children’s books, and the author and illustrator of three poetry books published under the name of Robbie Cheadle, and has poems and short stories featured in several anthologies under this name.
Roberta’s blog features discussions about classic books, book reviews, poetry, and photography. https://roberta-writes.com/.
Like this post? Are you a fan of this blog series? Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This segment of “In Touch with Nature” is sponsored by the Midnight Anthology Series and WordCrafter Press.
Midnight Roost: Weird and Creepy Stories: 20 authors bring your nightmares to life in 23 stories of ghosts, paranormal phenomenon and the horror from the dark crevasses of their minds. Stories of stalkers, both human and supernatural, possession and occult rituals, alien visitations of the strange kind, and ghostly tales that will give you goosebumps. These are the tales that will make you fear the dark. Read them at the Midnight Roost… if you dare. https://www.amazon.com/Midnight-Roost-Kaye-Lynne-Booth-ebook/dp/B0CL6FPLVJ
Midnight Garden: Where Dark Tales Grow: 17 authors bring you 21 magnificent dark tales. Stories of magic, monsters and mayhem. Tales of murder and madness which will make your skin crawl. These are the tales that explore your darkest fears. Read them in the Midnight Garden… if you dare. https://www.amazon.com/Midnight-Garden-Where-Tales-Anthology-ebook/dp/B0DJNDQJD3
I am very excited to welcome talented artist, poet, and author, Dave Williams to “Treasuring Poetry”. Dave is discussing his thoughts on poetry and I’ve reviewed his unique poetry book Gasp! Poetry!
What is your favourite style of poetry to read i.e. haiku, ballad, epic, freestyle, etc?
Freestyle. I like playful poetry, and poetry that causes me to think of stuff in different ways than my status quo. Also, I’m a big fan of short poetry about nature. Doesn’t have to be haiku. Poems that focus on one aspect of nature, be that a particular animal or plant or season. This kind of poetry is like a seed for me to meditate over that aspect of nature.
What is your favourite poem in your favourite style to read?
My favorite poem by another writer is “maggie and milly and molly and may” by E. E. Cummings. I love it because it’s lively and frisky and profound. And because it reminds me of growing up near the Atlantic Ocean. And because one of my daughters is named Molly (with a capital M, not lowercase like in the poem — although she’s welcome to be creative with the capitalization of her name if she likes).
What is your favourite style of poetry to write? Why?
I enjoy writing freestyle the most. Limericks and haiku can be fun to write by following their rules. But I typically go with freestyle because I don’t have to worry about rhymes or syllables or meter.
What is your favourite of your own poems?
A tough question, Robbie! One poem of mine doesn’t jump out as a favorite. I looked through Gasp! Poetry! to find one to include here. I chuckled over several poems, but the poem that clicks with me right now isn’t aimed at humor. Rather, it feels hopeful:
Chickadee
Seeing an eagle,
the chickadee
aspired to greatness:
soaring high in the
Great Blue
Yet he could not
transform into that epic bird
In her son’s sullenness,
mama chickadee asked
the elders to offer wisdom
They told him
there’s a quiet dignity
in being a chickadee
and that
warmed his heart.
Your poetry collection Gasp! Poetry! has a most unusual name and blurb. Please tell us a bit about this book, what the poems are about, and what your intentions were will the collection.
The cover tries to warn people who have no interest in poetry. The title and cover illustration pretend what such a person’s reaction might be to a poetry book. They might throw up their hands and shriek, “Gasp! Poetry!” Then they’d run for the safety of a Non-Poetry Zone. Where, after catching their breath, they might tell other people how close they got to a poetry book and how terrifying it was. The cover uses drama for humor (hopefully).
Some poems in the book aim for silliness, while others are serious. The topics are assorted. One short poem is about a monkey taking a bath. One long poem is about how Scheherazade told a thousand tales to avoid being murdered. If you’ve followed my blog for a while, chances are good that you’ve read poems from this collection.
My intention was to package a bunch of poems on my blog, and ones that haven’t been published there yet. I hoped to entertain readers who like playfulness and absurdity in poems.
You write both novels and poetry. Which do you prefer?
Novels. Even when short, they’re more immersive than poems — which are like sketches to me (since I don’t write epic poems). I enjoy pondering possible plot paths of novels, as well as possible backgrounds of characters. It’s akin to reading a book and being immersed in the story. But with novel writing, the story can unfurl in various, potential directions. Joy is in exploring and shaping the story. So is frustration. But it’s worth the frustration when the book is finished.
My review of Gasp! Poetry!
Picture caption: Cover of Gasp! Poetry! featuring a hand drawn circle man with his arms thrown upwards in anguish.
The amusing title of this poetry collection by Dave Williams is indicative of the nature of the poetry. All of the poems are clever, slightly dark, and poke fun at humans and humanity in general. In other words, these poems are brilliant and hugely entertaining.
Is a Poem about Grains of Sand on a Beach Too Pretentious? “I wondered that question, lying on a floral beach towel, a speck in a crowd of swimsuited people – all of us were lumps of cookie dough glazed with sunscreen and coconut oil baking in this oven.” The short extract above is a great example of Dave dark humour in relation to human behaviours and his engaging descriptions.
Valor is a great example of the poet’s quick and clever mind and attitudes towards adversity: “”You’re not sharp enough?” “Get some sides!”
Yells were hurled from the crowd of octagons at the little circle. “You look ridiculous!”
The circle puffed up with valor, said “I am what I am,” refused to conform, then rolled defiantly towards home.”
This was my favourite poem in the book. I really enjoyed the personification of shapes and it reminded me of Flatland by Edward Abbott Abbott.
There is some wonderful life wisdom encased in these freestyle poems. A short extract from Ocean Inside which captivated my mind: “Meanwhile I work against the urge to liquefy myself and pour myself into the container others have sculpted for me”
Having gone through my own teenage years and watched three sisters and two sons go through theirs, I am acutely aware of how very real this pack mentality is with young people. Sometimes, people never manage to escape its grip and find their own path in life.
If you enjoy dark humour, excellent poetry, and life truths, you will love this engaging and entertaining collection.
Picture caption: Author photograph of Dave Williams
Surely many people are named “Dave Williams” and this particular Dave is a redheaded one who enjoys writing speculative fiction, drawing, and reading. He lives in Maryland with his wonderful wife, two inspirational daughters, and two cats (a lazy one and a playful one).
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
The theme for this collection, “Into the Light,” was influenced by how a young sunflower bud always faces the sun. This sun tracking is called heliotropism.
It is believed that sunflowers participate in heliotropism because they possess an internal clock similar to humans. This internal clock enables the plant to maximize its growth and absorb optimal energy.
The buds are heliotropic until the end of the bud stage. Upon reaching maturity, the sunflower ceases to follow the sun.
The combination of sunflowers as an emblem, and “Into the Light” as a theme is intended to throw shards of brightness out into the world. By actively seeking out happiness and sharing love and light, we can make this planet a better place for all its people and creatures.
golden sunflowers
watch Apollo’s chariot
move across the sky
from dawn’s first light to sunset
forever seeking the light
by Colleen M. Chesebro
Picture caption: Cover of Sunflower Tanka featuring a sunflower turned towards the sun on a pale pink background. Shards of light spill across the cover.
Blurb
Sunflower Tanka, edited by Robbie Cheadle & Colleen M. Chesebro, is an annual anthology of contemporary tanka, tanka prose, & experimental tanka from a broad mix of new and established poetic voices from across the world.
Our theme, “Into the Light,” draws inspiration from the way a young sunflower bud constantly turns to face the sun. Poets delved into the realms of death, love, and the natural world, capturing their human experiences in the timeless form of syllabic poetry.
Contributors to the first edition of the Sunflower Tanka: Suzanne Brace, Yvette Calleiro, Kay Castenada, Luanne Castle, Robbie Cheadle, Colleen M. Chesebro, E.A. Colquitt, Melissa Davilio, Destiny, Tamiko Dooley, Lisa Fox, Cindy Georgakas, Chris Hall, Franci Hoffman, Marsha Ingrao, Jude Itakali, JulesPaige, Kenneth, MJ Mallon, Brenda Marie, Selma Martin, Michelle Ayon Navajas, Lisa Nelson, D. Wallace Peach, Freya Pickard, Dawn Pisturino, Gwen M. Plano, Jennifer Russo, Aishwarya Saby, Reena Saxena, Merril D. Smith, Nicole Smith, Ivor Steven, Ben Tonkin, Trilce Marsh Vazquez, Cheryl Wood.
A few examples of the poetry in this book
All the poems in this book are gorgeous, so I have just randomly selected three pieces to share here:
echoes of despair
hushed as tears fail haunted eyes
silence expresses
a quiet faiths’ grip on hope
firm through darkened horizons
Tanka By Destiny
***
ash and dust reclaim
from flames of passion or shame
born this, raised as that
do butterflies from cocoons
ditch all that was, for petals?
Extract from Intertwined Essence (garland tanka) by Jude Itakali
***
within the forest there’s a glen where children play under a white light where mystical faeries flit around, happy and free
Tanka by Ivor Steven
Jacaranda Blue
As a photographer and painter, I am always trying to capture light in my work. This series of three photographs of my painting, Jacaranda Blue, was intended to demonstrate how this painting captures light in different ways.
This painting is dedicated to my amazingly artistic blogging friend, Resa McConaghy, who recently shared a most extraordinary series of articles about The Painted House. You can find the last article, with links to all the rest, here: https://graffitiluxandmurals.com/2024/11/24/exterior/. In addition to her amazing photography, Resa creates the most incredible art gowns out of recycled materials. Click on Resa’s name to discover more about her gowns.
This is a short extract from my poem Jacaranda Blue, a rensaku, inspired by this painting and included in Sunflower Tanka:
dressed for a spring ball
frocks of filmy organza
Jacaranda blue
delicate forms gently swaying in softly flowing fabric
Sunflower Tanka Video
Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
About Robbie Cheadle
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This segment of “Mind Fields” is sponsored by the Roberta Writes blog site, where you can find the poetry, photos, videos, and book reviews by Robbie Cheadleand so much more.
Today, I am delighted to introduce poet, Maggie Watson. Maggie writes incredibly compelling poetry which you can find on her blog here: Ephemeral Encounters
Over to Maggie
Robbie, thank you so much for inviting me to be your guest on Treasuring Poetry. I loved your questions, and I hope everyone finds my answers, at the very least, a little interesting.
My favourite style of poetry to read is haiku.
Haiku poems are easy on the eye, yet they can evoke strong emotions in a few words. If a poem is too long, I lose interest halfway through unless it grabs me in the first couple of lines.
My favourite haiku is “A Poppy Blooms” by Katsushika Hokusai
I write, erase, rewrite
Erase again, and then
A poppy blooms.
The writer here uses the imagery of spring to describe his writing process.
I would use winter, as I sometimes find the whole writing process frustrating, especially when I am blocked, staring at a blank piece of paper (a barren landscape in winter).
My favourite style of writing poetry is freestyle. I am ashamed to say that I have not tried any other style. I did attempt a few haiku a while back, but not consistently. As I write, it comes from my heart and soul and usually reflects my mood or thoughts at that moment. I hope no one shoots me down in flames for saying this, but poetry should be as free as a bird set free, not confined or restricted to parameters.
My favourite poem written by me is one of the first I ever wrote in 2020, one of the better ones, I hasten to add. The Mask is also in my new Collection, Pieces of Me and is related to the subject matter.
She puts it on before she goes outside,
just in case anyone should see inside.
The darkness, the hurt, the years ripped and scarred with dirt.
No one knows.
No one cares.
They only see the Mask she wears.
She tries but can’t forget all the angry words and threats buried deep within and the pain that never seems to dim.
So she smiles, wears the Mask, and hopes that no one ever asks.
I had originally planned to call this collection Bouquets of Barbed Wire, however, it was a little too close to the title of a television programme that I remember my parents watching, so I decided against it.
Pieces of Me is another poem from another Collection, “In the Shadow of my Pen: A Collection of Poetry and Prose.
Not long after joining WordPress, David from A Skeptics Kaddish reblogged it. I then decided to write two other parts, all three are in the new Collection. The new collection is my story in poems about my abusive relationship. The main form of abuse was gaslighting, which is a gradual erosion of your spirit, piece by piece. By sharing my story, I hope to inspire others to do the same.
Thank you again Robbie for giving me this space.
It’s my pleasure, Maggie. Thank you for being a wonderful guest.
My review of Pieces of Me, A collection of poems by Maggie Watson
Picture caption: Cover of Pieces of Me by Maggie Watson
Pieces of Me is a collection of powerful poems written by a survivor of domestic abuse. The abuse the poet suffered was not physical or sexual, but rather mental. The kind that slowly and insidiously destroys your spirit.
The collection is divided into parts reflecting the various stages of the poet’s abuse from the early days of her marriage until she found the determination and courage to exit her destructive relationship.
Red light spells danger: These poems are about the warning signs that the poet was to young and inexperienced to understand. It is awful to think of a young person being lured into such a terrible set of circumstances like a fly into a spider web.
“I was blind. I did not see it. Too young, too naive. Red light spells danger, but I ignored the colour of your aura.” An extract from Red Lights Spell Danger
When I think back over my own youth, I sigh with relief that I never fell victim to such a man’s charms. It could have happened so easily as we are gullible and innocent when we are young.
Eggshells is the next section and eloquently describes living with a bully and gas lighter.
“A soul in pain, cute with a blade, the wound then stitched together with words unkind Spirit erased, replaced with doubts and fears. Thoughts of unworthiness grow among the stitches sown Drip, drip, they slowly infiltrate the mind.” Extract from Soul in Pain
I am becoming is an uplifting section where the poet describes her escape from the vicious clutches of her abuser and path towards reclaiming her life.
“Never be a lamb to their slaughter don’t let them watch you bleed It is they who are weak as they plant their seeds in your womb for the pleasure that they seek.”
A collection of strongly worded and evocative poems that make you walk the poet’s path hand-in-hand with her. With compassion comes understanding.
Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This segment of “Mind Fields” is sponsored by the Roberta Writes blog site, where you can find the poetry, photos, videos, and book reviews by Robbie Cheadleand so much more.
Today, I am delighted to welcome talented poet, Dawn Pisturino, as my October Treasuring Poetry guest. Dawn has a Halloween collection of micro poems which I’ve reviewed below.
What is your favourite style of poetry to read i.e. haiku, ballad, epic, freestyle, etc?
I like any style of poetry to read, but my favorite is the sonnet. William Shakespeare and Elizabeth Barrett Browning excelled in this art form that elevates the mind and captures the soul.
What is your favourite poem in your favourite style to read?
My favorite sonnet is the classic love poem by Elizabeth Barrett Browning from her collection, Sonnets from the Portuguese. “Portuguese” was Robert Browning’s pet name for his wife. Her sonnets are so expertly written and articulate such deep love and passion! They are delightful to read and reflect the nature of true romantic love between two people—the abiding love that most people dream about but rarely find.
Sonnet XLIII
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints, – I love thee with the breath,
Smiles, tears, of all my life! – and, if God choose, 2
I shall but love thee better after death.
What is your favourite style of poetry to write? Why?
It’s easier to write in free verse and let the words and emotions flow. Writing in a tight form, like a sonnet or haiku, requires discipline, creativity, and a more extensive vocabulary.
What is your favourite of your own poems?
“Ariel’s Song” is my favorite poem because it was written for my daughter when she was quite small. It reflects our life when we lived in the San Francisco Bay Area.
Ariel’s Song
Ariel sings a lusty song
Of ships upon the sea,
And ere the night is very long,
Her spell is cast on me.
She spins a web of intrigue,
She tells a tale of woe;
And when the sun is waxing big,
I do not want to go, –
No, I do not want to go.
But she folds her wings together
And whispers my release;
For her stories last forever
And her songs will never cease.
Then, she rises from the window,
Winging high into the light,
And I’m left alone in shadow
As she disappears from sight.
Tell us a bit about your latest collection of haiku, Haiku for the Midnight Hour. What inspired you to write this collection? Is Halloween a favourite celebration of yours?
Halloween is one of my favorite holidays. I have fond childhood memories of picking fresh pumpkins from the garden, buying cider from the local apple stand, bobbing for apples at my best friend’s house, and going trick-or-treating with my little brother. Early in the year, I thought about writing a dark haiku collection and decided to finish it in time for Halloween. It was a fun project. I wrote twisted, dark limericks for Underneath the Juniper Tree that were quite popular with readers of all ages. I thought it would be fun to do the same with haiku. Purists may not like non-traditional haiku about monsters, aliens, demons, voodoo gods, and other dark themes, but I’m hoping it will be an interesting introduction to haiku for adults, teens, and young adults.
My review of Haiku for the Midnight Hour
Picture caption: Cover of Haiku for the Midnight Hour featuring a raven in a graveyard perched on a human skull
This is an entertaining collection of micro poems that revolve around the themes of Halloween and ghostly happenings. The micro poems are collected under common themes with headings, for example, Wee Folk and Crystal Balls.
While most of the micro poems deal with the paranormal, there are several that deal with Family and dark events in the home. On such example is Aunt Jane, as follows:
“aunt jane – locked away in the attic for years – rocks back and forth in chains”
The poems are clever and darkly humorous. Two of my favourites are as follows:
Jack and the Giant “jack climbed the beanstalk with curious intention a giant backlash”
Purgatory “purgatory and punishment clean souls tarnished by sinful doings”
If you enjoy clever and dark theme micro poems, this is the book for you.
Picture caption: Author photograph of Dawn Pisturino from Amazon.com
Dawn Pisturino is a retired nurse in Arizona whose international publishing credits include poems, short stories, and articles. Her first poetry book, Ariel’s Song: Published Poems, 1987 – 2023, debuted with five-star reviews. Her short chapbook, Lunar Gazing Haiku, became a #1 Amazon New Release in six categories. Her newest release, Haiku for the Midnight Hour, achieved #1 Amazon New Release status in three categories. She is a member of Mystery Writers of America, PEN America, and the Arizona Authors Association.
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
Today, I am delighted to welcome David from The Skeptic’s Kaddish blog and mastermind of the W3 poetry prompts as my September Treasuring Poetry guest.
What is your favourite style of poetry to read?
This is a tough question because I enjoy reading a wide range of poetry. However, I find myself most often moved by elegantly crafted free verse. When free verse is written in a way that feels truly poetic and draws me in, I’m deeply impressed. This isn’t always the case with free verse; anyone can break a series of words into lines, but not everyone can do so in a way that captivates.
What is your favourite poem in your favourite style to read?
These are fantastic questions, Robbie! Do most people actually have an answer for this one? It’s difficult to choose!
If I may, I’d like to share a poem I deeply enjoy, although I wouldn’t call it my absolute favorite. Honestly, I’m not sure I have a single favorite poem.
‘The Performers’
by Robert Hayden
Easily, almost matter-of-factly they step,
two minor Wallendas, with pail and squeegee along
the wintery ledge, hook their harness to the wall
and leaning back into a seven-story angle of space
begin washing the office windows. I
am up there too until straps break
and iron paper apple of iron I fall
through plate glass wind onto stalagmites below.
***
But I am safely at my desk again by the time
the hairline walkers, high-edge
balancers end their center-ring routine
and crawl inside. A rough day, I remark,
for such a risky business. Many thanks.
Thank you, sir, one of the men replies.
***
What I love most about this poem is how Hayden imagines himself as one of the window washers and then returns from his reverie in the second stanza. I find it incredibly relatable—both the relationship between the office worker and the cleaners, and the act of daydreaming. I also admire how Hayden captures the interaction between himself and the workers, imbuing them with both respect and dignity.
What is your favourite style of poetry to write? Why?
I’ve experimented with many different forms of poetry, but over the past few years, I’ve gravitated towards the sijo. Two reasons stand out:
First, I prefer writing shorter verses. I’m wary of longer poems because each additional word risks derailing my intent. Second, while the Korean sijo is technically a syllabic form, it also offers flexibility since the syllable count is ranged, not fixed.
What is your favourite of your own poems?
Oy vey!
My nine-year-old daughter often asks me what my favorite food or book is, and she gets frustrated when I tell her I like different things in different ways. That’s exactly how I feel about my own poems!
Given today’s political climate, I’ll share one that resonates with how I’ve been feeling recently. It’s a garland shadorma, a form created by Sylvia Cognac on WordPress. It consists of seven shadorma stanzas, with each of the first six stanzas borrowing one line from the final verse. Here it is:
Ancient homeland, or: Each hoary stone
it’s the flag, I know. that’s okay. I prefer to remain true to my identity despite the haters.
I know them. they’d prefer that I surrender my people’s claim to our ancient homeland to assuage their guilt.
our roots here predate all others… reject it if you will, but the truth speaks for itself through each hoary stone.
some fancy us colonizers, wish we’d leave… ‘see?’ they’d gloat, ‘their connection to this land was not authentic.’
our prayers for home never ceased. so, no. no- I won’t be another Jew who forsakes his forebears’ story.
our foes have convinced themselves that we can be scared away, but we’ve had just One Land in Jewish history.
it’s the flag- they’d prefer that I reject it; ‘see?’ they’d gloat, ‘another Jew who forsakes Jewish history.’
Tell us a bit about the posts you wrote after your father’s death. What inspired you to write them? What do they mean to you?
Looking back, as much as I dislike clichés, I realize I had no choice but to write those posts.
From the outset, I knew I would recite the Kaddish daily for my father after his unexpected death. No one else in my family was able or willing to take on that responsibility. Yet, after a few weeks, I began to feel that I was simply going through the motions. It felt empty, especially considering that I was performing a ritual in honor of a man who had no respect for rote religious practice.
It’s been over five years since I wrote the final post in that series, where I grappled with this very question. Everything I wrote back then remains true, but now I see that the act of writing those posts was also the beginning of my coming to terms with the truth about my faith. It marked the start of my acceptance that I don’t believe in a traditional concept of God, nor in the inherently enduring relevance of religious doctrine and ritual.
Although I finished the Kaddish series that year, I’ve never stopped contemplating its philosophical implications. They continue to challenge me daily. I once thought that returning to synagogue to recite the Kaddish would bring me closer to my religious community. Instead, it distanced me further because I didn’t simply perform the ritual—I transformed it into a journey of deep self-reflection.
This process ultimately led me to start writing poetry. Revisiting my love of creative writing—something I hadn’t engaged in since high school—reconnected me to my own critically thinking inner voice, a voice I hadn’t fully acknowledged before… And that’s the voice that now flows through my poetry.
My Kaddish Year
David has written a fascinating memoir in the form of 51 blog posts about his year of mourning following the passing of his father. This year is called Kaddish or The Mourner’s Kaddish in Judaism and involves saying a hymn of praises about God for your deceased parent. I know a bit about the Jewish faith because one of my good friends is Jewish. I have attended hair cutting ceremonies and bar mitsvahs as well as some other celebrations. I have not experienced anything to do with the passing of a family member so the Kaddish was new to me.
I am still busy reading David’s thought provoking posts about this period of his life but what I have read to date is very interesting. It has opened my eyes and understanding to a lot of Jewish traditions and religious rituals that I had no idea about and which I think are very worthwhile. The concept of worshipping for a whole year after the passing of a parent in the company of other community members who are experiencing exactly the same grief and anguish seems like a very helpful and supportive idea to me. My experience of death has been a lot of support for the griever up until the funeral and then very little. The griever is left along to manage as best he/she can at the worst time which is after the funeral is over and the permanency of the new circumstances sink in.
David’s post are not limited to the Kaddish, they expand into a lot of thought about life, death, religion, individuality in worship and believes and many other topics. It is worth reading and considering. Follow the link below to read the 51 post comprising David’s My Kaddish Year.
Picture caption: Author photograph of David Bogomolny
David Bogomolny was born in Jerusalem to parents who made Aliyah from the USSR in the mid-70’s. He grew up in America and returned to Israel as an adult. He works as a grant writer for the Jewish Agency for Israel. He and his wife and daughter live in Jerusalem.
He began writing the ‘Skeptic’s Kaddish for the Atheist’ in Jerusalem, Israel, 30 days after burying his father in South Brunswick, New Jersey, USA. His series was originally published on the Times of Israel blogs.
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
________________________________________
Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
______________________________________
This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
Today, I am delighted to welcome talented poet and author, Elizabeth Gauffreau, as my Treasuring Poetry guest.
What is your favourite style of poetry to read i.e. haiku, ballad, epic, freestyle, etc?
My favorite style of poetry to read is free verse, although recently I’ve become quite taken with the duplex and the pantoum. I also enjoy reading persona poems, such as T.S. Eliot’s “The Love Song of J. Alfred Prufrock,” which has been a long-time favorite of mine. In addition, I enjoy narrative poems such as George Franklin’s Angel of Sorrow poems. (Travels of the Angel of Sorrow and What the Angel Saw, What the Saint Refused)
What is your favourite poem in your favourite style to read?
Because I’ve been reading more poetry collections in the past several years than I ever have before, it’s hard to pick just one favorite poem. I’m going to go with Patricia Smith’s “Now He’s an Etching.”
The poem is written in iambic pentameter, which is definitely not my favorite poetry form. However, Smith uses it so skillfully, I didn’t even notice the meter until someone pointed it out to me.
I strongly encourage readers to listen to Smith read the poem herself to get the full experience of it. https://poets.org/poem/now-hes-etching (Click on the blue speaker icon on the right side of the screen.)
Now He’s an Etching
of the sluggish, coolly vengeful way
a southern body falters. Muscles whine
with toiling, browning teeth go tilt and splay,
then tremulous and gone. The serpentine
and slapdash landscape of his mouth is maze
for blue until the heart—so sparsely blessed,
lethargic in its fatty cloak—OKs
that surge of Tallahatchie through his chest,
and Lordy, hear that awful moan unlatch?
Behind the mic, he’s drowning in that great
migration uniform of sharkskin patched
with prayer and dust. His cramped feet palpitate
in alligator kickers, needle-toed,
so tight he feels the thudding blood, so tight
they make it way too easy to unload
his woe. The drunken drummer misses right
on time, the speakers sputter static, but
our bluesman gravels anyhow—The moon
won’t even rise for me tonight / now what’s
a brokedown man gon’ do? That wretched croon
delights the urban wanderers, intent
on loving on this perfect underwhelm
of Negro, jinxed and catastrophic, bent
into his hurting halves. Inside the realm
of pain as pageant, woozy revelers raise
their plastic cups of fizz and watered rye
to toast the warbler of decay, whose dazed
and dwindling lyric craves its moonlit sky.
“Now He’s an Etching” made such an impression on me that I actually sent a “fan girl” message to Patricia Smith (to which she responded graciously with “thank you”). Then I wrote a puente in response to her poem. (I’ve sent it out to literary magazines in hopes of getting it published.)
I would be remiss if I didn’t include Smith’s commentary on her poem:
About this Poem
“I mourn the elders. I mourn the black bluesmen and women who could only move sanely through their hours with the help of heartbreak. I miss their stout southern stature, bodies resolute with a recollected woe. I ache for the gut gravel of lyric, the knowledge that my crooner is truly suffering, and that she or he has decided to allow us to suffer too. But many of the elders still with us have become millennial playthings, one of the many ‘woke’ things to sample and add to the cultural resume. Hopefully, this poem springs from that space.”
—Patricia Smith
Your new poetry book, Simple Pleasures, comprises of haiku. Is that your favourite form of poetry? Why?
No, it isn’t. My go-to is free verse. In this instance, though, haiku was the best form to convey the experiences I wanted to share with readers.
What is your favourite of your poems in Simple Pleasures?
I’m going to go with this one because it was inspired by the Green Mountains of Vermont, which is where my heart is.
back in the valley
peeling fence to lean on
Green Mountains steadfast
Tell us a bit about Simple Pleasures. What inspired the book? How did you choose the title and cover?
My husband and I were on a scenic drive to escape the awful mess the world is in, and a haiku just popped into my head. So I wrote it down (fiddled with it, of course) and took a picture of the scene which inspired it. My husband and I had fun going on the hunt for the wild haiku together, so we kept at it for a year, until I had enough poems and photographs for a collection and had covered all four seasons. Now that the book is finished, I miss those hunts!
The title Simple Pleasures refers to the simple pleasures of life, which never fail to restore my equilibrium in difficult times. The subtitle, Haiku from the Place Just Right, refers to the Shaker hymn “Simple Gifts,” which was part of my childhood, probably from church camp. Simple pleasures and simple gifts are synonymous to me, so the title and the subtitle seemed just right!
As far as the cover went, I wanted something that would show up clearly in an online thumbnail, which is why I went with a saturated color for the background. The branch of flowering crabapple spoke to me as having a haiku feel to it in its simplicity.
My review of Simple Pleasures: Haiku from the Place Just Right
Picture caption: Cover of Simple Pleasures featuring a spray of pink blossoms against a dark blue background
Simple Pleasures is a collection of delightful haiku written about a variety of different places that have moved the poet to write due to their beauty, family connection, or historical meaning. Each poem is accompanied by a gorgeous colour photograph (I read the ebook). As a South African, I found this book to be a wonderful visual and literary tour of Vermont, New Hampshire, and Maine.
One of my favourite poems in the collection is as follows: “grey heavens, grey sea goldenrod out of context lighthouse bears witness”
This short collection of 53 poems will fill your heart with joy.
Picture caption: Elizabeth Gauffreau author photograph
Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. Her work has been widely published in literary magazines, as well as several themed anthologies. Her short story “Henrietta’s Saving Grace” was awarded the 2022 Ben Nyberg prize for fiction by Choeofpleirn Press.
Liz has published a novel, TELLING SONNY: THE STORY OF A GIRL WHO LOVED THE VAUDEVILLE SHOW, and a collection of photopoetry, GRIEF SONGS: POEMS OF LOVE & REMEMBRANCE. Her latest release is also photopoetry: SIMPLE PLEASURES:HAIKU FROM THE PLACE JUST RIGHT. She is currently working on a novel, THE WEIGHT OF SNOW AND REGRET, based on the closing of the last poor farm in Vermont in 1968.
Liz’s professional background is in nontraditional higher education, including academic advising, classroom and online teaching, curriculum development, and program administration. She received the Granite State College Distinguished Faculty Award for Excellence in Teaching in 2018.
Liz lives in Nottingham, New Hampshire with her husband.
About Robbie Cheadle
South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
_____________________________________________
Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
_______________________________________________
This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.
