Welcome to the WordCrafter Poetry Treasures 3: Passions Book Blog Tour! This is a very special tour, because at each stop, you will meet not one, but two of the contributing poets of the anthology. We’ve got a great tour planned with readings and inspiration posts from the authors, and book reviews. (Scroll down for the tour schedule with links, but be aware that the links won’t function until each post goes live.)Plus we have a great giveaway, so follow the tour to meet the contributing authors and additional chances to win a digital copy of Poetry Treasures 3: Passions!
Giveaway
Comment and let us know you were there, and get a chance to win a copy of Poetry Treasures 3: Passions in the digital format of your choice.Follow the tour and leave your comments along the way. One entry per stop.
About Poetry Treasures 3: Passions
Passions treasures within.
Open the cover
and you will discover
the Poetry Treasures
of guests on
Roberta Eaton Cheadle’s
2022 “Treasuring Poetry” blog series
on Writing to be Read.
Included are treasures from:
Patty Fletcher, D. Wallace Peach, Yvette Prior,
Penny Wilson, Colleen M. Chesebro, Abbie Taylor,
Yvette Calliero, Smitha Vishwaneth,
Chris Hall, Willow Willers, Rosemerry Wahtola Trommer,
and Roberta Eaton Cheadle
Purchase Poetry Treasures 3: Passions from your favorite distributor through Books2Read
Today’s Stop
On today’s stop, we have video readings from Rosemerry Wahtola Trommer and Smitha Vishwanath. Rosemerry is sharing a reading of her poem, “Twenty Years Ago, Ten Years Ago, Last Week”, and Smitha is sharing a reading of her poem, ” “. Both of these lovely poems are featured in Poetry Treasures 3: Passions.
Meet Rosemerry Wahtola Trommer
Today’s stop features a peotry reading by contributing Rosemerry Wahtola Trommer, which is a real treat. Rosemerry is a performance poet, and I was privileged to attend one of her live performances back in 2010. She was spectacular. The way she draws you into the poem and makes you feel her words is amazing. Rosemerry is a wonderful, vibrant lady, who embraces the written word as if it were a lover, caressing and shaping it into what she needs it to be. I had the pleasure of featuring an interview with her, right here on Writing to be Read. That’s why I asked Robbie to invite her to be a guest on “Treasuring Poetry”, and why I am so pleased to have her work featured in this WordCrafter anthology. It is a privilege and an honor to work with her. I hope you will enjoy this reading as much as I have.
Rosemerry Wahtola Trommer co-hosts Emerging Form (a podcast on creative process), Secret Agents of Change (a surreptitious kindness cabal) and Soul Writer’s Circle. Her poetry has appeared on A Prairie Home Companion, PBS News Hour,O Magazine, American Life in Poetry, onCarnegie Hall stage, and on river rocks she leaves around town. Her collection Hush won the Halcyon Prize. Naked for Tea was a finalist for the Able Muse Book Award. Her most recent collection is All the Honey. Her daily audio series, The Poetic Path, can be found on the Ritual app, her daily poetry practice can be read on her blog, A Hundred Falling Veils, and her book of mindfulness poetry prompts is Exploring Poetry of Presence II. One-word mantra: Adjust.
If I could go back in time and offer advice to my younger self, I wouldn’t. I would let her fail all over again. I’d let her falter. I’d let her lose. I’d let her stumble and struggle and bomb. But I would lean in close and let her know I am deeply in love with her. It’s so easy now to give her this, this self-compassion in full bloom, this thing she believed was impossible.
Reading of “Twenty Years Ago, Ten Years Ago, Last Week”
“Twenty Years Ago, Ten Years Ago, Last Week”, by Rosemerry Wahtola Trommer
Meet Smitha Vishwanath
I first met Smitha Viswaneth through her interview with Robbie Cheadle on the “Treasuring Poetry” blog series, right here, on Writing to be Read, so I can’t say that I know her well, but I’ve been learning a lot about her. Smitha is an award winning poet of a National Poetry Month Challenge two years in a row, and she’s been nominated poet of the month several times on Spillword. She has poetry published in several online publications, and her debut novel, Coming Home, just came out last month.
Smitha Vishwanath is your quintessential ‘bored banker’ turned writer. After a rewarding career in Banking in the Middle East where she worked for leading banks in senior positions, she quit and moved to India in July 2018 with her husband who had been transferred to the country on an international assignment. Thereon she began her writing journey.
‘Roads’ is the first book she has co-authored. Having lived and studied in different countries and different states within India and worked with different cultures, Smitha understands that ‘change’ and ‘ups and downs’ are very much a part of life. It is this experience that reflects in her poems and her writing which are filled with positivity, acceptance and willingness to change for the better.
A child called, Passion, I met him on my walk, one day and asked him to come home. He replied, ‘On one condition- only if you give me your undivided attention.’
‘How difficult could that be? aloud, I wondered, I raised a family with children- two!’ Smiling impishly, he said ‘Not much, if you surrendered.” I laughed at his presumptuousness Little knowing how true to his words he’d be.
The moment, Passion, walked in through my door He obscured the rest of the world from sight and kept me waking into the night He pranced around all day-tireless, and unbound. It made me loathe the day, him, I found.
Passion was a stubborn child demanding complete allegiance. His appetite was unappeased, his thirst unquenched; he made no allowance!
A ruthless master, a sorcerer He turned me into a willing slave. I fulfilled his every bidding; the years went by, I couldn’t tell and the children flew before I knew.
But, Passion, he stayed behind. I grew old, and he grew kind. Passion, that stubborn child remained wilful until the end and refused to leave,
even though my body was hard to mend. He nourished my body and fed my soul And made me feel as good as whole. Passion, that stubborn child, simply would not let go; no doctor could understand that child’s miraculous cure.
So, if you ever cross paths with a child called, ‘Passion.’ Hold onto him with a firm hand Even if you must endure. Lug around for a while if you must- but don’t ever let go.
For when all the others leave- He will be standing by your side For, Passion, is a stubborn child and loyal as can be Let nobody tell you otherwise.
Reading of “A Child Called ‘Passion'”
Wrap Up
That’s it for the first stop on the WordCrafter Poetry Treasures 3: Passions Book Blog Tour. I hope you’ve enjoyed meeting Rosemerry and Smitha and the samples of their works. As an extra added treat, you can catch an interview with Robbie Cheadle and I on the Word Craft Poetry site with Colleen Chesebro, which happens to coincide with our opening day. So, after you’ve met our two poets, Rosemerry and Smitha, you might click on the link above to pop in and check that interview about the anthology, too.
A raving five-star review of Poetry Treasures 3: Passions on Goodreads.
Raving Revue
“…It’s an eclectic collection and a fabulous way to discover new poets to read. Expect varying interpretations of poetic passions. Not all are amorous! Some are thoughtful, personal to the author, (the author’s interests, experiences and loves,) and many have deep insight into human trials and tribulations…”
Follow the tour to meet other contributing authors and for more chances to enter the giveaway. The links in the schedule below won’t work until each post goes live. Tomorrow we will be over at Patty’s World with Patty Fletcher with a guest post from Contributing author, Colleen Chesebro and a reading by Robbie Cheadle of contributing author, Chris Hall’s poem, ” What Will Become of Us?”, so don’t miss it. I hope to see you there.
Tour schedule 4/17 – 4/21
Monday – Opening Day – Readings by Rosemerry Wahtola Trommer & Smitha Vishwanath – Writing to be Read
Tuesday – Guest Post from Colleen Chesebro & Reading by Robbie Cheadle of poem by Chris Hall – Patty’s Worlds
I found this challenge through a post which Robbie Cheadle made earlier this week, where she posted several lovely photos. You can see Robbie’s response to this challenge on Roberta Writes. I went to Cee’s blog to see what all the fuss was about and it sounded like fun, so I decided to join in with this Saturday post. You can find out more about Cee’s cool challenges here.
The smallest of the bird species comes in a variety of colors with a plethora of different types of Hummingbirds all over the world. Above is a male Rufus Hummingbird drinking from one of my feeders while hovering in mid-air.
Photo by Kaye Lynne Booth
The small blooms of a Geranium flower.
Photo by Kaye Lynne Booth
The Indian Paintbrush flower comes in bright, dazzling orange.
Photo by Kaye Lynne Booth
Dwarf Marigold growing in my garden always brightens things up for me.
Photo by Kaye Lynne Booth
A butterfly lands on the tiny blooms of a purple bell flower.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; and book 1 of her Women in the West adventure series, Delilah. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
Robbie Cheadle’s latest release, Lion Scream, is a book-length photo essay prompted by visits she and her family made to the South African bush. The book comprises photography (including a cake art piece), poetry, commentary, and short fiction to provide a range of perspectives on the plight of wild animals in Cheadle’s home country.
I found the photo essay form to be particularly well-suited to the author’s intent: “to share insights about the impact of habitat loss, hunting, and poaching on the wild animals of South Africa . . .” (“About My Poems and Photographs,” p. 3).
The photographs clearly communicate that these animals are in their natural habitat, and their natural habitat is where they belong. Moreover, humans need to respect their natural habitat as such. As the old saying goes, a picture is worth a thousand words”!
It’s no exageration when The Rabbit Hole – Weird Stories #5, compiled and edited by Tom Wolosz, Curtis Bausse and GD Deckard is described as “Just plain weird”. The stories contained in this volume, produced by the Writer’s Co Op, are all reprints that are just a bit quirky and different.
Welcome to the Rabbit Hole. On our fifth excursion into the warren of the odd, 37 authors lead us down their own little burrows of strangeness: an army of penguins, music that cures, aliens that communicate through old cartoons, images of the future that save, unwanted visions of the now, and, oh yes, it is raining lawyers. All have one thing in common, they are just…plain…weird.
Weird can be funny, weird can be sad, weird can be thoughtful, weird can be mad, but the one thing in common is that weird shares experiences you have, thankfully, never had.
Just be careful, all little bunnies are not nice, but they are memorable.
Stories by: Pete Barnstrom, Lori M. Myers, Richard Zaric, James Rumpel, Rhonda Eikamp, Joseph Carrabis, Leslie Muzingo, H. Donovan Lyón, GD Deckard, Lesley Bungay, S.E. Reed, Alexis Cunningham, Taija Morgan, Matt Nagin, Carl E. Reed, Stefan Markos, Anna Ross, Jon Zelazny, Marie Anderson and Tom Chmura, Richard Hough, Joseph Farley, D. A. Becher, David M. Donachie, Sally Basmajian, Bobby Rollins, Anthony Regolino, Robin Pond, Christina Hoag, John Haas, Joshua Williams, Jodi Rizzotto, Louis Evans, David Castlewitz, Tom Howard, Ira Nayman, and Tom Wolosz. Cover image adapted from an original design by Ian Bristow
My Review
I requested a copy of this anthology because the colorful cover caught my eye, and I’m a big Alice in Wonderland fan who never turns down a chance to explore a rabbit hole.Some of my favorites include:
“The Touch Stand”, by Lori M. Myers, which hits close to home as it reminds us all about things once taken for granted, which are no longer acceptable in a post-pandemic world.
“Don Quitamo”, by Joseph Carabis, which is a delightful tale of high adventure between father and son.
“James Thurber Saves the Day”, by Leslie Muzingo, which makes strong statements about censorship and classic stories in a very brief space.
“Future Shadows” by Lesley Bungay, which explores the ‘gift’ ot the ‘curse’ of premonitions, when there’s more to the choice of saving your sight than you would think.
“Definitely Dead”, by S.E.Reed, which proves that some recipes should not be improvised after trying to make a bad smelling tonic more pallateable.
“Sweet Summer Swimming”, by Alexis Cunningham, which puts a new twist on a relaxing day at the beach.
“The Blue Ghost”, by Taija Morgan, which is a delightfully frieghtening urban legend, very cool and very well executed.
This is a odd and different anthology, reminiscent of Weird Tales, and some of these stories are definitely weird. But the variety featured guarantees something for everyone, and you are sure to find stories here that will both entertain and amuse. I give The Rabbit Hole #5 five quills.
Content for Everyone is a must-read for creative entrepreneurs looking to improve the usability and accessibility of their website, email and social media content.
With over a billion people living with some form of disability worldwide, it’s more important than ever to make sure your content is accessible. In this easy-to-follow practical guide, you’ll learn techniques to make your content more accessible, without needing any in-depth technical knowledge. From adding meaningful alternative text to images, to choosing colors with enough contrast for easy readability, to adding captions to your videos and more, Content for Everyone has everything you need to reach a wider audience and improve the user experience for everyone.
Don’t miss out on the opportunity to improve your content and reach more people.
We all want to be inclusive, right? Of course, we do.
But how do we, as authors and creatives do that? Many authors don’t have the first clue as to how to do that. I know I didn’t.
Content for Everyone, by Jeff Adams and Michele Luchini is a book which tells you how to make your website content more accessible to a huge audience who many authors overlook or bypass. Adams and Luchini talk about how we can create more accessible content for visual or hearing impaired readers on our websites, in emails and newsletters, in blogposts and in social media posts. They talk about ways in which we can reach a much wider audience by making our content inclusive for readers regardless of whatever adaptive technoloy they’re using, or whatever device is their preference for consuming content.
With the right amount of time and effort, websites and digital communications can be made accessible to those with disabilities or use adaptive technology in accessing digital content. But it requires work and/or money to make that happen, and many authors probably wonder why they should go to the trouble.
I’m here to tell you why. When you make your website or your books accessible to those with disabilities and impairments, you are reaching out to a whole new audience with your writing. It is a large community, “with millions of impaired or disabled readers, who would read if they could access the content” (Patty Fletcher, email March 24, 2023), and it makes good sense to make your content inclusive to these potential readers. Awareness of the large audience of potential readers who are visually impaired was the main reason that I sat up and paid attention when I heard about this book.
Content for Everyone deals with how to make digital content accessible. There are many things we can do to make our content more accessible including providing the right contrast for visually impaired individuals, or even the proper use of headers. It’s no secret that I’m a bit old fashioned and I’m not always aware of the incricate details of the tech I use, although I am always learning. Content for Everyone discusses many ways in which you can make your content accessible to those with disabilities, who must use adaptive technology in order to access online and digital content. Some of these areas wouldn’t seem to be problematic to those of us without disabilities, but they are for individuals who are impaired.
Although all of this is a lot of work, Adams and Lucchini offer up individual steps which can be performed singularly, instead of trying to undertake the enormous task of accessiblility as a whole, which could be daunting. Picking one area of accessibility at a time seems to make the goal more attainable. I found that I hadn’t been using my headings correctly, and this is something that I never dreamed made any difference to anyone. But it does make a difference to those using adaptive technology, such as screen readers. after finishing the book, the first thing I did, was to go and change all the headers on my upcoming blog posts. Then, I went through and fixed them all through my blog site. It’s not anything a sighted person would probably notice, but for someone who uses a screen reader, it can make a difference as they try to navigate my site. Knowing that it makes a difference to some people, and knowing that by making it accessible, I will be widening my potential reader audience considerably, makes my decision to use headings correctly from now on seem a small step to take.
Something else which I’ve been working on since reading this book is adding the alt text for the screen reader crowd. Doing this is not hard, and should be done when you set the image in the post, but it does take extra time. I work with several visually impaired authors who use screen readers, so I know this audience is quite large. This is a simple thing to do, which really doesn’t take much time if you do it as you go. My site is image heavy, with lots of book covers, so it may take some time to add alternate text to the visuals which are already there. Even though it does take time and effort, the increase in portential readers from taking a few simple steps is so great that I have to ask, why would you not want to take this step to ensure that your content is accessible to more potential readers?
I am so pleased to be able to work with the wonderful authors within the visually impaired and print disabled community. It would be a shame to not be able to include their content within the WordCrafter tribe because of inaccessibility. And it would be a shame to have them miss out on WordCrafter content because they can’t access it. As Poetry Treasures 3 comes out this month, I’m pleased to be able to say it is the first book I have ever published with alternate text for each image. It’s just a small step in making Wordcrafter Press books more accessible to all.
You can learn more about these authors and their book, as well as learning a few things you may not know about accessibility in their interviews on the Stark Reflections podcast (episode 294), and on The Creative Penn podcast (March 13, 2023).
National Library Services
My grandmother was blind, and as a little girl, I often listened to her “talking books” with her and didn’t think much about it. I’m not sure, but I am thinking that those little cassette tapes that used to come to her in the mail, were sent by the National Library Services for the Blind and Print Disabled Library of Congress was behind them, even then. Yep. The visually impaired were doing “audio books” before they were even a thing. Today’s audio has caome a long way from those talking books on cassette, and there are now many adaptive technologies available to make books accessible to visually impaired and print disabled readers. And it makes sense for authors to tap into this audience by enrolling their their books in the NLS programs that are available. You can find out more about the National Library Services here.
Author Patty Fletcher encourages authors to enroll their books in the National Library Services to make them accessible to those who are visually impaired or print disabled to widen your audience and make many overlooked readers happy. She recomends that you read “That All May Read: Technological Innovations Extend Reach of National Library” by Wendy Maloney and then, if you are interested in making your books accessible, email nlscollections@loc.gov to find out how.
What is Accessibility and Assistive Devices?
“To know what accessibility is, one must first know what assistive technology is.”
Author Patty Fletcher
You can find out more about accessibility, what it is, and why we need it in our content. Patty Fletcher shares the following articles, which talk about assistive technology, how it works, and why it is important:
The subject is vast, and this book and the above articles are a good place to start.
Patty Fletcher is a visually impaired author and member of the American Council for the Blind, which is a large community of visual and print disabled readers. Patty’s goal is to bridge “the great chasm which separates the disAbled from the non-disAbled.” Toward that end, Patty is organizing a virtual event to help authors understand what adaptive technologies there are and steps we can take to adapt our websites, digital correspondence and books to be inclusive of these potential readers. Please reach out to myself or Patty if you would like to participate in this event.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
THERE’S NO ESCAPING THE EVIL THAT RISES WITHIN OUR OWN HEARTS.
On a work trip to Los Angeles, Michael Andrews stumbles upon the rising underground movement of the Proud Fighters for America, a white-supremacist group hell-bent not only on vanquishing any outside their predefined definitions of the one pure race, but also on leveraging long-buried paranormal experiments conducted by Nazi Germany to create an army of super soldiers.
But this group isn’t confined to the west coast. Their numbers have also spread to New York, Michael’s home stomping grounds.
Michael has to determine if a mysterious woman he is falling in love with who has ties to the PFA and a unique paranormal ability of her own can be trusted, and if the two of them, along with another supernatural creature and an occult scholar, are enough to take down the growing legion of evil.
FEARS AND FRIGHTS combines the complete texts of the two-book story arc that unrolls in the novels FEAR AND LONGING IN LOS ANGELES and FRIGHT NIGHTS, BIG CITY into a single digital bundle.
I listened to the audio book, Bundle of Fears and Frights, by Mark Leslie, and narrated by Scott Overton. As he has through the whole series, Scott Overton does a smashing job of bringing Leslie’s characters to life.
This is a two book bundle which includes Fear and Longing in Los Angeles and Fright Nights, Big City, which are, I believe, books 2 & 3 in Lefebvre’s Canadian Werewolf series. Together, they make nine hours of audio book entertainment, and characters which you can’t help but invest into.
My first thoughts when learning about book 1, Canadian Werewolf in New York, was that it might be similar to the movie, American Werewolf in London, which I enjoyed enough to watch two or three times. My second thought was that the werewolf thing has been soooo overdone, as have vampires, and zombies. As it turned out, Lefebvre’s werewolf different from that movie in several ways. And his character, Michael Andrews is not like any other werewolf that I’ve heard of. I mean, how can you not like a werewolf superhero? Not a role you’d expect to see a werewolf in, right? No, I find Lefebvre’s werewolf to be fresh and original, and I’ve never regretted picking up that first audio book, which was also narrated by Scott Overton. You can read my review of that book here.
Bundle of Fear and Frights takes Lefebvre’s werewolf to Las Angeles and back to New York, in his human form as Michael Andrews, of course, to battle a white supremacists domestic terrorist group. As a human, Michael is vulnerable like the rest of us, and he’s trying to come to terms with the loss of his true love, Gail, and move on to a new chapter in his life.
In Fear and Longing in Las Angeles, Michael finds a new love interest, Lex, but his supernaturally enhanced wolf senses and strengths offer advantages, and he can never walk away from someone in need. He just can’t seem to help himself. Before he knows it, he also finds himself battling the PFA, a domestic terrorist group involved in the occult, which has supernatural powers to rival his own wolf senses and strength. All, while trying to navigate his love life and his writing career. To make matters worse, strange things are happening with his wolf senses, which he doesn’t fully understand, but he grasps at the chance to once again have a normal life with Lex.
In Fright Nights, Big City, he’s back in New York with Lex, but trouble follows them, or at least, the PFA does. In L.A., Michael had decided to walk away and let the professionals deal with them, but now, in New York, it looks like they have no choice but to try and stop them from carrying out their evil plot to take over the city. Together with Lex, his new girl, and Gail, the girl he can’t seem to get over, they battle occult forces of evil to save the city, and themselves.
Mark Leslie’s Michael Andrews is one of the most likeable werewolves I’ve ever met. I love that he weilds his enhanced powers like a superhero, because of his compassion for others, which is a very human trait. I give a Bundle of Fears and Frights five quills.
Hi, at Patty’s Worlds, Patty Fletcher answers the questions, What is Accessible technology? and how can I make my materials accessible to those who are visually challenged, or totally blind?
Here she is with more.
Earlier last month, I was approached by a fellow author with the question, “How can I educate the authors I work with concerning accessible tech and how to make their writing available for readers who are blind, visually impaired, or who have some other print disability?”
After giving this some thought, I decided the first course of action would be to explain just what accessible tech is.
At Patty’s Worlds, Patty Fletcher answers the questions, what is Accessible technology? and how can I make my materials accessible to those who are visually challenged, or totally blind?
Here she is with more.
Earlier this week, I was approached by a fellow author with the question, “How can I educate the authors I work with concerning accessible tech and how to make their writing available for readers who are blind, visually impaired, or who have some other print disability?”
When I first started writing, I wrote poetry. In fact, my first sale of my writing, back in 1996, was for a poem. I wrote on a manual typewriter and submitted via snail mail, (I know. I’m dating myself terribly.). My poem, “A Prayer for Guidance” was published in a small poetry magazine called Dusk & Dawn, which is no longer in publication, and I made a whole $5 from it, but boy, was I ever proud of that sale.
I put my poetry on backgrounds, like the one above for my very first writing event. It was a local event that a friend saw advertised in the paper and said, “You should see if you can get a table. I called and got a table at the event, then realized I had nothing to offer at my table. I hadn’t yet published a book or anything, so I printed up my poetry on backgrounds , which I sold at my table for $5 a piece, and made almost $100.
For that event, I had a poem called “Voices” about the different voices that speak in my head, and as I was searching for backgrounds, I came across a painting of the same title, that I knew was the perfect background for this poem. So I poked around on the internet until I found a way to contact the artist, Mitchell Barret, and sent him an email, requesting to use his painting as my background. I was more than surprised when I recieved a phone call from him all the way from England. You must understand that this was right at the beginning of the internet era, and I still had a land line with long distance charges, so a call from another contentent was a pretty big deal to me, and I absolutely adored his English accent, although I had to ask him to repeat himself a couple of times during the call. He gave me permission to use his painting for the writing fair, and we conversed for a while, sparking up a friendship that was one of my first internet networking experiences.
Poetry & Art
In a later contact, Mitch said he was working on a series of paintings and he would like to include some poetry with them. He sent me the sketches for the paintings, and I wrote a poem for him. “Intimacy and the Harliquin Dance”. To my knowledge only one of those paintings ever came to fruition, but he did use a portion of my poem in his painting, which he titled “Intimacy”. The painting was on display and was sold at the Keliedescope Gallery, in Battle Sea Park, London in 2010.
After Michael
When my son died in 2009, I wrote poetry almost constantly. When I wasn’t physically putting words to page, I was putting my feelings to verse in my head. I wrote enough poetry about Michael and my loss of him to fill a chapbook. It was my way of processing my grief, I think. I don’t know if any of it was really good, but I felt it to be some of the most powerful writing I’d ever done.
Most of my poetry was rhyming, and by this point, I had taking some creative writing courses, where my poetry professor informed me ryhming poetry was no longer in vogue. Because of the rhyming, sing-song style of my poetry, it was evaluated by one critic as childish. And perhaps it is a bit childish. Rhyming poetry is fun to write. I’m a big fan of Sid Shelden and Dr. Suess, after all.
When I enrolled at Western State Colorado Unversity to earn my M.F.A. in Creative Writing, my focus shifted away from poetry and I began writing fiction, which has taken up my energies ever since, but I’ve never lost my love for poetry. I still submitted poetry here and there, even getting a few published in magazines such as Colorado Life Magazine, and anthologies such as Manifest West #5: Serenity and Severity. I just wasn’t writing anything new in the poetry realm.
Renewed Interest
A couple of years ago, I came across a book by Colleen Chesebro, WordCraft Prose & Poetry: The Art of Crafting Syllabic Poetry, which delves into the art of syllabic poetry. I couldn’t read this book without dabbling with the different forms myself, reviving my love for poetry all over again. (See my “Review in Practice” of WordCraft Prose & Poetry here.) And I used my newfound poetry skills to answer a creative challenge posed on the blog of Teagan Riordan Geneviene with a Shadorma poem with an image.
Now that my M.A. in publishing is completed, I find a have more time in which to ponder the words which I place on the page, and play with poetry. For that is what poetry ultimately is – play with words. I don’t mean that it shouldn’t be taken seriously, but that creating with words, no matter the form it takes, should be fun and satisfying for the creator, and poetry offers a wider license for this than do other forms of writing. This is known over at Colleen M. Chesebro’s WordCraft Poetry blog, where every Tuesday brings a #TankaTuesday challenge involving syllabic poetry, introducing readers with all kinds of new poetic forms. And so, I’ve been revisiting poetry once again, playing with sllybic poetry and rhymes. (I still love rhyming poetry, even if it is out of fashion.)
A New Poetry Collection on the Horizon
As I look through the poetry I’ve done in the past, I’m finding a plethora of poetry that needs to be shared. So, in addition to the two novels, and two anthologies which I had planned to publish through WordCrafter Press in 2023, I’m going to publish my first collection of poetry, some old, some new; some rhyming, some syllibic, and maybe even some freestyle to be included. It will take me down an old road to go through the poetry already written, and over a new road to experiment with forms of poetry both new and old, and the process of compiling the collection will be fun. Heck, it may even get me an invitation to be a guest on “Treasuring Poetry” with Robbie Cheadle.
To me, poetry is word play at its finest. What does poetry mean to you?
April is National Poetry Month here in the U.S., so it is fitting that the release of the annual Poetry Treasures anthology, from WordCrafter Press comes sometime in April each year. This year’s volume will be Poetry Treasures 3: Passions. It will be released on April 18, 2023, and is available now for preorder.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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