What Ever Happened to Heather Hummingbird?

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There are some of you who have been following my writing endeavors for some years. If you’re among that crowd, you’ll remember when I announced I had a publisher for one of the books in the My Backyard Friends series of children’s stories. I was very excited and proud to broadcast on the book’s progress at the time, but I haven’t mentioned Heather Hummingbird for quite a while now. It dawned on me the other day that there are many of you who were waiting for the release of the book. I even had a list of pre-orders in anticipation of it. You deserve an explanation as to what happened to Heather, so let me tell you what happened.

All through my limited writing career, I have done things on my own. A negative experience as an undergrad turned me away from a major in English that would have sent me down the path to becoming a writer the right way, and I got a major in Psychology, which I’ve never really found a use for instead. And when I first set out to be a writer, I failed miserably, because I couldn’t afford the submission process via snail mail, which is all there was back then. Yeah, I’m an old lady.

But the development of the Internet changed all that, opening up opportunities for writers that didn’t exist previously, and I began writing a series of children’s stories with animal and bird characters based on the creatures that visited the backyard of my Colorado mountain home on a daily basis. I met an illustrator online. She’d become a member of a social writing site, called Writer’s World, which I was administrator of. She offered me a very affordable deal to illustrate that first book, Heather Hummingbird Makes a New Friend, with beautiful handcrafted illustrations. I immediately fell in love with the cover illustration she produced, and down the road, she arranged for the publisher she worked for to offer me a contract.

Now you see why I was excited? I thought that was the best stroke of luck to ever hit me. I had a publisher fresh out of the gate. I was ecstatic. I spread the good news across all of my social networks, announcing to the world that Heather Hummingbird was coming. Little did I know, I had embarked on a nightmarish fiasco into the world of publishing.

When the publishing date the following year came and went, and nothing happened, they said it had been pushed back. And it was pushed back again and again for the next two years, each time I broadcast to my friends and readers the updated release date. But I wasn’t hearing anything from the publisher or the illustrator. She’d sent me three illustrations and the cover, but that was it. Nothing more was forthcoming, and no explanations.

If I wanted to know what was going on with my book, I had to contact them via e-mail and ask. They didn’t even tell me when the release dates were pushed back unless I wrote to inquire. In 2013, the release date passed, although all edits had been completed, my illustrator answered an inquiry, saying the date had been pushed back again and she was no longer able to illustrate by hand. She sent me a digitally illustrated cover and ask if this would be acceptable. I didn’t like this cover as much as the original, but I thought it would do, so I agreed to have her do the digital illustrations.

The next release date came and went, and when I inquired, the publisher sent back an email informing me I would be getting a different illustrator. I inquired as to the reason for this change, thinking perhaps my illustrator was no longer with the publishing house, but this was not the case. For some unknown reason they had decided to have someone else produce my illustrations, which I had already paid the original illustrator for.

At this point, I was more than slightly annoyed. I expressed my displeasure in the arrangement and the publisher got snotty and said she would release me from the contract. So, that is how it was resolved, and I’m still trying to collect my money from the original illustrator. It feels foolish to say that seven years since Heather started out on her venture, I’m stuck with two covers and three illustrated pages, none of which I can use, no illustrator and no publisher. But that’s it in a nut shell. I still don’t have a published book.

So, where is Heather now, and what lies in her future? Well, I shopped her around to a few publishers, to no avail. At Western State I was taught that you have to get back up on the horse, so after one rejection, I pulled up the manuscript and re-read it with fresh eyes, in order to revise before sending it out again. On that pass, something profound struck me. Heather Hummingbird Makes a New Friend, was not Heather’s story at all. It wasn’t Heather who learned a life lesson in this story, but rather, she was the teacher. So, I did the revisions, rewrote the synopsis, and changed the title to Ethan Eagle Makes a New Friend. After all, Ethan is the character that learns about friendship from Heather. Once that was done, I launched it into the submission process once more, so we’ll see.

There you have it. I don’t know how many are out there who even remember there was a Heather Hummingbird book, but at one time I had a whole list of pre-orders from people wanting the book. I am sorry that I wasn’t able to fill those orders, and I thank all of you for your support. If anything ever does come of Ethan and Heather, you, my readers, will be the first to know. Thanks for hanging in with me.


“Why Did This Happen to Me, Aunt Lou?” Inspires and Delights

Why Did This Happen to Me, Aunt Lou? ,by Rachel Jeanette Hall Stolle is a beauBy Rachell Jeanette Hall Stoletifully illustrated children’s book, that deals with a difficult question that we all ask at one time or another. Who hasn’t wondered why bad things happen to them? Why some people just seem to be downright mean? Although this book doesn’t provide a clear cut answer to a question that really has no answer, it does discuss how we can turn to God for comfort and strength, through the voice of Aunt Lou, a character based on a special person in Rachel’s life, Louise Ritchie. The book is written in language and manner that is easily understandable by children big and small, and the author’s faith shines through clearly. It is a wonderfully inspiring book that applies to everyone, not just children. It includes helpful Bible verses for reference, and delightful illustrations that were created with the author’s own hand, provide a wonderful lesson in faith.


The Painful Process of Revision

"Heather Hummingbird Makes a New Friend" by Kaye Lynne Booth

Illustrations by Aidana Willowraven

The good news is that I may finally have a publisher that is interested in my children’s book, Heather Hummingbird Makes a New Friend. The bad news, well I guess maybe it’s not that bad, is that the publisher liked the story and the concept, but she requested a rewrite. She sent me a set of general guidelines for children’s writing, that was basically grammar and punctuation rules, with the advice to “make every word count”, and a section that cautioned against using talking animals in your stories.
The My Backyard Friends series, of which Heather Hummingbird is only the first, is based on animals, mostly birds, but these are the characters. Was I supposed to rewrite the whole story and change all the characters into people? That would undermine the whole story concept of My Backyard Friends. I mean, the series is about the birds that are in my backyard, not the people that hang out there. Without the birds, there really are no stories. I pondered this, but finally decided they must be referring to animals that talk to people, which isn’t realistic and might be hard for kids, who are really smart, to buy. In my stories, all of the characters are animals, so this warning didn’t apply to my stories at all. Okay, that problem was taken care of, but I still wasn’t sure what I should change in my rewrite.
The next problem that I could see was one that I am sure a lot of writers are faced with. Here is this story that I wrote, edited and rewrote before ever sending it out anywhere. I thought it was already as perfect as it could get. How could I improve on perfection? The publisher wasn’t very specific about what she was looking for in the rewrite either. Hmmm….. Okay, so I sat down and gave the whole story a re-read. It had been awhile since I went over this one, so maybe I could get a fresh perspective on it. I found a few places where the wording could be changed a little, and I corrected a few spelling and grammar errors, and changed the punctuation in a couple places. It was only what you would call minor corrections, not enough to even be considered a rewrite.
A friend of mine, who is a writing coach looked at it, and made a few suggestions. She thought that it should be about 500-700 words for a picture book. We’re talking about a story that was running around 1,700 words! Shouldn’t be too hard to drop 1000 words or so, right? Ha! I went over it, and over it, and then over it again. This story had originally been written with a poet’s heart. Poets love to play with the sound of the words. “Heather Hummingbird was busily flitting from flower to flower, when she came upon Ethan Eagle, perched in the top of a very tall tree.” You can hear the sing-song quality that is pleasing to the ear and sort of rolls off the palette . Eventually, this opening phrase became, “Heather Hummingbird zipped from flower to flower. She came upon Ethan Eagle, perched in the top of a tall tree.” It’s much tighter writing, to be sure, but that lilting, poetic quality just isn’t there anymore. This really did hurt, because one of the things that I had really liked about the story was the way it sounded as I read it. I took the whole story went through this same basic process, with essentially the same results throughout. I still had 1, 269 words.
So, I took it to an editor friend, who helped me make some more cuts. She too, hated to cut any of it, because most cuts at this point would take away from the story. I mean, this thing was down to the nitty gritty. It was the same thing that I had been thinking, but she expressed it for me. So we tried to find ways that the story could be cut without losing vital pieces. We got it down to 1,242 after much painful deliberation.
I feared that I would cut so much that my illustrator would have to redo some of the illustrations that were already completed. I mean, she had even had mugs and magnets designed with that original opening line, which I thought was a very clever marketing device. Were the changes I was making going to mess up the illustrations? Would it cost me more if she had to redo some of them? I didn’t think that I had changed it so much that they would all have to be redone, but it worried me none the less.
My friend asked about my audience that I was aiming at. I was stumped. I didn’t set out to write for any one particular age group. I got an idea and just sat down and wrote the story. I hadn’t thought about how old the kids who read it would be. I know they tell you in all the writing courses and workshops to take the audience into consideration, but that just wasn’t how it had worked for me. She suggested that perhaps I was aiming for a higher age group, and this wasn’t a picture book at all. She pointed out some of the words that I had used that might be above the preschool/kindergarten age comprehension. Her point was a valid one. Would a kindergartener know what a mountain “crag” was? She suggested that if I were writing for a slightly higher age group, the word count wouldn’t have to be so low. 1,242 words is not bad for a book aimed at this age group, and some of the vocabulary suggested that the book would be more appropriate for a first or second grader. She was brilliant!
So, that is how I resolved my revision dilemmas. I took it home and did one last rewrite. It was still a very painful process, although I am sure that it is a better story for all the changes. I sent it back to the publisher, hoping that I had been able to do what she wanted, but still unsure. Now I wait to hear back and find out if she accepts it. Am I happy with what I ended up with? Is it still the story that I had intended? I suppose that it is, basically. I don’t think that it is as fun to read anymore, but perhaps it is better writing, even so. I learned some valuable lessons from the experience. Now I know why authors dread the revision process. I can’t even imagine doing what I did to this little story, with a full length book. It is a time consuming and heart wrenching process. On the other hand, I am a writer, so I hope with all my heart that someday I will have the chance to be faced with that chore. So, cross your fingers and wish me luck. The waiting is almost harder than the cutting was. Almost…, but not quite. I think I’ll wait awhile before I take another look at the other books in the series. The next book in the series,Charlie Chickadee Finds a New Home is about twice as long as Heather was. Ugh!