Book Marketing – What Works? (Part 1): Interview with fantasy author Cynthia VespiaPosted: September 4, 2017 | |
Frequently I rant about the time I have to spend marketing and promoting my writing instead of actually writing. It’s no secret that marketing is not my favorite author hat to wear, and I know a lot of other authors who feel exactly the same way. But the fact is, in today’s writing industry, the author must carry most, if not all, of the load when it comes to promoting their work and marketing their masterpieces.
Now, I’m a struggling author, just as many of you are, so I don’t have a big marketing budget and I can’t afford to hire someone to do my marketing for me. My promotions are limited mainly to social media marketing, usually the kind that’s free. Even when I have a little money to put into marketing, I don’t really know what avenues would be effective enough to be worth it.
A lot of the information about book marketing that is out there on the Internet today is geared toward marketing your non-fiction book, whether it be self-help, or how-to, or even a cookbook. These articles tell you how to show potential readers why they need your book, how your book can help them, which is great, except most of their strategies do not apply to marketing fiction.
As a result of this discovery, I’ve been doing some research of my own into the matter, but I’ve found that the effectiveness of any marketing strategy depends on many factors, and results vary from author to author. In this eight part series, we’ll take a look at my findings and interview seven different authors to learn what they’ve found to be effective in marketing their own work. All work and no play makes us all very dull writers, so we’ll get to know a little about each one of them and their books just for fun.
It’s my pleasure today to interview speculative fiction author, Cynthia Vespia. I have review several of her books, including her Demon Hunter saga: The Chosen One & Seek and Destroy and Hero’s Call, Lucky Sevens, and Life, Death and Back. In addition to her great storytelling, Cynthia is also a talented cover artist, designing most of her own covers, as well as working freelance.
Kaye: Would you share the story of your own publishing journey?
Cynthia: Once upon a time I was a young mind hungry for books. I’d read Piers Anthony; C.S. Lewis; and comic books (my favorite being The Punisher). Then one day I stumbled upon a book by Dean Koontz called Intensity. To make a long story short it got me hooked and I knew then I wanted to write. My first novel, The Crescent, was written after seeing a documentary about female gladiators narrated by Lucy Lawless. I self-published it back when self-publishing wasn’t cool. It was fun to see my book in print. Flash forward to today and that same story is in pre-production as a feature film.
Along the road I’ve written several more books and short stories, each of which I’m very proud of. I received a Best Series nomination in 2009 for Demon Hunter.
Kaye: What made you decide to go with self-publishing?
Cynthia: I was published by small publishing houses but I never really saw any benefit when I could do the same things they were doing and they weren’t even really promoting me much. So much like a lot of other authors I’ve gone the indie route.
Kaye: As a fantasy writer, what kind of research do you find yourself doing for your stories?
Cynthia: Honestly, the majority of my work is completely created in my head. Recently the type of research I’ve been doing is for superpowers, modeling, and locations for the Silke Butters Superhero Series. And for my upcoming apocalypse trilogy there was a lot of research regarding weapons and safe-houses.
Kaye: What’s the most fun part of writing a novel or short story/screenplay? What’s the least fun part?
Cynthia: The most fun part of writing for me is in the initial creation of the characters and their backstory. It’s like a sculptor molding clay. You breathe life into your subjects.
The least fun part is in the aftermath which is marketing and promotion. It’s so difficult to posture yourself out in front of a very large crowd of other writers all clamoring for attention.
Kaye: What is the strangest inspiration for a story you’ve ever had?
Cynthia: Probably Sins and Virtues. I was at Alcatraz in SF and I went inside one of the prison cells for a photo. Afterwards, I felt a heavy cloak of energy from what I could only feel was a former prisoner’s spirit.
While writing Sins and Virtues I started to see visions of prison escapes that I had no business knowing about. If you read the first chapter you’ll get a taste of what I mean. That feeling stayed with me throughout the entire novel. It only left when I was done writing.
Kaye: What’s the best piece of advice you were ever given?
Cynthia: I’ve heard quite a bit of good advice over the years. I seek it out, and write it down in my journal. Lately, I’ve been falling back on one from Arnold Schwarzenegger where he said “earn it so nobody can say they gave you shit.”
Kaye: What do you see as the pros and cons of independent/traditional publishing?
Cynthia: Sadly, the pros and cons are one in the same in that everyone can publish a book. There’s a lot of good work being published that would probably never see the light of day due to the politics of traditional publishing, but at the same time I’ve seen a lot of awful books out there too.
The other things I’ve been noticing is that it’s no longer about the writing. It’s become a numbers game. How many FB followers or Twitter followers do you have? How many likes did you get? How many reviews did the novel receive? How large is your fan base?
I struggle with that because I don’t have the time to spend all day on social media when I have other things that take up my time like earning a living. There’s people now who are even cheating the system with paid “likes” etc. to bump themselves up into the top spot. To me, that’s not what writing should be about. It’s about the story, not how much attention you can get for yourself. Sorry if I’m coming off very negative but I’ve been doing this for a very long time and the business model has changed so much now that I hardly recognize why I started writing in the first place.
Kaye: What do you do for cover art? DIY, or hired out, or cookie cutter prefab?
Cynthia: I always do my own cover art. That is one of the beauties of going indie, you can have complete control over your cover. Although, I do have to point out that the comic book look of the Karma character in my Silke Butters series was done by an artist named Ka Rolding, whom you can find on Deviantart.
I also create covers for other authors too, so if you’re in need of a custom cover please look me up at http://www.cyncreativeservices.com/authorstudio
Kaye: What’s your favorite social media site for promotion? Why?
Cynthia: None…lol. I’d rather do a face-to-face event than spend time on social media promoting. But if I have to choose I like Twitter because it makes you think and be clever with your 140 characters. BTW, you’re all using hashtags wrong!
Kaye: How much non-writing work, (marketing & promotion, illustrations & book covers, etc…), do you do yourself for your books?
Cynthia: All of it! I’m a one woman show. It’s honestly extremely exhausting. Like I said, I just don’t have the time needed to put in to make a dent. I even bit the bullet and hired a couple people this year and it still didn’t make a difference. But I’m trying every day. That’s all you can do is try, right?
Kaye: You participate in book events on social media often. How effective do you see Facebook release parties and cover reveals, etc… being?
Cynthia: It depends on the crowd and your time slot. I’ve had some that were very active (including my launch party for Karma) and then others where nobody interacted at all, or not until later on. I find them effective for exposure. I’ve actually gained quite a few new FB friends from events so I’ll continue to do them. But I will suggest going in with a game plan and do some interactive posts, don’t just ramble on about how your book is for sale.
Kaye: What works best to sell books for you, as far as marketing goes?
Cynthia: For me, I like face-to-face conventions. Because of the genre I write in I can easily blend into comic cons. I liken it to an actor doing a stage play over doing a movie. In that regard, they get immediate audience reaction when they are doing a play, rather than waiting for box office receipts from a movie. The same can be said about conventions. I get an immediate reaction from readers (some have even come back the next day to compliment my work) where as stuff online I don’t really see what is working and what isn’t. Also, during conventions I keep a tally on how many books are selling and my 2009 Best Series nominee Demon Hunter is still the biggest seller.
Kaye: Why do you think some authors sell well and others don’t?
Cynthia: Again, it’s all who you know. And a lot of that comes from great networking. There’s something to be said for word-of-mouth. I also believe some genres sell better than others, that’s just the way it goes.
Kaye: Which author, dead or alive, would you love to have lunch with?
Cynthia: J.K. Rowling or George RR Martin. I’m fascinated by the amount of detail they’ve both put into their respective worlds of Harry Potter and Game of Thrones.
Kaye: What kind of Chinese food do you order all the time?
Cynthia: I don’t always eat Chinese food but when I do I prefer orange chicken and lo mein.
I want to thank Cynthia Vespia for joining us and for sharing her marketing strategies with us. If you’d like to learn more about Cynthia, check out her author profile, here on Writing to be Read, or check out her website.
Be sure to catch Writing to be Read next Monday, for Part 2 of Book Marketing – What Works?, where I will interview the co-authors of the Silverville Saga books and Wild West Ghosts, Mark Todd and Kym O’Connell Todd, who will share their experiences in marketing and clue us in to which ones have been most effective.
Like this post? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.