“Awesome Tales #10”: An awesome tribute to pulp fiction of oldPosted: July 25, 2019 Filed under: Book Review, Classics, Crime, Fiction, Pulp Fiction, Stories | Tags: Awesome Tales #10, Crime Fiction, Pulp Fiction, Quintin Peterson, Review, Short Fiction, Short Stories, Writing to be Read 7 Comments
You just don’t see a lot of pulp magazines anymore in the classic tradition from days of old, but Awesome Tales is a modern pulp magazine pulp fans will take delight in. If your a fan of the dazzling heroes and diabolical villians of the classic pulp traditions, Awesome Tales #10 takes you on a refreshing trip down memory lane with four masterfully written contemporary tales, by four different authors, told in classic pulp form and style.
“No Virtue in Patience”, by John L. French is a futuristic pulp story with tech gangs and computer generated card tournaments. A heist of the biggest solitaire game in town, with a proize of a solid gold deck of cards.
“No Patience for Fools” by Aaron Rosenberg offers a different perspective on the solitaire tournament of the previous story. Cleverly crafted to tell the same story from the opposite side of the law, it has a surprise ending, as well.
In “Broken Doll” by Quintin Peterson, tough guy bionic P.I. Luther Kane sets out to save a one-legged streetwalker named Gypsy, and maybe his own guilt ridden self, but he learns the classic lesson all P.I.s should know the hard way: never trust anyone.
“Give Them a Corpse Part 2” by Rich Harvey is the second part of a three part story featuring the Domino Lady, a classic masked superheroine, complete with crime fighting skills and secret identity, fights against the classic villians of The Black Legion. Like all good cloak and dagger crime fighting serials, this story easily stands alone.
Every one of the stories in Awesome Tales #10 are well-crafted and entertaining. They will satisfy hardcore pulp fans and maybe even earn the genre a few new fans. I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
July: On the hunt for crime fictionPosted: July 23, 2019 Filed under: Books, Crime, Fiction, Hard-Boiled Crime Fiction, Noir, Pulp Fiction, Suspense, Tension, Writing | Tags: Awesome Tales #10, Crime Fiction, Crime Novels, Hard-boiled fiction, Jenifer Ruff, Jim Nesbitt, Michael Pool, Noir, Noir crime fiction, Pulp Fiction, Quintin Peterson, Rose City, The Numbers Killer, Writing to be Read 2 Comments
The crime fiction genre covers a lot of ground. By definition, crime fiction involves mystery to be solved, usually who the killer is, or a quest to figure out some type of diabolical plot. Crime fiction stories involve pretty high stakes, and therefore a lot of suspense. Often there is a ticking clock to ratchet the tension even higher. And of course, there is always a crime of some sort to be solved, or prevented; some sort of wrong to be righted.
Crime fiction is a broad term which includes many sub-genres, which focus on the investigation of a crime and the apprehension of a suspect, either by law enforcement agents, as in The Numbers Killer, by my “Chatting with the Pros” author guest, Jenifer Ruff or by a tough guy P.I., as in hardboiled crime fiction such as Jim Nesbitt writes, with his tough guy P.I., Ed Earl Burch in The Best Lousy Choice and the two previous books in that series.
Hardboiled heroes are memorable. Who doesn’t know of Sam Spade or Mike Hammer and their cynical tough-guy images? They are usually down on their luck, or at least between clients. They are often heavily flawed, often self-destructive, but a ladies man none-the-less, with a love them and leave them attitude and the snappy dialog of the 1920’s. Hardboiled fiction was birthed by Carrolle John Daly and Dashielle Hammett in the 20’s, and carried on by authors such as Raymond Chandler and Mickey Spillane.
In noir crime fiction, the protagonist is usually an extremely flawed, average guy. He’s usually down and out, or perhaps on a downward spiral in a situation that seems bleak and hopeless. He’s a self-destructive hero, who ends up going against all odds to fight corruption and injustice, not because it is his job, but for strictly personal motivations, which are usually not in his own best interests. An excellent example of this is found in Rose City, by Michael Pool (See my interview with Michael next Monday, the 29th).
And of course, the classic crime fiction is pulp, such as Quintin Peterson writes in Awesome Tales #10 . From pulp, we get our classic heroes and fiendish evil villains. It’s from pulp that comic book super heroes and super villains arose, which is yet, another sub-genre of crime fiction, which has expanded with a life of its own to super colossal proportions.
We went on a hunt for crime fiction, and we found quite a bit. I learned a lot and I hope you did to. Now, I’m looking forward to August in a quest for mysteries and mystery authors. My “Chatting with the Pros” guest will be New York Times bestselling author, Gilly Macmillan. I’ll also be interviewing mystery author Gerald Darnell. And I’ll be reviewing a mystery anthology, Death Among Us, as well as a search and rescue mystery, Murder on the Horizon, by M.L. Rowland, and a paranormal cozy, Broomsticks and Burials, by Lilly Webb. I hope you’ll join me.
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