Lindsey’s Writing Practice: Out-of-this-world Writing Exercise

Woman with giant pencil standing next to stack of giant papers. Bookshelves in the background. Text: Lindsey's Writing Practice with Lindsey Martin-Bowen


COFFEE, TEA, or TAKE ME TO YOUR LEADER

About a month ago, an interesting piece landed in my online mailbox.

A writer named Alle posted “tips for writing emotionally heavy scenes.” It went like this:

Alle sez:

1. Make a cup of tea while you don’t think about the work. Let images, phrases, feelings

float under you and through you.

2. Take a heartening sniff of the freshly brewed tea. Sip and savor. This moment is for you.

3. To your writing space.

4. Sit comfortably. Feet flat on the ground.

5. Write relentlessly. Write-write-write and don’t stop.

6. Check your feet. Still flat?

7. Write som’ more.

When you feel you have a first draft, lean back to enjoy many more sips.

Although I’m sure Alle’s suggestions will help many writers—and dear readers, please use them if you believe they’ll kick-start your work. (And please share with me if those hints do.)

Nevertheless, every writer is different. This technique would not work for me—not for an “emotionally heavy scene.” That tea would likely send me back to bed. (Perhaps I might dream about an emotionally heavy scene, but when I awoke, I’d likely forget it.)

So what are my suggestions for penning a heavy emotional scene?

Drink coffee. Lots of it. At least, as much as you’ll require to get your pulse flowing with the heat of that “emotionally heavy scene.” I am serious here. I admit, my coffee leans more toward cafe au lait (half-coffee, half-milk). Plus, I add a bit of hot water, just so I don’t become too jittery. But I need a drink that helps me soar with those emotions I attempt to capture on the page. Especially when they contain dialogue—or spats between lovers or siblings. Or between enemies. I mean, c’on: tea for emotion? (Perhaps that works if one is wearing a kimono and performing The Mikado. But I’ll never sing opera—no matter how hard I try.) In short, I must get down and dirty with only coffee.

And then, here’s an exercise that might work well for we coffee-drinkers. Not only would it be emotional, but it might also keep us from floating too far from the earth:

First, select one of your favorite songs—with or without lyrics—and play it on whatever device works for you. Savor it while you sip that coffee, then

—Imagine you meet an alien whose world is identical to yours—EXCEPT it consists of NO MUSIC. While you sip away and savor the music, write what you would tell the alien about music. (And note—trying to describe this to a being from a planet where music does not exist will likely become a highly emotional scene, correct?) How will that alien respond?

—So, explore your thoughts and feelings about music.

—Consider what OTHERS might feel and think.

—What do you know about music anyway? How would you explain it?

—What do you observe about yourself when you listen to it?

—Do you experience an overwhelming feeling that the music creates?

—Are you able to connect what you already know and feel to something you are experiencing and observing while you listen to the music?

—Are you able to predict how the alien will respond, how he or she would feel?

REMEMBER: Writing is discovering.

Finally, after undergoing this writing exercise, consider what new observations, discoveries, relations to what you knew about music before this exercise. Have you experienced any new connections to understanding your relationship with music and expressing it to some being who had never experienced it?

And please remember to have fun with this. I did.


About Lindsey Martin-Bowen

On Halloween 2023, redbat books released Lindsey Martin-Bowen’s 7th poetry collection, CASHING CHECKS with Jim Morrison. Her 4th collection, Where Water Meets the Rock, was nominated for a Pulitzer; her 3rd, CROSSING KANSAS with Jim Morrison was a finalist in the QuillsEdge Press 2015-2016 Contest. In 2017, it won the Kansas Writers Assn award, “Looks Like a Million.” Writer’s Digest gave her “Vegetable Linguistics” an Honorable Mention in its 85th Annual (2017) Contest. Her Inside Virgil’s Garage (Chatter House Press 2013) was a runner-up in the 2015 Nelson Poetry Book Award. McClatchy Newspapers named her Standing on the Edge of the World (Woodley Press/Washburn University) was one of the Ten Top Poetry Books of 2008. It was nominated for a Pen Award.

Author and Poet, Lindsey Martin Bowen

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Book Review: Cashing Checks with Jim Morrison

Box of Books Text: Book Reviews

About the Book

CASHING CHECKS with Jim Morrison offers a surreal cascade of archetypes from, among others, ancient Greece, the Bible, American Literature, and pop culture. Moving through it is the speaker’s companion spirit and guru, Jim Morrison-Lizard King, Narcissus/Adonis. Set in a world where, in Albert Einstein’s words, ‘reality is merely an illusion, ‘ Lindsey Martin-Bowen’s poems are alive with wit, evocative imagery, insight, and sometimes downright playfulness. Through heeding Morrison’s counsel to ‘go weirder, ‘ she’s made this collection reader-friendly.”-William Trowbridge, Missouri Poet Laureate, 2012-2016 Author, Call Me Fool (2022)
“In Lindsey Martin-Bowen’s CASHING CHECKS with Jim Morrison, I relish every word, compelled by the poet’s stories and singing voice. Fantasy and fact merge in these invocations of the seminal American rocker Morrison and of his spirit. Join me as a reader in exploring this exciting testament to the power of language to resurrect history and wonder.”-Denise Low, Kansas Poet Laureate, 2007-2009 Poetry Unbound Featured Poet

My Review

I was thrilled to receive a print copy of Cashing Checks with Jim Morrison, by Lindsay Martin-Bowen. The title alone, was enough to peak my interest, and lend anticipation as to what I could expect within its covers.

This collection of poems is all about hanging out, and philosphizing with the spirit of the late, great, Jim Morrison. I was amazed by the way the author captured the voice of Morrison in many of the poems, enough to let me believe briefly that maybe the author truly does converse with the dead musician. Included are poems that serve as social commentaries on life and love, on the state of the world today, and on possible futures; topics which every one of us can relate to.

So many of these poems struck a chord with me that it is impossible to pick one favorite. but I really loved the imagry in “Coming Back to Me”.

The dawn inhales and holds its breath, drawing

wisps of clouds up the foothills, where theyb hover.

Jim steps out of the mist, unsteady as some soldier

searching for his platoon on a surreal battlefield.

He wedges boot heels into fissures be3tween rock

ledges, ambles down to where gravel meets asphalt.

Then he steps onto the road leading to my Dutch

Colonel on a corner in this mountain college town,

where I chose to spend many of my remaining days,

watching parades of seasons pass in the hills’

keleidescope of colors revolving — in fall, scarlet,

gold, and bronze. In winter, cobalt blue and white.

Spring brings a rushed array — one week yellow,

the next red, then purple, and green never leaves

till late August, just before the aspen twitter

with orange and gold coins glittering in sunlight.

I don’t see a move to Kansas or any spot east, wonder

if Jim and I will land in Venice, his California beach.

He raises a hand and yells, ‘lo,’ his voice echoing

down the street, falling at my knees, now trembling.

When he heads my way, I smell his Jade East, see

his hazy body morph into solid physique, black

leather pants, jacket, and sandaled feet. He lifts his chin,

shakes his curls, then lowers his face and stares at me.

Still trembling, I remember our jaunts on a motorcycle

and a persnickety jeep — wonder if I’ll ever be free again

or if I’ll ride highways like some banshee for eternity.

And I also enjoyed the section of Tanka strings, always the sucker for syllabic poetry. Most have five Tankas, but “Jim Morrison and I Lose Our Way on a Moon Dog Night” isonly two, and short enough to share with you here.

The drive home’s always

this way — too long, when sudden

changes shakes us up.

After a few warm, sunny

days, cold winds hit us again.

Tonight, an odd haze

encircles the moon like white

light in an X-ray

outlining a frail hip bone

fallen into necrosis.

An unusual collection of poetry through which to view the world through different eyes; perhaps through the eyes of Jim Morrison. I thoroughly enjoyed Cashing Checks with Jim Morrison, and I give it five quills.

Five circles with WordCrafter quill logo in each one.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.