Lindsey’s Writing Practice: FOCUS on the IMAGE
Posted: May 7, 2025 Filed under: Lindsey's Writing Practice, Writing | Tags: description, Image, Lindsey Martin-Bowen, Lindsey's Writing Practice, Writing to be Read 4 CommentsFOCUS on the IMAGE
As many of you may have gleaned from last month’s exercise, the IMAGE remains essential to create captivating writing in poetry, fiction, and creative non-fiction works.
Then, you made descriptions more “concrete” by focusing on details. In a similar vein, an image must contain details using some or most of the five senses: sight, sound, smell, touch, and taste to make that image “hook” the reader.
Thus, for this month’s workshop, pull out a pen and one of your journals (or sheets of paper), and either close your eyes or look out a window (or depending upon the weather, venture outside). Closely study some IMAGE—something that “calls” you
Your image may suggest a location, for example, a Colorado, Oregon, New York, or Missouri scene without naming it: With a jutting cliff, a rosebud blossom, dogwood, or aspen bloom, a red leaf, a crow on a bare branch or a group of them on telephone lines, a hummingbird poking its long beak into a tulip bloom, or an eagle soaring above.
And AVOID abstractions: For this exercise, write “No ideas but in [concrete] things” (William Carlos Williams). Speaking of whom, here’s one of his well-known poems for inspiration:
THIS IS JUST TO SAY
I have eaten
the plums
that were in
the icebox
and which
your were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
About Lindsey Martin-Bowen
On Halloween 2023, redbat books released Lindsey Martin-Bowen’s 7th poetry collection, CASHING CHECKS with Jim Morrison. Her 4th collection, Where Water Meets the Rock, was nominated for a Pulitzer; her 3rd, CROSSING KANSAS with Jim Morrison was a finalist in the QuillsEdge Press 2015-2016 Contest. In 2017, it won the Kansas Writers Assn award, “Looks Like a Million.” Writer’s Digest gave her “Vegetable Linguistics” an Honorable Mention in its 85th Annual (2017) Contest. Her Inside Virgil’s Garage (Chatter House Press 2013) was a runner-up in the 2015 Nelson Poetry Book Award. McClatchy Newspapers named her Standing on the Edge of the World (Woodley Press/Washburn University) one of the Ten Top Poetry Books of 2008. It was nominated for a Pen Award.

Her poems have run in numerous lit mags, including New Letters, I-70 Review, Thorny Locust, Coal City Review, Silver Birch Press, Flint Hills Review, The Same, Phantom Drift, Porter Gulch Review, Rockhurst Review, 21 anthologies. She taught lit & writing at UMKC & MCC 25 years, and taught law for Blue Mountain College in Pendleton, Oregon. She holds an MA from the U of Mo. and a JD degree from the UMKC Law School. Previously, she was reporter for The Louisville Times and The SUN Newspapers, an associate editor for Modern Jeweler Magazine and the editor for The National Paralegal Reporter.
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Hi Lindsey, this is a great exercise, especially if you need to strengthen your descriptions. I once wrote a minimalist poem with basically the same instructions. Focus on the image. The result is a single image which changes with the seasons, so it is four images in one.
Aspen Tree
Dark eyes staring out from white bark
Scantily clad by quivering green leaves
Turning waxy yellow in fall
Stark and exposed in winter
First published in Colorado Life Magazine, 2016
Repiblished in Small Wonders (WirdCrafter Press, 2023)
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How clever “Aspen Tree” is–you indeed mastered the images. Bravo! Kaye Lynne. Thanks for sharing this poem.
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☺️💜
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A super post by Lindsey. I really like the poem she shared here, it is new to me.
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