Three kingdoms. Three horrific tales, braided into one tragically horrendous fairytale in the classic tradition, Tale of Tales is a skillfully crafted triple fairytale. Fairytales were used to frighten children into behaving themselves in days of past. They are supposed to strike fear in readers, or in this case, viewers, so the element of horror is no surprise here. Everyone knows fairytales are tales of tragedy and don’t always have a happy ending. Even when they do have a HEA, the characters must face gruesomely frightening trials to reach that point.
A King (John C. Riley) and Queen (Selma Hayak) of the kingdom of Longtrellis are barren and will stop at nothing to have a son. The Queen summons a necromancer to make her wish come true. Upon his instruction, the King slays the sea monster, but loses his life. None-the-less, she eats the sea monster’s heart and bears a son, Elias Christian Lees, with alabaster skin and hair. At the same time as the cook bears a son, Jonah (Jonah Lees), who looks enough like Elias to be his identical twin, and the two boys grow up to become fast friends who are inseparable. Enraged after the boys fool her, the Queen sends the cook and her son away, but the boys’ bond is stronger, and when her son, Elias, fears his friend is in trouble, he runs away to go to his aid. Desperate for the return of Elias, the Queen summons the necromancer once more. She will have her son back, but at what price?
The King of the kingdom of Strongcliff (Vincent Cassell) becomes lustful when he hears a beautiful voice and must have the singer as his wife. But the singer is one of two sisters, aged spinsters, Imma (Shirley Henderson) and Dora (Haley Carmichael), who fool the King and he unwittingly takes Dora to his bed under her insistence that it be in complete darkness. Enraged upon waking and discovering her true appearance, the King has his guards throw her from the cliffside castle window, but Dora survives and is found by a witch who suckles her, giving her back her youth. The King and his hunting party found the beautiful young woman (Stacy Martin) laying on the forest floor and he falls in love and makes Dora his Queen. But Imma is lonely and longs to have her sister back with her, threatening to reveal Dora’s secret. Dora turns Imma away, leaving her alone to suffer a tragic end.
The King of the kingdom of Highhills (Toby Jones) becomes fascinated with a flea and makes it a pet that grows to gargantuan proportions. When his daughter, Violet (Bebe Cave), wishes to be married, he develops a plan to make her happy without risking losing her by placing the fleas hide on his wall and promising her hand to any suiter who can guess the creature that it came from. But it leads to the loss of his daughter when an ogre (Guillaume Delaunay) guesses correctly by smell, and he is forced to give Violet to the ogre, who takes her to his cave in the side of a high cliff. She’s recued by a family of acrobats, but the ogre slays them all and Violet fools the ogre and slits his throat. She returns to the kingdom, to find her father ill, and presents him with the head of the husband that he chose for her.
The three kingdoms and their tales are brought together at Violet’s coronation, where representing Longtrellis, Elias is in attendance, as well as the King of Strongcliff and his new Queen. But the witch’s magic wears off and Dora loses her youthful appearance and sneaks away unnoticed.
_____________________________
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw, her the first three books in her kid’s book series, My Backyard Friends, her poetry collection, Small Wonders, and her writer’s resource, The D.I.Y. Author. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
_______________________________
Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
________________________________
This segment of “Everyone is a Critic” is sponsored by the Midnight Anthology Series and WordCrafter Press.
Midnight Roost: Weird and Creepy Stories: 20 authors bring your nightmares to life in 23 stories of ghosts, paranormal phenomenon and the horror from the dark crevasses of their minds. Stories of stalkers, both human and supernatural, possession and occult rituals, alien visitations of the strange kind, and ghostly tales that will give you goosebumps. These are the tales that will make you fear the dark. Read them at the Midnight Roost… if you dare. https://www.amazon.com/Midnight-Roost-Kaye-Lynne-Booth-ebook/dp/B0CL6FPLVJ
Midnight Garden: Where Dark Tales Grow: 17 authors bring you 21 magnificent dark tales. Stories of magic, monsters and mayhem. Tales of murder and madness which will make your skin crawl. These are the tales that explore your darkest fears. Read them in the Midnight Garden… if you dare. https://www.amazon.com/Midnight-Garden-Where-Tales-Anthology-ebook/dp/B0DJNDQJD3
I am pleased to announce that the first WordCrafter fantasy anthology, Once Upon an Ever After: Modern Fairy Tales & Folklore is scheduled for release on August 23, and is now available for digital pre-order through this Books2Read UBL: https://books2read.com/u/mKdWGV
Once Upon an Ever After: Modern Fairy Tales & Folklore
This unique and imaginative collection of eleven thought provoking fantasy stories will delight readers who enjoy stories of wishes gone awry.
What happens when…
A woman desires to carry on her family’s legacy, uncovering a long-buried curse?
A not so perfect witch casts a spell to defy age and preserve her relationship with her handsome shapeshifting familiar?
A time traveler longs to be the savior of knowledge lost?
An incompetent delivery boy becomes an unlikely savior of forgotten artifacts?
A magic mirror yearns for a different question?
A tiny story witch desires to share her stories with the world?
Spells are cast, unlikely alliances made, and wishes granted, sometimes with surprising outcomes. You’ll love this anthology of modern myths, lore, and fairy tales. Once you read these twisted tales, you’ll be sure to be careful what you wish for….
If you liked Gilded Glass, you’ll enjoy Once Upon an Ever After: Modern Myths & Fairy Tales, short stories with thought provoking themes, captivating characters and diverse cultures, from humorous to horrifying, from the legendary past to possible futures and back to the here and now.
I recently embarked on the journey toward yet another degree – an M.A. in Publishing at Western State Colorado University – and I am studying under the prolific bestselling author and founder of WordFire Press, (and inductee into the Colorado Authors Hall of Fame), Kevin J. Anderson. For one of the publishing projects that must be completed for graduation is a cohort produced anthology. This will be the third year that the publishing cohort at Western has been headed by Kevin, and the third anthology that they have published.
Each of the previous year’s cohorts have produced an outstanding anthologies featuring stories by reputable author names, as well as new discoveries. You can see my review of Unmasked, last year’s anthology, here. The first year, Monsters, Movies & Mayhem received the Colorado Book Award. Both of these exceptional anthologies are available from amazon, your favorite bookstore, or buy direct at wordfirepress.com/gpcw.
This year’s cohort worked hard to develop the theme and guidelines over the past two weeks, and I’m really excited about this anthology. One of the cool things about this opportunity for writers is that it pays per word, if your story is chosen. Since I am a part of the publishing team, I’m not eligible to submit, but all of my readers are. I strongly encourage you to check out the guidelines below, get the gears turning and crank out an original story to submit for this year’s anthology. Feel free to share with anyone who might be interested.
Tips for getting your story accepted: Read the submission guidelines and follow them.
When you’re alone with your reflection, are you prepared for what you see?
A prince in disguise? A monster revealed? An alien race?
Mirrors can be truth-tellers, wish-granters, face-concealers, illusion-makers, even monster-summoners. Maybe the mirror shows an evil twin, or an echo of the life that should have been. Or a portal to another world.
What happens when it shatters?
Once upon a time, no one knew the phrase “Once upon a time.” You’ve read the classic stories. Now write the lore you’ve always wanted to read. Explore this creative challenge from your own unique perspective informed by your roots, culture, and background. We want original fables, folklore, and fairy tales for an eclectic anthology showcasing a new dawn of an old artform.
Imagine a canon of diverse characters for today’s readers to love and loathe. Gaze into the mirror, whether literally or figuratively—classic or genre-bending, grim or whimsical, as long as it is new and fresh.
We are looking for original short stories (prose poems will also be considered) to include a mix of fantasy, science fiction, horror, magical, and romance elements. Must be appropriate for a “PG-13” audience. Please, no copyrighted characters. Previously unpublished stories only. Women, BIPOCs, LGBTQIA+, neurodiverse individuals, and other minorities are strongly encouraged to submit.
Length: up to 5000 words (firm limit)
Rate: 6¢/word on acceptance.
Rights: First Anthology Rights and audio rights as part of the anthology; rights revert to author one month after publication; publisher retains non-exclusive right to include in the anthology as a whole.
Due: We are open to submissions from August 30 through October 15, 2021.
Submit: A Microsoft Word or RTF file in standard manuscript format to
One submission per person, please. NO SIMULTANEOUS SUBMISSIONS.
Edited by Kevin J. Anderson with an editorial team provided by Western Colorado University Graduate Program in Creative Writing, Publishing MA students. Anthology made possible by a generous contribution from Draft2Digital.
Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribing to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.