Treasuring Poetry: Meet author and poet, Elizabeth Gauffreau and a book review #poetrycommunity #bookreview #TreasuringPoetry
Posted: August 21, 2024 Filed under: Book Review, Interview, Poetry, Review, Treasuring Poetry | Tags: Elizabeth Gauffreau, Interview, Poetry, Reviews, Simple Pleasures, Treasuring Poetry, Writing to be Read 102 Comments
Today, I am delighted to welcome talented poet and author, Elizabeth Gauffreau, as my Treasuring Poetry guest.
What is your favourite style of poetry to read i.e. haiku, ballad, epic, freestyle, etc?
My favorite style of poetry to read is free verse, although recently I’ve become quite taken with the duplex and the pantoum. I also enjoy reading persona poems, such as T.S. Eliot’s “The Love Song of J. Alfred Prufrock,” which has been a long-time favorite of mine. In addition, I enjoy narrative poems such as George Franklin’s Angel of Sorrow poems. (Travels of the Angel of Sorrow and What the Angel Saw, What the Saint Refused)
What is your favourite poem in your favourite style to read?
Because I’ve been reading more poetry collections in the past several years than I ever have before, it’s hard to pick just one favorite poem. I’m going to go with Patricia Smith’s “Now He’s an Etching.”
The poem is written in iambic pentameter, which is definitely not my favorite poetry form. However, Smith uses it so skillfully, I didn’t even notice the meter until someone pointed it out to me.
I strongly encourage readers to listen to Smith read the poem herself to get the full experience of it. https://poets.org/poem/now-hes-etching (Click on the blue speaker icon on the right side of the screen.)
Now He’s an Etching
of the sluggish, coolly vengeful way
a southern body falters. Muscles whine
with toiling, browning teeth go tilt and splay,
then tremulous and gone. The serpentine
and slapdash landscape of his mouth is maze
for blue until the heart—so sparsely blessed,
lethargic in its fatty cloak—OKs
that surge of Tallahatchie through his chest,
and Lordy, hear that awful moan unlatch?
Behind the mic, he’s drowning in that great
migration uniform of sharkskin patched
with prayer and dust. His cramped feet palpitate
in alligator kickers, needle-toed,
so tight he feels the thudding blood, so tight
they make it way too easy to unload
his woe. The drunken drummer misses right
on time, the speakers sputter static, but
our bluesman gravels anyhow—The moon
won’t even rise for me tonight / now what’s
a brokedown man gon’ do? That wretched croon
delights the urban wanderers, intent
on loving on this perfect underwhelm
of Negro, jinxed and catastrophic, bent
into his hurting halves. Inside the realm
of pain as pageant, woozy revelers raise
their plastic cups of fizz and watered rye
to toast the warbler of decay, whose dazed
and dwindling lyric craves its moonlit sky.
“Now He’s an Etching” made such an impression on me that I actually sent a “fan girl” message to Patricia Smith (to which she responded graciously with “thank you”). Then I wrote a puente in response to her poem. (I’ve sent it out to literary magazines in hopes of getting it published.)
I would be remiss if I didn’t include Smith’s commentary on her poem:
About this Poem
“I mourn the elders. I mourn the black bluesmen and women who could only move sanely through their hours with the help of heartbreak. I miss their stout southern stature, bodies resolute with a recollected woe. I ache for the gut gravel of lyric, the knowledge that my crooner is truly suffering, and that she or he has decided to allow us to suffer too. But many of the elders still with us have become millennial playthings, one of the many ‘woke’ things to sample and add to the cultural resume. Hopefully, this poem springs from that space.”
—Patricia Smith
Your new poetry book, Simple Pleasures, comprises of haiku. Is that your favourite form of poetry? Why?
No, it isn’t. My go-to is free verse. In this instance, though, haiku was the best form to convey the experiences I wanted to share with readers.
What is your favourite of your poems in Simple Pleasures?
I’m going to go with this one because it was inspired by the Green Mountains of Vermont, which is where my heart is.
back in the valley
peeling fence to lean on
Green Mountains steadfast
Tell us a bit about Simple Pleasures. What inspired the book? How did you choose the title and cover?
My husband and I were on a scenic drive to escape the awful mess the world is in, and a haiku just popped into my head. So I wrote it down (fiddled with it, of course) and took a picture of the scene which inspired it. My husband and I had fun going on the hunt for the wild haiku together, so we kept at it for a year, until I had enough poems and photographs for a collection and had covered all four seasons. Now that the book is finished, I miss those hunts!
The title Simple Pleasures refers to the simple pleasures of life, which never fail to restore my equilibrium in difficult times. The subtitle, Haiku from the Place Just Right, refers to the Shaker hymn “Simple Gifts,” which was part of my childhood, probably from church camp. Simple pleasures and simple gifts are synonymous to me, so the title and the subtitle seemed just right!
As far as the cover went, I wanted something that would show up clearly in an online thumbnail, which is why I went with a saturated color for the background. The branch of flowering crabapple spoke to me as having a haiku feel to it in its simplicity.
My review of Simple Pleasures: Haiku from the Place Just Right

Simple Pleasures is a collection of delightful haiku written about a variety of different places that have moved the poet to write due to their beauty, family connection, or historical meaning. Each poem is accompanied by a gorgeous colour photograph (I read the ebook). As a South African, I found this book to be a wonderful visual and literary tour of Vermont, New Hampshire, and Maine.
One of my favourite poems in the collection is as follows:
“grey heavens, grey sea
goldenrod out of context
lighthouse bears witness”
This short collection of 53 poems will fill your heart with joy.
Purchase Simple Pleasures: Haiku from the Place Just Right from Amazon US here: https://www.amazon.com/Simple-Pleasures-Haiku-Place-Right-ebook/dp/B0D6P8SXYY
About Elizabeth Gauffreau

Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. Her work has been widely published in literary magazines, as well as several themed anthologies. Her short story “Henrietta’s Saving Grace” was awarded the 2022 Ben Nyberg prize for fiction by Choeofpleirn Press.
Liz has published a novel, TELLING SONNY: THE STORY OF A GIRL WHO LOVED THE VAUDEVILLE SHOW, and a collection of photopoetry, GRIEF SONGS: POEMS OF LOVE & REMEMBRANCE. Her latest release is also photopoetry: SIMPLE PLEASURES:HAIKU FROM THE PLACE JUST RIGHT. She is currently working on a novel, THE WEIGHT OF SNOW AND REGRET, based on the closing of the last poor farm in Vermont in 1968.
Liz’s professional background is in nontraditional higher education, including academic advising, classroom and online teaching, curriculum development, and program administration. She received the Granite State College Distinguished Faculty Award for Excellence in Teaching in 2018.
Liz lives in Nottingham, New Hampshire with her husband.
About Robbie Cheadle

South African author and illustrator, Robbie Cheadle, has written and illustrated sixteen children’s books, illustrated a further three children’s books, and written and illustrated three poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/
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This segment of “Treasuring Poetry” is sponsored by WordCrafter Press and the Poetry Treasures series.

Poetry Treasures: https://books2read.com/PoetryTreasures
Poetry Treasures 2: Relationships: https://books2read.com/PT2-Relationships
Poetry Treasures 3: Passions: https://books2read.com/u/b5qnBR
Poetry Treasures 4:In Touch With Nature: https://books2read.com/PT4-Nature
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The poem “Now He’s an Etching” does sound better when read by the poet than by myself (in my head). It is a great presentation of “Simple Pleasures”
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Hi Thomas, I am pleased you enjoyed this post and Liz’s chosen poem.
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Thank you, Thomas! I agree that Robbie did a great presentation today. I also agree about the need to listen to Smith’s recitation rather than the one in my head.
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Robbie and Liz, terrific combination of poetry, a Q&A, and a review as two fabulous writers “meet”! The language in Patricia Smith’s “Now He’s an Etching” is stunning; I can see, Liz, why you sent a fan message.
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Hi Dave, thank you for your lovely comment. I also enjoyed Liz’s choice of poem.
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And thank you for hosting, Kaye Lynne!
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Always my pleasure, Dave. Robbie introduces us to so many talented and creative people, Liz is no exception. She writes beautiful haiku. ☺️
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🪻💜
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Thank you very much, Dave! I’m so glad that you, too, were impressed by Smith’s use of language in “Now He’s an Etching.” The poem is an incredible achievement. I’m grateful Robbie gave me the opportunity to share it with the Treasuring Poetry readers.
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Wonderful post! I loved the Q&A and shares. Congratulations, Liz, on your latest jewel. And thank you, Robbie, for showcasing Liz today. Hugs to each of you!
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Thank you very much, Gwen, for stopping by to lend your support. I greatly appreciate it!
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Hi Gwen, that’s great. I’ll pop over tomorrow. It’s been a very busy few weeks at work so I’m behind 🥰
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How interesting that you, Liz, read Patricia Smith’s poem and then had been inspired to write your own and send it out for possible publication. That’s taking initiative, the true grit that has inspired Simple Pleasures, a collection I’ve read and reviewed. Watch for the reveal tomorrow.
Maybe going on more forays into nature with your husband will reveal other creative expression. Kudos to the host today–and to the poet!
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Thanks for visiting, Marian. Liz is a lovely guest 💛
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Thank you so much, Marian! As it turned out, from the time I sent Robbie my responses to her questions and today, my poem was accepted by Touchstone, the journal of the New Hampshire Poetry Society, for their fall issue. I’m looking forward to visiting you tomorrow.
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Congratulations, Liz!
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Thank you, Marian!
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💐💗
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Congratulations, Liz!
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Thank you, Miriam!
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You’re welcome, Liz.❤️
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Thank you for hosting me today, Robbie! You did a fantastic job with the presentation. This line from your review made my day: “This short collection of 53 poems will fill your heart with joy.” That was exactly my intent for the book!
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Hi Liz, it is my pleasure. Thank you for being a wonderful guest. I am delighted you like that sentence 🌹
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You’re welcome, Robbie!
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Patricia Smith’s commentary is so poignant. This entire post is a delight!
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I’m so glad you appreciate Patricia Smith’s commentary, Joy. The poem, her reading, and her commentary made a huge impression on me
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Hi Joy, thank you. Liz is a lovely guest
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I love everything about this post! It was delightful!
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Thank you, Kymber! I’m so glad you enjoyed the post.
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Liz is a fabulous guest. Thank you, Kymber 🪷
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A wonderful interview, Robbie and Liz!
Liz, I enjoyed the poem, too, and Patricia’s Smith reading is terrific. And congratulations on your poem’s acceptance (I saw in the comments above).
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Thank you, Merril 🌻
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You’re welcome, Robbie!
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Thank you very much, Merril! I’m so glad you enjoyed the interview and the Patricia Smith reading. “Now He’s an Etching” is an incredible poem.
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You’re welcome, Liz!
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I enjoyed this interview and getting to know Liz better, as well as her thoughts about poetry. Smith’s poem is gorgeous and her commentary is poetic too. The meter seemed invisible to me too, fading behind the imagery and emotion. Liz’s poetry is beautiful, and her collection of haiku is wonderful. I need to write a review today! Congrats to Liz. Thanks for hosting, Robbie and Kaye Lynne. 😀
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Thank you, Diana! I’m so glad you enjoyed the interview , as well as Patrica Smith’s poem and commentary. And I’m delighted that you enjoyed reading Simple Pleasures!
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I keep meaning to get my review done. Today, I swear!
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Hi Diana, thank you for visiting and for you appreciation of Liz’s interesting commentary and choice of poem 🌺
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☺️
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A lovely review, Robbie. Congratulations to Liz.
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Thank you, John.
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😊
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Liz, I had never read anything by Patricia Smith, nor heard of her, so this poem is a revelation.
Robbie, thanks for adding to the insights on Liz’s Simple Pleasures.
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I’m so glad you enjoyed the Patricia Smith poem, Audrey. It was a revelation to me, too!
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Hi Audrey, Patricia Smith is new to me too. Simple Pleasures is a delightful reprieve from daily worries 🍄
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Liz, once again you describe poetry in such a way that even I understand it. Thank you.
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My pleasure, GP!
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Liz & Robbie – the interview was fantastic, and discussing poetry always leads to enriching conversations.
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I’m delighted you enjoyed this discussion, Rebecca 🌼
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Thank you for joining the conversation, Rebecca! Robbie asked great questions. Speaking of poetry, I’m going to a poetry workshop in half an hour with this poet: http://kenzieallen.co/about/ (Now that I’ve looked at her CV, I’m feeling intimidated!)
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I am looking forward to hearing the outcome of this poetry workshop, Liz!!
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Hi, Rebecca. It ended up being a craft chat, rather than a workshop. What I found particularly interesting was the poet’s discussion of the relationship between her indigeneity and her prosody.
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That would be a most excellent conversation, Liz! There is nuanced interplay that reflects cultural identity and heritage. I find that as we become more global in perspective, the more we need to address cultural expression and identity preservation.
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Well said, Rebecca!
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It’s wonderful to see such talented poets acknowledged. Their writing is fabulous.
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Thank you, Tim. 😊
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My pleasure, Liz. 😊
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Thank you, Tim. I appreciate your comment 🌼
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My pleasure, Robbie. 😊
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Honestly, poetry intimidates me. So, I really enjoyed this Q & A and Liz’s responses about poetry, and about how Simple Pleasures evolved. If I have to work at a poem, I don’t stay with it. (Is that awful to say?) I received a M.A. in English and took a course in Contemporary American Poetry (this was years ago) and we had to study the poet first to know all about his/her life (and almost all were male poets) to understand his poem. I thought that was silly. I like Liz’s haikus, where we easily read each line and then get an “aha” at the end. Not only that, but I agree with Liz – we need Simple Pleasures, and the appreciation of them, to make it this day and age. Thanks to both of you!
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Hi Pam, I’m delighted you enjoyed this post. Thank you for your lovely comment 🌺
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Thank you for your thoughtful comments, Pam! I’m so glad you enjoyed my haiku. I’m sorry you were subjected to that backwards method of teaching poetry. We need to experience a poem first on a gut level and an emotional level. Any subsequent study of the context of the poem (the poet’s life, literary schools, social conditions, etc., etc.) should enhance and enrich the reader’s experience of the poem.
For what it’s worth, I was accepted into Charles Simic’s poetry workshop in grad school, but I chickened out because I was too intimidated. (Imposter Syndrome) If I had the same opportunity today, I’d go for it.
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Oh, you and I are soul sisters, Liz. Yes, that “imposter syndrome” kept us away from things we should have tried. One of the good things of “mature age” is I’m no longer afraid of that.
But if you talk to me about promoting my books…. ummmm …. I’m still intimidated. 😦
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I’m right with you when it comes to promoting my books
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😦 Just not our thing….
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Exactly.
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What a wonderful way to assemble a poetry/photo collection! I see no reason why it has to end with just one book.
Another great interview Robbie. Liz is full of wisdom. (K)
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Hi Kerfe, thank you for your lovely comment 🌸
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Thank you very much, Kerfe! Robbie asked great interview questions.
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She does. I always learn a lot from her posts.
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As do I!
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💝
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I’m not much of a poet, but I would assume choosing a favorite is like someone asking you to pick your favorite child. The magic of words is there are countless ways to put them together to evoke the strongest of feelings. Continued success to Liz as her book tour moves along to the next stops.
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Hi Pete, some poems remain with you. For me, it is IF by Rudyard Kipling and The Sleeper by Edgar Allan Poe. Thank you for your kind comment.
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Thank you, Pete. You’re right about being asked to choose a favorite poem!
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Wonderful interview and review!! I visited Vermont with my husband once for a friend’s wedding, and the beauty of that place is something I will always remember with fondness.
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That is wonderful to know. Thank you for visiting and commenting
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You’re welcome!
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Thank you, Esther! Do you remember what town you went to in Vermont?
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We stayed at a hotel in Montpelier and the wedding was about one hour away. It was outdoors and a beautiful day when suddenly a thunderstorm came. On one of the roads to a brunch date, our rental car slid off into a road ditch and we freaked out. But this lovely couple came over to help us call and wait for a tow truck and gave us a tour of their edible garden while we waited.
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That was quite an adventure! Vermont secondary roads do have a tendancy to get washed out.
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Excellent interview. I love, Liz, that you confessed to Haiku not being your favorite form of poetry, despite being your latest book, but that it was the right form for what you had to say. That speaks volumes to all writers and poets.
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Thank you, Jacqui. I figured I should be honest. I feel very strongly in finding the form that best aligns with the experience I want to capture for readers. And thanks to the online writing community, I now have many more forms to choose from!
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Hi Jacqui, I can relate completely to Liz’s comment. I always pick a poetry form that suits what I plan to write. I don’t have a favourite form.
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Liz and Robbie, I enjoyed this wonderful interview, and I loved reading the backstory of how Liz’s book came to be. From Robbie’s beautiful review, it sounds like a book right up my alley. Congrats, Liz, and thanks, Robbie! 💞
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Thank you, Lauren! I’m so glad you enjoyed the post. 😊
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My pleasure, Liz! 🤗
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Hi Lauren, you would love this book. I’m delighted you enjoyed 💐
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Robbie, you are a terrific interviewer and reviewer. Liz, you are, too. Best of all, you both write beautiful poetry. Kindred souls at work, here.
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Thank you, Jennie, for your wonderful comment 💞
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You are welcome, Robbie. 💕
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Thank you, Jennie. 😊
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You’re welcome, Liz. 🙂
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I enjoyed this interview, Robbie and Liz! It was wonderful that you included Patricia Smith’s reading of her poem “Now He’s an Etching.” I like her voice. Congratulations on the publication of your poem, Liz. Thank you for hosting, Kaye.
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It’s always a pleasure, Miriam. ☺️
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Hi Miriam, I’m pleased you enjoyed this interview. Thanks for visiting 🌺
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Thank you, Miriam. Patricia Smith’s reading of “Now He’s an Etching” is incredible! I think it’s safe to say that she’s the only person who can do the poem justice reading it aloud.
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Lovely haiku! Liz’s book definitely looks intriguing.
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Liz is a wonderful writer and poet 💞
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Thank you, Dawn!
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[…] You can catch Liz’s interview with Robbie Cheadle on “Treasuring Poetry” here: https://writingtoberead.com/2024/08/21/treasuring-poetry-meet-author-and-poet-elizabeth-gauffreau-an… […]
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