Posted: June 26, 2020 | Author: artrosch | Filed under: Art's Visual Media Reviews, Creative Nonfiction, Drama, Television review | Tags: 13 Reasons Why, acting, Clay Jensen, Dylan Minette, Reviews, series, Suicide, teens, TV |
Part Two: The Later Seasons of THIRTEEN REASONS WHY
The story is told. Hannah is dead. The series is popular enough to warrant funding for more seasons. I’m reminded of the Road Runner cartoon, where Wily Coyote follows Road Runner off a cliff. Road Runner doesn’t fall. He just stands there and says “Beep Beep”. Wily zooms over the edge of the precipice, stops dead still…and doesn’t fall. He stands next to Road Runner. He’s about to grab Runner in his evil claws but then he looks down. Way way down there is the bottom of the gorge with a teeny strip of road. When Wily realizes that he is standing on empty space, only then does he fall! EEEEeeeeeoooop! Puff of distant dust down below.
The three following seasons of “13 Reasons Why” bring to mind the dilemma of Wily Coyote. The first season received critical and audience acclaim. The series was banned by numerous school districts and libraries, the putative reason being “that it glorifies suicide”. This smacks of the disingenuous (I think it’s really about the sex, lots of it) but it put a rocket under the series’ ratings and created a demand for further content. Imagine telling an adolescent that a “hot” series is banned and forbidden. That’s like leaving a mouse trap sprung with the bait still in it. What an insult to the inventive intelligence of today’s teenagers. The writers and producers of this series got the funds to make yet another season. And another. And, yes! Another! Three more seasons! They’ve run off the cliff and don’t know yet that there is no ground under their feet. Netflix is usually so canny with regard to marketing and deploying content. That doesn’t mean they don’t stumble occasionally. Everything that follows season One is a reason to allow the characters to utter the same dialogue, hundreds of times.
“Are you okay?” asks Clay’s mom. “I’m fine,” says Clay, all surly and concealed. He is clearly not fine. His teenage brow is wrought, his eyes are tormented. “You can tell me anything, Clay” says mom. “Absolutely anything. We love you unconditionally. It doesn’t matter what you’ve done”
Mom has no clue what Clay has done. No one knows what anyone’s done. Has Jessica fucked Bryce without Justin knowing? Has Justin robbed a bank in the next town and raped a prostitute? Has Clay masturbated in front of the school principal? No one knows but people will say anything about anyone to get revenge. Teens live in a hot mess of drama like an X-rated Shakespeare play fueled by hormones. They’re dripping with pheromones and committing real crimes. Anyway, it isn’t about what anyone’s done. It’s about what they’re capable of doing. Bryce has raped Hannah, Jessica, maybe Clay’s mom. Bryce is a real villain who provides a lot of emotional energy to the series. Bryce has raped just about everybody, including the dog. Justin’s a drug addict, but now he’s clean. Uh oh. He’s not clean. He just bought a bunch of dope from his mother’s boyfriend.
There’s a curious variation of competence and skill in the casting. The actor who plays Clay Jensen couldn’t act his way out of a police lineup. That’s an apt metaphor because Dylan Minette has trapped himself in a repertoire of basic emotional modes. He plays “sensitive teen stricken with guilt” until I want to strangle him. I wanted to like him. He’s so nobly protective of Hannah. His obsession and unrequited love are sloppy sausages filled with angst. In the end it just seems like he’s fishing for credibility. He’s the series’ star but he’s also the worst actor in the ensemble. Whose decision was that? Most of the others fare pretty well. The roles aren’t terribly demanding and that strikes to the core of the problem with this as drama.
This is really a soap opera. It’s about bad decisions and catastrophes. The drama is predictable and sour. The plots are so thin that if they turn sideways they become invisible. We can speak the coming lines before the characters get to utter them. After the first season, the stories are fatuous and boring. They are soaked with the psychological arrogance of the writers and producers. “We know what’s going on with high school kids.” They seem to say. “These kids are the same age as our kids. We’re good parents; we’re Woke. We understand their issues.”
Season One was a siren and a rotating red light on an ambulance roaring down the street. The episodes reek of parental terror. “Our kids are dying!” they scream. Seasons 2.through 4 are a paper whistle from a carnival. The terror is gone.
Fuff! Tweet! The ragged ass follow-on seasons of Thirteen Reasons Why can’t stand up under their own weight.
Watch the first season of this teen-angst drama and leave the rest alone unless you’re a glutton for punishment. (See my review of season 1 here.)
A Midwesterner by birth, Arthur Rosch migrated to the West Coast just in time to be a hippie but discovered that he was more connected to the Beatnik generation. He harkened back to an Old School world of jazz, poetry, painting and photography. In the Eighties he received Playboy Magazine’s Best Short Story Award for a comic view of a planet where there are six genders. The timing was not good. His life was falling apart as he struggled with addiction and depression. He experienced the reality of the streets for more than a decade. Putting himself back together was the defining experience of his life. It wasn’t easy. It did, however, nurture his literary soul. He has a passion for astronomy, photography, history, psychology and the weird puzzle of human experience. He is currently a certified Seniors Peer Counselor in Sonoma County, California. Come visit his blogs and photo sites. www.artrosch.com and http://bit.ly/2uyxZbv.
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Posted: May 30, 2020 | Author: artrosch | Filed under: Art's Visual Media Reviews, Television review | Tags: 13 Reasons Why, Adolescent Bullying, Art's Visual Media Reviews, Rape, Sexual Assault, Teen Depression, Teen Suicide, Television review, Writing to be Read |

Suicides are complex events. They can be acts of rage, despair, even noble sacrifice. There’s no way to generalize suicide. I spent six years as a hotline volunteer, counseling those who were thinking of ending their lives. I was trained to never be judgmental. I was trained to listen. Sometimes that’s what it takes: someone who listens.
Thirty years ago I discovered my mother’s lifeless body lying sideways across her bed. Her lips were blue, her face the color of a bruise. There were two empty bottles of Nembutal on her night table. She had taken her own life.
I reveal these personal experiences because I’ve just finished watching the Netflix release of “13 Reasons Why.” It’s a dramatic series about suicide, adolescent bullying and rape. I have a familiar relationship with suicide. Watching the series, based on the book by Jay Asher, shook some bones in my own closet of secrets. It made me realize that secrets can be dangerous.
The TV series is not only powerful, but it occupies a unique niche as entertainment. The episodes are never repellant, though they can be brutally heavy and painful. I was glued to the story as it dealt with traumatic issues without getting preachy or sentimental. I am aware that people are upset about the series. They fear ‘copycat’ suicides, they fear that opening the subject will encourage more adolescent suicides.
I worry that we’ll lose more of our children if we don’t engage in discussion about bullying, rape and suicide.
The book/TV series involves the suicide of fifteen year old Hannah Baker. Before taking her life Hannah leaves a box of cassette tapes. This is her legacy, her suicide note. On these tapes she describes the people and events that lead to her death. These tapes are narrated in Hannah’s voice as the series proceeds. They single out key people who betray, misunderstand or criminally abuse Hannah. By the end of the series we have heard and witnessed her story.
The teenagers in this series are portrayed as emotionally isolated. Each character inhabits a solipsistic landscape full of intense but unexpressed feelings. These kids can’t or won’t talk to their parents. Their parents may as well be from another universe. The kids can barely talk to each other. It seems as if American teens are the loneliest people in the world. The stress on them piles up. They’re supposed to be preparing for college, right? Then what? The job market? There are huge demands made on adolescents to prepare for the world’s chaos, for a job market that may change beyond recognition by the time they’re ready to look for work. Sprinkle in a ton of sexual angst. Are these kids depressed? Hell yes, they’re depressed! Where does an adolescent get help for such lethal depression?
The French have a pithy folk saying. “The more things change, the more they stay the same”. This is true at a basic level, but things HAVE changed and changed profoundly. When I compare my experience of high school with today’s high school, I have to wonder: what happened?
The Internet happened. Smartphones, laptops, and tablets happened. The effect of having these tools and toys is that gossip travels with the speed of light. It travels fast and it travels far. Gossip is a staple of interaction among high school age people. Girls gossip ferociously. Boys lie shamelessly. Digital media can transform an ordinary event into a ruinous assault on one’s reputation. An adolescent’s reputation is crucially important. Reputations are built on perceived sexual behavior. Sex is now everywhere. Children have sex younger and they have it more promiscuously. They are oblivious to the emotional consequences of sex until they’re embroiled, confused, deeply hurt and maybe pregnant.
Adolescents face a different world today. In my time at high school the great threat was nuclear annihilation. Today such threats are multiplied. The teenage imagination must deal with a world where politics is so rotten it’s seen as a futile joke. An atmosphere of threat is pervasive. We face unpredictable, but real disaster from climate change, terrorism, tsunamis, volcanoes, earthquakes, plagues natural and plagues man-made. The earth is moving under our feet. How does a young person come to grips with the future if the future is so uncertain? The pace of change is dizzying. The nature of the future is beyond imagination. How does anyone think rationally in such an irrational world?
THESE ARE IMPORTANT ISSUES! We need to talk to our kids. We need to be available to our kids and we need to train people to help our kids. We’re not doing any of these things. The funding for counseling in school is vanishing along with funding for band and arts programs. Parents are so busy coping with economic pressures that they have no time or energy for their children. This is tragic and points to a fundamental flaw in our culture. Time is money and money is time spent away from our kids. I don’t know what to do. Circle the wagons. Slow down. Pay attention. Now I’m guilty of being preachy and I apologize. Watching “13 Reasons Why” scared me.
I fear that in our short-attention span culture, these issues will reach a media peak, the fuss over “13 Reasons Why” will reach a crescendo and then disappear. We can’t afford to let that happen.
A Midwesterner by birth, Arthur Rosch migrated to the West Coast just in time to be a hippie but discovered that he was more connected to the Beatnik generation. He harkened back to an Old School world of jazz, poetry, painting and photography. In the Eighties he received Playboy Magazine’s Best Short Story Award for a comic view of a planet where there are six genders. The timing was not good. His life was falling apart as he struggled with addiction and depression. He experienced the reality of the streets for more than a decade. Putting himself back together was the defining experience of his life. It wasn’t easy. It did, however, nurture his literary soul. He has a passion for astronomy, photography, history, psychology and the weird puzzle of human experience. He is currently a certified Seniors Peer Counselor in Sonoma County, California. Come visit his blogs and photo sites. www.artrosch.com and http://bit.ly/2uyxZbv.
Want to be sure not to miss any of “Art’s Visual Media Reviews” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
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