Read and Cook – Wind in the Willows by Kenneth Grahame and Sally Lunn Teacakes

The Wind in the Willows is a charming tale that centres around four animals living in an idyllic English setting. The descriptions of the English countryside are delightful, and the book embodies the best of English country life.

The story commences with the mole experiencing a sudden desire to have an adventure and experience life outside of his underground home. He is busy doing his spring cleaning, but he follows the urge to throw down his paint brush and dig upwards and outwards. He comes out in a beautiful spring meadow. Seeing the river for the first time, he goes down to see it and meets the Water Rat. The two animals strike up a conversation and the Water Rat offers to take Mole on a picnic along the riverbank. During the picnic, Rat tells Mole about all the characters who live around the riverbank including Mr Toad, an impetuous creature who inherited wealth from his father and indulges himself in a variety of obsessive behaviours, the hermit-like Badger who lives in the Wild Wood, and Otter. On the way back to Rat’s den after the picnic, Mole seizes the oars from Rat and tries to row. He overturns the boat and nearly drowns. He is pulled out by the Rat who proceeds to rescue all his belongings and his boat from the water. The Mole is overcome by remorse at his rash action that caused the Rat so much trouble. Mole ends up spending the night at the Rat’s den and the pair become friends.

A few days later, Rat takes Mole to visit Mr Toad, a landed gentleman who lives in the best house in the area, Toad Hall. This visit results in the friends going off in a caravan with Toad who has a desire for adventure and to see the larger country. This adventure ends with Toad learning about motor cars and declaring that he shall have one. Mole and Rat return to Rat’s den and Mole ends up staying, time passes, and winter comes.

Rat has told Mole all about Mr Badger, a kindly creature who lives in the Wild Wood, a scary place where the river animals do not often go. Mole is curious about Badger who is a recluse and rarely undertakes social activities. One winter’s day while Rat is sleeping in his armchair in front of the fire, Mole sets off on his own to find Badger. This unfortunate decision nearly ends badly for Mole and the brave Rat, who comes to find his friend when he discovers he is missing. Good fortune, however, has the pair stumbling across the home of Badger and they are saved. Mole also gets his wish of meeting Badger. During their time at Badger’s home, the subject of Toad comes up and the reader learns that Toad’s obsession with motor vehicles has resulted in him wrecking eight vehicles, ending up in hospital a few times, and getting into trouble with the law because of his reckless behaviour on the roads. Badger decides that the Toad’s three friends, himself, Mole, and Rat, must take Toad in hand in the spring.

This first part of the novel introduces the two main themes of home as a source of strength and the power of nature. The development of the Mole’s character from a timid, nervous, and excitable animal into a brave, dependable, and thoughtful friend. It is only by leaving his home that Mole can learn about the vastness of nature and the joys of companionship and friendship.

The homes of Rat and Badger are integral to their characters and roles in the story. Water Rat and the river are joined together almost as one. Both are calm and poetic but also in constant motion as they follow the tides. Rat is a gregarious creature and accepts the changes to his life brought by the seasons and the river’s reactions to the seasons, with good grace. Rat is as accepting of flooding of his home as he is of newcomers into his life.

The Badger has a vast underground home that suits his slow, lumbering movements and winter hibernation. Badger’s home is his place of sanctuary from society where he can be alone and restore his equilibrium after social interactions.

When the spring comes, Badger makes good on his promise and the trio go to Toad’s house and confront him about his irresponsible behaviour. Toad refuses to listen and promise to amend his behaviour, and so Badger decides to imprison him in his bedroom until he sees reason. Naturally, the deceitful Toad manages to escape. Toad steals a car and gets arrested and thrown in jail for twenty years. The charges are theft, reckless driving, and being disrespectful to the police.

This sets the stage for the second part of the story which revolves around forcing Toad to behave with proper etiquette suited to his station in life. This second section of the book expands on the themes of home as a source of strength and the importance of animal etiquette. Mole learns these lessons quickly while Toad must learn them slowly and because of numerous unfortunate and difficult life lessons.

My thoughts

I loved the beautiful and scenic writing in this book. Nature is a force in this book that the animal characters must pay constant attention to or risk their lives. I liked how nature was so true to life, neither benevolent nor malevolent but rather a condition for existence that must be acknowledged and accommodated.

The scene where Mole and Rat are so in tune with nature, they can hear the music of the Piper while searching for the missing baby otter. The music guides them, and they find Portly and get a glimpse of nature personified as a demi-god. This scene is spiritual and powerful.

This book really spoke to me as it encapsulates everything I value in life: home, nature, and social harmony including consideration and respect for others.

Quotes from this book

“Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing.”

“All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered.”

“But Mole stood still a moment, held in thought. As one wakened suddenly from a beautiful dream, who struggles to recall it, but can recapture nothing but a dim sense of the beauty in it, the beauty! Till that, too, fades away in its turn, and the dreamer bitterly accepts the hard, cold waking and all its penalties.”

“He saw clearly how plain and simple – how narrow, even – it all was; but clearly, too, how much it all meant to him, and the special value of some such anchorage in one’s existence. He did not at all want to abandon the new life and its splendid spaces, to turn his back on sun and air and all they offered him and creep home and stay there; the upper world was all too strong, it called to him still, even down there, and he knew he must return to the larger stage. But it was good to think he had this to come back to, this place which was all his own, these things which were so glad to see him again and could always be counted upon for the same simple welcome.”

Sally Lunn Teacake recipe

Ingredients ( 1 large teacake or 2 medium teacakes)

360 ml plain or cake flour

1 egg, beaten

1/2 teaspoon salt

7 grams powdered yeast

1 teaspoon sugar

165 ml milk and water (2/3 milk and 1/3 water)

30 ml (1 Tablespoon) butter

Egg or milk to glaze (I used milk)

Glace icing (I used this recipe for glace icing: https://www.snowflake.co.za/recipes/glace-icing)

Method

Sift the salt and flour into a mixing bowl. Mix the yeast power with the milk and water heated until its tepid (lukewarm – NOT HOT) and the sugar, pour into the flour and combine. Add the melted butter (NOT HOT) and beaten egg and mix to a light, sticky dough. Knead for few minutes. If you are doing the kneading by hand, cover hands with a coating of flour before starting to help prevent sticking. Grease a small cake tin or two smaller cake tins and transfer the dough to the tins. Set in a warm place to rise until the dough has more than doubled in size (I put in in a cool oven – 100 C) for 30 minutes.

Paint the top of the risen dough with warm milk and place in an oven pre-heated to 230 C (450 F) and bake to approximately 20 minutes or until a cake tester comes out clean. When cold, cover the teacake with glace icing.

Picture caption: My Sally Lunn teacake with glace icing.

About Robbie Cheadle

Picture caption: Robbie Cheadle author photograph 2025

South African author, photographer, and artist, Robbie Cheadle, has written and illustrated seventeen children’s books, illustrated a further three children’s books, written and illustrated four poetry books and written and illustrated one celebration of cake and fondant art book with recipes. Her work has also appeared in poetry and short story anthologies.

Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.

You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/

Find Robbie Cheadle

Blog https://wordpress.com/home/robbiesinspiration.wordpress.com

Bluesky https://bsky.app/profile/robbiecheadle.bsky.social

YouTube https://www.youtube.com/channel/UCVyFo_OJLPqFa9ZhHnCfHUA

Goodreads https://www.goodreads.com/author/show/15584446.Robbie_Cheadle

_________________________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

___________________________________

This segment of “Read and Cook with Robbie Cheadle” is sponsored by WordCrafter Press and their themed anthologies.

Tales From the Hanging Tree: Imprints of Tragedy: There exists a tree that is timeless, spanning across all dimensions, which absorbs every life as those who are hanged as they die… and it remembers every one. The stories within are a select few of the Tales From the Hanging Tree

Curses: Chronicles of Darkness:

There are all types of curses.

Cursed places, cursed items, cursed people, cursed families.

Curses that last throughout time. Curses which can’t be broken. Curses which are brought upon ourselves. Curses that will kill you and those that will only make you wish you were dead.

Legends: Monsters That Go Bump in the Night: Coming in 2026


Read and Cook – This Is How We Work: Stories, Memoirs and Poems about Social Dimensions of Work and Stained Glass Biscotti for the Annual Cookie Exchange

Today, I am delighted to share my review of a unique anthology centering around work experiences in the broadest sense of the word work. This Is How We Work: Stories, Memoirs and Poems about Social Dimensions of Work was compiled by contributing editor Yvette Prior.

Picture caption: Cover of This Is How We Work: Stories, Memoirs and Poems about Social Dimensions of Work

This Is How We Work is a unique collection of stories, memoirs and poems which all centre around the theme of the workplace. It is a most insightful and interesting collection as the various contributors from around the world all engage/engaged in different forms of work, many quite different from my own experiences in the corporate world.

Chapter 1 by Yvette Prior, the editor and a co-contributor, provides insight into why she selected this theme for the anthology and sets out the aims of the anthology for readers. It ends with a wonderful quote: “We work to live, but stories help us understand why we live, and sometimes, why we work.”

All of the contributions are compelling and give great insight into the evolution of the contributors careers and how their ideas on work changed over time. I have experienced this happening from my own perspective in my job so it is very relatable for me. I am going to share a bit more about the contributions that resonated the most with me.

Chapter 3, The Quiet Work of Love by Sherri Matthews was particularly useful and, in many ways heart rending, for me. Sherri depicts her journey as a caregiver to her mother as she aged and became less capable. I have followed this journey to a lessor extent with my aging aunt and am also following it with my own aging parents. The emotional angst of watching those we love giving up everything they enjoy and care about over time and becoming frail is hard – very hard. Sherri’s story was relatable and a mixture of encouraging and horrifying as I read it.

Chapter 4, The Creative Dream Job That Wasn’t So Dreamy, by Mabel Kwong also interested me greatly. I am a chartered accountant with a highly creative bend and spend a lot of my spare time writing and painting. Up until recently, I cherished the idea of turning these ‘hobbies’ into income producing activities. Prior to reading Mabel’s story, I had already arrived at the conclusion that turning creative outlets into work changed them in a negative way. When you paint commissions, you lose control over the creative output on many levels. Painting on demand is very different from someone seeing something you have created and asking to buy it as it is. Commissions means dancing to the purchasers tune which curtails your own creative ideas. It is the same with writing. If you write for the traditional publishing market, you write to the rules of the traditional publishers. That doesn’t work for me and I have never attempted to find a traditional publisher for my work. Mabel’s story of disillusionment with paid writing confirmed my own views, despite the fact that Mabel did gain a great deal from the experience and she grew as a writer. Anyone contemplating writing for a living should read this memoir.

Chapter 6, The Paper Knife Incident by Brian Martin-Onraet, was a delightfully entertaining story about working in Gabon, Africa. It highlights differences in work ethics and circumstances of workers and also focuses on management choices and behaviours. Brian is an excellent writer and I hope he publishes more of his fascinating stories.

Chapter 7, Serving The Patient, Resisting The System: Work Across by Career by Mike F. Martelli, is riveting reading. Mike’s journey in the field of mental health was insightful into how the health system has changed over time and is now focused on patient turnaround rather than patient service. It was sad for me as a reader and I’m sure its incredibly disillusioning for medical practitioners who enter the system full of the eagerness to make a difference of youth. Although this piece focuses on the health industry, its content applies to many other fields like teaching and even corporate work.

Chapters 11, Eighty-five Degrees For Me by Marsha Ingrao, and 13, Asylum Ghosts (And No Escape Room) by Frank Prem (Poetry), both give incredible insight into the worlds of teaching and psychiatric nursing, respectively. I learned a great deal about these professions, which are in my mind callings, and my respect for the people who enter these professions increased tenfold.

Chapter 16, Chapter Summaries by Yvette Prior, is a lovely summary of each of the contributions including her personal thoughts on how these pieces and poems can benefit readers. Yvette also contributed some beautiful and thought provoking poems to the collection.

I highly recommend this meaningful collection.

This Is How We Work: Stories, Memoirs and Poems about Social Dimensions of Work is available form Amazon US here: https://www.amazon.com/This-How-We-Work-Dimensions-ebook/dp/B0FWC6BMFP/

My recipe for December is Stained Glass Biscotti. It is also my contribution to Staci Troilo’s annual Cookie Exchange. You can read more about it here: https://stacitroilo.wordpress.com/2025/12/01/thanks-deals-treats. You can find all the cookie recipes from the last four years of the Cookie Exchange here: https://stacitroilo.wordpress.com/recipes/

This recipe comes from The Australian Women’s Weekly Christmas miniatures finger food and tiny treats. I have this book as a paperback and have used it to make Christmas treats for years.

This is a gallery of the book cover and two of the recipe pages:

Ingredients

165 grams caster sugar

2 medium eggs

200 grams plain/all purpose/cake flour

50 grams self raising flour

300 grams multi glace cherries (a mix of colours is preferable)

80 grams sliced/diced almonds

Method

Preheat the oven to 180 C or 350 F. Prepare your cookie baking tray using grease or oil spray.

Mix sugar and eggs in a mixing bowl until well combined and then stir in flour, cherries and nuts. Knead the doub on a floured surface until smooth. Divide the dough into two parts and roll each part into a long sausage/log. Place logs on the prepared baking trays and bake for 30 minutes. Remove from oven and cool for 10 minutes.

Reduce the oven temperature to 150 C or 300 F. Using a serrated edged knife, cut the logs into slices. Place the slices in a single layer on prepared baking trays and bake for a further 30 minutes until dry and crisp. I turn the biscuits half way through the second baking session.

About Robbie Cheadle

Picture caption: Robbie Cheadle author photograph 2025

South African author, photographer, and artist, Robbie Cheadle, has written and illustrated seventeen children’s books, illustrated a further three children’s books, written and illustrated four poetry books and written and illustrated one celebration of cake and fondant art book with recipes. Her work has also appeared in poetry and short story anthologies.

Robbie also has two novels and a collection of short stories published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.

You can find Robbie Cheadle’s artwork, fondant and cake artwork, and all her books on her website here: https://www.robbiecheadle.co.za/

Find Robbie Cheadle

Blog https://wordpress.com/home/robbiesinspiration.wordpress.com

Bluesky https://bsky.app/profile/robbiecheadle.bsky.social

YouTube https://www.youtube.com/channel/UCVyFo_OJLPqFa9ZhHnCfHUA

Goodreads https://www.goodreads.com/author/show/15584446.Robbie_Cheadle

_________________________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

___________________________________

This segment of “Read and Cook with Robbie Cheadle” is sponsored by WordCrafter Press and their themed anthologies.

Tales From the Hanging Tree: Imprints of Tragedy: There exists a tree that is timeless, spanning across all dimensions, which absorbs every life as those who are hanged as they die… and it remembers every one. The stories within are a select few of the Tales From the Hanging Tree

Curses: Chronicles of Darkness:

There are all types of curses.

Cursed places, cursed items, cursed people, cursed families.

Curses that last throughout time. Curses which can’t be broken. Curses which are brought upon ourselves. Curses that will kill you and those that will only make you wish you were dead.

Legends: Monsters That Go Bump in the Night: Coming in 2026