Dark Origins – The Road by Cormack McCarthy, a novel set in a post apocalyptic world with a drastically altered climate #darkorigins #TheRoad #readingcommunity

Cormack McCarthy’s novel, The Road, is set in a world that has been devastated by a cataclysmic event resulting in a drastically altered climate. The story begins in the middle with a father and his son travelling along a seemingly endless road in bitterly cold conditions and pushing their limited food and other supplies in a shopping cart. The world around them is completely grey from the dull grey sky overhead to the grey, ash covered wasteland they are travelling through. All the trees, plants and crops have been burned or scorched and there are no living creatures anywhere. It gets progressively colder as the pair’s journey continues and they are always hungry. The only food available is tinned or canned food they can scavenge from the desolate and abandoned houses they pass. The repetition of the word grey in all descriptions of the environment symbolises the bareness of the landscape

The following quotes describe the landscape depicted in The Road:

““Nothing. Where all was burnt to ash before them no fires were to be had and the nights were long and dark and cold beyond anything they’d yet encountered. Cold to crack the stones. To take your life. He held the boy shivering against him and counted each frail breath in the blackness.”

“He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.”

“The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes.”

As the story progresses, the details of the night of the catastrophe that ended civilization, and the rapid descend of the survivors into savagery’s following the scorching of the entire planetary ecology, are shared through memories of the father. This aspect of the book is similar to the degeneration of the school boys in William Goldings book, Lord of the Flies. Survivors have gathered in groups many of which have resorted to cannibalisms to supplement limited food supplies. It quickly becomes apparent that aside from the threats presented by the cold and hunger, other people pose an even greater danger to the travelers. In addition to all these obstacles, the father is very sick. He is suffering from some sort of lung disease, possibly lung cancer or a form of tuberculosis, which may have been caused by the ash in the air. The pair wear masks to filter the air they breath.

The Road acts as a warning about the irreversible and drastic consequences of climate change. This message is continuously driven home by the them of the certainty of death in a dying world. Death lurks at the edges of the father’s and son’s lives continuously. It takes many potential forms: the terrible cold, the father’s sickness, starvation due to the lack of food, and the evil cannibals’ patrolling the countryside. All of these are inescapable dangers for the pair and they will continue for the rest of their lives. The Earth is dead and is no longer able to sustain life.

I have focused on the themes of climate change and the death of Earth for this discussion as my purpose was to examine it against the backdrop of the current extreme weather being experienced around the globe resulting in flooding, fires, droughts, earthquakes and similar catastrophes.

For completeness sake, I will also mention that although the main conflict of the book is the struggle to stay alive in the adverse circumstances, there are also themes of hope and love. The entire purpose of the journey is one of hope to survive in the expected better climate at the coast. The father also constantly expresses his belief that their are good guys like them somewhere in the world. The boy is also depicted as an extremely empathetic and kind person despite the formidable nature of his circumstances.

The book ends on a relatively uplifting note with the boy finding ‘the good guys’ his father spoke about.

There is a movie of The Road and this is the trailer:

Have you read The Road? What did you think of it?

About Roberta Eaton Cheadle

Award-winning, bestselling author, Roberta Eaton Cheadle, is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.

Roberta has two published novels and has horror, paranormal, and fantasy short stories included in several anthologies. She is also a contributor to the Ask the Authors 2022 (WordCrafter Writing Reference series).

Roberta also has thirteen children’s books and two poetry books published under the name of Robbie Cheadle, and has poems and short stories featured in several anthologies under this name.

Roberta’s blog features discussions about classic books, book reviews, poetry, and photography. https://roberta-writes.com/.

Find Roberta Eaton Cheadle

Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com

Twitter: https://twitter.com/RobertaEaton17

Facebook: https://www.facebook.com/robertawrites

Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5

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“The Stand”: A Visual Media Review

The Stand 2020-2021 Television Mini-Series

I’ve been a Stephen King fan since I was thirteen and read Carrie, but I didn’t realize it until a year later when I read The Shinning one night when I was babysitting. I picked it up after my charges were asleep and I was looking for something to read, and I couldn’t put it down. I called my mom and woke her up at four in the morning, because I was too scared to read more, but I didn’t want to put the book down. I finished it the next day, and after that, I soaked up anything by Stephen King that I could get my hands on. I’ve read The Stand through three times, including the “Special Edition” version with all the cut chapters and scenes. I’ve seen the original mini-series twice, so it was in great anticipation that I awaited the coming of the new mini-series on CBS All Access. I woke up analyzing this s new version of an old favorite, so I knew I had to write this review.

Let me begin by saying that I think they made a huge mistake by starting this mini-series after Captain Tripps has devoured humanity and placed the survivors into the two camps in Boulder and New Vegas, and only allowing us glimpses of the pre-Captain Tripps world, instead of letting us get to know the characters as the story unfolds, as in the book and the original mini-series. By eliminating what was basically the first half of the book and reducing it to flashbacks, we miss out on vital character development, not to mention many of the very intense scenes that occur there.

Now, I know we shouldn’t judge this version by those that have come before, and I’ve tried not to, but in my defense, I know this story inside and out, and it is very difficult not to draw on previous knowledge. But, I’m on episode 5 and I still don’t feel connected to any of the characters. That connection, the feeling of knowing and relating to the characters, is one of the big appeals of this story. Without it, I doubt anyone would keep turning the pages of this massive novel or continue watching, because without that feeling of connection, readers or viewers have no reason to care. And I have to admit, I’m hard-pressed to keep viewing the 20-21 version for this very reason.

But the method of storytelling is only one problem. I have difficulty buying-in to this new cast. There’s already been controversy over the Randall Flagg of the first mini-series and this one, portrayed by Alexander Skarsgard, who doesn’t come off as being evil enough in my opinion, but this could go back to the lack of character developement. Although I could get used to Jovan Adepo as Larry Underwood and Gabreille Rose as Judge Harris, who are opposites of their original counterparts, I feel Whoopi Goldberg misses the mark totally with the character of Mother Abigail.

While I like Whoopi as Guynan on Star Trek Generations, and I loved her as Oda Mea Brown in Ghost, she is not the right actress for this part. Mother Abigail is old and frail and determined to carry out the Lord’s work as long as she is able, and everyone loves her and is devoted to her. Whoopi is none of these things. Goldberg is not old enough, and she’s not frail in any way. In previous versions, Mother Abigail’s strength was established through her determination while she was still alone at Hemmingford Home, (which is now in Boulder instead of Nebraska), which we only see a glimpse of in this version. We don’t see her frailty, or her failing health in the Goldberg character, and it is difficult to buy-in to the character, when I don’t feel as if I know who she is or where she came from in the story.

Overall, I am disappointed in this recent rendition of one of my favorite apocalypse tales. I know Stephen King has writing credits for at least nine episodes, but cutting out half the original story was not a good storytelling decision. Flashbacks don’t offer enough to get to know and connect with the characters. There were also several questionable casting decisions, at least in my mind, which prevent relatabilty of the characters. I honestly don’t know how much more I will watch, because they haven’t made me care about this cast of characters in any meaniful way. I will say that Captain Tripps bears some scary resemblences to the Covid pandemic we’re all living through now, but I don’t know if that is enough to attract viewers, especially without many of the most powerful scenes, such as the journey through the tunnel out of New York, Nick’s time as jailer, and Lloyd’s rat problem, which is alluded to in flashback, but just didn’t carry the same impact. My continued viewing is doubtful. If you don’t already know this apocalyptic story, I recommend the original mini-series, or better yet, get the book.